{"title":"Abstract Art and Avant-Garde","description":"","products":[{"product_id":"jose-luis-serzo-construccion-dios-vientos-obra-original","title":"José Luis Serzo | The Construction of a God of Winds | Original Contemporary Oil Painting","description":"\u003cp\u003e\u003ci\u003eThe genesis of a myth, painted with the mastery of a classic.\u003c\/i\u003e\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eCurator's Note\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003eTo delve into the work of José Luis Serzo is to accept an invitation to a parallel universe, with its own mythologies, characters, and stories. He is one of the great fabulists of contemporary Spanish art, and to have a piece from his early days, from the seminal \"Absurdas Aproximaciones\" series, in the workshop is a true privilege. What fascinates me about this work is the sublime tension it contains: on the one hand, a pictorial technique that draws directly from the Baroque masters, with a mastery of light and color that is pure delight; on the other, a surreal, almost dreamlike scene, extracted from a story that only the artist knows but that invites us to decipher. It is a window into the laboratory of a world-creator, right at the moment when he began to build his vast empires of imagination.\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eCuratorial Analysis\u003c\/b\u003e\u003c\/h3\u003e\u003cp\u003eThe very long and poetic title of the work is not a mere whim, but the first and most important key to understanding it. It fully introduces us to Serzo's methodology: each piece is a fragment, a still from a much larger narrative.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eComposition and Technique\u003c\/b\u003e The scene is presented as a theatrical act or a mystical revelation. A central figure, almost a demiurge, manipulates strange machinery under a vibrant sky charged with energy. Serzo demonstrates overwhelming technical virtuosity, using oil on canvas with precise brushstrokes and glazes that give the surface extraordinary depth and internal light. The deliberately classical composition serves as an anchor for the overflowing imagination of the subject.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe Palette and Light\u003c\/b\u003e Light is the true protagonist. With clear tenebrist inspiration, it bursts into the scene to model the forms and bestow a sacred aura upon this absurd and wonderful act of creation. The palette is rich and symbolic, with a mastery of earth tones and carnal reds that contrast with the electric blue of the firmament, creating an atmosphere that is both earthly and fantastic.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eContext and Meaning\u003c\/b\u003e Belonging to his early 2000s series, \"Absurdas Aproximaciones,\" this work shows us a young Serzo but with an already well-defined language. It is a reflection on creation itself, both artistic and mythological. How is a god built? How are legends born? Through characters like \"Uncle Linuos of Familasia,\" Serzo proposes a personal cosmogony, a world that functions as a distorted mirror of our own, full of beauty, humor, and a deep philosophical charge.\u003c\/p\u003e\u003ch3\u003e\u003cb\u003eWhy This Piece Deserves a Place in Your Collection\u003c\/b\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eAn Established Artist:\u003c\/b\u003e José Luis Serzo is one of the most recognized and promising figures in contemporary Spanish art, with a presence in important collections and museums.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eThe Origin of a Universe:\u003c\/b\u003e This work is not an isolated piece, but the germ of the complex narrative worlds that have defined the artist's career. It is an opportunity to acquire a foundational moment in his trajectory.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eMasterful Technique:\u003c\/b\u003e For the collector who values \"good painting,\" this work is a delight. Serzo's technical mastery connects conceptual avant-garde with the great tradition of Spanish painting.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eInvestment in Narrative:\u003c\/b\u003e Acquiring this piece is investing in a story. It is a work that is never exhausted, that always suggests new readings, and that establishes an intellectual and poetic dialogue with the viewer.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003e\u003cb\u003eTechnical Data\u003c\/b\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eAuthor:\u003c\/b\u003e José Luis Serzo (b. 1977).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eTitle:\u003c\/b\u003e \u003ci\u003eThe construction of a god of winds, emitted and provoked by Uncle Linuos of Familasia.\u003c\/i\u003e\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eYear:\u003c\/b\u003e c. 2000.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eSeries:\u003c\/b\u003e Absurdas Aproximaciones.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eTechnique:\u003c\/b\u003e Oil on canvas.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 46 x 27 cm (canvas) | 50 x 30 cm (with frame).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Acquired in the secondary art market, Barcelona. Previously, private collection.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Excellent.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003eFraming:\u003c\/b\u003e Yes, the work is delivered framed.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cb\u003ePrice:\u003c\/b\u003e Request information.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52266810212685,"sku":null,"price":2900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0096.jpg?v=1764696908"},{"product_id":"david-monros-shomu-oleo-sobre-lienzo","title":"David Monrós | Shomu, He Who Had No Boat | Oil on Canvas","description":"\u003cp\u003e\u003ci\u003eAn inner journey when the outer journey is impossible.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eCurator's Note\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003eThere are artworks that strike you with the force of a universal truth. \"S’homu que no tenía barca\" is one of them. Since its arrival at the Workshop, this painting has dominated the space, not only due to its size but also its raw honesty. What fascinates me is the tension David Monrós creates: the human figure, huddled and isolated, burns with a palette of vibrant, almost electric colors, as if its inner world were a volcano of emotions. And facing it, absence, longing: the ribs of a boat that isn't there, a skeleton symbolizing the journey that cannot be undertaken. It is a work that speaks to our time, of paralysis and introspection, but also of the unquenchable life that boils within us. It is, without a doubt, one of the most powerful and moving pieces I have had the privilege of selecting.\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eCuratorial Analysis\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eComposition and Technique\u003c\/b\u003e Monrós displays a language in this canvas that directly draws from urban art and neo-expressionism. The composition is bold, dividing the work into two large visual fields: to the left, the ghostly and empty presence of the skeletal boat, painted with gestural strokes and drips that lend it drama; to the right, the scene of the human figure, framed by geometric structures reminiscent of a labyrinth or an oppressive space. The artist combines oil paint with what appear to be spray and stencil techniques, creating a rich surface of textures and layers that reflects the complexity of the theme.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePalette and Light\u003c\/b\u003e The use of color is the emotional key to the work. Monrós creates a violent contrast between the environment and the individual. The background moves in a range of grays, blacks, and a melancholic, industrial-resonant greenish-blue, dotted with a fluorescent green that introduces a note of urban acidity. In total opposition, the man's skin is a chromatic battleground of blues, purples, yellows, and oranges, a light emanating from his very being. There is no external light source; it is the character who illuminates the scene with his own contained energy.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eContext and Meaning\u003c\/b\u003e The title, \"S’homu que no tenía barca\" (The man who had no boat), is deeply evocative. In a Mediterranean culture where the boat is a symbol of freedom, sustenance, and travel, its absence becomes a powerful metaphor. The work speaks to us of being stranded, of helplessness in the face of an unattainable horizon. However, the figure is not shown as defeated, but in a state of deep concentration, almost fetal. Monrós does not paint a tragedy, but a state of resilience: when the outside world stops us, the only possible exploration is inward.\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eWhy Does This Piece Deserve a Place in Your Collection?\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eThe Force of Contemporary Neo-Expressionism:\u003c\/b\u003e This work is a magnificent example of current Catalan painting, which unreservedly integrates raw figuration with the energy of urban art. It is a brave and absolutely contemporary piece.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eA Work That Interrogates:\u003c\/b\u003e It is impossible to remain indifferent to this painting. Due to its universal theme—struggle, waiting, resilience—it becomes a mirror that generates conversation and reflection, which is the ultimate purpose of great art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eVisual Impact and Large Format:\u003c\/b\u003e With its imposing dimensions (100 x 50 cm), this work is destined to be the focal point of any space. Its visual force and bold chromatic palette make it a decorative and artistic statement.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eA Catalan Artist in Full Maturity:\u003c\/b\u003e Acquiring a work by David Monrós from this period (2006) is an investment in a consolidated artist with a recognized trajectory and a unique language. It is a key piece for any contemporary art collection with character.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eTechnical Details\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eArtist:\u003c\/b\u003e David Monrós (b. 1960)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle:\u003c\/b\u003e S’homu que no tenía barca\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eYear:\u003c\/b\u003e 2006\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eMedium:\u003c\/b\u003e Oil and mixed media on canvas\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSupport:\u003c\/b\u003e Canvas\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 100 cm x 50 cm\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed, titled, and dated on the reverse of the canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Good. The work is in good condition, with no notable damage or defects.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52377789858125,"sku":null,"price":950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0011.webp?v=1759661082"},{"product_id":"patrick-loste-composicion-abstracta-jinete-telurico","title":"PATRICK LOSTE: ABSTRACT COMPOSITION | TELLURIC RIDER","description":"\u003ch1\u003e \u003cb\u003ePATRICK LOSTE: ABSTRACT COMPOSITION | TELLURIC RIDER\u003c\/b\u003e\n\u003c\/h1\u003e\n\n\u003cp\u003e \u003ci\u003eThe ancestral echo of a rider, engraved on the earth.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eThe Curator's Note\u003c\/b\u003e\n\u003c\/h2\u003e\n\n \u003cp\u003eThere are works that don't just invite contemplation; they demand to be deciphered. At first, the raw power of the material in this piece by Patrick Loste captured my full attention. However, it is upon closer inspection that the work reveals its soul: the unmistakable figure of a horseman. It is not a clear image, but an echo, an apparition emerging from the very earth. The work ceased to be an abstraction and became an archetype. What fascinates me now is how Loste compels us to excavate with our gaze to find this legendary figure, almost like an archaeologist discovering a petroglyph. I have selected this piece for the Workshop because of this duality: it is an object of fierce modernity in its technique, yet with a soul that belongs to the most ancient memory of humankind.\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eCuratorial Analysis\u003c\/b\u003e\n\u003c\/h2\u003e\n\n \u003cp\u003e\u003cb\u003eComposition and Technique:\u003c\/b\u003e The composition is dominated by the powerful silhouette of a horseman advancing from left to right. Patrick Loste, a master of impasto painting, defines the figure not with line, but with mass and texture. The animal's body and its rider form a single dark block, worked with incisions and scrapes that lend it extraordinary dynamism and tension. The use of cardboard as a support is not accidental; its humble and absorbent nature allows the artist to roughen the surface, creating a work that appears to have been eroded by time.\u003c\/p\u003e\n\n \u003cp\u003e\u003cb\u003eThe Palette and the Light:\u003c\/b\u003e The deliberately limited palette reinforces the archetypal character of the scene. A deep, earthy black gives substance to the figure of the rider and his mount, silhouetted against a background of golden ochre. This ochre does not represent a landscape, but rather a primordial light, a burst of solar energy, or the radiance of an arid land. The thin band of blue at the top acts as a counterpoint, a distant sky that accentuates the solitude and monumental scale of the rider's journey.\u003c\/p\u003e\n\n \u003cp\u003e\u003cb\u003eContext and Meaning:\u003c\/b\u003e The figure of the rider is one of the most powerful archetypes in human history, a universal symbol of travel, exploration, solitude, and mastery over nature. Patrick Loste, an artist deeply connected to the history and landscapes of French Catalonia, reinterprets this myth with a contemporary language. His rider is not a battle hero, but a telluric apparition, a shadow that rides through collective memory. The work belongs to the tradition of artists who seek the essence of art in the primordial, evoking everything from cave paintings to the work of great 20th-century masters of texture.\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eWhy This Piece Deserves a Place in Your Collection\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eThe Power of the Archetype:\u003c\/b\u003e This work connects with a universal and timeless symbol. The lone rider is an image of enormous poetic and philosophical power, appealing to our deepest subconscious.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp\u003e\u003cb\u003eMaterial Mastery:\u003c\/b\u003e This is an exceptional piece for understanding contemporary matter painting. The work is a testament to how texture, gesture, and material can communicate more powerfully than detailed representation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eA Dialogue between the Primitive and the Modern:\u003c\/b\u003e To own this work is to have a piece that bridges ancestral art and contemporary sensibility, a quality that gives it inexhaustible relevance and intellectual interest.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eEstablished Artist with a Distinctive Voice:\u003c\/b\u003e Patrick Loste boasts a solid and internationally acclaimed career. His work is unmistakable and represents one of the most authentic and consistent voices in contemporary art from Southern Europe.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2\u003e \u003cb\u003eDossier of the Work\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Patrick Loste (b. 1955)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eTitle:\u003c\/b\u003e Abstract Composition\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eYear:\u003c\/b\u003e Contemporary\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eTechnique:\u003c\/b\u003e Mixed media on cardboard\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eSupport:\u003c\/b\u003e Cardboard\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 52 cm x 35 cm\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed \"Lost\" in the upper left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eCondition:\u003c\/b\u003e Good. The work exhibits the irregularities and textures characteristic of the artist's technique, which are an integral part of its aesthetic.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e \u003cb\u003eFraming:\u003c\/b\u003e Unframed.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52377829245261,"sku":null,"price":725.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/WhatsAppImage2024-12-31at14.58.21.jpg?v=1763403027"},{"product_id":"j-fin-jose-vilato-composicion-abstracta-oleo-acrilico-escuela-paris","title":"Attributed to J. Fin (José Vilató) | Abstract Composition | Oil and Acrylic","description":"\u003cp\u003eBalance and Matter in the School of Paris. A period piece that attests to structural and sober abstraction linked to the circle of José Vilató, achieving artistic emancipation from the Picasso legacy.\u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eJ. Fin's Own Identity\u003c\/b\u003e José Vilató Ruiz, known artistically as J. Fin (1916-1969), faced the challenge of developing his own voice while sharing lineage and studio with his uncle, Pablo Picasso. This abstract composition, attributed to his hand due to strong technical and formal similarities, is a testament to the creative maturity associated with the post-war School of Paris. The work does not seek mimesis, but rather the construction of an autonomous space based on the strength of gesture and compositional solidity.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStructure and Chromatic Palette\u003c\/b\u003e Technically, the piece stands out for its very defined internal architecture. The composition is anchored by black strokes that order the plane, allowing vibrant blue and off-white stains to interact freely on a surface rich in textures. The use of oil and acrylic gives the brushstroke an evident body and physical weight, avoiding flatness. The sober and elegant palette reflects the aesthetic of post-war France, prioritizing visual balance over stridency.\u003c\/p\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eAvant-Garde Historical Lineage:\u003c\/b\u003e J. Fin is an essential figure for understanding the evolution of Spanish art in Parisian exile. This work connects the legacy of the early avant-garde with European material abstraction, giving it remarkable historical value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eInstitutional Prestige and Transparency:\u003c\/b\u003e José Vilató's work is represented in institutions such as MACBA and the Museo Nacional Centro de Arte Reina Sofía. By being rigorously cataloged as an attributed work based on inscription and technique, it offers the opportunity to incorporate a piece of museum aesthetic at a highly competitive market value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTimeless and Versatile Aesthetic:\u003c\/b\u003e The power of its color and the sobriety of its structure make it a highly adaptable piece. It functions authoritatively both in a modern art collection and in interior design projects that seek a note of historical rigor.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eArtist:\u003c\/b\u003e Attributed to J. Fin (José Vilató Ruiz, 1916-1969).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Untitled (Abstract Composition).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003ePeriod:\u003c\/b\u003e Mid-20th century (School of Paris).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Period oil and acrylic on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 28 x 38 cm (work) | 49 x 56 cm (with frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature and Inscriptions:\u003c\/b\u003e Features the inscription \"J. Fin\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good. Presents a natural patina consistent with its age. Framed with quality matting and a gilded molding.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp\u003eWhat makes this work so compelling is its absolute lack of artifice. One perceives the work of a painter who masters the craft and achieves a solid structure with an enviable economy of means. It is pure painting: color, matter, and balance. The black strokes not only delineate but also support the light of the blues. An ideal piece for the collector seeking the Spanish avant-garde in versatile formats, backed by undeniable historical significance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our cataloging work and attribution analysis.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52785939611981,"sku":null,"price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0039.jpg?v=1773342651"},{"product_id":"patrick-loste-dos-figuras-tecnica-mixta-original","title":"PATRICK LOSTE: TWO FIGURES | ORIGINAL MIXED MEDIA ","description":"\u003cdiv class=\"bot-name gds-title-s ng-tns-c142734555-84 ng-star-inserted\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"response-content ng-tns-c142734555-84\"\u003e\n\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_b584c5d0fd35c473\" aria-live=\"polite\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\n\u003ch1\u003e \u003cb\u003ePATRICK LOSTE: TWO FIGURES | ORIGINAL MIXED MEDIA\u003c\/b\u003e\n\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003cem\u003eThe energy of a former blacksmith transformed into paint: two presences that spring from the earth.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eDossier of the Work\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"5\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"5,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ePatrick Loste (b. 1955)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"5,1,0\"\u003e \u003cb\u003eQualification:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eUntitled (Couple \/ Two figures)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"5,2,0\"\u003e \u003cb\u003eYear:\u003c\/b\u003e \u003cspan\u003e1983\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"5,3,0\"\u003e \u003cb\u003eTechnique:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eMixed media on paper\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"5,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e32 x 44 cm\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"5,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eSigned in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"5,6,0\"\u003e \u003cb\u003eOrigin:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ePrivate collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"5,7,0\"\u003e \u003cb\u003eState:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eVery good. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003chr data-path-to-node=\"6\"\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e\u003cb\u003eCuratorial Analysis: The Alchemist of the Mountain\u003c\/b\u003e\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"10\"\u003eTo understand the power of this paper, you have to know who painted it. Patrick Loste didn't start with a paintbrush, but with a hammer: \u003cb\u003ehe was a blacksmith before he was a painter\u003c\/b\u003e . He lives and works in isolation in the Albères mountains, in a vast workshop surrounded by horses that roam freely.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"11\"\u003e This biography seeps into his technique. Even in a medium-format work on paper like this one, Loste paints with the physicality of someone who has worked with iron. \u003c\/p\u003e\n\n\u003col start=\"1\" data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e \u003cb\u003eThe Theme:\u003c\/b\u003e Although famous for his riders and horses (\"passers-through of the vastness\"), here he applies that same wild vision to the human figure. We see two silhouettes—a man and a woman—that don't seem to be posing, but rather sprouting from the earth. They are what critics call \"insubstantial visions,\" human traces dwarfed by the force of nature.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb\u003eThe Material:\u003c\/b\u003e The palette of \u003cb\u003eearth tones, sepias, and browns\u003c\/b\u003e is not accidental: they are the colors of his surroundings in Roussillon. Loste does not use color to decorate, but to build atmosphere. The brushstrokes are dense, quick, intuitive; they seek to capture the vital essence of the subjects rather than their physical appearance. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003chr data-path-to-node=\"10\"\u003e\n\n\u003cp data-path-to-node=\"11\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eValue of the Piece\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ePatrick Loste, a French painter with a solid track record in the contemporary art market.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e \u003cb\u003eTechnical Execution:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThe mastery of wash and pigment is remarkable, achieving smooth transitions between dark and light areas without losing the strength of the stroke.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e \u003cb\u003eTheme:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eExplicit human figuration is a recurring and valued theme in his work, beyond his landscapes. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003chr data-path-to-node=\"13\"\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eWorkshop Note\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"15\"\u003eThis work on paper functions as a\u003cspan\u003e \u003c\/span\u003eThis is \u003cb\u003ea synthesis of Loste's pictorial universe\u003c\/b\u003e . It is a fragment that condenses his defining characteristics: a palette restricted to earth tones, the abandonment of contour lines, and the complete integration of the human figure into an abstract atmosphere. It is a small-scale demonstration of the same technical and conceptual force he applies to his large canvases.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52792963432781,"sku":null,"price":295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0245.jpg?v=1763481308"},{"product_id":"maria-antonia-raventos-tecnica-mixta-original-materica-grafismos-letras","title":"Maria Antònia Raventós | Matter Composition with Grafisms | Original Mixed Media","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA fragment of an archaeological wall brought to canvas. An original work of Catalan informalism that abandons flat painting to explore tactile relief and the mystery of fragmented calligraphy.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eCuratorial History and Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Archaeology of Matter\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eIn the tradition of Catalan informalism, the support is not a place to paint an image; it is a physical territory to be conquered. Maria Antònia Raventós understands this premise perfectly. The \u003ci data-path-to-node=\"4\" data-index-in-node=\"206\"\u003estorytelling\u003c\/i\u003e of this work does not narrate a scene, but rather the passage of time. The artist constructs the piece as if she were rescuing a piece of ancient wall: on a dark background with sandy textures (dominated by ochre and gold), she superimposes an extraordinarily dense central white mass. This patch is not painted; it is \"applied,\" creating a sculptural relief that casts its own shadows and gives the work a powerful visual weight.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe Secret Alphabet and Architectural Rigor\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIf the work were limited to that material mass, it would be a mere exercise in texture. Raventós's curatorial success lies in the graphic intervention. On this white \"lime,\" strokes emerge that suggest broken or incomplete capital letters (a \"V,\" an \"I,\" an \"H\"). They do not seek to form a legible message, but rather to act as vestiges or signs of a forgotten civilization. To heighten the composition and avoid the absolute chaos of the patch, the artist introduces very fine red lines and gestural touches in blue. That red thread is crucial: it provides an almost architectural or cartographic precision that sharply contrasts with the earthy brutality of the background, achieving a masterful visual balance.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eChromatic Sophistication and Versatility:\u003c\/b\u003e The palette is absolutely rigorous. The restriction to whites, blacks, and ochres, broken only by that sharp red line, gives the work timeless elegance. It is a highly versatile piece, designed to anchor the gaze in contemporary, minimalist interiors or professional offices.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTactile Depth:\u003c\/b\u003e The use of mixed media creates a map of textures that demands observation at close distances. It is a work that invites you to approach it to discover the incisions, superimposed layers, and the relief of the acrylic, moving completely away from industrial and flat painting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eMarket Traceability:\u003c\/b\u003e The piece retains on its reverse the original authenticity label from the prestigious Galería American Prints (Supermercat d'Art, 11th Edition), which certifies its origin, era, and validation within the national gallery circuit.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e\u003cb data-path-to-node=\"8,3,0\" data-index-in-node=\"0\"\u003eIntimate Format:\u003c\/b\u003e Its dimensions (35 x 25 cm) classify it as a perfect \"cabinet\" piece. Its manageable scale allows it to be placed with great impact on a designer shelf, a desk, or as a vanishing point in a hallway or reading nook.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Data\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Maria Antònia Raventós.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Abstract composition with letters and textures (Matter Informalism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003eEra:\u003c\/b\u003e Spanish Contemporary Art (Late 20th Century).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original mixed media on artistic support.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 35 x 25 cm (Cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Manuscript signature \"Mª A. Raventós\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market. Ex-collection Galería American Prints (retains authenticity label adhered to the reverse).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good. The textures and incisions intentionally made by the artist remain completely stable. The edges exhibit the manual and organic character of the execution of the support.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify the exceptional relief of its central patch.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhat distinguishes this piece from other abstract experiments is its ability to captivate the eye without needing ostentation. I selected it precisely for the brutal contrast between the dark, cavernous background and the explosion of white matter in the center. It functions as an almost archaeological object. That white relief has an undeniable physical presence when you have it in front of you. It's the kind of intelligent, small-format painting that immediately solves those demanding spaces in a home—a gap in a bookshelf, a study corner—providing a load of character, texture, and artistic erudition that no designer print can match.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52803727393101,"sku":null,"price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0214.jpg?v=1763652516"},{"product_id":"michel-henricot-la-dame-dans-le-bain-realismo-fantastico-serigrafia","title":"MICHEL HENRICOT | LA DAME DANS LE BAIN | FANTASTIC REALISM | SERIGRAPHY","description":"\u003ch1 class=\"\"\u003e MICHEL HENRICOT | LA DAME DANS LE BAIN | FANTASTIC REALISM | SERIGRAPHY\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci class=\"\"\u003eA hypnotic and timeless vision of the human body, where the figure does not bathe, but seems to levitate in a state of eternal suspension.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e\u003c\/p\u003e\n\n \u003ch2\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003cb class=\"\"\u003eThe Body as Architecture:\u003c\/b\u003e \u003cspan class=\"\"\u003eMichel Henricot (France,\u003c\/span\u003e \u003cspan class=\"\"\u003e1939–2020) was a master of \"Fantastic Realism.\"\u003c\/span\u003e \u003cspan class=\"\"\u003eHis work departs from Dalí's dreamlike surrealism to delve into something more solemn and mysterious.\u003c\/span\u003e \u003cspan class=\"\"\u003eHenricot was obsessed with the human body,\u003c\/span\u003e \u003cspan class=\"\"\u003enot as living flesh,\u003c\/span\u003e \u003cspan class=\"\"\u003ebut as a fossilized, mummified, or ethereal structure\u003c\/span\u003e \u003cspan class=\"\"\u003e.\u003c\/span\u003e \u003cspan class=\"\"\u003eThis work,\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003ci class=\"\"\u003eLa Dame dans le bain\u003c\/i\u003e \u003cspan class=\"\"\u003e(The Lady in the Bath),\u003c\/span\u003e \u003cspan class=\"\"\u003eis a classic example of his imagery:\u003c\/span\u003e \u003cspan class=\"\"\u003ethe encapsulated human figure.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003e\u003cb class=\"\"\u003eVisual Analysis: The Chrysalis.