{"title":"Sacred and Religious Art","description":"","products":[{"product_id":"ricardo-opisso-enterrament-poeta-iglesias-1928","title":"Attributed to Ricard Opisso | Funeral of the Poet Iglésias (1928) | Historical Drawing","description":"\u003cp\u003eA visual testimony and tribute to Barcelona in 1928. A graphic document from the era where social chronicle transforms into a personal elegy, capturing the essence of Catalan Modernism.\u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eThe story behind the stroke\u003c\/b\u003e To understand the magnitude of this piece, we must place it at the heart of the cultural effervescence of early 20th-century Catalonia. We are not looking at a mere representation of an artist and a poet; we are witnessing the historical intersection of two fundamental figures. Ricard Opisso (1880-1966) was the great graphic chronicler of the Els Quatre Gats generation, and Ignasi Iglésies established himself as one of its most celebrated playwrights and social poets. This work, attributed to Opisso's hand due to his unmistakable stroke and technique, is not a journalistic report but an intimate farewell.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe document behind the work\u003c\/b\u003e The definitive context of this piece is provided by an extraordinary handwritten note on its reverse, which documents Iglésies' funeral in 1928 and reveals three fundamental facts for its cataloging:\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eThe Emotion:\u003c\/b\u003e The inscription \u003ci\u003e\"Ho va dibuixar plorant\"\u003c\/i\u003e (He drew it crying) shows that there was no impartial spectator, but a peer bidding farewell. This emotional charge justifies the nervous stroke and the dense atmosphere that envelops the scene.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eThe Composition:\u003c\/b\u003e The human tide depicted on the paper is not an anonymous mass; it is Barcelona society paying tribute. As a stroke of compositional genius, the center does not depict a coffin, but the framed face of the poet, standing as the spiritual epicenter of the mourning.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eThe Uniqueness:\u003c\/b\u003e The note concludes with an invaluable piece of information for any archive: \u003ci\u003e\"L'unic retrat que existeix de l'enterrament\"\u003c\/i\u003e (The only existing portrait of the burial).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eExceptional Historical Document:\u003c\/b\u003e As the only known portrait of the poet during his funeral, its documentary value transcends the purely aesthetic. It is a first-rate study and archive piece.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eIntersection of Masters:\u003c\/b\u003e The work encapsulates the direct connection between the great visual chronicler of the era and one of its most respected literati, uniting two pillars of Catalan culture on the same medium.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTransparency and Market Value:\u003c\/b\u003e The piece features the characteristic signature of the author and superb technical execution. Cataloged rigorously as an attributed work, the collector has the opportunity to acquire a fragment of museum-quality history at a highly competitive investment value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Attributed to Ricard Opisso i Sala (1880-1966).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle:\u003c\/b\u003e Enterrament del Poeta I. Iglesias (Burial of Poet I. Iglesias).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eYear:\u003c\/b\u003e 1928.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Period ink on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 31.5 x 57 cm (Work) | 54.5 x 79.5 x 2.5 cm (Frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature and Inscriptions:\u003c\/b\u003e Features the inscription \"Opisso\" in the lower right corner. Includes a handwritten historical note on the reverse.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good. Shows slight foxing (natural paper oxidation) consistent with its age, certifying its era without affecting the integrity of the drawing. Delivered with frame if desired.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp\u003eThis work perfectly represents the rigor and heritage rescue that we advocate. It is not just a drawing with a high technical level; it is a piece with a documented and palpable story. The handwritten note on the reverse immediately elevates it from a mere print to a historical testimony of great caliber. It is an acquisition designed for the erudite collector who seeks to connect directly with the emotion and memory of Barcelona in 1928.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is accompanied by an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying the stylistic argumentation of the attribution and the transcription of its documented provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52783994306893,"sku":null,"price":1850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0197.jpg?v=1763321877"},{"product_id":"david-roberts-catedral-de-sevilla-litografia-coloreada-la-espana-romantica","title":"DAVID ROBERTS: SEVILLE CATHEDRAL | COLORED LITHOGRAPH | ROMANTIC SPAIN","description":"\u003ch1\u003e \n\u003cb\u003eDAVID ROBERTS: SEVILLE CATHEDRAL | COLORED LITHOGRAPH\u003c\/b\u003e \u003cb\u003e| ROMANTIC SPAIN\u003c\/b\u003e\n\n\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e \u003ci\u003eThe romantic Spain dreamed of by Europe: an architecture that touches the sky and dwarfs man.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eDossier of the Work\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb\u003eIllustrator (Original):\u003c\/b\u003e David Roberts RA (Edinburgh, 1796 – London, 1864).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb\u003eTitle on Plate:\u003c\/b\u003e \u003ci\u003eSEVILLE CATHEDRAL\u003c\/i\u003e .\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb\u003ePublication:\u003c\/b\u003e Belonging to the famous series \u003ci\u003e\"Picturesque Sketches in Spain\"\u003c\/i\u003e , published in London in 1837.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eTechnique:\u003c\/b\u003e Lithograph on paper, with period coloring (illuminated).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 30 x 21 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,5,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,6,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Good. Paper with the natural patina of almost two centuries. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003chr data-path-to-node=\"10\"\u003e\n\n\u003cp data-path-to-node=\"11\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eCuratorial Analysis: The Romantic Journey\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e This lithograph is much more than a tourist view; it is a manifesto of British Romanticism. When \u003cb\u003eDavid Roberts\u003c\/b\u003e arrived in Seville in 1833, he was not looking for architectural accuracy, but for emotional impact.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"13\"\u003e\u003cb\u003e1. The Scale of the Sublime:\u003c\/b\u003e Roberts chose the \u003cb\u003ePorta San Miguel\u003c\/b\u003e for its dizzying verticality. Notice how it subtly distorts perspective: it stretches the pinnacles and the Gothic arch upwards until they appear infinite. His aim was to evoke the feeling of the \"Sublime,\" that mixture of beauty and awe that dwarfs the viewer.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e \u003cb\u003e2. The Picturesque:\u003c\/b\u003e Beneath the immensity of the Gothic stone, Roberts unfolds a theater of Spanish life. We see men conversing, beggars, and ladies in mantillas. This contrast between the eternal majesty of the church and the everyday anecdotes of the street was what fascinated the Victorian public, defining the image of Spain abroad for a century.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"15\"\u003e\u003cb\u003e3. A Window to the Past:\u003c\/b\u003e This sheet belongs to the first edition of \u003ci\u003e\"Picturesque Sketches in Spain\"\u003c\/i\u003e (1837), the work that established Roberts' reputation. Because it is \u003cb\u003ehand-colored\u003c\/b\u003e , the lithograph gains an atmospheric depth that the black and white version lacks, highlighting the warmth of the Sevillian sandstone.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"16\"\u003e\n\n\u003cp data-path-to-node=\"17\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eWorkshop Note\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"18\"\u003e This piece is essential for any collection of Spanish prints. It's not just an image of Seville; it's an image of how Europe \u003ci\u003esaw\u003c\/i\u003e Seville in the 19th century. Roberts presents us with a cathedral that is almost a mountain of stone, a dramatic stage where the architecture is the true protagonist.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52793397739853,"sku":null,"price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0365_ca8ff845-bfcd-458b-a35b-ebfe6c8b3522.jpg?v=1763486137"},{"product_id":"josep-rigol-fornaguera-apunte-de-avila-plaza-e-iglesia-de-las-vacas-dibujo-preparatorio-con-anotaciones-lapiz","title":"JOSEP RIGOL FORNAGUERA | SKETCH OF ÁVILA: PLAZA AND CHURCH OF LAS VACAS | PREPARATORY DRAWING WITH ANNOTATIONS (PENCIL)","description":"\u003ch1\u003e JOSEP RIGOL FORNAGUERA | SKETCH OF ÁVILA: PLAZA AND CHURCH OF LAS VACAS | PREPARATORY DRAWING WITH ANNOTATIONS (PENCIL)\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"3\"\u003e\u003ci\u003eAn exceptional working document that allows us to enter the mind of the artist, revealing his creative process through corrections and handwritten notes on the Castilian landscape.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003cb\u003eThe Chronicler's Eye:\u003c\/b\u003e Josep Rigol Fornaguera (1882–1958) was a Catalan draftsman and painter known for his ability to capture rural architecture and atmosphere with ethnographic precision. This work is not a finished drawing, but something more interesting: it is a \"field sketch\" made from life in Ávila. It depicts the \u003cb\u003ePlaza and Church of Las Vacas\u003c\/b\u003e , an iconic corner of the walled city.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003e\u003cb\u003eVisual and Documentary Analysis:\u003c\/b\u003e The work is executed in graphite pencil on laid or sketch paper. The lines are confident and descriptive, focusing on the architecture of the church and the stone cross in the foreground. What elevates the value of this piece are \u003cb\u003ethe artist's own handwritten annotations\u003c\/b\u003e , which serve as instructions for a later work (probably an oil painting or engraving).\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e \u003ci\u003e\"Ojo que cau d'aquest sang\"\u003c\/i\u003e (Eye that falls on this side).