\u003c\/b\u003e \u003cspan class=\"\"\u003eThe perspective is from above,\u003c\/span\u003e \u003cspan class=\"\"\u003eplacing us in a privileged position as observers.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe female figure doesn't appear to be submerged in ordinary water,\u003c\/span\u003e \u003cspan class=\"\"\u003ebut rather in an amniotic or energetic fluid of luminescent turquoise and emerald tones.\u003c\/span\u003e \u003cspan class=\"\"\u003eWhat is fascinating is the treatment of the anatomy:\u003c\/span\u003e \u003cspan class=\"\"\u003eHenricot envelops the body in bands or glazes reminiscent of a mummy's bandages or biological armor.\u003c\/span\u003e \u003cspan class=\"\"\u003eThere is no movement; there is absolute silence.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe oval composition reinforces the idea of ​​a womb,\u003c\/span\u003e \u003cspan class=\"\"\u003esarcophagus, or science-fiction hibernation capsule.\u003c\/span\u003e \u003cspan class=\"\"\u003eIt is an image that oscillates between the ancestral (death\/ritual) and the futuristic.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"7\"\u003eThe screen printing \u003cb class=\"\"\u003etechnique\u003c\/b\u003e \u003cspan class=\"\"\u003eperfectly captures the transparencies and subtle gradations that characterize Henricot's paintings.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe \"glow\" effect around the body is very well achieved,\u003c\/span\u003e \u003cspan class=\"\"\u003ecreating that supernatural atmosphere typical of the artist.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY? \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb class=\"\"\u003eCult Artist:\u003c\/b\u003e \u003cspan class=\"\"\u003eHenricot has a legion of devoted followers in France and the United States,\u003c\/span\u003e \u003cspan class=\"\"\u003elovers of visionary and fantastical art.\u003c\/span\u003e \u003cspan class=\"\"\u003eFollowing his death in 2020,\u003c\/span\u003e \u003cspan class=\"\"\u003ehis work is being revisited with nostalgia.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb class=\"\"\u003eSci-Fi\/Mystical Aesthetic:\u003c\/b\u003e \u003cspan class=\"\"\u003eIt is a piece that fits beautifully into thematic collections of science fiction,\u003c\/span\u003e \u003cspan class=\"\"\u003eesotericism, or unconventional figurative art.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb class=\"\"\u003eLimited Edition:\u003c\/b\u003e \u003cspan class=\"\"\u003eCopy 78 of a short run of 100,\u003c\/span\u003e \u003cspan class=\"\"\u003eguaranteeing its exclusivity.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb class=\"\"\u003eAuthor:\u003c\/b\u003e \u003cspan class=\"\"\u003eMichel Henricot (1939–2020).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb class=\"\"\u003eQualification:\u003c\/b\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003ci class=\"\"\u003eThe Lady in the Bath\u003c\/i\u003e \u003cspan class=\"\"\u003e(La dama dans le bain).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb class=\"\"\u003eYear\/Period:\u003c\/b\u003e \u003cspan class=\"\"\u003eCirca 1970-1980 (His golden age of graphic production).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb class=\"\"\u003eTechnique and Support:\u003c\/b\u003e \u003cspan class=\"\"\u003eColor screen printing on high grammage paper.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb class=\"\"\u003eDimensions:\u003c\/b\u003e \u003cspan class=\"\"\u003e65 x 50 cm (Paper).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb class=\"\"\u003eSignature:\u003c\/b\u003e \u003cspan class=\"\"\u003eSigned in pencil \"Henricot\" in the lower right corner.\u003c\/span\u003e \u003cspan class=\"\"\u003eNumbered 78\/100 on the left.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,6,0\"\u003e\u003cb class=\"\"\u003eCondition:\u003c\/b\u003e \u003cspan class=\"\"\u003eGood.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe central image is in good condition and retains its vibrant colors.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe\u003c\/span\u003e \u003cspan class=\"\"\u003ewhite margins show\u003c\/span\u003e \u003ci class=\"\"\u003efoxing\u003c\/i\u003e \u003cspan class=\"\"\u003e(rust spots).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb class=\"\"\u003eInspection Guarantee:\u003c\/b\u003e \u003cspan class=\"\"\u003e14-day money-back guarantee to inspect the work in person.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"13\"\u003e\u003cspan class=\"\"\u003eThis piece is magnetic.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe first time I saw it,\u003c\/span\u003e \u003cspan class=\"\"\u003eit reminded me of 1970s science fiction illustrations,\u003c\/span\u003e \u003cspan class=\"\"\u003ebut with an old-master technique.\u003c\/span\u003e \u003cspan class=\"\"\u003eIt's both unsettling and beautiful.\u003c\/span\u003e \u003cspan class=\"\"\u003eI've selected it for the workshop because Henricot is a rare bird; he's not a painter of landscapes or flowers,\u003c\/span\u003e \u003cspan class=\"\"\u003ehe's a painter of mysteries.\u003c\/span\u003e \u003cspan class=\"\"\u003eDespite the smudges on the paper,\u003c\/span\u003e \u003cspan class=\"\"\u003ethe central image has a captivating power.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\" class=\"\"\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e \u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52803974463821,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2025-11-20_172142283.png?v=1763655706"},{"product_id":"gines-serran-pagan-composicion-habana-1987","title":"GINÉS SERRÁN PAGÁN | COMPOSITION OF HAVANA (1987) | MATTER ABSTRACTION | MIXED MEDIA","description":"\u003cp data-path-to-node=\"4\"\u003e\u003ci\u003eAn artistic log fragment that captures the light and wear of Cuba, in a very limited edition by one of Spain's most international creators.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003e \u003c\/p\u003e\n\u003ch2 data-path-to-node=\"5\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb\u003eGinés Serrán Pagán\u003c\/b\u003e (Ceuta, 1949) is an anthropologist-artist, a nomad who has crossed the globe from New York to the villages of China, searching for a universal language. This work, dated and localized manually as \u003cb\u003e\"La Habana, III\/87\"\u003c\/b\u003e (March 1987), is not a simple landscape; it is an \"archeology of the moment.\" Serrán Pagán does not paint what he sees, but what he feels: the charged atmosphere, the humidity, and the history accumulated on the walls of the Caribbean.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eVisually, the piece is presented as an \u003cb\u003eold document or a found map\u003c\/b\u003e. The artist has treated the paper with washes of ochre, sienna, and earth to simulate premature aging, evoking the patina of the flaking colonial walls of Old Havana. On this atmospheric base, he constructs a central composition enclosed in an irregular black frame, where graphics reminiscent of ancient calligraphy, flags, or frayed boat sails float.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe technique is a \u003cb\u003ecomplex mixed media on paper\u003c\/b\u003e. The use of greasy inks for dense blacks, fluid washes for the background, and touches of pure pigment (yellows, reds, blues) that vibrate against the warmth of the support can be observed. The inclusion of the numbering \u003cb\u003e6\/12\u003c\/b\u003e within a personalized circular stamp with the artist's \"G\" in the lower-left corner integrates the technical data as part of the composition, giving it the character of a \"postal shipment\" or certified document.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb\u003eExtreme Exclusivity (Edition 6\/12):\u003c\/b\u003e In the graphic art market, print runs of 75, 100, or 200 copies are common. An edition of \u003cb\u003eonly 12 units\u003c\/b\u003e is an absolute rarity (\"Rare Book\"). It makes the piece an almost unique object of desire, closer to an original than a print.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb\u003eTestimonial Value:\u003c\/b\u003e The inscription \"La Habana, III\/87\" places the work in a crucial time and space. It is a biographical record of the artist's passage through Cuba in the 1980s, which adds historical value to the aesthetic.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb\u003e\"Traveler\" Aesthetic:\u003c\/b\u003e The earthy tones and the appearance of parchment or an old map make it a very powerful decorative piece. It provides instant warmth and fits perfectly into colonial, eclectic, or characterful office environments.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb\u003eAuthor's Projection:\u003c\/b\u003e Serrán Pagán is today a prominent figure in monumental art in Asia and America. His works from the 1980s are \"the roots\" of that global success, highly sought after by collectors who value his career.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb\u003eArtist:\u003c\/b\u003e Ginés Serrán Pagán (Ceuta, 1949).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Abstract composition (Havana Series).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb\u003ePlace and Date:\u003c\/b\u003e Havana, March 1987 (Inscription: \"III\/87\").\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb\u003eEdition:\u003c\/b\u003e Copy \u003cb\u003e6 of 12\u003c\/b\u003e (Numbered 6\/12 within artist's stamp).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb\u003eTechnique:\u003c\/b\u003e Mixed media (graphic work intervened with washes, ink, and pigments) on heavy-weight paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 73.5 x 49.5 cm (approx).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed in pencil \"Ginés Serrán Pagán\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,8,0\"\u003e\u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"14\"\u003eWhat I love about this piece is that it doesn't look like it was made yesterday; it looks salvaged. Serrán Pagán has the gift of aging paper so that it tells stories. Seeing the number \u003cb\u003e6\/12\u003c\/b\u003e, I understood that I was looking at something special: he didn't make this to sell in bulk; he made it to share a travel experience with very few people. Those impasto blacks against the ochre background have incredible tactile strength. It's a work for those who love maps, travel, and stories that can be read between the lines.\u003c\/p\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This artwork comes with a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52804497113421,"sku":null,"price":1125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2025-11-20_190106184.png?v=1763661672"},{"product_id":"jose-manuel-legazpi-acrilico-original-abstraccion-gestual-rojo-negro","title":"José Manuel Legazpi | Gestural Abstraction in Red and Black | Original Acrylic","description":"\u003ch1 data-path-to-node=\"0\"\u003eJosé Manuel Legazpi | Gestural Abstraction in Red and Black | Original Acrylic on Wood Panel\u003c\/h1\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA material explosion on a neutral background. An original work where the central red blotch acts as the core of a composition dominated by the urgency of the brushstroke and the physical force of informalism.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Physical Tension of Informalism\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eJosé Manuel Legazpi's (Asturias, 1943 - 2019) work often treads on grounds of geological calm, but in this panel, the artist displays his most visceral and direct side. The \u003ci data-path-to-node=\"4\" data-index-in-node=\"184\"\u003estorytelling\u003c\/i\u003e of this piece does not lie in figurative narrative, but in physical impact. The key technical decision is its spatial conception: Legazpi isolates the conflict. He uses a neutral, flat gray background that acts as a completely silent stage, forcing all compositional energy to explode and concentrate on the central mass of the support.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eRed as an Anchor and the Sgraffito Technique\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eAmidst this storm of deep blacks and dirty white strokes, a striking carmine red blotch emerges. In Legazpi's palette, this stripe ceases to be a mere chromatic accent to become an organic element that fights for its space and stabilizes the visual chaos. The execution is fast, aggressive, and extremely confident. The artist attacks the rigidity of the panel by alternating thick impastos of palette knife with the sgraffito technique —scratching the still-fresh paint to reveal the background—. These direct incisions imbue the dark mass with a frantic rhythm, structuring the composition and demonstrating absolute mastery over the pictorial material.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy Is This Piece an Opportunity for Your Collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eVisual Impact (Statement Piece):\u003c\/b\u003e The extreme contrast between the neutrality of the background and the chromatic violence of the center makes it an immediate visual magnet. It is a work designed to dominate the architectural space, bringing a bold and contemporary character to any interior design.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eInstitutional Validation:\u003c\/b\u003e Legazpi is a key figure in contemporary Asturian cultural heritage, with permanent work in institutions such as the Museum of Fine Arts of Asturias. Acquiring his work means incorporating a signature with a proven museum and art historical trajectory.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003ePreservation of Relief:\u003c\/b\u003e The use of the rigid panel has been fundamental in preserving the aggression of the original technique. Lacking the flexibility of a canvas, the thick acrylic impastos and incisions maintain their three-dimensional relief intact, ensuring the forceful tactile presence of the piece.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e José Manuel Legazpi (Asturias, 1943 - 2019).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Untitled (Gestural Abstraction \/ Material Expressionism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Spanish Contemporary Art (Mature period).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original acrylic and mixed media on panel.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 60.5 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"legazpi\" in the lower-left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The pictorial layer is completely stable, preserving the vibrancy of the carmine red and the topography of the impastos intact.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify its physical impact.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eOf all Legazpi's production, this panel stands out for its brutal honesty. I am deeply interested in how the artist resolved this chromatic conflict: the red is not placed randomly; it is the anchor that prevents the tangle of black strokes from devouring the composition. It is pure action. There is no complacent painting here; there is an artist fearlessly attacking the support, mixing and scratching the acrylic directly onto the wood. A solid choice for the collector who demands that contemporary art maintain its ability to shake the gaze and dominate a wall.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52816958226765,"sku":null,"price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2025-11-23_035723595.png?v=1763866861"},{"product_id":"pere-de-ribot-oleo-original-abstraccion-nocturna-informalismo-sgraffito","title":"Pere de Ribot | Nocturnal Abstraction | Original Oil Painting (Informalist Period)","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA radical break from the classical landscape. A mature work where the compositional tension between a strong dark mass and the violence of the scraped texture completely defines the space.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe weight of the void and the geometry of shadow\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003ePere de Ribot (1908-1997) consolidated his career as a master of light and landscape in the Girona school. However, this work from the 1990s represents the climax of his artistic evolution: the total abandonment of figurative security to embrace material informalism. The \u003ci data-path-to-node=\"4\" data-index-in-node=\"284\"\u003estorytelling\u003c\/i\u003e of this canvas is one of extreme contrast. The composition is dominated on its right half by an immense black and curved mass. Ribot does not paint a simple shadow; he paints a dense and structured void that exerts an absolute visual gravity on the rest of the painting.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eTactile friction and controlled accident\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eTo balance this black silence, the left side of the canvas becomes a physical battlefield. The artist attacks the surface by dragging the brush and using the sgraffito technique, scraping thick layers of white and gray oil paint to reveal the underlying earthy tones. This friction generates a map of chaotic and directional textures that violently collide with the sharpness of the dark curve. The stroke of genius that demonstrates the author's absolute control is found precisely on the border between both zones: a tiny and deliberate blue accent on the black line. A single point of cold color that anchors the gaze and provides scale to the entire composition.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eMarket Rarity:\u003c\/b\u003e For a collector, acquiring a pure informalist abstraction by an artist historically linked to luminous landscape painting is to catch a \"rare bird.\" It documents the boldest and most experimental facet of the artist's final stage.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eAesthetic Forcefulness and Minimalism:\u003c\/b\u003e The extreme restriction of the palette — based exclusively on blacks, dirty whites, grays, and a micro-blue accent — gives the work a radical elegance. It is a highly coveted piece for contemporary, brutalist, or minimalist interior design projects that demand art with a structural character.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eVisual Tension in a Contained Format:\u003c\/b\u003e Despite its manageable dimensions (36.5 x 34 cm), the impressiveness of that black curve gives the painting a monumental presence, capable of supporting the visual weight of a wall by itself without saturating the space.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Pere de Ribot (1908-1997).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Nocturnal Abstraction (Material Informalism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1990s.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original oil painting with textures and scraping (\u003ci data-path-to-node=\"10,3,0\" data-index-in-node=\"58\"\u003esgraffito\u003c\/i\u003e) on canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 36.5 x 34 cm (artwork) | 44.5 x 42.5 x 2 cm (with frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"de Ribot\" in the lower-left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The pictorial layer is stable, and the contrast between the scraped impastos and the dark area maintains its full integrity and saturation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and check the relief of its textures.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhat truly demands respect from this piece is the painter's audacity. Ribot, with a guaranteed market for his green landscapes, here decides to paint darkness. Compared to the initial draft that described \"diffuse masses,\" the reality of the work is much more powerful: there is a hard, curved, and almost geometric border between the black nothingness and the chaos of the white sgraffito. That dividing line, finished with a minimal blue touch, is high painting. It is a hermetic, sober work intended for an erudite collector who prefers the intrigue of pure matter to the obviousness of a landscape.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52831683477837,"sku":null,"price":780.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0330_01_a49bb202-7e05-428f-8b48-3f4d467d7670.jpg?v=1764087223"},{"product_id":"jose-luis-barcelona-oleo-original-sagrada-familia-bruma-gaudi","title":"José Luis Barcelona | Sagrada Familia in the Mist | Original Oil Painting","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA mystical vision of Barcelona's great icon. An original oil painting that strips architecture of its stony heaviness, transforming it into a mist-shrouded mirage.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Audacity of Concealing the Monument\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003ePainting Gaudí's Sagrada Familia always runs the risk of falling into the trap of tourist souvenir or photographic copy. José Luis Barcelona avoids this danger by making a radical decision: instead of meticulously depicting the façades, he chooses to immerse the temple in a dense fog. The artist offers us an intimate and dreamlike vision, where only the characteristic spires and the three-dimensional cross manage to pierce the mist. It is an exercise in synthesis where what is hidden generates more magnetism than what is shown.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eAtmosphere, Color, and Dynamism\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eTechnically, the work is supported by a masterful use of texture and thermal contrast. The background is not a flat sky; it is crafted with a palette knife and vibrant brushstrokes in bluish-gray tones (\"powder blue\") that convey the physical sensation of dampness and dense air. Amidst this cool palette, the painter makes the geometric center of the cross burst with a surprising warm coral tone.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eTo break the monumental stillness, the artist introduces a flock of seagulls in the foreground. Executed with thick white impasto strokes, these birds not only add depth and scale but also introduce the movement and lightness of flight against the heaviness of the hidden stone.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"8\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb data-path-to-node=\"9,0,0\" data-index-in-node=\"0\"\u003eRenewed Iconography:\u003c\/b\u003e It represents a perfect opportunity for collectors who wish to incorporate a universal symbol of Barcelona but demand an author's unique perspective, far from convention and imbued with a strong atmospheric charge.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb data-path-to-node=\"9,1,0\" data-index-in-node=\"0\"\u003eDecorative Elegance:\u003c\/b\u003e The restraint of its palette—based on dusty blues, grays, and salmon accents—makes it an incredibly versatile piece. It perfectly complements Nordic, minimalist, or spaces seeking to convey serenity and order.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb data-path-to-node=\"9,2,0\" data-index-in-node=\"0\"\u003eGallery Presentation:\u003c\/b\u003e The robust framing, combining an ebonized outer molding with a light inner rebate and a gold filet, along with the identifying metal plaque, elevates the piece and gives it a museum-level presence.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"10\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb data-path-to-node=\"11,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e José Luis Barcelona.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb data-path-to-node=\"11,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Sagrada Familia in the Mist (Dreamlike Urban Landscape).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb data-path-to-node=\"11,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e\u003cb data-path-to-node=\"11,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Oil on board with textures.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e\u003cb data-path-to-node=\"11,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e [Insert work measurements here] cm | [Insert framed measurements here] cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e\u003cb data-path-to-node=\"11,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"José Luis Barcelona\" in the lower-left corner. Identification plaque on the passe-partout.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e\u003cb data-path-to-node=\"11,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e\u003cb data-path-to-node=\"11,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The pictorial layer is stable, and the impasto of the seagulls retains all its relief.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e\u003cb data-path-to-node=\"11,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify the quality of its atmosphere.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"12\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe most challenging aspect when confronting an architectural masterpiece is to bring something new to it. José Luis Barcelona's genius in this panel is using fog as a narrative tool. By covering the temple, he forces us to imagine it. I am particularly captivated by how he resolved the color palette: that touch of salmon on the central cross anchors the entire gaze and prevents the painting from appearing flat or monotonous. It is a quiet and sophisticated painting that demonstrates that, often in art, suggesting has far more visual power than describing everything.\u003c\/p\u003e\n\u003chr data-path-to-node=\"14\"\u003e\n\u003cp data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"15\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e (The Collector's Workshop).\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52831787090253,"sku":null,"price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0389.jpg?v=1764087807"},{"product_id":"raul-conti-constructivismo-raices-precolombinas-oleo-tabla","title":"Raúl Conti | Constructivism with Pre-Columbian Roots | Oil on Board","description":"\u003cp data-path-to-node=\"4\"\u003e\u003ci\u003eA masterful synthesis where geometric avant-garde reinterprets the mystery and symbolism of ancestral America.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e \u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eRaúl Conti (Argentina, 1931) is a lucid exponent of the search for identity in Latin American art. His work is not content with folklore; it intellectualizes indigenous heritage by filtering it through Constructivism. In this piece, we see how the artist breaks with traditional representation to \"build\" the figure using planes and edges, a direct inheritance from the avant-garde movements that sought a universal language, legible to both modern and ancient man.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eVisually, the work is an exercise in pictorial architecture. Conti uses geometry not to cool the scene, but to give it a totemic structure. The pre-Columbian influence is \"decisive,\" as you rightly point out, and is manifested in the color palette—probably dominated by earth tones, ochres, iron reds, or saturated contrasts typical of Andean textiles—and in the simplification of forms, which recall ritual masks or Inca stone blocks.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eTechnically, the use of oil on panel is deliberate. Unlike canvas, which has a weave, the panel allows for a smoother, more rigid surface, ideal for the precision of edges required by constructivism. The brushwork is subordinated to the form; there is no disordered gesturality, but a thoughtful application of color that seeks flatness and solidity, giving the work an almost sculptural presence.\u003c\/p\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb\u003eRising Trend:\u003c\/b\u003e Geometric Latin American art (following the legacy of the Torres García Workshop and later artists) is being revalued internationally for its originality compared to the European canon.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb\u003eDecorative Intellect:\u003c\/b\u003e It is a work that elevates the level of any room. It is not \"pretty\" in a superficial sense; it is cultured. It fits perfectly in minimalist environments.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb\u003eAesthetic Fusion:\u003c\/b\u003e It achieves something difficult: being both modern and archaic. It coexists well with classic antiques (by contrast) or with contemporary designer furniture (by geometric affinity).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb\u003eFormat and Support:\u003c\/b\u003e The dimensions (60x41 cm) are substantial for a panel, offering a piece of great physical and visual solidity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb\u003eArtist:\u003c\/b\u003e Raúl Conti (1931).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Constructivist composition with pre-Columbian reminiscences.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb\u003ePeriod:\u003c\/b\u003e Second half of the 20th century \/ Contemporary.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Oil on panel.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 60 x 41 cm (Artwork) | 70.5 x 52.5 x 3.5 cm (Frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb\u003eSignature:\u003c\/b\u003e Lower right corner. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb\u003eConservation Status:\u003c\/b\u003e Good. The rigidity of the panel support favors the stability of the pictorial layer.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,8,0\"\u003e\u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return period to inspect the artwork in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"14\"\u003eTo own a Raúl Conti is to understand that art is a language. It amazes me how this artist doesn't need to copy a vessel or a poncho for us to feel \"America\" in his work; he achieves it with the rhythm of forms and color. It is a piece for a collector who seeks visual structure and order, but who doesn't want the coldness of pure abstraction. It has soul, it has earth, but it is painted with the mind of an architect.\u003c\/p\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This artwork comes with a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52838918783309,"sku":null,"price":725.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0149_01.jpg?v=1764158037"},{"product_id":"borja-guijarro-tecnica-mixta-original-neo-pop-veloce-motor-clasico","title":"Borja Guijarro | Veloce (2006) | Large-Format Neo-Pop Mixed Media","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eLarge format Neo-Pop composition. An original work on panel that fuses classic automotive iconography, advertising typography, and retro fashion through the technical cleanliness of the European Ligne Claire style.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe graphic language and Neo-Pop aesthetic\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eBorja Guijarro uses resources from European comics and poster art to structure pictorial works of great visual complexity. In this panel, dated 2006, the artist dispenses with traditional spatial perspective to construct a pictorial assemblage in panoramic format. The mixed media technique allows him to apply flat, saturated colors, achieving a polished surface that gives absolute prominence to the precision of the drawing and graphic design.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eGlobal iconography and narrative contrast\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe composition functions as a continuous frieze where elements from different eras and cultures coexist. Heavy industrial design, represented by the classic motorcycle and the Soviet vehicle (a Moskvitch 408), is visually balanced by the stylization of female figures dressed in 1920s and 1930s fashion. The integration of typographies in various alphabets—Cyrillic, Asian characters, and the Latin alphabet—along with everyday objects like the row of footwear at the bottom, places the work in a cosmopolitan, dynamic, and purely urban context.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eStrategic Panoramic Format:\u003c\/b\u003e Its dimensions (100 x 50 cm) offer a high-impact decorative solution. Its pronounced horizontality is ideal for furnishing complex architectural spaces in current interior design, such as the area above a sofa, a sideboard, or long hallways.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eIndustrial and Contemporary Aesthetic:\u003c\/b\u003e The theme focused on motors and vintage advertising graphics makes this piece a perfect option for lofts, offices, or decoration projects looking to integrate modern art with industrial design furniture.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eActive Visual Narrative:\u003c\/b\u003e It is a work designed to maintain the viewer's interest long-term. The multitude of details, brands, prices, and multilingual references invites continuous reading, functioning as an excellent \u003ci data-path-to-node=\"8,2,0\" data-index-in-node=\"255\"\u003eConversation Piece\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Borja Guijarro.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Veloce (Pop composition with motorcycle and figures).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 2006 (Contemporary Spanish Art \/ Neo-Pop).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Mixed media on panel.