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,1,0\"\u003e \u003ci\u003e\"Portar la creu més a la dreta\"\u003c\/i\u003e (Carry the cross further to the right): A real-time compositional correction.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e In addition, three rectangular stains of oxidized adhesive tape are observed (on the reverse and translucent on the front), evidence that this drawing was hung or fixed in the painter's studio as a work reference.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"9\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY?\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb\u003eEducational Value:\u003c\/b\u003e This is a perfect piece for collectors who love the artistic \"process.\" Seeing the master's doubts and corrections is a privilege that a finished work does not offer.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e \u003cb\u003eHistorical Testimony:\u003c\/b\u003e It documents the state of the Plaza de las Vacas in Ávila at the beginning\/mid of the 20th century, with figures dressed in period clothing and loose animals, providing local historical value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e \u003cb\u003eAuthenticity:\u003c\/b\u003e Signed \"J. Rigol F.\" and hand-titled \"AVILA \/ Plaça i Esglesia de les Vaques\", which leaves no doubt about its authorship and location.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"11\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Josep Rigol Fornaguera (1882–1958).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e \u003cb\u003eTitle \/ Subject:\u003c\/b\u003e Notes on Ávila (Plaza and Church of the Cows).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e Circa 1920-1940.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Graphite pencil on sketch paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 29 x 24.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Signed \"J. Rigol F.\" in the lower right corner. Titled and located by the author in the lower margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Fair\/Historical. The paper has a natural tan tone due to age. There are three dark rectangular stains in the central area (caused by the oxidation of old adhesive tape on the reverse), which visually affect the image but confirm its use as workshop material. Irregular edges typical of a field notebook.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e This work fascinates me because it's an \"artist's kitchen.\" It wasn't meant to be sold, but to be used. The Catalan notes about a landscape of Ávila tell us about the painter's travels through Spain. The adhesive tape stains, far from bothering me, tell me that this paper was stuck to the wall of his studio while he was painting the final canvas. It's a piece of the painter's life.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"15\"\u003e\n\n \u003cp data-path-to-node=\"16\"\u003e\u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52803640066381,"sku":null,"price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0208.jpg?v=1763649003"},{"product_id":"ricard-calvo-duran-roma-piazza-del-popolo-con-ciclista-ilustracion-urbana-tecnica-mixta-sobre-papel","title":"RICARD CALVO DURAN | ROME: PIAZZA DEL POPOLO WITH CYCLIST | URBAN ILLUSTRATION | MIXED MEDIA ON PAPER","description":"\u003ch1 data-path-to-node=\"2\"\u003e \u003cb\u003eRICARD CALVO DURAN | ROME: PIAZZA DEL POPOLO WITH CYCLIST | URBAN ILLUSTRATION | MIXED MEDIA ON PAPER\u003c\/b\u003e\n\u003c\/h1\u003e\n\n \u003cp data-path-to-node=\"3\"\u003e\u003ci\u003eAn unusual vision of the Eternal City where baroque monumentality gives way to the solitude of the urban cyclist.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"4\"\u003e \u003cb\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003cb\u003eHuman Scale versus History.\u003c\/b\u003e In this 1989 work, Ricard Calvo Duran transports us to one of Rome's most theatrical settings: the entrance to the \u003cb\u003ePiazza del Popolo\u003c\/b\u003e . However, the artist eschews the conventional tourist postcard. Instead of a crowded square, he presents us with an almost metaphysical, empty space, dominated by the perfect symmetry of the twin churches of Santa Maria in Montesanto and Santa Maria dei Miracoli.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e \u003cb\u003eVisual Analysis: Clear Line and Atmosphere\u003c\/b\u003e The technical execution is impeccable, inheriting the best tradition of architectural illustration and the European \"clear line\".\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e \u003cb\u003eThe Drawing:\u003c\/b\u003e Calvo Duran uses ink to define with surgical precision the columns, domes and entablatures of the Roman Baroque.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb\u003eThe Color:\u003c\/b\u003e The watercolor application is atmospheric. The sky is not the typical blue of the Mediterranean, but a brownish-gray stain, heavy with moisture, which gives the scene a melancholic and sophisticated air.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e \u003cb\u003eThe Counterpoint:\u003c\/b\u003e All the solemnity of the stone is broken by the figure of the cyclist in the foreground, dressed in a striking pink shirt. He is the discordant element that brings the work to life: a solitary human being pedaling towards the immensity of history.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"8\"\u003e \u003cb\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb\u003eRecognizable Iconography:\u003c\/b\u003e It represents one of the world's most famous urban landmarks (the Trident of Rome), but viewed from an authorial perspective, which distances it from the \u003ci\u003esouvenir\u003c\/i\u003e .\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb\u003eTimeless Aesthetics:\u003c\/b\u003e Its clean, graphic style allows the work to fit both in a classic office (due to the theme) and in a modern living room (due to the technical execution and the use of negative space).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb\u003eDecorative Value:\u003c\/b\u003e The contrast between the earth\/stone tones of the architecture and the vibrant pink of the cyclist creates a very powerful visual focal point.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eImportant Framing:\u003c\/b\u003e The artwork features a wide and deep (5 cm) wooden frame that adds substance and protects the piece, ready to be hung.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"10\"\u003e \u003cb\u003eTECHNICAL SPECIFICATIONS\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Ricard Calvo Duran (Signed \"Calvoduran\").\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eTitle\/Theme:\u003c\/b\u003e Rome: The Piazza del Popolo.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e 1989 (Dated next to the signature).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Mixed media on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e Artwork: 42.5 x 52.5 cm | Frame: 54.5 x 62 x 5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Handwritten in ink in the lower center area, with the location \"Rome\".\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Excellent. The paper retains its original whiteness at the edges and the colors remain vibrant.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003ch2 data-path-to-node=\"12\"\u003e\u003cb\u003eTHE WORKSHOP NOTE\u003c\/b\u003e\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e Rome is a noisy and chaotic city, but Calvo Duran has managed to \"turn off\" the sound. By eliminating the traffic and the crowds, he leaves us alone with the architecture and that single cyclist. It's a work that conveys calm and elegance. I like to think of it as a visual pause; a window onto a Rome that only exists early in the morning or in the artist's imagination.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\"\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e \u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52817072521549,"sku":null,"price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0365_01.jpg?v=1763867570"},{"product_id":"ricard-calvo-duran-costumbrismo-italiano-en-asis-ilustracion-urbana-tecnica-mixta-sobre-papel","title":"RICARD CALVO DURAN | ITALIAN COSTUMBRISM ​​IN ASSISI | URBAN ILLUSTRATION | MIXED MEDIA ON PAPER","description":"\u003ch2 data-path-to-node=\"2\"\u003e \u003cb\u003eRICARD CALVO DURAN | ITALIAN COSTUMBRISM ​​IN ASSISI | URBAN ILLUSTRATION | MIXED MEDIA ON PAPER\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci\u003eA delightful contrast between the spirituality of sacred architecture and the vibrant everyday life on two wheels.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"4\"\u003e \u003cb\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"5\"\u003e\u003cb\u003eThe Sacred and the Mundane.\u003c\/b\u003e Created in 1990, this work by Ricard Calvo Duran captures the soul of Italy better than any tourist photograph. The artist places us before the imposing \u003cb\u003eBasilica of St. Francis of Assisi\u003c\/b\u003e , one of the most important pilgrimage sites in the world. However, far from solemnizing the scene, Calvo Duran introduces an element of irresistible humor and humanity: a nun riding a classic Vespa in the foreground. It is an image that encapsulates the ecclesiastical \"dolce vita,\" where age-old tradition coexists with practical modernity.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e \u003cb\u003eVisual Analysis: Precision and Atmosphere\u003c\/b\u003e The piece stands out for its \"clear line\" style, very close to high-quality editorial illustration.\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e \u003cb\u003eThe Architecture:\u003c\/b\u003e The ink drawing is rigorous, capturing in detail the Gothic and Romanesque structure of the complex, from the bell tower to the lower arches.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb\u003eColor:\u003c\/b\u003e The artist uses a bold palette. The sky is not light blue, but a deep blue that sets off the cream-colored stone silhouette of the basilica, creating an almost theatrical drama.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e \u003cb\u003eThe Narrative:\u003c\/b\u003e The composition guides the eye from the monumental background to the anecdotal foreground. The vintage cars (late 1980s) parked and the groups of friars walking provide a fascinating temporal and sociological context.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"8\"\u003e \u003cb\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb\u003eIconic Theme:\u003c\/b\u003e The combination of a nun and a Vespa is an Italian cultural icon. It's a work that generates immediate sympathy and works as an excellent visual icebreaker.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb\u003eDecorative Aesthetics:\u003c\/b\u003e The contrast between the intense blue of the sky and the earth tones of the floor makes it a very eye-catching piece, ideal for adding character to a hallway, a study or an Italian-themed collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb\u003eQuality Framing:\u003c\/b\u003e It is presented with a dark wood frame with a wide profile and a light passe-partout that gives air to the work and enhances the luminosity of the mixed technique.