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 100 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and dated \"BORJA GUIJARRO 06\" in the upper left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Stable, clean pictorial surface with pigments retaining their maximum original saturation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify its condition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe main appeal of this piece by Guijarro lies in its ability to organize visual excess. Despite the saturation of disparate references—a Cold War car, international texts, Art Deco models, and classic mechanics—the artist achieves a balanced composition thanks to absolute mastery of color and structure. It is a solid, direct, and cosmopolitan painting, ideal for injecting energy, color, and modernity into a room without losing the rigor of a well-executed original work of art.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"170\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52841617752397,"sku":null,"price":825.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0223_01.jpg?v=1764180224"},{"product_id":"gerald-moreno-diptico-litografias-akhnaton-metamorfosis","title":"Gerald Moreno | Diptych Akhnaton and Artificial Metamorphosis | Lithographs E.A. \/ H.C.","description":"\u003cp data-path-to-node=\"5\"\u003e\u003ci\u003eA metaphysical journey inspired by Dalí's universe, where visual alchemy merges the human figure with the polyhedral truth of crystal.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"7\"\u003eIn this diptych, Gerald Moreno plunges us into the deep waters of \u003cb\u003eMagical Realism\u003c\/b\u003e and intellectual surrealism. Far from mere representation, these works function as visual philosophical treatises. Salvador Dalí's influence is palpable in the surgical precision of the drawing and the concept of \"paranoiac-critical\": the double image and the transformation of flesh into geometry and mineral.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe analysis of the works reveals a dual narrative of evolution:\u003c\/p\u003e\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb\u003e\"Akhnaton mon maitre\" (Left\/Right depending on mounting):\u003c\/b\u003e The male figure represents the heretic pharaoh Akhenaten. Moreno breaks the symmetry of the face to show an internal structure that is half human, half architectural-organic. It is the break with tradition, the search for light (the solar disk), and the connection with the divine through an anatomy that expands upwards, crowned by bulbous forms reminiscent of visionary architecture. The chest fractured into geometric patterns suggests a crystal heart, an internal structure that is revealed.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb\u003e\"La Métamorphose Artificielle\" (The Woman):\u003c\/b\u003e Here we witness the \"process of personal integration of global evolution.\" As the artist himself describes, the image is not static; it expands. There is an imaginary transfer that connects the depth of the female gaze with the crystal fragments that surround her. It is not an adornment; it is a symbiosis. The crystal acts here as a prism of \"Truth,\" reflecting a different reality depending on the facet that receives the light. It is the aura of the character, a harmonious design that invites meditation on our own transformation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb\u003ePhilosophical Depth:\u003c\/b\u003e This is not simple decorative art; it is conceptual art. Each piece comes laden with its own literature on the search for truth, aura, and the evolution of being.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb\u003eSurrealist Lineage:\u003c\/b\u003e The stylistic connection to Dalí and Magical Realism places the work within a cultured artistic tradition highly valued by collectors seeking \"art that makes you think.\"\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb\u003eEdition Rarity (E.A. \/ H.C.):\u003c\/b\u003e The pencil annotations reveal that these are \"Epreuve d'Artiste\" (Artist's Proof) and \"Hors Commerce\" (Not for Sale). These are the most intimate copies, those the artist kept for himself or for exhibitions, outside the regular sales circuit.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e\u003cb\u003eMonumental Diptych:\u003c\/b\u003e Framed together in large format (almost 90 cm), they create a visual \"altar.\" The Masculine\/Feminine duality, History (Akhenaten)\/Future (Metamorphosis), creates a powerful dialogue on the wall.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Data Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb\u003eArtist:\u003c\/b\u003e Gerald Moreno.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb\u003eTitles:\u003c\/b\u003e\u003c\/p\u003e\n\n\u003col start=\"1\" data-path-to-node=\"13,1,1\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,1,0,0\"\u003e\u003ci\u003eAkhnaton mon maitre\u003c\/i\u003e (Akhenaten my master).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,1,1,0\"\u003e\u003ci\u003eLa métamorphose artificielle\u003c\/i\u003e (The artificial metamorphosis).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb\u003eStyle:\u003c\/b\u003e Magical Realism \/ Surrealism.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,3,0\"\u003e\u003cb\u003eTechnique:\u003c\/b\u003e Lithograph on heavy paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,4,0\"\u003e\u003cb\u003eEdition:\u003c\/b\u003e E.A. (Artist's Proof) \/ H.C. (Not for Sale) noted in pencil. Special non-commercial edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,5,0\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 50 x 36 cm (approx. image size) | 68 x 89 cm (total frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,6,0\"\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed in pencil \"Gerald Moreno\" in the lower corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,7,0\"\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,8,0\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good. Clean paper and crisp lines.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,9,0\"\u003e\u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the artwork in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"15\"\u003eReading the artist's description of crystal and truth, I understood the power of this diptych. Moreno didn't draw faces; he drew \u003ci\u003estates of consciousness\u003c\/i\u003e. \u003ci\u003eLa Metamorfosis Artificial\u003c\/i\u003e is hypnotic: that eye that watches you while the other side of the face transforms into sacred geometry is both unsettling and beautiful. And \u003ci\u003eAkhenaten\u003c\/i\u003e... it is technical perfection at the service of mystery. To own H.C. (not for sale) proofs of these pieces is to own the \"master copy,\" the pure reference.\u003c\/p\u003e\n\u003chr data-path-to-node=\"16\"\u003e\n\u003cp data-path-to-node=\"17\"\u003e\u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This artwork comes with a technical data sheet and historical context, elaborated and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52841720938829,"sku":null,"price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0310_01.jpg?v=1764181415"},{"product_id":"paco-cabeza-hello-abstraccion-materica-tecnica-mixta","title":"Paco Cabeza | Hello | Matter Abstraction and Mixed Media","description":"\u003cp data-path-to-node=\"4\"\u003eA work of strong visual impact that stands out for its rich textures and contemporary urban aesthetic.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e \u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003ePaco Cabeza belongs to the contemporary material abstraction movement. His artistic research focuses on the \"archaeology of the surface.\" In this work, ironically titled \u003ci\u003e\"Hello\"\u003c\/i\u003e (a verbal greeting in a setting of visual silence), the artist constructs the painting as if it were a worn urban wall. There is no figurative narrative; the protagonist is the process: scratching, layering, and the trace of the gesture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eVisually, the work is structured in a broken grid. A \"muted\" palette of deep blacks, cement grays, and dirty ochres predominates, colors that evoke asphalt and earth. However, Cabeza's mastery lies in how he breaks this monochromatic scheme:\u003c\/p\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb\u003eThe Discordant Note:\u003c\/b\u003e In the upper left quadrant, an electric stroke of ultramarine blue (with subtle undertones) tears through the darkness.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb\u003eGraphic Markings and Scratching:\u003c\/b\u003e Incisions on the fresh paint (\u003ci\u003esgraffito\u003c\/i\u003e) and palette knife drags reveal the white underlayers, creating a luminous vibration that gives physical depth to the canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb\u003eComposition:\u003c\/b\u003e Despite the abstraction, there is a tectonic order. Vertical and horizontal blocks suggest blind windows or building structures, lending solidity to the chaos of the stain.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"9\"\u003e \u003c\/p\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb\u003eIndustrial\/Loft Aesthetic:\u003c\/b\u003e This is the definitive piece for contemporary interior design. Its range of grays and texture fit perfectly in minimalist spaces, exposed concrete, or industrial styles, where a classical landscape would be out of place.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb\u003eSquare Format (81x81 cm):\u003c\/b\u003e The square format is contemporary and striking. It is large enough to dominate a wall without needing company, functioning as a focal point of modernity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb\u003eTechnical Richness:\u003c\/b\u003e Being a mixed media piece, the work changes with lighting. Grazing light will reveal the reliefs and changes in brightness between the matte black and the impasto areas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb\u003eOpen Narrative:\u003c\/b\u003e This is a work that does not tire. Without an explicit figure, it allows the viewer to project their own sensations (a wall, a night, a city), ensuring its long-term decorative relevance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Data Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb\u003eArtist:\u003c\/b\u003e Paco Cabeza.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb\u003eTitle:\u003c\/b\u003e Hello.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb\u003eStyle:\u003c\/b\u003e Material Abstraction \/ Informalist.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Mixed media on canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 81 x 81 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb\u003eSignature:\u003c\/b\u003e Name on the reverse\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Excellent. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,8,0\"\u003e\u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day return guaranteed to inspect the artwork in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"14\"\u003eI chose this piece for the catalog because it perfectly distinguishes good abstraction from simple stains. Paco Cabeza achieves something difficult here: a dark painting that has its own light and vibration. It is not a flat work; it has \"body\" thanks to the textures and scratches on the canvas. I was especially drawn to the contrast of the electric blue stroke breaking the calm of the grays; it is the detail that gives it personality and makes the work function so well as a modern counterpoint on any wall. A strong piece, with character.\u003c\/p\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This artwork comes with a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52842623566157,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0377_01.jpg?v=1764188334"},{"product_id":"j-grau-ribero-tecnica-mixta-materica-abstraccion-plata-naranja","title":"J. Grau Ribero | Material Abstraction with Silver and Orange | Mixed Media","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA tactile dialogue between the density of matter and metallic brilliance. An original work that abandons the two-dimensional plane to explore the three-dimensionality of the medium through the aesthetic of contemporary informalism.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eMatter as the expressive protagonist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eJ. Grau Ribero (Castellón, 1964) is an exponent of material painting in current Spanish art. Following the tradition of the great masters of informalism, Ribero substitutes figurative representation with a deep investigation into weight, density, and texture. The artist experiments with earths and binders to create highly textured surfaces, transforming the canvas into a physical object that interacts with space and light in an almost sculptural way.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eContrast between organic chaos and rational geometry\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe composition is articulated by a strong central core floating on a neutral background. The base of the work is a magmatic mass of deep black, worked with incising tools to create grooves and ridges. Over this darkness, Ribero applies silver areas that capture ambient light, creating changing glints depending on the viewing angle. Visual balance is achieved by introducing three cadmium orange rectangles; this pure geometry asserts itself over the chaos of matter, endowing the piece with a modern and balanced tension.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eThree-Dimensional Textural Richness:\u003c\/b\u003e The mixed media generates real reliefs that cast their own shadows. This tactile quality makes the perception of the work evolve throughout the day depending on the room's lighting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTimeless and Sophisticated Aesthetic:\u003c\/b\u003e The color combination of black, silver, and orange possesses an industrial and contemporary elegance. It is a piece that works with authority in minimalist interiors, providing a striking focal point without overwhelming the space.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eGallery Presentation:\u003c\/b\u003e It is presented in a \"floating frame\" or professional display frame (white with a black background). This type of mounting protects the work, allows it to \"breathe\" visually, and enhances its character as a high-level artistic object.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e\u003cb data-path-to-node=\"8,3,0\" data-index-in-node=\"0\"\u003eBalanced Square Format:\u003c\/b\u003e Its total dimensions (79 x 79 cm) are ideal for key spaces such as entryways, consoles, or above main furniture, bringing symmetry and compositional order to the environment.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Data Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Grau Ribero (Castellón, b. 1964).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Abstract material composition (Silver and Orange).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary (Spanish School).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Mixed media with material loads, earths, and acrylic on canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 50 x 50 cm (artwork) | 79 x 79 cm (with frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"Grau\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection. Retains gallery label and biography on the back.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good. The integrity of the material loads and color saturation remain impeccable.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and appreciate its exceptional relief.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe strength of this work lies in its technical honesty. Grau Ribero uses texture not as an embellishment, but as the primary language to construct space. What interests me most is the use of silver paint on the rough surface; this gives the painting its own changing light. It is a piece with an undeniable architectural presence, elevated by a box-type frame that gives it an immediate museum-level depth. A solid choice for those seeking abstract art with character, body, and a bold color palette.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52848916758861,"sku":null,"price":210.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0263_01.jpg?v=1764266934"},{"product_id":"lourdes-mojica-antiga-casa-figueres-barcelona-expresionismo-urbano-oleo-sobre-carton-1997","title":"LOURDES MOJICA | ANTIGA CASA FIGUERES (BARCELONA) | URBAN EXPRESSIONISM | OIL ON CARDBOARD (1997)","description":"\u003ch1\u003e LOURDES MOJICA | ANTIGA CASA FIGUERES (BARCELONA) | URBAN EXPRESSIONISM | OIL ON CARDBOARD (1997)\u003c\/h1\u003e\n\n \u003cp data-path-to-node=\"5\"\u003e\u003ci\u003eA vibrant and luminous interpretation of the most emblematic modernist jewel of the Ramblas, endorsed by the prestigious Cercle Artístic de Sant Lluc.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e In this 1997 work, Lourdes Mojica presents a highly personal vision of one of Barcelona's architectural icons: the \u003cb\u003eAntiga Casa Figueres\u003c\/b\u003e (now Pastelería Escribà), located on La Rambla. The artist departs from photorealism, embracing a style closer to expressionism.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e Visually, the work stands out for its bold use of black outlines, which delineate the architectural forms like the lead cames of a stained-glass window, containing a burst of color within. Mojica captures the ornamental essence of the modernist building: the \u003ci\u003etrencadís\u003c\/i\u003e mosaics, the curves of the arches, and the corner sculpture are rendered with patches of saturated color (cadmium yellows, turquoise blues, and violets).\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"9\"\u003eThe lighting suggests a nighttime or sunset scene, where the artificial light from inside the shop is projected outwards, making the shop windows glow. The cardboard support, common in \u003ci\u003eplein air\u003c\/i\u003e or quick sketch painting, allows the oil paint to absorb, leaving a matte, velvety texture that is very appealing to the eye.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY?\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eInstitutional Provenance:\u003c\/b\u003e The artwork includes the \u003cb\u003eoriginal Certificate of Authenticity\u003c\/b\u003e from the \"Cercle Artístic de Sant Lluc,\" one of Barcelona's oldest and most respected artistic institutions (founded in 1893, where Gaudí, Miró, and Tàpies trained). This guarantees its origin and quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eBarcelona Iconography:\u003c\/b\u003e For lovers of Barcelona, ​​Casa Figueres is a temple. Owning an original painting of this building is like possessing a fragment of the city's visual memory.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb\u003e\"Time Capsule\" Condition:\u003c\/b\u003e The artwork is \u003cb\u003eintact\u003c\/b\u003e , retaining its original plastic packaging. This guarantees that the paint layer is fresh, free of environmental dirt and oxidation, just as it left the studio almost 30 years ago.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eColorful and Decorative:\u003c\/b\u003e Its cheerful and warm palette acts as a focal point. It's ideal for breaking up the monotony of a white wall or for kitchens and dining rooms with personality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Lourdes Mojica Ferrer.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e \u003cb\u003eTitle:\u003c\/b\u003e Antiga Casa Figueres.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e \u003cb\u003eDate:\u003c\/b\u003e 1997.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,3,0\"\u003e \u003cb\u003eTechnique:\u003c\/b\u003e Oil on cardboard.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 35 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Signed \"L. Mojica 97\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,6,0\"\u003e \u003cb\u003eCertificate:\u003c\/b\u003e Includes certificate of authenticity attached to the back of the \"Cercle Artístic de Sant Lluc\" (Petit Format Exhibition at the Cercle).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Impeccable (Mint). The artwork has never been removed from its original protective packaging.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"13,8,0\"\u003e\u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e What makes this piece special is its provenance. The fact that it comes certified by the Cercle de Sant Lluc is no small detail; it speaks to an artist deeply rooted in the city's established cultural scene. I love how she's handled the facade's glass: instead of painting it transparent, she's filled it with color, conveying that magical feeling characteristic of Catalan Modernism. It's a cheerful, small but powerful piece, perfect as a gift or to start a collection of urban art.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"16\"\u003e\n\n\u003cp data-path-to-node=\"17\"\u003e \u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52858201571661,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0127_02.jpg?v=1764355822"},{"product_id":"lourdes-mojica-fachada-urbana-apunte-del-natural-expresionismo-oleo-sobre-carton","title":"LOURDES MOJICA | URBAN FACADE (SKETCH FROM LIFE) | EXPRESSIONISM | OIL ON CARDBOARD","description":"\u003ch1\u003eLOURDES MOJICA | URBAN FACADE (SKETCH FROM LIFE) | EXPRESSIONISM | OIL ON CARDBOARD\u003c\/h1\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e \u003ci\u003eA vibrant and gestural capture of urban architecture, where color constructs the volumes and atmosphere of the street.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e In this work, Lourdes Mojica approaches the urban landscape from a purely expressionist perspective. Far from strict architectural delineation, the artist uses oil paint to capture the \"impression\" of a facade. It is a sketch from life, done quickly to capture a psychological perspective of a facade at a specific moment.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e The composition is vertical and focuses on an architectural fragment. Mojica constructs the building's structure using blocks of saturated color: the yellows and ochres suggest artificial lighting, while the deep blues and violets mark the depths of the portals or the shadows cast.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"8\"\u003eThe artist doesn't skimp on materials; she applies the oil paint generously, probably with a palette knife or wide brush, creating a surface rich in textures. It's a painting that prioritizes the brushstroke over the line, seeking to convey the city's vitality rather than a literal depiction of its bricks.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"9\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY?\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e \u003cb\u003eChromatic Force:\u003c\/b\u003e This artwork functions as a \"beacon of light.\" The intensity of the yellows and the vibrancy of the contrasts make it stand out on any wall, adding visual energy.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e \u003cb\u003eQuality Signature:\u003c\/b\u003e Lourdes Mojica (Doctor of Fine Arts) is an artist with an academic background and awards, which guarantees that this note is not an amateur exercise, but the work of an expert hand that knows how to synthesize reality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e \u003cb\u003eModernity:\u003c\/b\u003e Its almost abstract execution allows the work to fit both in classic environments (as a counterpoint) and in contemporary design spaces that value gestural painting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb\u003eTactile Texture:\u003c\/b\u003e The relief created by the oil paint on the cardboard adds a third dimension to the work. It is physical, substantial paint that gains richness when properly illuminated.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"11\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Lourdes Mojica Ferrer.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e \u003cb\u003eTitle \/ Topic:\u003c\/b\u003e Urban Facade \/ Architectural Note.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Oil on cardboard.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 42 x 27 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Signed \"L. Mojica\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Good. The paint remains fresh and adheres well to the support.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n \u003cp data-path-to-node=\"14\"\u003eWe selected this work for its conciseness. Mojica demonstrates here that it's not necessary to depict every detail of a building for us to feel its presence. With four well-placed planes of color, she has brought a façade to life. It's an honest and direct style of painting, without artifice, that allows us to see the artist's hand. Ideal for those seeking art that conveys spontaneity and mastery of color.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"15\"\u003e\n\n\u003cp data-path-to-node=\"16\"\u003e \u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52858312098125,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0115_01.jpg?v=1764356006"},{"product_id":"montse-pinol-oleo-tecnica-mixta-original-atmosfera-violeta-dripping","title":"Montse Piñol | Violet Atmosphere (2014) | Original Oil and Mixed Media","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe strictly controlled accident. A sensory immersion where the dripping technique and color reserves construct an abstract cartography of extremely high chromatic energy.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Depth of the Color Field\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eIn the realms of Informalism and lyrical abstraction, the greatest risk is falling into inexpressive chaos. Montse Piñol (2014) bypasses this danger through rigorous planning of the pictorial layers. The \u003ci data-path-to-node=\"4\" data-index-in-node=\"213\"\u003estorytelling\u003c\/i\u003e of this work does not lie in what it represents, but in how it was physically constructed. The artist first establishes an abyssal background, a dense atmosphere dominated by violets, indigos, and deep blues that give the work an immersive, almost cosmic or oceanic quality. This base acts as the sounding board upon which the foreground elements will explode.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe Friction Between the Grid and the Drip\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe technical brilliance of the piece unfolds in the two interventions that break that atmospheric peace. On the one hand, in the central and left area, Piñol uses reserve or negative stenciling techniques to create a bony, almost cellular structure in grey and white tones. This grid provides a geometric and floating order.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eOn the other hand, and as an absolute counterweight, the force of gravity bursts in. In the lower right quadrant, the artist applies the \u003ci data-path-to-node=\"7\" data-index-in-node=\"144\"\u003edripping\u003c\/i\u003e technique with a vibrant fluorescent orange and ochre tones. These streaks of paint fall vertically, tearing through the horizontality of the violet mist. It is a masterful application of complementary contrast theory: the warm and kinetic orange visually \"burns\" against the cool and static blue, injecting the work with an essential electric pulse.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"8\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb data-path-to-node=\"9,0,0\" data-index-in-node=\"0\"\u003eContemporaneity and Design:\u003c\/b\u003e Unlike classical landscape painting, this work speaks the visual language of the 21st century. The chromatic audacity between violet and intense orange makes it an immediate focal point, ideal for bringing instant modernity to designer interiors, creative offices, or minimalist rooms.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb data-path-to-node=\"9,1,0\" data-index-in-node=\"0\"\u003eStratigraphic Depth:\u003c\/b\u003e It is not a flat abstraction conceived in a single stroke. When observed live, one can appreciate the different geological phases of the canvas: the translucent glazes of the background, the texture of the white mesh, and the relief of the orange impastos, denoting thoughtful and elaborate work.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb data-path-to-node=\"9,2,0\" data-index-in-node=\"0\"\u003eKinetic Force (Action Painting):\u003c\/b\u003e The presence of \u003ci data-path-to-node=\"9,2,0\" data-index-in-node=\"52\"\u003edripping\u003c\/i\u003e connects the work with the tradition of American abstract expressionism. The paint streaks bear witness to the artist's physical movement on the canvas, imbuing the piece with a living and palpable energy.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e\u003cb data-path-to-node=\"9,3,0\" data-index-in-node=\"0\"\u003eBalanced Format:\u003c\/b\u003e Its dimensions (60.5 x 50 cm) offer a striking presence without being unmanageable. It has the perfect scale to lead a medium-sized wall or to act as the central and most vibrant piece in a multiple graphic composition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"10\"\u003eTechnical Data Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb data-path-to-node=\"11,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Montse Piñol.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb data-path-to-node=\"11,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Violet Atmosphere (Lyrical Abstraction \/ Informalism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb data-path-to-node=\"11,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 2014.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e\u003cb data-path-to-node=\"11,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Oil and mixed media (\u003ci data-path-to-node=\"11,3,0\" data-index-in-node=\"41\"\u003edripping\u003c\/i\u003e and reserves) original on canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e\u003cb data-path-to-node=\"11,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 60.5 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e\u003cb data-path-to-node=\"11,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed by the artist.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e\u003cb data-path-to-node=\"11,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e\u003cb data-path-to-node=\"11,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good. The canvas tension is correct and the superposition of acrylic and oil layers remains completely stable and with its original saturation intact.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e\u003cb data-path-to-node=\"11,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify the richness of its glazes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"12\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"13\"\u003eThere are abstract paintings that are simply visual noise; this one, however, has perfect tuning. What made me decide to incorporate this work by Piñol into the catalog is her way of taming the pictorial accident. The orange drip is not randomly placed; it falls exactly where the composition needs it so as not to appear heavy or dark. It's fascinating how that cascade of warm color bleeds onto the blue. It reminds me of the diffuse vision of a city lit through a wet windowpane. It is brave contemporary painting, executed by someone who knows that in abstraction, control of the palette is everything.\u003c\/p\u003e\n\u003chr data-path-to-node=\"14\"\u003e\n\u003cp data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"15\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52860494119245,"sku":null,"price":170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0097_01.jpg?v=1764418727"},{"product_id":"miguel-ros-blasco-paul-cezanne-y-vasijas-negras-neoexpresionismo-tecnica-mixta-sobre-papel","title":"MIGUEL ROS BLASCO | \"PAUL CÉZANNE\" AND BLACK VESSELS | NEO-EXPRESSIONISM | MIXED MEDIA ON PAPER","description":"\u003ch1 data-path-to-node=\"2\"\u003e MIGUEL ROS BLASCO | \"PAUL CÉZANNE\" AND BLACK VESSELS | NEO-EXPRESSIONISM | MIXED MEDIA ON PAPER\u003c\/h1\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci\u003eA neo-expressionist revision of the classic still life, marked by the gestures and irony of the 90s.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"4\"\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n \u003cp data-path-to-node=\"5\"\u003eMiguel Ros Blasco belongs to that generation of artists who, after the rise of cold conceptualism, decided to reclaim the practice of painting at the end of the 20th century. This work, dated 1990, breathes the air of the Transavantgarde and the return to painting: a rapid and visceral execution that uses matter as its primary language. Ros Blasco does not seek to imitate the old masters, but rather to engage with them from a contemporary perspective, using loose brushstrokes as a tool of expression.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003eAgainst a turbulent backdrop of red stains—which appear to have been applied with a loaded brush or a rag—the artist constructs two container-like forms, possibly vessels, using a thick, decisive black outline. The execution is direct; there are no corrections, only a single stroke that defines the figure against the abstract background. However, the central element is the neon green calligraphy that reads \"Paul Cézanne\" in the upper section, acting as graffiti on the composition itself and disrupting the traditional interpretation of the work.