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eRecord of the Era:\u003c\/b\u003e Beyond the artistic, it is a visual document of the aesthetics of the 90s in Italy, capturing a specific moment in time.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"10\"\u003e \u003cb\u003eTECHNICAL SPECIFICATIONS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Ricard Calvo Duran (Signed \"Calvoduran\").\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eTitle \/ Subject:\u003c\/b\u003e Scene in the Basilica of Saint Francis of Assisi.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e 1990 (Dated next to the signature).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Mixed media on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e Artwork: 32 x 39 cm | Frame: 53.5 x 60.5 x 5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Handwritten in ink in the lower right corner, with the location \"Assisi\".\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Excellent. Vibrant colors and paper in perfect condition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"12\"\u003e \u003cb\u003eTHE WORKSHOP NOTE\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"13\"\u003eCalvo Duran had a special eye for finding humanity within monumentality. I chose this piece for the catalog because it breaks with the usual seriousness of religious or architectural art. It's fresh, it's fun, and it's executed with enviable technical skill. Perfect for those who love Italy but shy away from boring clichés.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\"\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e \u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52817239212365,"sku":null,"price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0405.jpg?v=1763868551"},{"product_id":"carbonell-rull-noies-el-caballo-alado-prueba-bon-a-tirer-b-a-t-aguafuerte-original","title":"CARBONELL | RULL (GIRLS) - THE WINGED HORSE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING","description":"\u003ch2 data-path-to-node=\"4\"\u003eCARBONELL | RULL (GIRLS) - THE WINGED HORSE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eAn exceptional workshop proof with the coveted category of \u003ci data-path-to-node=\"5\" data-index-in-node=\"63\"\u003eBon à Tirer\u003c\/i\u003e (Good to Print). A print of profound visual poetry and absolute rarity, emerged from the legendary presses of master Masafumi Yamamoto in Barcelona.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eDreamlike Lyricism and Literary Collaboration\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis captivating print is part of the fourth installment of the acclaimed graphic series \"Rull (Noies)\", conceived in March 1985 as a creative dialogue between the artist Carbonell and the Catalan writer Pep Albanell. Far from strict realism, Carbonell immerses us in a universe of dreamlike and poetic figuration. The composition is dominated by the tender encounter between a young woman (dressed in a delicate mottled suit) and a monumental winged horse that evokes the mythological figure of Pegasus. The girl's gesture, caressing the animal's face against a textured background and abstract clouds, imbues the work with formidable silence and visual sensitivity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eWorkshop Pedigree and Technical Purity\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe execution of this plate is superb and was carried out entirely by hand in the legendary Barcelona workshop of master Masafumi Yamamoto, whose presses saw the works of contemporary art totems such as Antoni Tàpies, Joan Brossa, and Jaume Plensa. The etching displays a rich interplay of intaglio textures: from the deep and dense blacks of the background to the subtlety of the patterns in the horse's wings and the young woman's dress, demonstrating the extremely high level of technical demandingness of this edition.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eAbsolute Rarity (The B.A.T. example):\u003c\/b\u003e In print collecting, there is no more important print than the \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"112\"\u003eBon à Tirer\u003c\/i\u003e (B.A.T.). It is the definitive, exact, and perfect proof that the artist approves and signs in their own hand to give the green light to the printer. It serves as an unchangeable model for the rest of the edition. By definition, \u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"332\"\u003ethere is only one B.A.T. per edition\u003c\/b\u003e, which makes this piece a historical document of unattainable rarity for commercial release.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003ePrint Quality:\u003c\/b\u003e The impression of the intaglio plate is deep and bold, demonstrating the absolute freshness of the metal in its first passes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eNoble Support:\u003c\/b\u003e Printed on exceptional 250-gram Vélin Arches mould-made paper. Recognized worldwide for its immutability, the paper retains its coveted natural deckled edges and immaculate whiteness, giving the piece a physical and visual weight of museum quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL DATA\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Carbonell (Engraving belonging to the \"Rull\" series, with texts by Pep Albanell).