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e The piece functions as a visual meta-commentary on art history. By writing the name of the father of modern painting over a distinctly expressionist execution, far removed from geometric rigor, Ros Blasco creates a deliberate tension. Visually, the chromatic trio is powerful: the saturation of the red and the darkness of the black are cut by the acidity of the green, creating an optical vibration that endows the work with a strong physical presence.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e\u003c\/p\u003e\n\n \u003ch2 data-path-to-node=\"8\"\u003e\u003cb\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/b\u003e\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb\u003eRelevance\/Signature:\u003c\/b\u003e It is a representative work of Spanish art from the 90s, signed and dated (1990), which places it in a historical moment of recovery of painting in Barcelona.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb\u003eSingularity\/Rareness:\u003c\/b\u003e The textual inclusion of the name \"Paul Cézanne\" makes this painting a conceptual piece, differentiating it from a standard decorative still life.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb\u003eAesthetics\/Decoration:\u003c\/b\u003e The medium format (60x50 cm) and color palette (red, black, green) offer an immediate graphic impact. It's ideal for breaking the monotony of neutral spaces with a bold and modern splash of color.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eSupport\/Condition:\u003c\/b\u003e Executed on high-quality paper, the work retains the freshness of the pigments. The mixed media technique provides a texture and visual relief that enriches the surface.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"10\"\u003e \u003cb\u003eTECHNICAL SPECIFICATIONS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Miguel Ros Blasco.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Still Life with Inscription \/ Homage to Cézanne.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003ePeriod:\u003c\/b\u003e 1990 (Dated).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,3,0\"\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Mixed media on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 60 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Handwritten in the lower left corner \"M. Ros 90\". Inscription above \"Paul Cézanne\".\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Very good. Vibrant colors and paper without warping.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"12\"\u003e \u003cb\u003eTHE WORKSHOP NOTE\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e This piece has character. There's a lot of \"gentle\" painting on the market, but this work doesn't ask for permission. The gesture of writing \"Paul Cézanne\" in that loose calligraphy over such expressionistic forms struck me as a clever wink, a way of desacralizing classical painting. I like the technical fluidity and how the red background pushes the figures forward. It's a work for those seeking something with visual impact and an intellectual touch, not simply a pretty picture.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\"\u003e\n\n \u003cp data-path-to-node=\"15\"\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52953244041549,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0141_03.jpg?v=1765301857"},{"product_id":"miguel-ros-blasco-brau-toro-en-rojo-y-negro-neoexpresionismo-tecnica-mixta-sobre-papel","title":"MIGUEL ROS BLASCO | \"BRAU\": BULL IN RED AND BLACK | NEO-EXPRESSIONISM | MIXED MEDIA ON PAPER","description":"\u003ch1 data-path-to-node=\"1\"\u003e MIGUEL ROS BLASCO | \"BRAU\": BULL IN RED AND BLACK | NEO-EXPRESSIONISM | MIXED MEDIA ON PAPER\u003c\/h1\u003e\n\n\u003cp data-path-to-node=\"2\"\u003e \u003ci\u003eThe classic iconography of the bull stripped of folklore and reinterpreted with the gestural violence of avant-garde painting.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"2\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"3\"\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n \u003cp data-path-to-node=\"4\"\u003eIn this 1990 work, Miguel Ros Blasco addresses one of the central themes of Spanish painting—bullfighting—but does so filtered through the lens of the international neo-expressionism that dominated the scene at the time. Far from tourist-oriented depictions of local customs, the artist uses the figure of the animal as a pretext for an exercise in pure pictorial tension, aligning himself with the tradition of Picasso or Saura, where the bull is a vehicle of brute force and tragedy, not a decorative image.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"5\"\u003eThe composition is a centrifugal explosion. Against the white of the paper, a visceral red stain acts as an atmosphere of combat—blood or sand—applied with rapid sweeps and washes that create depth. Against this convulsive background, Ros Blasco casts the \"Brau\" (bull, in Catalan) with thick, almost calligraphic black strokes that define the horns and back of the moving animal. The use of the solid green dot in the upper area is fascinating; a purely geometric visual anchor that balances the organic chaos of the scene, providing a chromatic coolness that contrasts with the warmth of the red.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003eThe piece is resolved through synthesis. There are no superfluous anatomical details; the artist captures the charge, the kinetic energy of the animal spinning on its axis. The word \"BRAU\" written in the lower left corner not only titles the work but is also graphically integrated, reinforcing the poster-like or visual manifesto-like character that much of Ros Blasco's work from this period possesses.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"7\"\u003e \u003cb\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e \u003cb\u003eRelevance\/Signature:\u003c\/b\u003e Signed and dated 1990, a key year for the consolidation of the author's style. The inclusion of the handwritten title \"BRAU\" gives it a specific local and linguistic character.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e \u003cb\u003eUniqueness\/Rareness:\u003c\/b\u003e It's difficult to find bullfighting representations that work in modern settings without seeming \"outdated.\" This work achieves this thanks to its abstract aggression and contemporary execution.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb\u003eAesthetics\/Decoration:\u003c\/b\u003e The red-black-white trio is visually unbeatable. It has a dramatic force that works very well as a centerpiece in an office, a minimalist living room, or a space with a masculine character.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e \u003cb\u003eSupport\/Condition:\u003c\/b\u003e The high grammage paper has perfectly withstood the load of paint and moisture from the mixed technique, without showing serious undulations.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"9\"\u003e \u003cb\u003eTECHNICAL SPECIFICATIONS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Miguel Ros Blasco.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e \u003cb\u003eTitle\/Theme:\u003c\/b\u003e \"Brau\" (Bull).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e \u003cb\u003eTime period:\u003c\/b\u003e 1990.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Mixed media on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 60 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Handwritten \"M. Ros 90\" (lower right corner). Titled \"BRAU\" (lower left corner).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Excellent. Saturated colors and clean paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"11\"\u003e \u003cb\u003eTHE WORKSHOP NOTE\u003c\/b\u003e\n\u003c\/h2\u003e\n\n \u003cp data-path-to-node=\"12\"\u003eWhat makes this work stand out in our selection is its ability to modernize an icon without taming it. Ros Blasco omits any embellishment to focus exclusively on muscular tension and attack. It's fast-paced painting, executed with a graphic instinct that functions almost like a warning sign on the wall. A piece designed for those who seek character and visual vibrancy over a gentle narrative.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"13\"\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e \u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52953282871629,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0156_02.jpg?v=1765302412"},{"product_id":"yves-brayer-caballos-en-la-camarga-figuracion-francesa-litografia-a-color","title":"YVES BRAYER | HORSES IN THE CAMARGUE | FRENCH FIGURATION | COLOR LITHOGRAPH","description":"\u003ch1 data-path-to-node=\"1\"\u003e YVES BRAYER | HORSES IN THE CAMARGUE | FRENCH FIGURATION | COLOR LITHOGRAPH\u003c\/h1\u003e\n\n\u003cp data-path-to-node=\"2\"\u003e \u003ci\u003eThe light of the French Mediterranean captured by the great visual chronicler of Provence.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"2\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"3\"\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n \u003cp data-path-to-node=\"4\"\u003eYves Brayer (1907-1990) is one of the leading figures of 20th-century French figurative painting. Far from succumbing to the pressure of abstraction that dominated his era, Brayer remained faithful to the study of reality, becoming the definitive interpreter of the landscapes of southern France, specifically Provence and the Camargue. His work does not seek photographic detail, but rather aims to capture the stark and luminous atmosphere of the Mediterranean through a solid and structured technique that earned him his own museum in Les Baux-de-Provence.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"5\"\u003eIn this lithograph, the artist displays his most celebrated iconography: the wild white horses of the Camargue in their wetland environment. The composition is built upon a vigorous black drawing that delineates the forms of the horses and the vegetation, subsequently filled with planes of watercolor in cerulean blue, ochre, and earth tones. Brayer uses the white of the paper to give substance to the main horses, allowing the light to emanate from the figures themselves, while the background is rendered with horizontal bands that suggest the vastness of the marsh.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003eThe piece stands out for its descriptive economy. It is not necessary to paint every blade of grass; the quick, gestural brushstrokes of the foreground bushes and the simplified depiction of the birds (possibly egrets) immediately place the viewer in the ecosystem of the Rhône Delta. The chromatic balance between the warm earth tones and the blues of the water creates a relaxed visual harmony, characteristic of the \"joie de vivre\" of Provençal art.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"7\"\u003e \u003cb\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e \u003cb\u003eRelevance\/Signature:\u003c\/b\u003e Yves Brayer is a \"safe bet\" in French art. Acquiring a Brayer painting with Camargue themes (horses and water) is like acquiring a Sorolla beach scene; it's the subject for which he became famous.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e \u003cb\u003eUniqueness\/Rareness:\u003c\/b\u003e The format is generous (almost 70 cm wide), allowing one to appreciate the fluidity of the lithographic stroke. It is not a minor sketch; it is a finished and complex composition with multiple figures.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb\u003eAesthetics\/Decoration:\u003c\/b\u003e Earth tones and blue are neutral and elegant. This piece works exceptionally well in country houses, vacation homes, or urban spaces seeking a touch of natural calm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e \u003cb\u003eSupport\/Condition:\u003c\/b\u003e Lithography allows access to the master's aesthetic with a reasonable investment. The image appears clean, and the colors maintain their tonal distinction without becoming muddy.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"9\"\u003e \u003cb\u003eTECHNICAL SPECIFICATIONS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Yves Brayer.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e \u003cb\u003eTitle \/ Topic:\u003c\/b\u003e Horses and foals in the Camargue.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e \u003cb\u003eEra:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Color lithograph on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 56.5 x 67.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Signed in the plate (part of the print) in the lower right corner: \"Yves Brayer\".\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Very Good. Paper slightly tanned with age (typical of the period), image sharp.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"11\"\u003e \u003cb\u003eTHE WORKSHOP NOTE\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e We added this piece to the catalog because it represents the \"canonical Brayer.\" When a collector seeks out this artist, they are looking for precisely this: the synthesis of the wild nature of southern France. I am particularly interested in how he renders the anatomy of horses with very loose, almost sketch-like black lines, which nevertheless demonstrate a profound understanding of animal structure. It is a work that is easy on the eyes; it has air, depth, and a color palette that conveys immediate warmth.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"13\"\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e \u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52953351487821,"sku":null,"price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0369_03.jpg?v=1765303197"},{"product_id":"josep-canyada-tecnica-mixta-original-horizonte-materico-tierras-1988","title":"Josep Canyada | Material Horizon in Lands (1988) | Original Mixed Media","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe landscape dissolved into pure geology. An original work dated 1988 where the artist replaces description with the physical erosion of pigment to capture the weight of the earth and the light of the horizon.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eErosion as a Pictorial Technique\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eIn this 1988 work, Josep Canyada shows us how abstraction is not always an exercise in chaos, but in synthesis. The artist chooses not to paint a classic landscape; instead, he erodes it. The visual \u003ci data-path-to-node=\"4\" data-index-in-node=\"201\"\u003estorytelling\u003c\/i\u003e of this piece lies in friction. Instead of using soft brushstrokes to describe mountains or valleys, Canyada builds horizontal strata saturated with ochres, burnt sienna, and deep browns, only to violently drag and scrape the pigment across the paper. This technical decision, characteristic of the mature Catalan informalism, imitates the geological action of wind and time, imbuing the support with a rough, almost petrified, and highly tactile texture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe Blue Respite and the Line of Light\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIf the entire composition were dominated by these dense, dragged earths, the work would feel suffocating. Canyada's genius lies in how he balances this visual weight through two impeccable lighting decisions. First, he introduces a central yellow glaze that crosses the composition from side to side; it acts as a crepuscular light source that divides and orders the work. Second, and more importantly, he finishes the upper edge with a strip of grayish cerulean blue. This blue is not just a sky: it is the visual oxygen the painting needs to breathe. It creates a perfect thermal contrast between the warm heaviness of the earth and the cool lightness of the atmosphere, achieving absolute harmony.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eAtmospheric Abstraction:\u003c\/b\u003e It is the ideal piece for the collector looking to delve into abstract art without losing the emotional comfort of a landscape. It functions as a window to a serene horizon, bringing immediate calm to the room.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTactile Vibration:\u003c\/b\u003e The technical treatment — the material dragging on the paper — gives it a physical dimension and unusual relief for a work on paper, distinguishing it from the flatness of traditional watercolor.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eDecorative Versatility:\u003c\/b\u003e The chromatic combination of earthy tones anchored by a touch of blue is one of the most effective palettes in interior design. It is a \"wildcard\" piece that brings warmth to minimalist, industrial, or neutral-toned spaces without overwhelming the eye.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e\u003cb data-path-to-node=\"8,3,0\" data-index-in-node=\"0\"\u003eDocumented and Ready Work:\u003c\/b\u003e Dated and signed in 1988, the piece provides the solidity of a key decade for Spanish material painting, presented with a large-format frame (almost 70 cm wide) that gives it a striking presence on the wall.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Josep Canyada.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Landscape Abstraction \/ Horizon (Material Informalism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1988 (Signed and dated).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Mixed media with pigment dragging on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 37 x 52.5 cm (artwork) | 53.5 x 68.5 x 3 cm (with frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Handwritten signature \"Canyada 88\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good. The pigments retain their intensity, and the paper is stable and well-protected by its frame.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and appreciate the richness of its scraped textures.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eSometimes, contemporary art seems to demand constant intellectual effort, but paintings like this demonstrate that good painting also serves to anchor and bring peace. I selected this work by Canyada precisely for its balance. I am fascinated by how the artist has distressed the paper by dragging the browns in the lower part, then softened the impact with that cool blue at the top. It is an honest painting, without pretensions or noisy discourses, relying purely on the craft of knowing how to mix and apply color. A safe bet to create a sophisticated and serene atmosphere.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eCollector's Dossier Included:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52953374589261,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0016_02.jpg?v=1765304141"},{"product_id":"jordi-vila-rufas-friso-calices-abstraccion-sacra","title":"Jordi Vila Rufas | The Frieze of the Chalices | Sacred Abstraction on Panel","description":"\u003cp data-path-to-node=\"2\"\u003e\u003ci\u003eThe solemnity of Catalan Romanesque reinterpreted with the material vibrancy of the avant-garde.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"3\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"4\"\u003eJordi Vila Rufas (Barcelona, 1924-2011) was not merely a painter; he was an architect of the pictorial surface. Son of landscape painter Joan Vila-Puig and a prominent member of the \u003ci\u003eGrup Lais\u003c\/i\u003e, Vila Rufas dedicated his career to a complex mission: to renew religious art without losing its ancient mystique. This work is a masterful example of that quest. Moving away from devotional prints, the artist reclaims the essence of the medieval altarpiece—the gold, the wood, the symbol—and subjects it to the tension of post-war informality, creating an object that seems rescued from a modern cathedral.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe visual analysis of this panoramic piece reveals superb technical execution on a rigid support. The composition is articulated around a central cross, flanked by a rhythmic procession of chalices or ciboria (twelve visible, suggesting apostolic iconography). They are not drawn, they are incised. Vila Rufas works the wood through sgraffito and layering: he applies bases of deep reds (oxblood) and blacks, over which he floats sheets of gold leaf or silver leaf. The light does not reflect flatly; it breaks in the rough texture, creating ancient glimmers and dense shadows.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe aesthetic conclusion is of fascinating gravity. The horizontal format, one meter wide, reinforces the idea of a frieze or altarpiece predella. There is a deliberate tension between the richness of the gilding—a symbol of the divine and eternal—and the darkness of the background, which adds drama and earthly weight. It is a work that functions through accumulation and rhythm; the repetition of the chalice motif creates an almost musical visual cadence, transforming the painting into a visual litany.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003e\u003cb\u003eWhy is this piece an opportunity?\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb\u003eRelevance\/Signature:\u003c\/b\u003e Vila Rufas is one of the great Catalan muralists of the 20th century. His public works are in churches and institutional buildings; owning an easel piece (or panel) of this quality is to possess a fragment of that monumentality on a domestic scale.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb\u003eUniqueness\/Format:\u003c\/b\u003e The dimensions (1 meter wide x 46.5 cm) are exceptional. This panoramic format is very difficult to find on the market and allows for unique decorative solutions, such as crowning a low sideboard, a headboard, or a passageway.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb\u003eAesthetics\/Decoration:\u003c\/b\u003e The combination of black, rust red, and gold is of timeless elegance. It fits equally well in minimalist environments (where it acts as a protagonist jewel) and in spaces rich with antiques.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e\u003cb\u003eSupport\/Condition:\u003c\/b\u003e Being a mixed media on wood (panel), the work has a physical solidity that canvas does not possess. It is a substantial, heavy, and durable object. The preservation of the material and the metallic luster is optimal.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003e\u003cb\u003eTechnical Specifications\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb\u003eArtist:\u003c\/b\u003e Jordi Vila Rufas (1924-2011).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Liturgical Composition \/ Chalice Frieze.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb\u003ePeriod:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Mixed media (oil, incision, gold\/silver leaf) on wood.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 46.5 x 100 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb\u003eSignature:\u003c\/b\u003e Lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003e\u003cb\u003eThe Workshop's Note\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp data-path-to-node=\"11\"\u003eThis piece struck me with its physical presence. It's not a painting you look at; it's an object you feel. When you touch the surface, you notice the grooves, the layers of paint, the wood... Vila Rufas treated paint as if it were old goldsmithing. I chose it for its radical panoramic format and because the gilding he uses is not \"sparkly\"; it's an old, solemn gold that changes completely depending on how the daylight hits it. It's perfect for those seeking a piece with historical and spiritual \"weight,\" without falling into classic figurative art.\u003c\/p\u003e\n\u003chr data-path-to-node=\"12\"\u003e\n\u003cp data-path-to-node=\"13\"\u003e\u003cb\u003eCollector's Dossier Included:\u003c\/b\u003e This artwork comes with a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52959161385293,"sku":null,"price":900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0212_02.jpg?v=1765374454"},{"product_id":"isabel-dartiguelongue-acrilico-original-abstraccion-expresionista-rojo-oliva","title":"Isabel Dartiguelongue | Chromatic Tension in Red and Olive | Original Acrylic","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe visceral force of expressionist abstraction. An original work on cardboard that stands out for its powerful pictorial gesture and a chromatic conflict resolved through the technique of Argentine informalism.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eCuratorial History and Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eExpressionist Abstraction and the Physical Gesture\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eIsabel Dartiguelongue falls within the tradition of Argentine expressionist abstraction, a school that prioritizes the physical relationship with the support and the trace of the gesture over geometric rigidity. In this composition, the artist foregoes figuration to focus on the drama of color and movement, building an atmosphere reminiscent of South American informalist currents of the second half of the 20th century, where painting manifests as an energetic event.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThermal Contrast and Visual Structure\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe work is articulated through large color sweeps and glazes that generate a hazy depth. Over a base of olive greens and desaturated earth tones, carmine red erupts violently at the sides and through central splashes. This red acts as an energetic crack that breaks the calm of the background. The structure of the piece, framed by vertical stripes at the ends, forces the eye to move horizontally, creating a dynamic balance between the softness of the background smudges and the aggressiveness of the foreground brushstroke.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eAesthetic and Chromatic Power:\u003c\/b\u003e Latin American abstract art possesses a particular intensity. This work offers a controlled \"fury\" ideal for breaking monotony in minimalist, Nordic, or industrial interior design projects, adding a bohemian and sophisticated character.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eLarge Format Presence:\u003c\/b\u003e At almost a meter wide (94 cm with frame), the piece has the visual authority of a large canvas. Its scale allows it to dominate a large wall on its own, offering a high graphic impact.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eTexture and Matte Finish:\u003c\/b\u003e The cardboard support allows for a very specific absorption of pigment, resulting in a matte and velvety finish that reinforces the rawness and honesty of the acrylic stroke. The dark wood framing elevates and defines the composition with elegance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Isabel Dartiguelongue (Argentina).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Abstract composition in red and olive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Second half of the 20th century (c. 1980-1990).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Acrylic on cardboard.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 52 x 79 cm (artwork) | 67 x 94 x 3 cm (with frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"Dartiguelongue\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good. Color saturation and support integrity remain optimal.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and appreciate its chromatic vibration.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe strength of this Dartiguelongue piece lies in its impeccable management of conflict. The artist avoids visual complacency to provoke a deliberate friction between the static greens and the vertical eruption of red. The use of cardboard, far from being a lesser support, provides a patina of austerity that perfectly matches the nature of abstract expressionism. It is a work that stands on its internal architecture and has the ability to completely transform the energy of a room thanks to its powerful graphic personality.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eCollector's Dossier Included:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52959472025933,"sku":null,"price":480.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0286_03.jpg?v=1765375552"},{"product_id":"jordi-samso-tecnica-mixta-1988-bestiario-primitivo-lino-crudo-100x100","title":"Jordi Samsó | Primitive Bestiary and Totemic Figures (1988) | Mixed Media on Linen","description":"\u003ch1 data-path-to-node=\"3\"\u003eJordi Samsó | Primitive Bestiary and Totemic Figures (1988) | Mixed Media\u003c\/h1\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003ci data-path-to-node=\"4\" data-index-in-node=\"0\"\u003eA ritual painted on raw linen. The raw tension between ancestral rite and the urban urgency of 1980s Barcelona, resolved in a powerful 1x1 meter format.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"5\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"0\"\u003eThe urban archaeology of a graphic artist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eIn 1988, while Barcelona looked towards the Olympic future, Jordi Samsó (1960) decided to look back, to the forgotten essence. The visual \u003ci data-path-to-node=\"7\" data-index-in-node=\"131\"\u003estorytelling\u003c\/i\u003e of this work does not seek anecdote, but atavistic impact. Samsó is not painting a gestural abstraction; he is performing a ritual on a contemporary \"cave wall.\" The support is not a prepared canvas; it is thick, raw, unprimed linen sackcloth. This technical decision is the driving force of the entire piece: the pigment does not glide over the fabric, it embeds itself in it, giving the work an earthy and honest materiality.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eSynthesis of beasts and guardians\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe composition is structured by bold, charcoal-like black graphics, imitating the rawness of primitive charcoal applied with urgency. Samsó achieves the absolute synthesis of forms:\u003c\/p\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eTo the left,\u003c\/b\u003e two vertical and schematic figures with totemic reminiscences stand. They are the guardians or witnesses framing the action.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTo the right,\u003c\/b\u003e the stroke curves and twists violently to materialize at least two quadruped creatures of prehistoric heritage. The vibration of the black lines suggests the movement and tension of a ritual or hunting scene.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe masterful touch that defines the piece is the chromatic violation: upon this black and atavistic chaos, deliberate splashes of fluorescent pink and electric blue burst forth. This technical decision causes an immediate temporal clash; it is the iconography of Altamira intervened by the neon of the modern city, annulling chronological time to connect the sympathetic magic of the first civilizations with the expressive pulse of the 80s.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"12\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eConsolidated Signature in Neo-Primitivism:\u003c\/b\u003e This movement — which seeks to recover the tribal from the urban avant-garde — is highly valued by specialized collectors. This work fits perfectly into that narrative (following in the footsteps of Penck or Basquiat) with high-quality technical execution.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003ePresence and Scale:\u003c\/b\u003e Its dimensions (100 x 100 cm) and square format make it an architectural piece. When hung, it functions as an ancient \"fresco\" torn off and preserved, capable of visually structuring a large wall on its own.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eAesthetic Sophistication:\u003c\/b\u003e The mixture of the raw linen base, deep black, and fluorescent accents possesses a unique urban elegance. It is the ideal piece to break the coolness in contemporary design interiors, providing texture and \"soul\" without losing modernity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"14\"\u003eTechnical Details\u003c\/h2\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Jordi Samsó (Barcelona, 1960).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Primitivist composition \/ Figures and beasts.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1988 (Signed and dated).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Mixed media (Acrylic and oil stick) on raw linen fabric (sackcloth).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 100 x 100 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"Samsó 88\" in the upper left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good overall antique condition. The pictorial layer remains stable. \u003ci data-path-to-node=\"15,7,0\" data-index-in-node=\"93\"\u003eCondition Note The raw linen support presents a small structural discontinuity. This detail does not compromise the visual legibility or the material force of the work, and can be easily stabilized if desired.\u003c\/i\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,8,0\"\u003e\u003cb data-path-to-node=\"15,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify its material quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"16\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"17\"\u003eThis is a piece for those who understand that modern art, deep down, still tries to capture reality with the same urgency and magic as our ancestors in the caves. The small historical mark detected on the perimeter of the linen, far from being a hidden defect, is part of the history and atavistic character of this sackcloth that has endured for over three decades.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52960411681101,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0020_01.jpg?v=1765378412"},{"product_id":"humberto-jaimes-sanchez-rostro-cubista-1954","title":"Humberto Jaimes Sánchez | Cubist Face, Rome 1954 | Oil on Paper","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA visceral and magnetic fragment where color explodes. An enigmatic geometric mask that documents, in the artist's own hand, the creative awakening of the Venezuelan master in post-war Europe.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003ch3 data-path-to-node=\"3\"\u003eThe Transatlantic Clash in the Eternal City\u003c\/h3\u003e\n\u003cp data-path-to-node=\"4\"\u003eTo grasp the significance of this work, we must place ourselves in 1954. A young Humberto Jaimes Sánchez has just crossed the Atlantic, leaving Venezuela behind to absorb the effervescence of a Europe attempting to rebuild after the war. Before achieving renown in Paris and before embracing the informalism that would define his mature period, Rome was his laboratory. This city, with its classical weight and latent avant-garde, caused an aesthetic short circuit in him. This work is, literally, the physical testament to that clash: the exact moment a Latin American artist begins to chew on and digest the European language to find his own voice.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"5\"\u003eThe Geometric Dissection of the Face\u003c\/h3\u003e\n\u003cp data-path-to-node=\"6\"\u003eWhen confronting the work, the first impression is one of a powerful impact uncharacteristic of its size. Jaimes Sánchez does not paint a face; he deconstructs it. Using a language with clear Cubist roots, he fractures the anatomy into sharp planes and tense triangles.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eMost fascinating is the use of color and material. The carmine reds, terracottas, and ochres are not applied delicately, but with an almost primitive urgency, rubbed onto the support, revealing the lively texture of the material. These warm, saturated planes are brutally delimited by thick, decisive black and white lines that structure the composition as if they were the foundations of a building. The visual result inevitably alludes to tribal masks or primitive art, a key influence in the early avant-gardes that the artist reinterprets here with undeniable ferocity.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"8\"\u003eThe Intimate Diary of a Genius in Formation\u003c\/h3\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis is not a work conceived for the wall of a large museum, and therein lies its magic. We are looking at an intimate work, a flash of genius quickly captured before the idea vanished. The autograph inscription in the lower right corner, \u003ci data-path-to-node=\"9\" data-index-in-node=\"274\"\u003e\"H. Jaimes Sánchez 54 Roma,\"\u003c\/i\u003e acts like a passport stamp. It transforms a brilliant Cubist exercise into a biographical document. It allows us to peek into the artist's private Roman studio, experimenting, searching, and laying the foundations for the great creator he was about to become.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"10\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb data-path-to-node=\"11,0,0\" data-index-in-node=\"0\"\u003eThe Value of the Geographic \"Incunabulum\":\u003c\/b\u003e Early works from Jaimes Sánchez's Italian period (pre-Paris) are rare to see outside institutional circuits. Having the handwritten date \"1954\" and location \"Roma\" by the artist makes this piece a fundamental chronological anchor for understanding his evolution.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb data-path-to-node=\"11,1,0\" data-index-in-node=\"0\"\u003eVisual Power in Cabinet Format:\u003c\/b\u003e Size is often confused with impact. This work is pure concentrated energy. Its saturated colors and geometric tension give it a visual weight that, with appropriate museum framing (for example, floating over a deep neutral passe-partout), will dominate the space with the authority of a large format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb data-path-to-node=\"11,2,0\" data-index-in-node=\"0\"\u003eSynchronicity of Avant-Gardes:\u003c\/b\u003e For collectors of modern and Latin American art, this piece represents the \"missing link.\" It shows the exact moment of assimilation of European Cubism by a South American talent, a highly sought-after curatorial narrative today for bringing coherence to transversal collections.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"12\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Humberto Jaimes Sánchez (1930 - 2003).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Subject:\u003c\/b\u003e Cubist Anthropomorphic Composition (Rome Study).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eDate:\u003c\/b\u003e 1954.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,3,0\"\u003e\u003cb data-path-to-node=\"13,3,0\" data-index-in-node=\"0\"\u003eMedium and Support:\u003c\/b\u003e Oil on paper (marouflaged on cardboard).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,4,0\"\u003e\u003cb data-path-to-node=\"13,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 11 x 20 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,5,0\"\u003e\u003cb data-path-to-node=\"13,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed, dated, and located in the lower right corner: \u003ci data-path-to-node=\"13,5,0\" data-index-in-node=\"85\"\u003e\"H. Jaimes Sanchez 54 Roma\"\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,6,0\"\u003e\u003cb data-path-to-node=\"13,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,7,0\"\u003e\u003cb data-path-to-node=\"13,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good. The pictorial layer remains stable, vibrant, and without flaking, preserving the original, matte texture characteristic of this technique on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,8,0\"\u003e\u003cb data-path-to-node=\"13,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return period to inspect the work in person and verify its emphatic physical presence.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"14\"\u003eThe Workshop Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"16\"\u003eHere there is no Jaimes Sánchez comfortable in his style; there is a 24-year-old artist in Rome, struggling with forms, seeking to break what he knew to build something new. That black line in the center, almost like a nose, drawn with such force, tells you more about his ambition than ten art treatises. It is an absolute gem for an analytical collector, someone who enjoys showing their pieces up close and explaining \u003ci data-path-to-node=\"16\" data-index-in-node=\"425\"\u003ewhy\u003c\/i\u003e that paper dated '54 is the key to understanding everything that came after.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical specifications, and historical context, prepared and printed by El Taller del Coleccionista.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53456245031245,"sku":null,"price":2450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0372_a8acf2ca-3c77-4ffd-a9dc-a79e5dae6fd6.jpg?v=1772454288"},{"product_id":"anita-sola-dimbert-composicion-estructural-en-rojo-y-negro-abstraccion-geometrica-tecnica-mixta","title":"ANITA SOLÀ D'IMBERT | STRUCTURAL COMPOSITION IN RED AND BLACK | GEOMETRIC ABSTRACTION | MIXED MEDIA","description":"\u003ch1 data-path-to-node=\"0\"\u003eANITA SOLÀ D'IMBERT | STRUCTURAL COMPOSITION IN RED AND BLACK | GEOMETRIC ABSTRACTION | MIXED MEDIA\u003c\/h1\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eAn exercise in formal tension that captures the essence of constructivism with a purely contemporary sensibility.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\u003ch3 data-path-to-node=\"3\"\u003eThe architecture of abstract thought\u003c\/h3\u003e\n\u003cp data-path-to-node=\"4\"\u003eWithin the evolution of contemporary Catalan avant-garde, there are creators who need to abandon the figurative to find pure order. In this work, Anita Solà d'Imbert dispenses with any organic reference to delve into structural precision. This is not a simple drawing, but the planimetry of an idea. The artist builds an infinite space on white paper, demonstrating that geometric abstraction is not a cold language, but a deeply intellectual way of ordering the chaos of the world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eWhen analyzing the composition, the eye is caught in a network of kinetic, agile, and sharp lines that seem to cut through the void at high speed. These lines act as the skeleton that supports a series of floating triangular planes. The visual triumph of the work lies in the strategic use of the color red: vibrant, saturated, and decisive. This red does not merely serve an aesthetic function; it acts as a visual anchor that gives weight, gravity, and rhythm to a structure that would otherwise seem to be in constant and chaotic expansion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe choice of mixed media is the perfect vehicle to express this duality. On one hand, we observe the blurred softness of grayish charcoal, which adds volume, shadow, and an almost atmospheric quality to the interior planes. On the other, the forceful nature of the dark, defined line emerges, marking the edges and directions of force with absolute assertiveness. It is a tactile conversation between the human gesture that smudges the graphite and the analytical mind that traces the vector.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eWHY THIS PIECE IS AN OPPORTUNITY FOR YOUR COLLECTION\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eAssertiveness in Small Format:\u003c\/b\u003e Its dimensions (23.5 x 16 cm) demand intimate contemplation. It is a cabinet piece that does not shout for space but draws the viewer in, demonstrating that visual force does not depend on large formats, but on the purity of design.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003eThe Value of the Series:\u003c\/b\u003e Belonging to a series of structural explorations, it has a strong narrative component. If accompanied by complementary pieces by the same author, its curatorial value multiplies, allowing the artist's evolutionary process to be displayed on the wall (the concept of a diptych or triptych).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eAvant-garde Purity:\u003c\/b\u003e It represents the assimilation of European constructivist currents filtered through Catalan graphic art. A cultivated work that adds intellectual depth to any private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eTECHNICAL SHEET\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Anita Solà d'Imbert.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Structural Composition in Red and Black.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb data-path-to-node=\"12,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Mixed media (charcoal, ink, and waxes\/red pigment) on original paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb data-path-to-node=\"12,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 23.5 x 16 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\"\u003eSignature:\u003c\/b\u003e Hand-signed \u003ci data-path-to-node=\"12,5,0\" data-index-in-node=\"31\"\u003e\"Anita Solà d'Imbert\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The support remains clean, and the pigments retain all their contrast, saturation, and vibrancy without signs of degradation or loss of fixation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,8,0\"\u003e\u003cb data-path-to-node=\"12,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and experience the vibrancy of its red firsthand.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\"\u003eTHE WORKSHOP'S NOTE\u003c\/h2\u003e\n\u003cp data-path-to-node=\"14\"\u003eWhen you face a figurative painting, you can hide behind the subject; but in works like this, the artist relies solely on balance, rhythm, and proportion. What I like most about this paper is that it is not made by a machine. Despite being pure geometry, when you get a few centimeters closer, you see the texture of the paper torn by the stroke, the slight imperfection of the manual blurring, the urgency of those intersecting black lines. It is an exercise in brutal restraint. An ideal piece for someone who wants their wall to convey order, but with soul and human pulse.\u003c\/p\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53457106895181,"sku":null,"price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0086_04.jpg?v=1772462885"},{"product_id":"anita-sola-dimbert-forma-abstracta-en-verde-y-negro-informalismo-materico-acrilico-sobre-papel","title":"ANITA SOLÀ D'IMBERT | ABSTRACT FORM IN GREEN AND BLACK | INFORMAL ART WITH TEXTURE | ACRYLIC ON PAPER","description":"\u003ch1 data-path-to-node=\"0\"\u003eANITA SOLÀ D'IMBERT | ABSTRACT FORM IN GREEN AND BLACK | MATERIC INFORMALISM | ACRYLIC ON PAPER\u003c\/h1\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eAn organic explosion of emerald green and abyssal black that defies the containment of paper. The triumph of free gesture and material fluidity in a piece that pulses with its own vital energy.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\u003ch3 data-path-to-node=\"3\"\u003eAct I: The liberation of gesture and controlled chaos\u003c\/h3\u003e\n\u003cp data-path-to-node=\"4\"\u003eIf in other aspects of her work Anita Solà d'Imbert seeks order through strict geometry, here she opens the door to the absolute liberation of gesture. This piece is part of the tradition of materic informalism, where the creative process is as important as the result. The artist does not \"draw\" a form; she allows it to happen. Using the technique of dripping, projection, and guided pigment expansion, Solà d'Imbert channels her energy directly onto the support. It is the physical record of a moment of creative effervescence, a visual outburst that captures the untamed essence of nature.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"5\"\u003eAct II: The dialectic of color and the anatomy of the stain\u003c\/h3\u003e\n\u003cp data-path-to-node=\"6\"\u003eVisually, the work functions like a living organism in full mitosis or an expanding nebula. The core of the composition is dense, heavy, dominated by a deep black that acts like a black hole attracting the gaze. From this dark epicenter emerge sharp and agile ramifications in a vibrant, almost electric emerald green. The technical mastery is revealed in the transition between apparent chaos and harmony: the artist intervenes this dark density with subtle injections of pure white and silver-grey. These luminous flashes break the opacity of the stain, giving the structure a fascinating three-dimensionality and internal dynamism.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eAct III: The topography of acrylic\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe choice of fluid acrylic is not accidental; it is the vehicle of matter. Unlike flat inks, the pigment load of this work generates a true topography on high-grammage paper. Observing the piece closely, one can perceive the valleys and ridges of the dry paint, the layering where green devours black and white emerges to the surface. This tactile density gives the work an aura of absolute authenticity, asserting its condition as a physical and three-dimensional object against the coldness of the two-dimensional support.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eThe Perfect Curatorial Complement (Diptych):\u003c\/b\u003e This work shares dimensions (23.5 x 16 cm) and authorship with the \u003ci data-path-to-node=\"10,0,0\" data-index-in-node=\"109\"\u003eStructural Composition in Red and Black\u003c\/i\u003e. Owning both pieces allows the collector to display the complete duality of abstract thought: the Yin and Yang of contemporary art (geometric order versus organic chaos). Their combined value far exceeds their individual worth.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eMagnetism in Avant-Garde Interior Design:\u003c\/b\u003e Organic and explosive forms are exceptional resources in high-end decor to break the rigidity of hyper-linear architectural spaces. The contrast of jewel green against a neutral background makes this small work a magnetic focal point.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003eMaterial Vitality and Exclusivity:\u003c\/b\u003e The richness of textures, the relief of the acrylic, and the subtle silver glints are impossible to capture in a reproduction. It is a piece that champions the value of \"handmade\" and the unrepeatable moment.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eConsolidated Trajectory:\u003c\/b\u003e Investing in artists with a solid academic and exhibition background in contemporary abstraction ensures that the piece not only decorates but also maintains and enhances its cultural prestige over time.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Anita Solà d'Imbert.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Abstract Form in Green and Black (Material Dynamism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb data-path-to-node=\"12,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original acrylic on high-grammage paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb data-path-to-node=\"12,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 23.5 x 16 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\"\u003eSignature:\u003c\/b\u003e Hand-signed \u003ci data-path-to-node=\"12,5,0\" data-index-in-node=\"31\"\u003e\"Anita Solà d'Imbert\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The support retains its purity, enhancing the chromatic contrast. The material layer of the acrylic is stable, without cracks or loss of adhesion, preserving all its original volume.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,8,0\"\u003e\u003cb data-path-to-node=\"12,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the artwork in person and appreciate the tactile relief of the paint.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\"\u003eTHE WORKSHOP'S NOTE\u003c\/h2\u003e\n\u003cp data-path-to-node=\"14\"\u003eWhen I placed this work next to its geometric sibling (the one with red tones), the contrast seemed spectacular to me. While the other demands you to think and analyze angles, this one appeals directly to instinct. What strikes me most is how Solà d'Imbert has managed to make something as seemingly random as an expansive stain feel so perfectly balanced. The touches of silver and white in the center are the secret; they give it light, they give \"breathing room\" to a mass of color that would otherwise be suffocating. It is a wild, direct work with tremendous energy, ideal for a collector who is not afraid of pieces with character.\u003c\/p\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a comprehensive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53457112400205,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0072_04_2e0ea1c4-f384-4d00-b987-b6a9ea50156e.jpg?v=1772463332"},{"product_id":"xavier-ubach-paisaje-atmosferico-con-arbol-sintesis-tonal-acuarela-original-sobre-papel","title":"XAVIER UBACH | ATMOSPHERIC LANDSCAPE WITH TREE | TONAL SYNTHESIS | ORIGINAL WATERCOLOR ON PAPER","description":"\u003ch1 data-path-to-node=\"0\" class=\"\"\u003eXAVIER UBACH | ATMOSPHERIC LANDSCAPE WITH TREE | TONAL SYNTHESIS | ORIGINAL WATERCOLOR ON PAPER\u003c\/h1\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\" class=\"\"\u003eThe mist, the earth, and the silence. A masterful watercolor where the landscape sheds the anecdotal to become pure visual poetry, capturing the melancholy of the horizon through an absolute command of earthy tones.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\" class=\"\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\u003ch3 data-path-to-node=\"3\" class=\"\"\u003eVisual synthesis and the inner landscape\u003c\/h3\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cspan class=\"\"\u003eOften,\u003c\/span\u003e\u003cspan class=\"\"\u003e contemporary art confuses abstraction with a lack of form.\u003c\/span\u003e\u003cspan class=\"\"\u003e However,\u003c\/span\u003e\u003cspan class=\"\"\u003e upon closer inspection of this work by Xavier Ubach,\u003c\/span\u003e\u003cspan class=\"\"\u003e we realize that we are not looking at \"pure abstraction\" as a hasty first glance might suggest,\u003c\/span\u003e\u003cspan class=\"\"\u003e but something far more complex:\u003c\/span\u003e\u003cspan class=\"\"\u003e a figurative synthesis pushed to its limit.\u003c\/span\u003e\u003cspan class=\"\"\u003e Ubach doesn't need to invent an unreal world; he takes a rural landscape—with its tree,\u003c\/span\u003e\u003cspan class=\"\"\u003e its fence,\u003c\/span\u003e\u003cspan class=\"\"\u003e and its tilled fields—and distills it down to its emotional essence.\u003c\/span\u003e\u003cspan class=\"\"\u003e It is a landscape that seems to dwell more in memory than in physical geography,\u003c\/span\u003e\u003cspan class=\"\"\u003e a silent setting that invites deep contemplation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cspan class=\"\"\u003eThe composition of this watercolor (16 x 23 cm) is a masterful lesson in classical asymmetrical balance.\u003c\/span\u003e\u003cspan class=\"\"\u003e All visual weight rests on the left third,\u003c\/span\u003e\u003cspan class=\"\"\u003e anchored by the solid, textured presence of a large, solitary tree.\u003c\/span\u003e\u003cspan class=\"\"\u003e From there,\u003c\/span\u003e\u003cspan class=\"\"\u003e the gaze is gently guided to the right by the horizontal lines of a rustic fence and the strata of the fields.\u003c\/span\u003e\u003cspan class=\"\"\u003e Ubach masterfully uses negative space:\u003c\/span\u003e\u003cspan class=\"\"\u003e the white of the paper is not emptiness,\u003c\/span\u003e\u003cspan class=\"\"\u003e but acts as a dense morning mist or an ashen light that separates the planes of depth,\u003c\/span\u003e\u003cspan class=\"\"\u003e from the distant grove to the gentle hills of the horizon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cspan class=\"\"\u003eThe true virtuosity of this piece lies in its palette and execution.\u003c\/span\u003e\u003cspan class=\"\"\u003e By foregoing vibrant color and limiting his spectrum to sepia,\u003c\/span\u003e\u003cspan class=\"\"\u003e ochre,\u003c\/span\u003e\u003cspan class=\"\"\u003e toasted shadows,\u003c\/span\u003e\u003cspan class=\"\"\u003e and black tones,\u003c\/span\u003e\u003cspan class=\"\"\u003e Ubach forces himself to construct the image based solely on value (light and darkness) and texture.\u003c\/span\u003e\u003cspan class=\"\"\u003e Here,\u003c\/span\u003e\u003cspan class=\"\"\u003e watercolor ceases to be a purely fluid technique.\u003c\/span\u003e\u003cspan class=\"\"\u003e The artist employs a \"dry brush\" and granulated pigments in the foreground and in the tree canopy,\u003c\/span\u003e\u003cspan class=\"\"\u003e achieving a tactile roughness that contrasts spectacularly with the soft, ethereal washes of the sky and the distant mountains.\u003c\/span\u003e\u003cspan class=\"\"\u003e It is a perfect dialogue between the harshness of the earth and the immateriality of the air.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"9\" class=\"\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\" class=\"\"\u003eTonal Elegance and Versatility:\u003c\/b\u003e\u003cspan class=\"\"\u003e The chromatic restriction to earthy and sepia tones gives this work a timeless elegance.\u003c\/span\u003e\u003cspan class=\"\"\u003e It integrates impeccably into almost any interior design project,\u003c\/span\u003e\u003cspan class=\"\"\u003e providing warmth without clashing with other color palettes in the environment.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\" class=\"\"\u003eAtmospheric Quality:\u003c\/b\u003e\u003cspan class=\"\"\u003e In a market saturated with strident images,\u003c\/span\u003e\u003cspan class=\"\"\u003e works that manage to convey \"silence\" are highly valued.\u003c\/span\u003e\u003cspan class=\"\"\u003e This piece generates a psychological climate of calm,\u003c\/span\u003e\u003cspan class=\"\"\u003e ideal for reading spaces,\u003c\/span\u003e\u003cspan class=\"\"\u003e offices,\u003c\/span\u003e\u003cspan class=\"\"\u003e or rest areas.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\" class=\"\"\u003eRichness of Textures (Dry Brush):\u003c\/b\u003e\u003cspan class=\"\"\u003e Technically,\u003c\/span\u003e\u003cspan class=\"\"\u003e it demonstrates absolute mastery of watercolor,\u003c\/span\u003e\u003cspan class=\"\"\u003e escaping simple flat washes to offer torn and material textures on the paper,\u003c\/span\u003e\u003cspan class=\"\"\u003e which evidences the hand of a mature artist confident in his stroke.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\" class=\"\"\u003eSignature and Traceability:\u003c\/b\u003e\u003cspan class=\"\"\u003e Xavier Ubach's clear, autograph signature in the lower right corner guarantees the authorship of the piece,\u003c\/span\u003e\u003cspan class=\"\"\u003e ensuring its place within the artist's cataloging.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\" class=\"\"\u003eTECHNICAL DATA SHEET\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\" class=\"\"\u003eArtist:\u003c\/b\u003e\u003cspan class=\"\"\u003e Xavier Ubach.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\" class=\"\"\u003eTitle \/ Theme:\u003c\/b\u003e\u003cspan class=\"\"\u003e Atmospheric Landscape (Layers of Memory).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\" class=\"\"\u003eEra:\u003c\/b\u003e\u003cspan class=\"\"\u003e Contemporary Art.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb data-path-to-node=\"12,3,0\" data-index-in-node=\"0\" class=\"\"\u003eTechnique and Support:\u003c\/b\u003e\u003cspan class=\"\"\u003e Original watercolor (with dry brush and wash techniques) on paper.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb data-path-to-node=\"12,4,0\" data-index-in-node=\"0\" class=\"\"\u003eDimensions:\u003c\/b\u003e\u003cspan class=\"\"\u003e 16 x 23 cm.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\" class=\"\"\u003eSignature:\u003c\/b\u003e\u003cspan class=\"\"\u003e Hand-signed \u003c\/span\u003e\u003ci data-path-to-node=\"12,5,0\" data-index-in-node=\"31\" class=\"\"\u003e\"XAVIER UBACH\"\u003c\/i\u003e\u003cspan class=\"\"\u003e in the lower right corner.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\" class=\"\"\u003eProvenance:\u003c\/b\u003e\u003cspan class=\"\"\u003e Private collection archive.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\" class=\"\"\u003eCondition:\u003c\/b\u003e\u003cspan class=\"\"\u003e Excellent.\u003c\/span\u003e\u003cspan class=\"\"\u003e The paper shows no signs of foxing (humidity spots) and the pigments retain all their contrast,\u003c\/span\u003e\u003cspan class=\"\"\u003e from the deepest blacks to the subtle ochre glazes of the sky.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,8,0\"\u003e\u003cb data-path-to-node=\"12,8,0\" data-index-in-node=\"0\" class=\"\"\u003eInspection Guarantee:\u003c\/b\u003e\u003cspan class=\"\"\u003e 14-day guaranteed return to inspect the artwork in person and immerse yourself in its atmosphere.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\" class=\"\"\u003eTHE WORKSHOP'S NOTE\u003c\/h2\u003e\n\u003cp data-path-to-node=\"15\"\u003e\u003cspan class=\"\"\u003eWhat captivates me most about this paper is its texture.\u003c\/span\u003e\u003cspan class=\"\"\u003e If you look at the tree canopy and the foreground earth,\u003c\/span\u003e\u003cspan class=\"\"\u003e the brush has scraped the paper,\u003c\/span\u003e\u003cspan class=\"\"\u003e leaving a dry trace,\u003c\/span\u003e\u003cspan class=\"\"\u003e almost like charcoal,\u003c\/span\u003e\u003cspan class=\"\"\u003e only to then blend into a very soft sky.\u003c\/span\u003e\u003cspan class=\"\"\u003e It is an incredibly silent painting.\u003c\/span\u003e\u003cspan class=\"\"\u003e It looks like an old sepia photograph fading into a memory.\u003c\/span\u003e\u003cspan class=\"\"\u003e It's the perfect piece for the collector who isn't looking to impress visitors with loud colors,\u003c\/span\u003e\u003cspan class=\"\"\u003e but rather wants to come home,\u003c\/span\u003e\u003cspan class=\"\"\u003e pour a drink,\u003c\/span\u003e\u003cspan class=\"\"\u003e look at the wall,\u003c\/span\u003e\u003cspan class=\"\"\u003e and disconnect from the noise of the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-path-to-node=\"16\" class=\"\"\u003e\n\u003cp data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\" class=\"\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e\u003cspan class=\"\"\u003e This artwork comes with an exhaustive research study,\u003c\/span\u003e\u003cspan class=\"\"\u003e technical sheet,\u003c\/span\u003e\u003cspan class=\"\"\u003e and curatorial context prepared and printed by El Taller del Coleccionista.\u003c\/span\u003e\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53457161814349,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0019_04.jpg?v=1772464282"},{"product_id":"hernan-ardila-composicion-abstracta-2003-grabado-contemporaneo-aguafuerte-y-punta-seca","title":"HERNÁN ARDILA | ABSTRACT COMPOSITION (2003) | CONTEMPORARY ENGRAVING | ETCHING AND DRYPOINT","description":"\u003chr data-path-to-node=\"1\" class=\"\"\u003e\n\u003ch1 data-path-to-node=\"2\" class=\"\"\u003eHERNÁN ARDILA | ABSTRACT COMPOSITION (2003) | CONTEMPORARY ENGRAVING | ETCHING AND DRYPOINT\u003c\/h1\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cem\u003eA geometric and organic exploration on high-quality handmade paper. Ardila's masterful line work in a play of textures and serialized forms.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"4\" class=\"\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\u003ch3 data-path-to-node=\"5\" class=\"\"\u003eThe Architecture of Printmaking\u003c\/h3\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cspan class=\"\"\u003eIn the realm of contemporary art,\u003c\/span\u003e\u003cspan class=\"\"\u003e original graphic work demands absolute technical control from the creator.\u003c\/span\u003e\u003cspan class=\"\"\u003e In this 2003 piece, Hernán Ardila demonstrates outstanding mastery of printing processes.\u003c\/span\u003e\u003cspan class=\"\"\u003e Far from impulsive abstraction,\u003c\/span\u003e\u003cspan class=\"\"\u003e the artist structures the composition using a strict geometric grid.\u003c\/span\u003e\u003cspan class=\"\"\u003e This grid acts as an archive or a \"cabinet\" where each compartment houses a unique organic and biomorphic form.\u003c\/span\u003e\u003cspan class=\"\"\u003e It is a visual exploration that contrasts the mathematical order of the container with the freedom of the contained nature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cspan class=\"\"\u003eThe visual weight of the print rests on a masterful application of deep black ink.\u003c\/span\u003e\u003cspan class=\"\"\u003e Ardila combines the robustness and characteristic textures of etching with the linear delicacy provided by drypoint,\u003c\/span\u003e\u003cspan class=\"\"\u003e achieving a rich visual relief and tonal gradation within each cell.\u003c\/span\u003e\u003cspan class=\"\"\u003e The definitive compositional success is the inclusion of a single element in burnt sienna in the upper right quadrant.\u003c\/span\u003e\u003cspan class=\"\"\u003e This chromatic break,\u003c\/span\u003e\u003cspan class=\"\"\u003e coldly calculated,\u003c\/span\u003e\u003cspan class=\"\"\u003e avoids visual monotony and guides the viewer's gaze,\u003c\/span\u003e\u003cspan class=\"\"\u003e establishing a clear focal point of tension on the paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cspan class=\"\"\u003eIn high-level graphic work,\u003c\/span\u003e\u003cspan class=\"\"\u003e paper is never merely a background; it is an active component of the artwork.\u003c\/span\u003e\u003cspan class=\"\"\u003e This edition has been printed on 250-gram Molí Cubé handmade paper.\u003c\/span\u003e\u003cspan class=\"\"\u003e The porous texture of the support,\u003c\/span\u003e\u003cspan class=\"\"\u003e coupled with the presence of natural deckle edges (the irregular edges of handmade paper),\u003c\/span\u003e\u003cspan class=\"\"\u003e gives the piece a tactile quality and an undeniable material presence.\u003c\/span\u003e\u003cspan class=\"\"\u003e This technical choice ensures not only the durability of the engraving,\u003c\/span\u003e\u003cspan class=\"\"\u003e but also its categorization as an artistic object of traditional craftsmanship.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"11\" class=\"\"\u003eWHY THIS PIECE IS AN OPPORTUNITY FOR YOUR COLLECTION\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\" class=\"\"\u003ePrinceps Edition Status:\u003c\/b\u003e\u003cspan class=\"\"\u003e The work is numbered in pencil \"1\/84.\"\u003c\/span\u003e\u003cspan class=\"\"\u003e In the collecting of serial graphic works,\u003c\/span\u003e\u003cspan class=\"\"\u003e the first copy of the commercial edition holds a higher hierarchy and greater demand,\u003c\/span\u003e\u003cspan class=\"\"\u003e as it is the initial impression validated directly by the artist after the state proofs.