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Rull (Noies) - Fourth print (The encounter with the winged horse).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e March 1985 (Contemporary Art \/ Poetic Figuration).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching printed by hand on 250 grs Vélin Arches paper (with intact deckled edges).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Run:\u003c\/b\u003e Unique \u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"33\"\u003eB.A.T. (\u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"41\"\u003eBon à Tirer\u003c\/i\u003e)\u003c\/b\u003e example. Workshop reference print, not for commercial sale.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 44 x 32 cm | Plate mark: 24.5 x 30 cm (approx).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Handwritten annotation \u003ci data-path-to-node=\"14,6,0\" data-index-in-node=\"44\"\u003e\"Bon a Tirer\"\u003c\/i\u003e in pencil in the lower left margin and signed in Carbonell's own hand in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Workshop of master printer Masafumi Yamamoto (Barcelona) \/ Technical archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,8,0\"\u003e\u003cb data-path-to-node=\"14,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very Good. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe value of this work transcends its undeniable aesthetic beauty to delve into the very history of the noble craft of engraving. Reading \"Bon a Tirer\" written in pencil in the margin is like being present in Yamamoto's workshop in 1985, at the very moment Carbonell lifts the paper from the press, nods his head, and decides that this, and no other, is the perfect image he wishes to bequeath to the world. It is the pristine origin of the creative process encapsulated on paper.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical data sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470924079437,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2026-03-04_012101114.png?v=1772583665"},{"product_id":"carbonell-y-pep-albanell-rull-noies-carpeta-completa-5-grabados-aguafuerte-original-39-50","title":"CARBONELL Y PEP ALBANELL | RULL (GIRLS) | COMPLETE FOLDER (5 ENGRAVINGS) | ORIGINAL ETCHING (39\/50)","description":"\u003ch2 data-path-to-node=\"5\"\u003eCARBONELL AND PEP ALBANELL | RULL (GIRLS) | COMPLETE PORTFOLIO (5 ETCHINGS) | ORIGINAL ETCHING (39\/50)\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eAn undisputed jewel of contemporary bibliophilia. A complete 1985 edition that preserves the unaltered dialogue between Catalan literature and intaglio mastery, printed on Masafumi Yamamoto's mythical presses.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe indivisible dialogue between literature and engraving\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003ePublished in the vibrant Barcelona of March 1985, the \"Rull (Noies)\" portfolio transcends traditional collecting to offer a complete aesthetic experience. The work safeguards an intimate conversation between the literary prose of renowned Catalan author Pep Albanell and five hypnotic original etchings by artist Carbonell. The visual sequence proposed by the painter is a fascinating narrative journey: it transitions from the silent voyeurism of nudes in interiors, through poetic and mythological lyricism (such as the encounter with the winged horse), to evocative scenes of Mediterranean customs, where two women style their hair against the immensity of the sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe technical pinnacle of the Yamamoto workshop\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe true historical weight of this edition lies in its impeccable craftsmanship. The five plates were hand-printed in Masafumi Yamamoto's mythical Barcelona workshop. This Japanese master engraver, an irreplaceable figure in understanding intaglio avant-garde in Catalonia in the 80s, brought his legendary oriental meticulousness to the edition. The works of great contemporary art figures passed through his presses, collaborating closely with creators such as Antoni Tàpies, Joan Brossa, and Jaume Plensa. A scrutiny of the prints reveals the profound depth of the metal's impression on the paper and an unusual richness of velvety blacks that only the exact pressure of a true master's press can achieve.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eConceptual Integrity (Bibliophile Work):\u003c\/b\u003e In the art market, finding complete period portfolios is a rarity, as they are often disassembled. Preserving the original slipcase, endpapers, and typographic texts that precede each of the five prints allows for experiencing the rhythm of visual and literary reading exactly as it was conceived by its authors.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eStrictly Limited Edition:\u003c\/b\u003e Belonging to a very short run of only 50 copies, this piece corresponds to number 39\/50. Each and every one of the five etchings bears Carbonell's autograph signature in pencil and its corresponding numbering, ensuring absolute exclusivity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eHighest Quality Support:\u003c\/b\u003e All this technical virtuosity rests on a regal support: 250-gram Vélin Arches mould-made paper. Renowned for its unalterable purity, the paper exhibits an immaculate whiteness and retains its noble original deckled edges, the greatest fetish of the purist collector.