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\" class=\"\"\u003eTechnical Proficiency:\u003c\/b\u003e\u003cspan class=\"\"\u003e The combination of etching and drypoint requires profound knowledge of acids and the metal plate.\u003c\/span\u003e\u003cspan class=\"\"\u003e The internal textures of the black forms demonstrate a clean bite and professional printing.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cb data-path-to-node=\"12,3,0\" data-index-in-node=\"0\" class=\"\"\u003eIntegrated Framing:\u003c\/b\u003e\u003cspan class=\"\"\u003e The chosen framing—a clear wooden molding with clean lines—respects the visual clarity of the Molí Cubé paper and accentuates the contemporary character of the print,\u003c\/span\u003e\u003cspan class=\"\"\u003e making it ready for installation and display.\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\" class=\"\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h2\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\" class=\"\"\u003eArtist:\u003c\/b\u003e\u003cspan class=\"\"\u003e Hernán Ardila.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\" class=\"\"\u003eTitle \/ Theme:\u003c\/b\u003e\u003cspan class=\"\"\u003e Abstract Composition (Organic Grid).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\" class=\"\"\u003eYear:\u003c\/b\u003e\u003cspan class=\"\"\u003e 2003.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\" class=\"\"\u003eTechnique:\u003c\/b\u003e\u003cspan class=\"\"\u003e Original graphic work (Etching and drypoint).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\" class=\"\"\u003eSupport:\u003c\/b\u003e\u003cspan class=\"\"\u003e 250 gr Molí Cubé handmade paper with natural deckle edges.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\" class=\"\"\u003eDimensions:\u003c\/b\u003e\u003cspan class=\"\"\u003e 55 x 45 cm (Support) | 25 x 25 cm (Plate mark).\u003c\/span\u003e\u003cspan class=\"\"\u003e Frame included.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\" class=\"\"\u003eEdition and Inscriptions:\u003c\/b\u003e\u003cspan class=\"\"\u003e Numbered copy \u003c\/span\u003e\u003ci data-path-to-node=\"14,6,0\" data-index-in-node=\"43\" class=\"\"\u003e\"1 \/ 84\"\u003c\/i\u003e\u003cspan class=\"\"\u003e in the lower left corner.\u003c\/span\u003e\u003cspan class=\"\"\u003e Signed and dated in pencil by the artist in the lower right corner.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\" class=\"\"\u003eProvenance:\u003c\/b\u003e\u003cspan class=\"\"\u003e Private collection archive.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,8,0\"\u003e\u003cb data-path-to-node=\"14,8,0\" data-index-in-node=\"0\" class=\"\"\u003eCondition:\u003c\/b\u003e\u003cspan class=\"\"\u003e Very good.\u003c\/span\u003e\u003cspan class=\"\"\u003e Clean paper,\u003c\/span\u003e\u003cspan class=\"\"\u003e free of oxidation,\u003c\/span\u003e\u003cspan class=\"\"\u003e retaining the density and relief of the lithographic inks.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,9,0\"\u003e\u003cb data-path-to-node=\"14,9,0\" data-index-in-node=\"0\" class=\"\"\u003ePresentation:\u003c\/b\u003e\u003cspan class=\"\"\u003e Professionally framed with a contemporary clear wooden frame.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,10,0\"\u003e\u003cb data-path-to-node=\"14,10,0\" data-index-in-node=\"0\" class=\"\"\u003eInspection Guarantee:\u003c\/b\u003e\u003cspan class=\"\"\u003e 14-day guaranteed return to inspect the print in person and verify the plate mark on the paper.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"15\" class=\"\"\u003eTHE WORKSHOP'S NOTE\u003c\/h2\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe differentiating value of this piece lies in the sum of two very tangible factors: first, its status as the first print (1\/84), which ensures pristine print quality where even the slightest intention of Ardila's line work is appreciated; and second, the visual weight and nobility of the Molí Cubé paper. It is a graphic work that is not only looked at, but also transmits a strong tactile and material presence, ideal for collectors who value the pure alchemy of contemporary printmaking.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\" class=\"\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\" class=\"\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e\u003cspan class=\"\"\u003e This artwork comes with an exhaustive research study,\u003c\/span\u003e\u003cspan\u003e technical data sheet, and curatorial context prepared and printed by El Taller del Coleccionista.\u003c\/span\u003e\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53462417604941,"sku":null,"price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0105_9ee711d6-f530-4a4c-a201-5191dd1b33f6.jpg?v=1772553081"},{"product_id":"julio-linares-el-primer-dia-1973-arte-visionario-y-psicodelia-tecnica-mixta","title":"JULIO LINARES | THE FIRST DAY (1973) | VISIONARY ART AND PSYCHEDELIA | MIXED MEDIA","description":"\u003ch2 data-path-to-node=\"0\"\u003eJULIO LINARES | THE FIRST DAY (1973) | VISIONARY ART AND PSYCHEDELIA | MIXED MEDIA\u003c\/h2\u003e\n\u003cp data-path-to-node=\"1\"\u003eA meticulous cosmogony representing the pinnacle of Linares' visionary style. A labyrinth of energetic flows and micro-figuration that defines the Spanish psychedelic avant-garde.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"2\"\u003eCURATORIAL HISTORY AND ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eA Cosmogonic Narrative\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eWith this 1973 work, Julio Linares (1944) stands at the epicenter of the psychedelic movement and Visionary Art in Spain. Titled by the artist himself as \"El primer día\" (The First Day), the piece functions as a cosmogonic narrative, a visual genesis where Linares consolidates his most personal and fascinating language: \"inhabited abstraction.\" Far from pure automatism, the artist constructs a deliberate cellular universe where the microscopic and macroscopic merge to explore the very origin of life, energy, and the human connection to the cosmos.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eVisual Narrative and Micro-figuration\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eFormally, the composition is overwhelmingly dense in its technical execution. Linares deploys an ecosystem of energetic flows, biomorphic structures, and organic grids traced with a nervous yet millimeter-precise pulse. The most extraordinary visual discovery of the work is the integration of his characteristic micro-figuration: dozens of tiny human silhouettes traced with subtle blue and green lines that move, dance, or germinate within these cellular capsules. The vibrant and saturated color palette—oranges, yellows, leaf greens, and cyan blues—generates a sense of perpetual motion and respiration, endowing the piece with a hypnotic visual cadence.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eHistorical Relevance:\u003c\/b\u003e Dated 1973, it represents a true time capsule of the Spanish psychedelic avant-garde. It is a tangible testimony to an era of liberation and mental exploration, captured at the artist's peak expressive maturity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTechnical Exhibition:\u003c\/b\u003e The profusion of details, the meticulous tracing of dotted patterns, and the surprising inclusion of micro-figuration demand careful and inexhaustible observation. It is a work that rewards sustained viewing, revealing new elements with each reading.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"9\"\u003eTECHNICAL DATA\u003c\/h3\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Julio Linares (Spain, 1944).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The First Day (Visionary Cosmogony).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1973 (Contemporary Art \/ Psychedelia).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Mixed media (inks and pigments) on original support.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Artwork: 63 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and dated \"Linares 73\" in the lower right corner of the recto. Titled, signed, and dated on the verso by the artist.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good. Stable support and pigments with excellent preservation of their original vibrancy. Presented framed with an original dark wood molding.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe distinguishing value of \"El primer día\" lies in the magnetism of its dual scale. From a middle distance, the work impresses with its chromatic strength and imposing structure of energetic currents; however, up close, it reveals its true mystery: a microscopic universe populated by human figures inhabiting the color. It is a feat of meticulous drawing and an absolute rarity that perfectly encapsulates the visionary spirit of the seventies, ideal for collections seeking works with a deep and complex visual narrative.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53467896643917,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0003_24e1de4d-254b-4946-b654-22fddf1e2b99.jpg?v=1772565739"},{"product_id":"perico-pastor-triptico-la-biblia-2007-obra-grafica-firmada-y-certificada-edicion-notarial","title":"PERICO PASTOR | TRIPTYCH \"THE BIBLE\" (2007) | SIGNED AND CERTIFIED GRAPHIC WORK | NOTARIZED EDITION","description":"\u003ch2 data-path-to-node=\"5\"\u003ePERICO PASTOR | \"THE BIBLE\" TRIPTYCH (2007) | SIGNED AND CERTIFIED GRAPHIC WORK | NOTARIZED EDITION\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe mastery of contemporary watercolor united with the rigor of high bibliophilia. An exceptional graphic triptych by Perico Pastor, indivisibly preserved along with its original notarial certification from Enciclopèdia Catalana.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe fluidity of ink and Mediterranean light\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis superb graphic set demonstrates why Perico Pastor (b. 1953) is one of the undisputed masters of contemporary illustration. Created expressly for the monumental collector's edition of \u003ci data-path-to-node=\"9\" data-index-in-node=\"211\"\u003eThe Bible\u003c\/i\u003e (Enciclopèdia Catalana, 2007), these three plates merge the fluidity and economy of Eastern brushwork with a vibrant, purely Mediterranean luminosity. Pastor replaces the historical gravitas of sacred texts with an explosion of color, rhythm, and humanity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe visual journey of the triptych\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe three works form a perfect chromatic and emotional narrative:\u003c\/p\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003e\"El pas del Mar Roig\" (The Crossing of the Red Sea):\u003c\/b\u003e A composition of telluric force where the walls of water, rendered in imposing and dense washes of blues and greens, open over the multitude traced with vibrant black ink in the lower section.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003e\"Lloeu Déu al seu santuari\" (Psalm 150):\u003c\/b\u003e Rhythm takes center stage. Pastor uses blocks of pure color (reds, yellows, blues, greens) that dance freely around the schematic silhouettes of musicians playing the harp, cymbals, and drums.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003e\"Adoració dels savis\" (Adoration of the Magi):\u003c\/b\u003e A scene of profound contemplation. The use of intense chiaroscuro and warm tones (ochres, blues, and deep magentas) is notable, centering the gaze on the serene and protective figure of the mother holding the child.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eDocumentary Integrity (Notarial Certificate):\u003c\/b\u003e The value of this lot lies in its indivisible condition. It comes with the original Notarial Certificate signed by Juan Manuel Perelló Font and the seal of the General Council of Notaries. This document legitimizes the signatures and links this exact copy to the original owning family, providing an unimpeachable pedigree to the acquisition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eEditorial Rarity:\u003c\/b\u003e The three plates are hand-numbered as copy 188 of 1000. Interestingly, the notarial certification specifies a strictly limited edition of 998 sets, a peculiarity of high bibliophile editions that adds enormous historical and archival interest for the erudite collector.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003ePrinting Quality:\u003c\/b\u003e Printed on high-grammage cotton paper, the printing technique achieves astonishing fidelity in reproducing the texture, transparency, and original \"bleed\" of Perico Pastor's watercolor and ink.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Perico Pastor (b. 1953).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e \"The Bible\" Triptych (Crossing of the Red Sea, Psalm 150, and Adoration of the Magi).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003ePeriod \/ Project:\u003c\/b\u003e 2007. Illustrations for the collector's edition of \u003ci data-path-to-node=\"16,2,0\" data-index-in-node=\"74\"\u003eThe Bible\u003c\/i\u003e (Enciclopèdia Catalana).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Serigraphed graphic work (high-fidelity lithographic reproduction) on high-grammage cotton paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Print Run:\u003c\/b\u003e Strictly limited edition. The three plates are hand-numbered in pencil \u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"89\"\u003e188 \/ 1000\u003c\/b\u003e (Notarial certificate limiting the series to 998 copies).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e The three plates are hand-signed in pencil \u003ci data-path-to-node=\"16,5,0\" data-index-in-node=\"70\"\u003e\"perico\"\u003c\/i\u003e by the artist in the lower left margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): Approx. 37 x 50 cm (each plate). Large visual presence format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,7,0\"\u003e\u003cb data-path-to-node=\"16,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection. Includes the original editorial certificate and Notarial Seal\/Signature corresponding to the edition number.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,8,0\"\u003e\u003cb data-path-to-node=\"16,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Museum quality. The colors retain all their original intensity and transparency, with no stains, creases, or oxidation on the paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eIn the contemporary art market, trust is everything. Acquiring graphic work by Perico Pastor means adding mastery of color to your collection; but acquiring it protected by an original notarial act means incorporating documented history. This triptych is an exercise in transparency and curatorial rigor, designed for the graphic cabinet that demands the provenance of the work shine as brightly as its colors.\u003c\/p\u003e\n\u003chr data-path-to-node=\"19\"\u003e\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53474968961357,"sku":null,"price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0033_b028e455-4992-4832-8405-e6312731bf0a.jpg?v=1772636856"},{"product_id":"jm-guerrero-medina-figura-penumbra-aguafuerte-17-20","title":"J.M. Guerrero Medina | Figure in the Penumbra | Etching and Aquatint (17\/20)","description":"\u003cp data-path-to-node=\"6\"\u003e\u003cem\u003eThe mastery of absolute black. A superb intaglio print with an extremely short run that pays homage to the best Spanish graphic tradition through a dramatic and enveloping chiaroscuro.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHistory and Curatorial Analysis\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe Triumph of Aquatint and Velvety Black\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis magnificent original graphic work bears the signature of renowned contemporary artist José María Guerrero Medina. Created through the complex superposition of etching and aquatint, the piece stands out for its overwhelming technical mastery. The composition introduces us to a deeply intimate and silent atmosphere: a female figure in profile, seated in the dim light of a room, her silhouette and clothing subtly revealed by the light filtering through the window in the background.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe true milestone of this print is the execution of the aquatint. Guerrero Medina achieves velvety and dense blacks that devour the visual space with a drama that directly connects to the sobriety of the great classical masters of Spanish engraving. The light reserves on the hands, face, and the fabric draped over the chair demonstrate absolute control over the acid's bite on the metal plate.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eExtremely Short Run (High Rarity):\u003c\/b\u003e The immense curatorial appeal of this piece lies in its edition. This is copy number 17 of a limited edition of only 20 worldwide. This extraordinarily low print volume ensures that the plate has not suffered the slightest wear, offering unbeatable contrast and depth.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eTechnical Virtuosity (Mixed Media):\u003c\/b\u003e Mastering aquatint on such large surfaces without the black losing texture or becoming clotted is a challenge within the reach of very few engravers. It is a work of technical erudition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eGallery Format:\u003c\/b\u003e Unlike traditional intimate prints, this work is presented on a very generously proportioned support (65 x 50 cm), giving it a strong and monumental visual presence.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTechnical Data\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e José María Guerrero Medina (b. 1942).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Figure in the Dim Light \/ Interior (Intimate Genre \/ Figurative Expressionism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original engraving (Mixed media: Etching and aquatint) on high-grammage cotton paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Run:\u003c\/b\u003e \u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"18\"\u003e17 \/ 20\u003c\/b\u003e (Extremely short commercial edition). Numbered in pencil in the lower left margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in pencil \u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"46\"\u003e\"Guerrero M.\"\u003c\/i\u003e in the lower right corner. Features additional handwritten inscription in the center of the lower margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 65 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eConservation Status and Curatorial Note:\u003c\/b\u003e The intaglio print (central image) is in impeccable condition, retaining the ink saturation and exact contrast of its first day. \u003ci data-path-to-node=\"14,7,0\" data-index-in-node=\"192\"\u003eArchive note:\u003c\/i\u003e The broad paper support has a tear or cut on its outer right side margin. Given the generosity of the margins, this peripheral imperfection becomes completely and absolutely invisible when mounting the work under a standard conservation mat (\u003ci data-path-to-node=\"14,7,0\" data-index-in-node=\"448\"\u003emat\u003c\/i\u003e), in no way affecting the aesthetic integrity or curatorial value of the piece once framed.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eThe Workshop Note\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eTo delve into Guerrero Medina's graphic work is to confront the power of chiaroscuro. This print is not complacent; it demands to be observed carefully to discover the textures and nuances hidden in the dimness of the room. Backed by an almost non-existent edition of 20 copies, it is a must-have acquisition for the rigorous collector who seeks not decorative pieces, but visceral strength, the weight of the ink, and the history of contemporary intaglio.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical data sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53475467034957,"sku":null,"price":360.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0367_6b707a42-d3c2-46be-9f35-5922fd337f56.jpg?v=1772638850"},{"product_id":"fran-lok-abstraccion-gestual-1968-tachismo-y-action-painting-acuarela-original","title":"FRAN LOK | GESTURAL ABSTRACTION (1968) | TACHISME AND ACTION PAINTING | ORIGINAL WATERCOLOR","description":"\u003ch2 data-path-to-node=\"5\"\u003eFRAN LOK | GESTURAL ABSTRACTION (1968) | TACHISME AND ACTION PAINTING | ORIGINAL WATERCOLOR\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe force of the stroke and the dance of color. An immersion into the universe of 1960s Informalism through a vibrant watercolor, dominated by the energy of \u003ci data-path-to-node=\"6\" data-index-in-node=\"186\"\u003eAction Painting\u003c\/i\u003e.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe Informal Vortex and Electric Blue\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis fascinating original work, dated 1968, presents a composition of overwhelming force where chromatic contrast and speed of execution are the true protagonists. Unlike static compositions, Fran Lok here creates an almost orbital tension: thick and expressive strokes of black and dark grey pigment structure the space, creating a kind of dynamic web from which a strong electric blue stain emerges with dazzling saturation. To give the work greater spatial depth, subtle fluid lines in reddish and magenta tones intertwine in the background of the composition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe Triumph of \u003ci data-path-to-node=\"10\" data-index-in-node=\"15\"\u003eDripping\u003c\/i\u003e and Gravity\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe execution of this print is a triumph of control over the watery medium and chance. Worked exclusively with fluid watercolor on paper, the artwork is a physical and unalterable record of the artist's bodily movement. The masterful use of \u003ci data-path-to-node=\"11\" data-index-in-node=\"248\"\u003edripping\u003c\/i\u003e (direct dripping), explosive splashes, and vertical runs intentionally caused by gravity demonstrate a refined technique that directly connects with the rebelliousness of European \u003ci data-path-to-node=\"11\" data-index-in-node=\"452\"\u003eTachisme\u003c\/i\u003e and American \u003ci data-path-to-node=\"11\" data-index-in-node=\"474\"\u003eAction Painting\u003c\/i\u003e.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eTestament to the Avant-Garde (1968):\u003c\/b\u003e The year of creation places this piece in a tumultuous and fascinating decade for the history of contemporary art, making it an essential visual document for collectors of post-war abstraction.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eChromatic and Compositional Power:\u003c\/b\u003e The interaction between the aggressiveness of the black lines and the pure luminosity of blue and magenta gives the work a visual magnetism that captivates the gaze and demands active observation from the viewer.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e Despite being over half a century old, the pigment sits on high-grammage paper with a freshness that looks newly painted. The colors retain an extraordinary vibrancy, with no signs of light fatigue.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Fran Lok.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Gestural Abstraction in Blue and Black (Informalism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eYear of Creation:\u003c\/b\u003e 1968.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original fluid watercolor (applied via \u003ci data-path-to-node=\"15,3,0\" data-index-in-node=\"65\"\u003edripping\u003c\/i\u003e, pouring, and free gesture) on high-grammage paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): 65.5 x 50 cm (Landscape format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Abstract Expressionism \/ Tachisme \/ \u003ci data-path-to-node=\"15,5,0\" data-index-in-node=\"58\"\u003eAction Painting\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eConservation Status:\u003c\/b\u003e Excellent. Archival quality. Paper intact and colors with extraordinary saturation and vibrancy. Ideal work for display with a floating frame mounting that respects the integrity of its margins.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eAcquiring this watercolor by Fran Lok means owning a fragment of the pure energy of the 1960s. In \u003ci data-path-to-node=\"17\" data-index-in-node=\"99\"\u003eAction Painting\u003c\/i\u003e, there are no sketches or possible corrections; what we see is the artist's first and only intention, captured in fractions of a second. It is a powerful, visceral, and bravely executed piece, conceived for graphic cabinets and contemporary art collections that demand works with character, history, and an overwhelming visual personality.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53475505045837,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0317_d8e616e2-3842-4c0f-b49b-3134f0a8ffc6.jpg?v=1772639174"},{"product_id":"fran-lok-abstraccion-gestual-1968-azul-y-magenta-acuarela-original","title":"FRAN LOK | GESTURAL ABSTRACTION (1968) | BLUE AND MAGENTA | ORIGINAL WATERCOLOR","description":"\u003ch2 data-path-to-node=\"4\"\u003eFRAN LOK | GESTURAL ABSTRACTION (1968) | BLUE AND MAGENTA | ORIGINAL WATERCOLOR\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe chromatic impact of the avant-garde. The pure fluidity of watercolor serving \u003ci data-path-to-node=\"5\" data-index-in-node=\"86\"\u003eTachism\u003c\/i\u003e and gestural automatism in a vibrant original work from 1968.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eChromatic burst and verticality\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eContinuing the exploration of the gestural language that defines Fran Lok's production in the late 1960s, this exceptional original piece raises the chromatic stakes. In contrast to the restraint of earlier works, the artist incorporates bold accents of intense magenta and forceful dark strokes that aggressively dialogue with his characteristic and omnipresent electric blue. The vertical format of the composition accentuates the sensation of falling and fluidity, turning the work into a pure exercise of creative freedom deeply rooted in \u003ci data-path-to-node=\"8\" data-index-in-node=\"561\"\u003eAction Painting\u003c\/i\u003e and European automatism of the era.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eVirtuosity in the aqueous medium\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWhat is truly remarkable about this piece is its exclusive execution in watercolor. Achieving such gestural assertiveness, with \u003ci data-path-to-node=\"10\" data-index-in-node=\"146\"\u003edripping\u003c\/i\u003e (direct splashes), gravity-induced runs, and such defined contours, without the use of denser and more opaque media like acrylic or oil, requires the artist to have absolute mastery of water tension, drying time, and pigment saturation. It is an exact choreography between chance and control.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eCornerstone of Informalism (1968):\u003c\/b\u003e Dated in a crucial year for cultural and artistic revolutions, this print transcends the aesthetic to become a living visual document of post-war avant-gardes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eHighest Quality Support:\u003c\/b\u003e The work is executed on superb heavy, handmade paper with a markedly rough texture. The natural background acts as an indispensable visual breathing space, while the paper's pores retain the chromatic load, maintaining its original vibrancy.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eUnaltered Expressive Force:\u003c\/b\u003e In action art, corrections are not possible. Acquiring this piece means treasuring the creator's first and only intention, a burst of energy permanently captured on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Fran Lok.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Gestural abstraction in blue and magenta (Informalism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eYear of creation:\u003c\/b\u003e 1968.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original fluid watercolor (application through automatism, \u003ci data-path-to-node=\"14,3,0\" data-index-in-node=\"78\"\u003edripping\u003c\/i\u003e and pouring) on heavy handmade paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): 65.5 x 50 cm (Vertical format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Abstract Expressionism \/ Tachism \/ \u003ci data-path-to-node=\"14,5,0\" data-index-in-node=\"58\"\u003eAction Painting\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good. The thick paper support remains intact, displaying the natural irregularity of its edges (\u003ci data-path-to-node=\"14,7,0\" data-index-in-node=\"152\"\u003edeckled edges\u003c\/i\u003e). The pigments retain extraordinary saturation and vibrancy, free from light degradation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eIn the contemporary art market, abstraction from the 1960s, signed at its peak, is a highly prestigious asset. This watercolor by Fran Lok doesn't ask the viewer for permission; it bursts forth with an intensity of color and a controlled anarchy that define the very essence of \u003ci data-path-to-node=\"16\" data-index-in-node=\"296\"\u003eTachism\u003c\/i\u003e. A definitive acquisition, exclusively designed for the graphic cabinet seeking to collect energy, history, and the physical truth of the pictorial gesture.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53475529818445,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0307_896b9090-39f4-41a9-8057-6cc3eb51dd2c.jpg?v=1772639491"},{"product_id":"fran-lok-abstraccion-gestual-1968-tecnica-mixta-cera-y-acuarela-informalismo","title":"FRAN LOK | GESTURAL ABSTRACTION (1968) | MIXED MEDIA (WAX AND WATERCOLOR) | INFORMALISM","description":"\u003ch2 data-path-to-node=\"4\"\u003eFRAN LOK | GESTURAL ABSTRACTION (1968) | MIXED MEDIA (WAX AND WATERCOLOR) | INFORMALISM\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eAn explosion of energy and movement captured in the historic year of 1968. The pure record of pictorial action through a sophisticated mixed media technique that fuses \u003ci data-path-to-node=\"5\" data-index-in-node=\"174\"\u003eTachisme\u003c\/i\u003e with gestural automatism.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eCURATORIAL HISTORY AND ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe void, the blue, and verticality\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis original work on thick paper, dated in a crucial year for cultural revolutions (1968), is a vibrant testament to European gestural abstraction. Signed by Fran Lok, the piece abandons any figurative pretensions to focus on the pure expressiveness of matter and color. The composition is dominated by a vertical and anarchic structure from which powerful washes emerge in the artist's characteristic electric blue, dialoguing with more subtle strokes in violet and black tones.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe alchemy of the studio: the \u003ci data-path-to-node=\"9\" data-index-in-node=\"27\"\u003eWax Resist\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe immense visual and technical appeal of this work lies in its execution. Fran Lok employs a mixed media technique here, combining the fluidity of watercolor with the resistance of wax or oil pastel (\u003ci data-path-to-node=\"10\" data-index-in-node=\"212\"\u003ewax resist\u003c\/i\u003e). It is mesmerizing to observe how the quick, previous wax strokes repel the liquid pigment, generating astonishing organic textures and a suggestive play of voids (\u003ci data-path-to-node=\"10\" data-index-in-node=\"408\"\u003enegative space\u003c\/i\u003e) over the natural raw tone of the paper. Splashes and \u003ci data-path-to-node=\"10\" data-index-in-node=\"487\"\u003edripping\u003c\/i\u003e (vertical dripping) complete a visual choreography full of dynamism.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eAvant-Garde Testimony (1968):\u003c\/b\u003e The year of its creation places it squarely in the effervescent context of post-war avant-gardes. It is a living visual document of the era in which \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"187\"\u003eAction Painting\u003c\/i\u003e redefined the boundaries of art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eTechnical Sophistication (Mixed Media):\u003c\/b\u003e The combination of greasy and aqueous materials demonstrates absolute mastery of the physical behavior of pigments. This technique gives the print a relief and texture impossible to achieve with watercolor alone.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eHighest Quality Support:\u003c\/b\u003e The print is executed on superb heavy-weight handmade paper. The porosity of the support absorbs the chromatic load, keeping the vividness of the colors intact, while its irregular margins attest to its noble manufactured origin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL DATA SHEET\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Fran Lok.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Gestural abstraction in blue (Informalism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eYear of creation:\u003c\/b\u003e 1968.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original mixed media (fluid watercolor and wax\/oil pastel resist) on heavy-weight handmade paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): Approx. 65.5 x 50 cm (Vertical gallery format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Abstract Expressionism \/ Tachisme \/ \u003ci data-path-to-node=\"14,5,0\" data-index-in-node=\"58\"\u003eAction Painting\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good. The pigments maintain a strong saturation, free from oxidation or light fatigue.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE STUDIO NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eIn Informalism, the work does not represent an action; the work \u003ci data-path-to-node=\"16\" data-index-in-node=\"62\"\u003eis\u003c\/i\u003e the action. By incorporating wax to repel watercolor, Fran Lok adds a level of technical premeditation to the apparent anarchy of \u003ci data-path-to-node=\"16\" data-index-in-node=\"200\"\u003eAction Painting\u003c\/i\u003e. It is a magnetic piece, conceived for the contemporary graphic cabinet that demands to treasure the history, rebellion, and physical purity of the 1960s.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eCollector's Dossier Included:\u003c\/b\u003e This artwork comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53475615015245,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0295-copia.jpg?v=1772639648"},{"product_id":"jose-garcia-ocejo-hada-silencio-dibujo-original-1972","title":"José García Ocejo | The Fairy of Silence (1972) | Original Drawing","description":"\u003cp data-path-to-node=\"6\"\u003e\u003cem\u003eThe linear quality and lyricism of the Mexican avant-garde. A splendid original ink drawing by José García Ocejo, dated from his mature period, capturing the essence of Neo-Romanticism and fantastic Surrealism.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHistory and Curatorial Analysis\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe Dandy of the Rupture and the Rejection of Muralism\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis magnificent work immerses us in the sophisticated universe of José García Ocejo (1928-2019), one of the most unique and cultivated figures in 20th-century Mexican art. A fundamental member of the \u003ci data-path-to-node=\"9\" data-index-in-node=\"197\"\u003eGeneración de la Ruptura\u003c\/i\u003e (Rupture Generation), Ocejo moved away from the ideological and nationalist weight of traditional muralism to embrace fantasy, opera, mythology, and eroticism. In this piece, the artist displays all his characteristic elegance, inviting us into a dreamlike and profoundly intimate world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eCalligraphic Virtuosity and Wash\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe composition depicts an ethereal winged female figure—a fairy or nymph, a recurring motif in his poetic imaginary—suspended in the void and asking for silence with a delicate gesture of her hand. This is a unique original drawing. Ocejo uses an agile, nervous, and calligraphic ink stroke to define the contours, applying masterful touches of wash (diluted ink) that give volume and movement to the figure's hair and wings.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eUnique and Original Work:\u003c\/b\u003e In a market abundant with serial works, acquiring an original ink drawing allows the collector to possess the physical and direct imprint of the Veracruz master, without mechanical intermediaries.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eKey Dating (1972):\u003c\/b\u003e The work is fully authenticated by the author's unmistakable angular uppercase signature (\u003ci data-path-to-node=\"13,1,0\" data-index-in-node=\"121\"\u003e\"OCEJO 72\"\u003c\/i\u003e) in the lower right corner. This date places it in the decade of the artist's greatest international consolidation, guaranteeing impeccable technical execution.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003ePresence and Aesthetic Purity:\u003c\/b\u003e The bareness of the support and the economy of means (only ink and paper) lend the piece a timeless elegance, making it an indispensable asset for discerning collectors of surrealism and the Latin American avant-garde.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e José García Ocejo (Córdoba, Veracruz, 1928 – 2019).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The Fairy of Silence \/ Winged Figure (Mythology \/ Fantastic Realism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eYear of Creation:\u003c\/b\u003e 1972.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Unique original drawing. India ink and wash on drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and dated by hand \u003ci data-path-to-node=\"15,4,0\" data-index-in-node=\"57\"\u003e\"OCEJO 72\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): 43 x 35 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Neo-Romanticism \/ Mexican Surrealism \/ \u003ci data-path-to-node=\"15,6,0\" data-index-in-node=\"63\"\u003eGeneración de la Ruptura\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,8,0\"\u003e\u003cb data-path-to-node=\"15,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent archival condition. The ink retains its original contrast. The paper, structurally intact, presents a beautiful and uniform warm patina (ivory\/toasted tone) typical of the natural aging of cellulose fibers over more than half a century, which certifies its historicity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eThe Workshop's Note\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eOcejo did not draw to convince the masses; he drew to seduce the individual. This \u003ci data-path-to-node=\"17\" data-index-in-node=\"87\"\u003eFairy of Silence\u003c\/i\u003e is a declaration of aesthetic intent: a work that demands to be contemplated with the same quietness that the figure requests. Backed by its status as an original work and its emblematic 1972 signature, it is an acquisition of indisputable prestige, designed to bring a high level of international erudition to your graphic cabinet.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eCollector's Dossier Included:\u003c\/b\u003e This artwork comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53476245045581,"sku":null,"price":410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0127_5c4adbe3-1373-46d5-a77e-de706502a084.jpg?v=1772640483"},{"product_id":"mercedes-docon-oleo-original-torturado-s-xxi-impasto-materico","title":"Mercedes d'Ocon | Tortured, 21st Century | Original Oil with Impasto","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe silenced scream through matter. An original oil painting where the violence of sculptural technique is placed at the absolute service of contemporary social protest.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe anatomy of censorship and chromatic contrast\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eMercedes d'Ocon del Cid is not content with illustrating psychological pain; she materializes it. In \"Tortured, 21st Century,\" the visual narrative is constructed from a brutal contrast. Against an abyssal, dark background devoid of spatial references, a subjugated human profile emerges. The work's attention is not focused on the subject's gaze — which the artist chooses to fragment and conceal — but on the strident green gag. This chromatic choice is not accidental: the artificial green acts as a visual tourniquet that cuts off the work's breath, suffocating the organic and earthy tones of the skin and generating unbearable tension in the center of the canvas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe triumph of materism\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe truly desolate and masterful aspect of this piece is its tactile execution. D'Ocon does not paint the skull and face; she sculpts them by accumulating thick layers of oil. This extreme material load (\u003ci data-path-to-node=\"6\" data-index-in-node=\"192\"\u003eimpasto\u003c\/i\u003e), cracked, rough, and full of craters, resembles a battered geological terrain or an open wound. It is a technical resource inherited from the rawness of Spanish Informalism and the existential anguish of post-war figuration, used here forcefully to transfer physical violence and psychological wear directly to the viewer.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy this piece is an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003ePsychological Force (Statement Art):\u003c\/b\u003e In a market often dominated by pleasing aesthetics, this work stands as an act of artistic bravery. It is a powerful piece, designed for collections seeking committed and visceral art, capable of shaking the gaze and structuring the character of a room.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTactile Three-dimensionality:\u003c\/b\u003e The aggression of the technique is palpable. The sculptural relief of the head literally protrudes from the canvas, giving the work a physical presence that mutates and casts dramatic shadows depending on the directional light it receives in the room.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eComposition and Packaging:\u003c\/b\u003e Despite its crude theme, the work possesses impeccable visual balance. The background gives all its weight to the face, while the signature in bright red (\"M. d'Ocon\") acts as a visual anchor in the lower area. It is presented with a sober minimalist black frame that frames the tension without detracting from the canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mercedes d'Ocon del Cid.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Tortured, 21st Century (Psychological portrait \/ Social protest).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Spanish Art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original oil on canvas with extreme material load (\u003ci data-path-to-node=\"10,3,0\" data-index-in-node=\"74\"\u003eimpasto\u003c\/i\u003e).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 70 x 60 cm (artwork).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"M. d'Ocon\" in red brushstroke in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The paint layer is stable and the thick impasto reliefs maintain a firm adhesion to the support, preserving the deep color saturation. Includes period frame.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and experience the impact of its three-dimensional relief.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eIn the history of painting, quality does not always reside in decorative harmony; often it resides in the undeniable truth of the work. What convinced me to include this canvas in the catalog is its absolute coherence: d'Ocon not only illustrates the violence of censorship, but she exerts it on the painting itself. The head seems literally about to burst under the graphic pressure of that green fabric. This is not a painting to go unnoticed in a hallway; it is a statement of intent. A tough, learned, and magnetic painting conceived for a collector who understands that good art must, above all, challenge us.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53476652745037,"sku":null,"price":395.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0001_4a463c46-376d-4d18-8759-b47f39795286.jpg?v=1772641555"},{"product_id":"jordi-maragall-mira-oleo-original-retrato-femenino-colorista","title":"Jordi Maragall Mira | Female Portrait | Original Colorist Oil Painting","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe legacy of colorism in Catalan painting. An original oil painting that abandons academic realism to sculpt physiognomy with pure brushstrokes and energetic lines.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eSculpting light through pure color\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eTraditional figurative portraiture often pursues anatomical accuracy through subtle blending of tones. Jordi Maragall Mira (1936-2023) takes the opposite path. Drawing directly from the \u003ci data-path-to-node=\"4\" data-index-in-node=\"205\"\u003eFauvist\u003c\/i\u003e heritage and French modernity, the artist decides that color should not describe reality, but construct it. Instead of blurring, he applies bold, pure color brushstrokes. Observing the resolution of shadows and volumes, we see the deliberate use of emerald greens, vibrant pinks, oranges, and lead whites applied directly and materially. This technical decision, far from blurring the face, endows it with exceptional psychological structure and thermal vibration.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe visual skeleton and the atmospheric background\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe second major decision of the work is the use of line. Maragall frames the features and contour with a dark, vigorous line—a technique inherited from \u003ci data-path-to-node=\"6\" data-index-in-node=\"158\"\u003eCloisonnism\u003c\/i\u003e. These lines do not act as a rigid boundary, but as a visual skeleton that supports the chromatic explosion within and prevents the composition from losing strength. To maximize this contrast effect, the artist places the figure on a textured background in golden and mustard tones; being a flat but luminous surface, it pushes the face towards the viewer, giving this medium-sized canvas a resounding and direct presence.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eSignature Expressionism:\u003c\/b\u003e Jordi Maragall Mira belongs to one of Barcelona's most relevant cultural lineages. His work represents a fundamental bridge between the historical Catalan avant-garde and contemporary figuration, bringing historical rigor to any collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eDecorative Audacity:\u003c\/b\u003e In a market full of classical portraits, this piece stands out for its boldness. The acidic and vibrant palette makes it an immediate focal point, capable of injecting a very contemporary and sophisticated character into neutral, minimalist, or eclectic interiors.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003ePhysical Presence:\u003c\/b\u003e As an original oil painting with a strong \u003ci data-path-to-node=\"8,2,0\" data-index-in-node=\"64\"\u003eimpasto\u003c\/i\u003e, the work is not only visually readable but also possesses real texture. The gestural brushwork and frontality ensure that the painting authoritatively dominates the exhibition space.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Jordi Maragall Mira (Barcelona, 1936 – 2023).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Female Portrait (Figurative Expressionism \/ Colorism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Spanish Contemporary Art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original oil on canvas, worked with notable material load and gestural strokes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 41 x 33 cm (Cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The pictorial layer is stable, preserving the saturation, light, and relief of the original brushwork intact.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify its chromatic and textural strength.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003ePainting a face using thick green, pink, and orange strokes, and achieving a final result that conveys such credible human serenity, demands undeniable technical mastery. That is exactly what makes this canvas by Maragall Mira special. It is not a complacent portrait; it is a declaration of pictorial intentions. It is the kind of painting that reveals an audacious collector, someone who understands that good art is not only made to decorate but to challenge the gaze and visually structure a room.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53476795547981,"sku":null,"price":410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0278_02.jpg?v=1772845552"},{"product_id":"jorge-romero-zaldivar-intriga-2001-tecnica-mixta-materica-informalismo","title":"JORGE ROMERO ZALDÍVAR | INTRIGUE (2001) | MIXED MEDIA, TEXTURAL | INFORMALISM","description":"\u003ch2 data-path-to-node=\"4\"\u003eJORGE ROMERO ZALDÍVAR | INTRIGUE (2001) | MIXED MEDIA, MATERIC | INFORMALISM\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eA tactile and visual exploration where matter becomes the absolute protagonist. An organic abstraction of enormous expressive force that invites the viewer to \"feel\" the painting.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe language of matter and visual geology\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis original work, suggestively titled \u003ci data-path-to-node=\"8\" data-index-in-node=\"44\"\u003e\"Intriga\"\u003c\/i\u003e (Intrigue), is a magnificent example of contemporary artistic research. Romero Zaldívar consciously moves away from figurative representation to fully delve into the language of Informalism, where texture, the physical weight of materials, and primal gesture take absolute control of the composition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eMixed media and organic calligraphy\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eOn a technical level, the artist employs a complex methodology, integrating dense material loads (probably sand, carborundum, or marble dust) with earthy pigments, ochres, and flashes of deep blue peeking from the background. The result is a distinctly rough, almost geological surface, over which organic and fluid calligraphy in cream tones dances. This sinuous and continuous line evokes primeval, cellular, or microscopic forms, creating a visual tension between the stillness of the earth and the movement of the stroke.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eTactile Richness (Materism):\u003c\/b\u003e The work demands to be experienced beyond the sense of sight. The strong relief of the materials on the support gives the piece a three-dimensional and sculptural quality, fundamental in the collecting of contemporary abstraction and an heir to masters like Tàpies or Millares.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eAutograph Validation (2001):\u003c\/b\u003e In the lower right margin, the work displays its title \u003ci data-path-to-node=\"12,1,0\" data-index-in-node=\"85\"\u003e\"intriga\"\u003c\/i\u003e (intrigue), the signature \u003ci data-path-to-node=\"12,1,0\" data-index-in-node=\"105\"\u003e\"Zaldívar\"\u003c\/i\u003e and the year \u003ci data-path-to-node=\"12,1,0\" data-index-in-node=\"125\"\u003e\"2001\"\u003c\/i\u003e, all handwritten in ink by the artist. This inscription not only certifies its original provenance but also anchors it in a precise historical and conceptual moment.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eHigh-Quality Support:\u003c\/b\u003e Executed on noble, heavy cotton paper with natural deckled edges (the irregular edges characteristic of its manufacture), the piece possesses the warmth and prestige associated with major unique works on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL DATA SHEET\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Jorge Romero Zaldívar.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e \"Intriga\" (Organic abstraction \/ Materic composition).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eYear of creation:\u003c\/b\u003e 2001.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original mixed media with the incorporation of dense material loads (sands\/pigments) on heavy cotton paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): Approx. 25 x 20.5 cm. Cabinet format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Titled \u003ci data-path-to-node=\"14,5,0\" data-index-in-node=\"32\"\u003e\"intriga\"\u003c\/i\u003e, signed \u003ci data-path-to-node=\"14,5,0\" data-index-in-node=\"51\"\u003e\"Zaldívar\"\u003c\/i\u003e and dated \u003ci data-path-to-node=\"14,5,0\" data-index-in-node=\"72\"\u003e\"2001\"\u003c\/i\u003e in ink in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Materic Abstraction \/ Spanish Informalism.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,8,0\"\u003e\u003cb data-path-to-node=\"14,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent archival quality. The paper support retains its structural integrity and natural tone intact. The thick and complex central material layer remains perfectly adhered and stable, with no losses, cracking, or material detachment, preserving all its original relief.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eIn abstract art, \"intrigue\" is precisely what keeps the observer's gaze alive over time. This work does not offer obvious answers, but rather proposes an enigma of textures, grooves, and tactile matter. Its intimate format concentrates all this visual tension, making it an indispensable piece for the erudite collector looking to incorporate the raw and poetic force of Spanish materism into their cabinet.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical data sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53477243978061,"sku":null,"price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0117_04.jpg?v=1772643652"},{"product_id":"antoni-carrera-karris-escenario-onirico-2002-acuarela-panoramica-surrealismo-catalan","title":"ANTONI CARRERA \"KARRIS\" | ONIRIC SCENERY (2002) | PANORAMIC WATERCOLOR | CATALAN SURREALISM","description":"\u003ch2 data-path-to-node=\"5\"\u003eANTONI CARRERA \"KARRIS\" | ONIRIC STAGE (2002) | PANORAMIC WATERCOLOR | CATALAN SURREALISM\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe tradition of the Olot School reinterpreted through an oniric and symbolic magnetism. An original watercolor in cinematic format where Antoni Carrera displays his unmistakable surrealist maturity.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe breaking of the Olot School and the dreamlike landscape\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eUnder the established signature \"Karris\" we find Antoni Carrera (Olot, 1963), an artist with an international projection (with exhibitions from New York to the Florence Biennale) who carries landscape in his academic heritage. Trained at the prestigious Olot School of Fine Arts, Karris refused to stagnate in classical landscape painting. This work, dated 2002, is a visual manifesto of what he himself defines as his \"Surrealist-Figurative-Mediterranean\" period.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe artist uses the landscape of rolling hills (possibly his native Garrotxa) and a sunset sky filled with purples and golds merely as a backdrop. The true weight of the work lies in the foreground: three truncated columns, besieged by thorny vines, rise as unnatural pedestals to support the planet Earth, an orange, and a cherry. It is a cryptic composition that invites reflection on the weight of nature, the global versus the local, and the fragility of the ecosystem.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eThe fluidity of the wash and cinematic proportion\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhat accentuates the tension of this scene is the boldness of its format: an extreme 12 x 33 cm. Karris forces us to read the work as if it were the panoramic screen of a film, guiding the eye from left to right. Technically, the watercolor seeks inner light; it uses the transparency of water to capture the vibration of the atmosphere, demonstrating that the academic rigor of his training coexists in perfect harmony with absolute intellectual and expressive freedom.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eSymbolism and Rarity:\u003c\/b\u003e While the market offers abundant traditional Catalan landscapes, finding pieces where an author from the Olot School breaks the rules to embrace figurative surrealism is a highly coveted curatorial rarity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eExceptional Panoramic Format:\u003c\/b\u003e The pronounced horizontality (almost a 3:1 ratio) breaks with classic cabinet proportions, giving the piece undeniable compositional modernity and magnetic visual presence.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eIdentified and International Signature:\u003c\/b\u003e Endorsed by the clear signature \u003ci data-path-to-node=\"14,2,0\" data-index-in-node=\"65\"\u003e\"Karris '02\"\u003c\/i\u003e in the lower left corner, the work ensures its belonging to the mature stage of an artist with a living curriculum and works in institutional collections.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Antoni Carrera \"Karris\" (Olot, 1963).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Oniric stage \/ Symbolic nature (Figurative Surrealism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eYear of creation:\u003c\/b\u003e 2002.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original fluid watercolor on continuous paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Approx. 12 x 33 cm (Extremely horizontal \/ Panoramic format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in ink \u003ci data-path-to-node=\"16,5,0\" data-index-in-node=\"46\"\u003e\"Karris\"\u003c\/i\u003e and dated \u003ci data-path-to-node=\"16,5,0\" data-index-in-node=\"65\"\u003e\"02\"\u003c\/i\u003e in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Mediterranean Surrealism \/ Evolution of the Olot School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,7,0\"\u003e\u003cb data-path-to-node=\"16,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,8,0\"\u003e\u003cb data-path-to-node=\"16,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent archival quality. The pigments retain extraordinary transparency and saturation (especially in the purples of the sky and the blue of the globe), with no signs of oxidation in the paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eCollecting surrealism is embracing mystery. Karris doesn't give us a landscape to recognize a place, but to get lost in an idea. This panoramic watercolor is an exercise in plastic maturity where the absolute mastery of water and color is placed at the service of oniric avant-garde. A piece designed for the erudite collector who seeks established signatures, profound discourses, and bold formats.\u003c\/p\u003e\n\u003chr data-path-to-node=\"19\"\u003e\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study of the work, prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53484650824013,"sku":null,"price":130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0139-copia.jpg?v=1772720171"},{"product_id":"luis-a-bernal-manez-villanciqueros-coro-tradicional-tecnica-mixta-costumbrismo-espanol","title":"LUIS A. BERNAL MÁÑEZ | CAROL SINGERS (TRADITIONAL CHOIR) | MIXED MEDIA | SPANISH COSTUMBRISM","description":"\u003ch2 data-path-to-node=\"6\"\u003eLUIS A. BERNAL MÁÑEZ | VILLANCIQUEROS (TRADITIONAL CHOIR) | MIXED MEDIA | SPANISH COSTUMBRISMO\u003c\/h2\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe essence of folklore and tradition captured in a cabinet format. A vibrant work where narrative illustration from the mid-20th century pays heartfelt homage to Spanish popular culture.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"8\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eCostumbrismo, Folklore, and Music\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eLuis Antonio Bernal Máñez (1924–2010) was a keen visual chronicler of his time, endowed with an innate ability to capture the \"human type\" and social anecdote. In this exceptional piece, the artist presents a lively fragment of popular tradition: a group of three Christmas carolers or aguinalderos in full performance.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eFar from being a static portrait, the scene is pure visual sonority. The central figure, shielded from the cold with a scarf and wearing a traditional plaid skirt, intently reads sheet music in the light of a lantern. Her companions set the rhythm of the melody, holding a tambourine and a rhythmic percussion instrument. It is a tableau that inherits the best tradition of Spanish costumbrismo, but filtered through the synthetic and agile lens of modern illustration.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"0\"\u003eTechnical Audacity and Luminous Halo\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eWhat is truly remarkable about this piece is its plastic resolution. Bernal Máñez uses a very expressive mixed media technique, combining washes and thick impasto on paper. The treatment of light is masterful: the artist silhouettes the three characters against a nocturnal background of an intense dark blue, enveloping them in a vibrant and textured yellow halo. This luminous resource not only projects the figures toward the viewer but also emulates the warm glow of the lantern on a cold winter night.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eEthnographic and Narrative Value:\u003c\/b\u003e Works that document popular traditions, music, and folklore have a very specific and loyal demand in the art market. It's not just painting; it's cultural memory.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eMastery in Synthesis:\u003c\/b\u003e Resolving a composition of three figures, with their respective instruments and facial expressions, in barely 15 centimeters of height, demonstrates an absolute mastery of drawing and proportion.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eTexture and Contrast:\u003c\/b\u003e The energetic application of color, visible in the bold strokes of the clothing and the vibrant background, gives the work a material presence that transcends the usual flatness of illustration on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"17\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,0,0\"\u003e\u003cb data-path-to-node=\"17,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Luis Antonio Bernal Máñez (1924–2010).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,1,0\"\u003e\u003cb data-path-to-node=\"17,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Villanciqueros \/ Traditional Choir (Folklore \/ Spanish Costumbrismo).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,2,0\"\u003e\u003cb data-path-to-node=\"17,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,3,0\"\u003e\u003cb data-path-to-node=\"17,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original mixed media (oil\/gouache and watercolor) on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,4,0\"\u003e\u003cb data-path-to-node=\"17,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e 15 x 11 cm (Miniature \/ Cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,5,0\"\u003e\u003cb data-path-to-node=\"17,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed with a brush \u003ci data-path-to-node=\"17,5,0\" data-index-in-node=\"47\"\u003e\"L BERNAL MAÑEZ\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,6,0\"\u003e\u003cb data-path-to-node=\"17,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Modern illustration \/ Expressive figuration.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,7,0\"\u003e\u003cb data-path-to-node=\"17,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"17,8,0\"\u003e\u003cb data-path-to-node=\"17,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent archival quality. The thick pictorial layer remains stable, maintaining a strong luminous contrast and fully saturated colors.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"18\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"19\"\u003eGreat stories often fit into the smallest formats. Bernal Máñez delivers here a beautifully executed capsule of nostalgia. It is an erudite piece that celebrates popular roots, ideal for the collector looking to enrich their cabinet with figurative painting that possesses soul, craftsmanship, and undeniable anthropological value.\u003c\/p\u003e\n\u003chr data-path-to-node=\"20\"\u003e\n\u003cp data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This artwork comes with a research study of the work, prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53484722913613,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0132_82bca40f-3897-45a3-afd6-b30b856e6848.jpg?v=1772720422"},{"product_id":"xavier-ubach-bodegon-con-dos-jarrones-acuarela-original-escuela-catalana","title":"XAVIER UBACH | STILL LIFE WITH TWO VASES | ORIGINAL WATERCOLOR | CATALAN SCHOOL","description":"\u003ch2 data-path-to-node=\"6\"\u003eXAVIER UBACH | STILL LIFE WITH TWO VASES | ORIGINAL WATERCOLOR | CATALAN SCHOOL\u003c\/h2\u003e\u003cp data-path-to-node=\"7\"\u003eA still life with an overwhelming atmosphere.\u003c\/p\u003e\u003ch3 data-path-to-node=\"8\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe abstraction of the object and the telluric palette\u003c\/b\u003e\u003c\/p\u003e\u003cp data-path-to-node=\"10\"\u003eThe still life genre has historically been the laboratory where avant-garde Catalan artists have experimented with composition and color. In this original piece, Xavier Ubach (Terrassa, 1932) deliberately moves away from photographic representation to focus on the \"soul\" and atmosphere of objects.\u003c\/p\u003e\u003cp data-path-to-node=\"11\"\u003eThe composition is austere, forceful, and perfectly balanced. Two ceramic vases or pitchers converse with each other through their organic and complementary forms. Ubach uses a sober and telluric chromatic palette — dominated by earthy tones, fiery ochres, and leaden shadows — very characteristic of the mid-century Catalan school, which sought beauty in expressive restraint rather than visual clamor.\u003c\/p\u003e\u003cp data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"0\"\u003eThe virtuosity of water and paper reserve\u003c\/b\u003e\u003c\/p\u003e\u003cp data-path-to-node=\"13\"\u003eTechnically, the work is a display of watercolor control. The artist does not draw strict outlines but allows color stains to expand and build volume. It is interesting to observe how Ubach uses the \"reserve\" technique (leaving the raw white of the paper unpainted) to tear the stormy background and suggest a dramatic light bathing the scene from above. The dense washes at the base visually anchor the vases, giving them extraordinary physical weight.