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SHEET\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eAuthors:\u003c\/b\u003e Original texts by Pep Albanell \/ Original engravings by Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Rull (Noies). Complete portfolio.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e March 1985 (Contemporary Art \/ Bibliophilia).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e 5 original etchings hand-printed on 250 gsm Vélin Arches paper, white (with intact deckled edges).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Run:\u003c\/b\u003e Limited edition of 50 copies. Copy 39 \/ 50.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 44 x 32 cm | Plate mark: 24.5 x 30 cm (approx. per print).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e All 5 etchings are signed and numbered in pencil (39\/50) by Carbonell in the lower margins.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Workshop of master printer Masafumi Yamamoto (Barcelona).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,8,0\"\u003e\u003cb data-path-to-node=\"15,8,0\" data-index-in-node=\"0\"\u003eComplete Content:\u003c\/b\u003e Original container portfolio, endpapers, typographic texts by Pep Albanell, and 5 original etchings.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,9,0\"\u003e\u003cb data-path-to-node=\"15,9,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Optimal preservation, museum quality. No moisture damage, foxing, or creases, maintaining the original purity of the edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe immense value of this portfolio is its ability to stop time. Opening the original slipcase, running hands over the texture of the Arches paper, and alternating reading the classic typography with contemplating Carbonell's profound chiaroscuros, is an act of devotion to art. A major, complete work of impeccable technical execution, designed to crown the most demanding libraries and graphic collections.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is accompanied by an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470945182029,"sku":null,"price":310.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0301.jpg?v=1772584574"},{"product_id":"j-ribot-llupia-fachada-monumental-anos-70-paisaje-urbano-acuarela-original","title":"J. RIBOT LLUPIÁ | MONUMENTAL FAÇADE (1970s) | URBAN LANDSCAPE | ORIGINAL WATERCOLOR","description":"\u003ch2 data-path-to-node=\"5\"\u003eJ. RIBOT LLUPIÁ | MONUMENTAL FACADE (1970s) | URBAN LANDSCAPE | ORIGINAL WATERCOLOR\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eArchitectural rigor and Mediterranean light captured in a large-format watercolor. An imposing urban scene that combines technical mastery with the nostalgia of 1970s Spain.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe urban sketch and the time capsule\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis magnificent original work introduces us to the creative maturity of José Ribot Llupiá (1925-2020), a painter with a solid trajectory in the figurative art scene of the second half of the 20th century. The composition places us in the square of a historic town, dominated by the overwhelming presence of an imposing Gothic-style facade, rendered with astonishing architectural detail (highlighting the central rose window, the archivolts of the portico, and the bell tower).\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eHowever, the true magnetism of the work lies in its \"time capsule\" quality. At the foot of the ancient monument, Ribot Llupiá unfolds a lively genre scene that unequivocally dates the work to the 1970s: tourists photographing the facade, passersby, and classic vehicles of the era parked in the square, which add undeniable nostalgic and historical value to the composition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eThe mastery of wash and perspective\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eOn a technical level, the artist displays an absolute command of the watercolor technique, an unforgiving medium that does not allow for corrections. The use of heavy-weight paper allows Ribot Llupiá to play with the superimposition of clean washes, achieving exceptional luminosity and atmospheric depth in the sky and the stone of the cathedral. The brushwork is agile and descriptive, tracing projected shadows with a geometric precision that demonstrates a deep understanding of perspective.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArchitectural Virtuosity:\u003c\/b\u003e Capturing the monumentality and scale of a Gothic building exclusively with water and pigment requires a level of technical mastery achieved by very few watercolorists.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eDocumentary and Nostalgic Value:\u003c\/b\u003e The inclusion of daily life from the 1970s (classic vehicles, clothing, the terrace on the right corner) makes this print an irresistible visual document for collectors of urban landscapes and Spanish genre scenes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eGallery Format:\u003c\/b\u003e Its generous dimensions (47.5 x 65 cm) set it apart from the classic small travel notebook sketch, transforming it into a striking exhibition piece with an unquestionable visual presence.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e José Ribot Llupiá (1925-2020).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Monumental facade and square (Urban landscape \/ 1970s genre scene).