\u003c\/p\u003e\u003ch3 data-path-to-node=\"14\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\u003cul data-path-to-node=\"15\"\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eSynthesis and Modernity:\u003c\/b\u003e Midway between classical figuration and abstraction, this work is perfect for contemporary collections looking for still life from a modern, gestural, and loose brushstroke perspective.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eConsolidated Signature:\u003c\/b\u003e Authenticated by the emphatic handwritten signature \u003ci data-path-to-node=\"15,2,0\" data-index-in-node=\"60\"\u003e\"XAVIER UBACH\"\u003c\/i\u003e in the lower right corner, the print is an excellent gateway to collecting Catalan painting of the second half of the 20th century.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3 data-path-to-node=\"16\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\u003cul data-path-to-node=\"17\"\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,0,0\"\u003e\u003cb data-path-to-node=\"17,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Xavier Ubach (Terrassa, 1932).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,1,0\"\u003e\u003cb data-path-to-node=\"17,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Two vases \/ Still life (Synthesis still life).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,2,0\"\u003e\u003cb data-path-to-node=\"17,2,0\" data-index-in-node=\"0\"\u003eEstimated Period:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,3,0\"\u003e\u003cb data-path-to-node=\"17,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original fluid watercolor and glazes (\u003ci data-path-to-node=\"17,3,0\" data-index-in-node=\"57\"\u003eaguada\u003c\/i\u003e) on high-grammage cotton paper with natural deckled edges.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,4,0\"\u003e\u003cb data-path-to-node=\"17,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Approx. 16 x 21.5 cm (Landscape cabinet format).\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,5,0\"\u003e\u003cb data-path-to-node=\"17,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed with a brush \u003ci data-path-to-node=\"17,5,0\" data-index-in-node=\"47\"\u003e\"XAVIER UBACH\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,6,0\"\u003e\u003cb data-path-to-node=\"17,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Figurative Expressionism \/ Catalan School.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,7,0\"\u003e\u003cb data-path-to-node=\"17,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp data-path-to-node=\"17,8,0\"\u003e\u003cb data-path-to-node=\"17,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent archival quality.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3 data-path-to-node=\"18\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\u003cp data-path-to-node=\"19\"\u003eThere are still lifes that describe objects and still lifes that describe silences. This watercolor by Ubach undoubtedly belongs to the second category. The raw force of the earth tones contrasted with the fragility of the paper makes it a piece of unquestionable visual magnetism. A cultured acquisition, reserved for the collector who values the weight of the material and the boldness of the loose stroke.\u003c\/p\u003e\u003chr data-path-to-node=\"20\"\u003e\u003cp data-path-to-node=\"21\"\u003e\u003cb data-path-to-node=\"21\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This artwork comes with a research study of the work, prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53487192670541,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0095_0d60b59a-69b9-489f-b870-6115a9323e1a.jpg?v=1772732495"},{"product_id":"josep-maria-subirachs-eva-serpiente-tinta","title":"Attributed to Josep Maria Subirachs | Eve and the Serpent (The Original Sin) | Ink Drawing","description":"\u003cp\u003eThe purity of line and classical symbolism in an intimate work linked to the circle of the great master of contemporary Catalan sculpture. A masterful lesson in anatomy and visual synthesis.\u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eThe Versatility of Genius: From Geometry to Sensuality\u003c\/b\u003e When the general public thinks of Josep Maria Subirachs (1927-2014), the monumental geometric and dramatic Sagrada Familia Passion Façade immediately comes to mind. However, this exceptional piece reveals an indispensable facet to understanding the true magnitude of his production and legacy: the absolute mastery of classical drawing and the curved line.\u003c\/p\u003e\n\u003cp\u003eThis ink drawing addresses one of the great archetypes of art history: the myth of Eve and Original Sin. Far from the heaviness of stone, a continuous, firm line of modulated thickness is used to delineate the sensual anatomy of the lower half of a nude female figure.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSymbolism and Economy of Means\u003c\/b\u003e The composition is a triumph of minimalism and iconography. The figure stands gracefully on a fragment of a sphere (symbol of the world or perfection), while at her feet, drawn with the same millimeter-perfect precision, a serpent with open jaws slithers menacingly. No backgrounds, shadows, or dramatic washes are needed; the masterful use of negative space (the white of the paper) and the precision of the line are enough to give the figure sculptural volume and a magnetic presence.\u003c\/p\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eStylistic Rarity (Pure Line):\u003c\/b\u003e In the art market, it is relatively common to find prints or drawings from his angular expressionist period. Owning an ink work that demonstrates such virtuosity with the continuous and classical line is a first-rate curatorial find that adds enormous richness to any collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eIconographic Power:\u003c\/b\u003e The theme of Eve and the serpent is directly linked to universal symbolism. It is a work of deep narrative content resolved with extraordinary visual elegance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTransparency and Investment Value:\u003c\/b\u003e The work features the characteristic block letter inscription, \"SUBIRACHS,\" located in the lower right corner. As the certificate issued by the artist's heirs or foundation is not currently available, the work is cataloged with complete rigor and transparency as \"attributed.\" This allows the collector to acquire a piece of the highest aesthetic quality and evident technical connection to the master at a highly competitive market value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eArtist:\u003c\/b\u003e Attributed to Josep Maria Subirachs (Barcelona, 1927 - 2014).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Eve and the Serpent \/ Original Sin (Female Nude \/ Symbolism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eEstimated Period:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Monochrome ink drawing on warm-toned drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 24 x 16.5 cm (Vertical format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature and Inscriptions:\u003c\/b\u003e Features the inscription \"SUBIRACHS\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eStyle \/ Movement:\u003c\/b\u003e Neo-figuration \/ Classical Synthesis.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Excellent archival quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp\u003eA sculptor draws differently from a painter; their mind always seeks three-dimensional volume. In this print, a simple ink line is made to \"weigh\" and occupy a place in space. A silent, profoundly elegant piece of undeniable academic erudition, reserved for the collector who seeks genius without artifice.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study prepared and printed by El Taller del Coleccionista, certifying our cataloging work, the stylistic argumentation of the attribution (in the absence of an external certificate), and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53487198863693,"sku":null,"price":1130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0073_82ea625a-07fa-436c-be8d-c5cec52ec418.jpg?v=1772732897"},{"product_id":"xavier-ubach-marina-en-carmin-estudio-monocromo-acuarela-original-abstraccion-lirica","title":"XAVIER UBACH | MARINA IN CARMINE (MONOCHROME STUDY) | ORIGINAL WATERCOLOR | LYRICAL ABSTRACTION","description":"\u003ch2 data-path-to-node=\"5\"\u003eXAVIER UBACH | CRIMSON SEASCAPE (MONOCHROME STUDY) | ORIGINAL WATERCOLOR | LYRICAL ABSTRACTION\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe delicacy of wind and sea captured in an unreal monochromatic atmosphere.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eCURATORIAL HISTORY AND ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe challenge of monochrome and lyrical abstraction\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eIn this exceptional piece, Xavier Ubach invites us on a direct journey into lyrical abstraction. The marine landscape here sheds all accessories, all narrative anecdotes, to reveal its purest essence. Through self-limitation to a strictly monochromatic palette—based on an intense and vibrant carmine or magenta tone—the artist achieves an atmosphere of profound reverie and serenity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe silhouettes of the three sailboats, rendered with fluid, vertical, and confident brushstrokes, seem to emerge like mirages from a luminous haze. There is no defined horizon line; the sky and sea merge into a single atmospheric entity, creating a sense of slow movement that inherits the spirit of the great Romantic seascapes but is resolved with a language of absolute modernity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eThe behavior of water and the noble support\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eTechnically, the work is a triumph of the expansion of the aqueous medium. The choice of high-quality cotton paper is not accidental; its texture allows the watercolor to work almost autonomously, creating subtle gradients, expansions, and glazes that simulate the reflection of light on water. Ubach demonstrates his mastery by allowing the \"reserves\" (the raw white of the support) to breathe and become the powerful focal points of light that tear through the sky.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eMonochrome Erudition:\u003c\/b\u003e Restricting the palette to a single color is one of the most demanding exercises for a painter, as it forces the artist to build depth and volume solely through the intensity of the stain. It is a piece of high intellectual caliber for collectors of graphic art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eBibliophilia Quality (Deckle Edges):\u003c\/b\u003e The support is a noble watercolor paper that proudly displays its natural \"deckle edges\" (irregular edges) on the left and upper margins, a tactile characteristic highly coveted in the market for works on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eEstablished Signature:\u003c\/b\u003e The work bears the clear autograph signature \u003ci data-path-to-node=\"14,2,0\" data-index-in-node=\"67\"\u003e\"XAVIER UBACH\"\u003c\/i\u003e in the lower right corner, guaranteeing the authorship of a reputable figure from the contemporary Catalan School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Xavier Ubach (Terrassa, 1932).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Crimson Seascape \/ Sails in the Fog (Lyrical Abstraction \/ Seascape).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eEstimated Period:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original fluid watercolor (monochrome) on heavy cotton paper with visible deckle edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Approx. 16 x 23 cm (Horizontal cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed with brush \u003ci data-path-to-node=\"16,5,0\" data-index-in-node=\"47\"\u003e\"XAVIER UBACH\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Lyrical Abstraction \/ Catalan School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,7,0\"\u003e\u003cb data-path-to-node=\"16,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,8,0\"\u003e\u003cb data-path-to-node=\"16,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent archival quality. The carmine pigments retain formidable saturation and contrast. The support is sound, free from oxidation or structural damage.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003ePainting the sea without using blue is a statement of intent. Ubach doesn't want us to see the water; he wants us to feel the humidity, the breeze, and the immensity of the space. This monochrome seascape is a highly sophisticated visual refuge, designed to enrich the walls of a discerning collector who values synthesis and the boldness of contemporary brushwork.\u003c\/p\u003e\n\u003chr data-path-to-node=\"19\"\u003e\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study of the piece, prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53487218590029,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0001_04.jpg?v=1772733850"},{"product_id":"xavier-ubach-paisaje-en-sepia-1990-acuarela-original-abstraccion-lirica","title":"XAVIER UBACH | LANDSCAPE IN SEPIA (1990) | ORIGINAL WATERCOLOR | LYRICAL ABSTRACTION","description":"\u003ch2 data-path-to-node=\"5\"\u003eXAVIER UBACH | SEPIA LANDSCAPE (1990) | ORIGINAL WATERCOLOR | LYRICAL ABSTRACTION\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eAn exercise in synthesis where Xavier Ubach transforms the landscape into a meditative experience of water and pigment.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eCURATORIAL HISTORY AND ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eTelluric Synthesis and the Inner Landscape\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eIn Xavier Ubach's mature graphic work, the landscape ceases to be a literal or topographical representation and becomes a pure state of mind. This watercolor, precisely dated 1990, is a superb example of lyrical abstraction. The artist structures the composition in rigorously horizontal bands that give the piece an almost architectural stability and stillness.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eStripped of any anecdote, the work shows what appear to be geological strata, plowed furrows, or an infinite plain. Ubach restricts his palette to a monochromatic scale of sepia tones and toasted ochres, allowing the earth to breathe through the color.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eMastery of Wash Technique\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe true virtuosity of this print lies in the absolute control of the wet-on-wet technique. Ubach does not draw; he allows the water to dictate the textures. It is fascinating to observe how the line of trees or hills on the horizon blurs and bleeds into the sky through subtle expansions of pigment. Simultaneously, the artist masters the \"reserve\" of the raw white of the paper in the foreground, using it not as an emptiness, but as pure light sources that break the horizontality of the terrain.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eAutographic Dating (1990):\u003c\/b\u003e Verified by the clear signature \u003ci data-path-to-node=\"14,0,0\" data-index-in-node=\"54\"\u003e\"XAVIER UBACH\"\u003c\/i\u003e and the date \u003ci data-path-to-node=\"14,0,0\" data-index-in-node=\"80\"\u003e\"1990\"\u003c\/i\u003e handwritten in brush in the lower right corner, the work offers impeccable institutional traceability, placing it in a period of the author's full artistic maturity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eMinimalist Erudition:\u003c\/b\u003e Its stripped-down aesthetic and compositional rigor make it an indispensable study piece for collectors of contemporary art who seek abstraction born from the observation of nature.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Xavier Ubach (Terrassa, 1932).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Abstract sepia landscape (Lyrical Abstraction \/ Landscape painting).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eYear of Creation:\u003c\/b\u003e 1990.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Fluid original watercolor (monochrome \/ \u003ci data-path-to-node=\"16,3,0\" data-index-in-node=\"57\"\u003ewash\u003c\/i\u003e) on high-grammage cotton paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Approx. 18.5 x 23 cm (Horizontal cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed and dated \u003ci data-path-to-node=\"16,5,0\" data-index-in-node=\"48\"\u003e\"XAVIER UBACH \/ 1990\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Figurative Synthesis \/ Catalan School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,7,0\"\u003e\u003cb data-path-to-node=\"16,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,8,0\"\u003e\u003cb data-path-to-node=\"16,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent archival quality. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTHE WORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eAgainst the visual noise of contemporary art, Ubach offers us absolute silence. This watercolor does not demand to be looked at quickly, but contemplated slowly, allowing the washes to gradually reveal the immensity of the plain. A strikingly elegant acquisition, designed for the graphic cabinet that venerates economy of means and the poetics of the stain.\u003c\/p\u003e\n\u003chr data-path-to-node=\"19\"\u003e\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This artwork is delivered with a research study of the work, prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53488355443021,"sku":null,"price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0281_04.jpg?v=1772752674"},{"product_id":"salvador-palou-tecnica-mixta-collage-begur-cuba-habaneras","title":"Salvador Palou | From Begur to Cuba (Habaneras) | Original Mixed Media and Collage","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe musical memory of the Mediterranean captured on paper. An original collage that merges Indian nostalgia with vibrant graphic execution, paying homage to the sonic bridge between the Costa Brava and Havana.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe typographic narrative as a canvas\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eIn this work, Salvador Palou Vilà (b. 1951) abandons traditional canvas to construct his own pictorial surface through \u003ci data-path-to-node=\"4\" data-index-in-node=\"132\"\u003ecollage\u003c\/i\u003e. The artist covers the rigid support with old newspaper clippings and musical scores, creating a typographic weave that acts as the historical fabric of the piece. Far from hiding this background, Palou applies translucent glazes in yellow and orange tones, allowing the letters and articles to breathe through the color. This technical decision is not accidental: it gives the work a patina of memory, transforming the support into a visual document that evokes the past.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eRhythm and visual counterpoint\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eAgainst this warm, textured atmosphere, the artist draws the figures of a singer and a trumpeter with loose, fluid lines. The color treatment of the characters is purely expressive; the reds, pinks, and electric blues bleed outside the contours, suggesting the movement and vibration of live sound.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe narrative axis that anchors the entire composition is the label arranged diagonally in the upper area: \u003ci data-path-to-node=\"7\" data-index-in-node=\"105\"\u003e\"De Begur a Cuba \/ La nostàlgia de l'Havana\"\u003c\/i\u003e. This graphic inclination, coupled with the musical score fragment floating between the musicians, breaks the static nature of the vertical figures and injects the work with the dynamism characteristic of a vintage poster or a Latin jazz vinyl cover.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"8\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb data-path-to-node=\"9,0,0\" data-index-in-node=\"0\"\u003eCultural Roots and Indian Theme:\u003c\/b\u003e The explicit reference to Begur, Havana, and the world of habaneras has immense magnetism for collectors connected to history, Indian architecture, and the musical tradition of the Costa Brava. It is a work with a designation of origin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb data-path-to-node=\"9,1,0\" data-index-in-node=\"0\"\u003eGraphic and Decorative Strength:\u003c\/b\u003e The \u003ci data-path-to-node=\"9,1,0\" data-index-in-node=\"44\"\u003ecollage\u003c\/i\u003e technique gives it a contemporary design feel that differs from classic figurative painting. Its warm palette dominated by yellows makes it an excellent light source to break monotony in modern or eclectic design spaces.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb data-path-to-node=\"9,2,0\" data-index-in-node=\"0\"\u003eMusical Dynamism:\u003c\/b\u003e The representation of live music is a universal theme with constant demand in the art market. It conveys joy, rhythm, and cultural sophistication.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"10\"\u003eTechnical Data Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb data-path-to-node=\"11,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Salvador Palou Vilà (b. 1951).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb data-path-to-node=\"11,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e De Begur a Cuba \/ La nostàlgia de l'Havana (Music \/ Habaneras).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb data-path-to-node=\"11,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Catalan Art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e\u003cb data-path-to-node=\"11,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original mixed media and \u003ci data-path-to-node=\"11,3,0\" data-index-in-node=\"44\"\u003ecollage\u003c\/i\u003e (printed paper, musical scores and pictorial glazes) on rigid support.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e\u003cb data-path-to-node=\"11,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 36 x 25.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e\u003cb data-path-to-node=\"11,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Vertically handwritten signature \"Salvador Palou\" on the lower right side. Text integrated into the composition: \u003ci data-path-to-node=\"11,5,0\" data-index-in-node=\"140\"\u003e\"De Begur a Cuba \/ La nostàlgia de l'Havana\"\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e\u003cb data-path-to-node=\"11,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e\u003cb data-path-to-node=\"11,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good overall condition. The pictorial surface and the adhesion of the \u003ci data-path-to-node=\"11,7,0\" data-index-in-node=\"87\"\u003ecollage\u003c\/i\u003e are stable. The edges of the support show slight wear typical of natural handling, which do not interfere with the reading of the work and will be protected when framed.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e\u003cb data-path-to-node=\"11,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and discover the typographic details of the background.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"12\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"13\"\u003eThe smartest thing about Palou's work is how he uses technique to reinforce the message. If he had painted these musicians on a white canvas, it would be just another genre scene. By painting them on old newspaper clippings and musical scores, the work literally becomes what its title implies: pure nostalgia. It's a rhythmic, joyful, and very direct piece. Its vintage poster format makes it extremely attractive for a listening corner, next to a vinyl collection, or as a centerpiece in an office looking for a cultured nod to the historical connection between Catalonia and Cuba.\u003c\/p\u003e\n\u003chr data-path-to-node=\"14\"\u003e\n\u003cp data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study, technical data sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"15\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53491530957133,"sku":null,"price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0027_03_3a8451b1-2370-4929-bcd7-f53b33c16809.jpg?v=1772814819"},{"product_id":"antoni-carrera-karris-silueta-urbana-gesto-expresionista-acuarela-y-tinta-sobre-papel","title":"ANTONI CARRERA \"KARRIS\" | URBAN SILHOUETTE: EXPRESSIONIST GESTURE | WATERCOLOR AND INK ON PAPER","description":"\u003ch1 data-path-to-node=\"4\"\u003eANTONI CARRERA \"KARRIS\" | URBAN SILHOUETTE: EXPRESSIONIST GESTURE | WATERCOLOR AND INK ON PAPER\u003c\/h1\u003e\n\u003cp data-path-to-node=\"5\"\u003eContemporary urban landscape in mixed media. An original work by Antoni Carrera \"Karris\" that documents his Neo-Expressionist period, characterized by the structural contrast between the ink drawing and the expansive use of watercolor.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"6\"\u003eCURATORIAL HISTORY AND ANALYSIS\u003c\/h2\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe synthesis of the contemporary landscape\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis work, dated 2004, moves the viewer away from traditional figurative representation to a purely expressive interpretation of the urban landscape. The piece structures the silhouette of a town dominated by the verticality of its church, a compositional axis that anchors the gaze and provides stability to the work. Karris captures the essence of the place through an economy of means that prioritizes visual impact over strict topographical description.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe architecture of stroke and wash\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eWhat makes this piece magnetic is the dramatic contrast of its materials. On the one hand, the use of black ink—applied with a rapid calligraphic stroke—defines the solidity of the buildings and the topography of the mountains. In clear technical contrast, washes in magenta and pink tones envelop the scene. It is interesting to observe how Karris masterfully uses the blank paper to bring light to the composition, creating a balance typical of contemporary painting.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eUnique Visual Language:\u003c\/b\u003e Karris's style manages to merge the fluidity and transparency of watercolor with the gestural aggressiveness of ink. This technical duality gives the work an unmistakable personality, bringing a contemporary visual discourse to any collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003ePlastic Impact:\u003c\/b\u003e The magenta color palette contrasted with the saturation of absolute black makes the piece a striking focal point. It works visually due to its chromatic boldness, breaking with classical landscape to offer a fully modern aesthetic.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eTechnical Fullness:\u003c\/b\u003e Made in 2004, this watercolor represents a stage of absolute maturity and technical confidence of the artist, where the unpredictable control of the water stain and the precision of direct drawing achieve a perfect compositional balance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h2\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Antoni Carrera (\"Karris\").\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Urban silhouette with church (Neo-Expressionist Landscape).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eYear \/ Period:\u003c\/b\u003e 2004 (Signed and dated \"KARRIS '04\").\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original watercolor and ink on paper, worked with calligraphic stroke and expansive washes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Approx. 24 x 33 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Neo-Expressionism \/ Figurative Abstraction.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h2\u003e\n\u003cp data-path-to-node=\"16\"\u003eIn collecting works on paper, the greatest virtue is finding pieces where the artist confronts the medium without allowing for corrections. This watercolor is a lesson in visual synthesis; a sophisticated acquisition, designed to bring an accent of modernity and graphic strength to the walls of a discerning collector.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53493029830989,"sku":null,"price":145.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0392_03_bcfbfb20-7872-466b-a051-b5675895aab6.jpg?v=1772845002"},{"product_id":"joan-queralt-la-chunga-expresionismo-gestual-fauvismo-catalan-tecnica-mixta-sobre-cartulina","title":"JOAN QUERALT | \"LA CHUNGA\": GESTURAL EXPRESSIONISM | CATALAN FAUVISM | MIXED MEDIA ON CARDBOARD","description":"\u003ch1 data-path-to-node=\"2\"\u003eJOAN QUERALT | \"LA CHUNGA\": GESTURAL EXPRESSIONISM | CATALAN FAUVISM | MIXED MEDIA ON CARDSTOCK\u003c\/h1\u003e\n\u003cp data-path-to-node=\"3\"\u003eAn original work by Joan Queralt i de Quadras, dated 1977, documenting his most experimental period, notable for its gestural synthesis and the structural use of pure color to capture movement.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"4\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eCultural reference and the synthesis of movement\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eIn this piece, Joan Queralt i de Quadras (Barcelona, 1947) moves away from classical anatomical representation to focus on the energy of flamenco dance. The work, dated 1977—a period of notable effervescence in his artistic production—takes Micaela Flores Amaya, \"La Chunga\", as its reference. Queralt does not seek a strict physiognomic portrait, but prioritizes visual impact and the capture of dynamism through a markedly post-impressionist and Fauvist language.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe architecture of line and pure color\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eWhat defines this piece is the striking application of painterly matter. The mixed media is densified on the cardstock, creating a high-contrast surface. Queralt uses a warm palette dominated by yellows, oranges, and pinks, sharply contrasted with quick, nervous black strokes. It is interesting to observe how these dark outlines do not academically enclose the figure, but rather act as a skeleton that defines the silhouette of the dancer in full motion, enhancing the saturation and light of the adjacent tones.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eCult Iconography:\u003c\/b\u003e The figure of \"La Chunga\" transcends folklore to become a cultural icon, having been a muse for historical avant-garde masters. Incorporating a contemporary interpretation of this reference by Queralt adds significant historical and narrative interest to the collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eExperimental Fullness (Key Period):\u003c\/b\u003e Dated in the late 1970s, the work represents the artist's most daring and expressive phase, prior to his settling into more conventional genres. It is a direct visual document of his gestural maturity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePlastic Power:\u003c\/b\u003e The dynamism of the composition and the radicalism of the warm palette make the work a strong focal point. Its Fauvist aesthetic provides a visual force capable of anchoring and giving character to any contemporary space.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Joan Queralt i de Quadras (Barcelona, 1947).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e \"La Chunga\" (Flamenco figure in motion).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eYear \/ Period:\u003c\/b\u003e 1977.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb data-path-to-node=\"12,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original mixed media on cardstock, executed with high pigment density and a dark gestural line.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb data-path-to-node=\"12,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e 32 x 25 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Expressionism \/ Catalan Fauvism.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The support is stable and the pigments retain their original saturation, luminosity, and freshness.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\"\u003eTHE WORKSHOP'S NOTE\u003c\/h2\u003e\n\u003cp data-path-to-node=\"14\"\u003eIn 20th-century art collecting, the most interesting works are those that manage to synthesize an attitude through a strict economy of means. Queralt achieves this in this cardstock with a firm hand and implacable chromatism. This mixed media is a lesson in gestural expressionism; a powerful and visually magnetic acquisition, designed to add accent and graphic strength to the walls of a discerning collector.\u003c\/p\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53493031403853,"sku":null,"price":124.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0367_03_f7865307-167b-4447-8eca-104cfecc1329.jpg?v=1772845321"}],"url":"https:\/\/eltallerdelcoleccionista.com\/en\/collections\/arte-abstracto-y-vanguardia.oembed?page=2","provider":"El taller del coleccionista","version":"1.0","type":"link"}