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original fluid watercolor on high-grammage, professional quality drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): 47.5 x 65 cm (Landscape gallery format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed with brush \u003ci data-path-to-node=\"16,4,0\" data-index-in-node=\"47\"\u003e\"RIBOT LLUPIÀ\"\u003c\/i\u003e in the lower-left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Archival quality. Paper structurally intact, retaining extraordinary luminosity in the pigments and perfect contrast in the shadow areas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eGood architectural watercolor is not about painting every brick, but about making light define the volume of the stone. In this piece, Ribot Llupiá achieves exactly that, contrasting the eternity of the Gothic cathedral with the fleetingness of a sunny morning in the 1970s. A highly prestigious acquisition, ideal for the collector who values the rigor of classical drawing and the living history of our cities.\u003c\/p\u003e\n\u003chr data-path-to-node=\"19\"\u003e\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53475898687821,"sku":null,"price":295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0268_02f04760-c613-4c3c-8d0a-d7fd42d7d6fa.jpg?v=1772640163"},{"product_id":"josep-maria-subirachs-eva-serpiente-tinta","title":"Attributed to Josep Maria Subirachs | Eve and the Serpent (The Original Sin) | Ink Drawing","description":"\u003cp\u003eThe purity of line and classical symbolism in an intimate work linked to the circle of the great master of contemporary Catalan sculpture. A masterful lesson in anatomy and visual synthesis.\u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eThe Versatility of Genius: From Geometry to Sensuality\u003c\/b\u003e When the general public thinks of Josep Maria Subirachs (1927-2014), the monumental geometric and dramatic Sagrada Familia Passion Façade immediately comes to mind. However, this exceptional piece reveals an indispensable facet to understanding the true magnitude of his production and legacy: the absolute mastery of classical drawing and the curved line.\u003c\/p\u003e\n\u003cp\u003eThis ink drawing addresses one of the great archetypes of art history: the myth of Eve and Original Sin. Far from the heaviness of stone, a continuous, firm line of modulated thickness is used to delineate the sensual anatomy of the lower half of a nude female figure.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSymbolism and Economy of Means\u003c\/b\u003e The composition is a triumph of minimalism and iconography. The figure stands gracefully on a fragment of a sphere (symbol of the world or perfection), while at her feet, drawn with the same millimeter-perfect precision, a serpent with open jaws slithers menacingly. No backgrounds, shadows, or dramatic washes are needed; the masterful use of negative space (the white of the paper) and the precision of the line are enough to give the figure sculptural volume and a magnetic presence.\u003c\/p\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eStylistic Rarity (Pure Line):\u003c\/b\u003e In the art market, it is relatively common to find prints or drawings from his angular expressionist period. Owning an ink work that demonstrates such virtuosity with the continuous and classical line is a first-rate curatorial find that adds enormous richness to any collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eIconographic Power:\u003c\/b\u003e The theme of Eve and the serpent is directly linked to universal symbolism. It is a work of deep narrative content resolved with extraordinary visual elegance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTransparency and Investment Value:\u003c\/b\u003e The work features the characteristic block letter inscription, \"SUBIRACHS,\" located in the lower right corner. As the certificate issued by the artist's heirs or foundation is not currently available, the work is cataloged with complete rigor and transparency as \"attributed.\" This allows the collector to acquire a piece of the highest aesthetic quality and evident technical connection to the master at a highly competitive market value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eArtist:\u003c\/b\u003e Attributed to Josep Maria Subirachs (Barcelona, 1927 - 2014).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Eve and the Serpent \/ Original Sin (Female Nude \/ Symbolism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eEstimated Period:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Monochrome ink drawing on warm-toned drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 24 x 16.5 cm (Vertical format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature and Inscriptions:\u003c\/b\u003e Features the inscription \"SUBIRACHS\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eStyle \/ Movement:\u003c\/b\u003e Neo-figuration \/ Classical Synthesis.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Excellent archival quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp\u003eA sculptor draws differently from a painter; their mind always seeks three-dimensional volume. In this print, a simple ink line is made to \"weigh\" and occupy a place in space. A silent, profoundly elegant piece of undeniable academic erudition, reserved for the collector who seeks genius without artifice.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study prepared and printed by El Taller del Coleccionista, certifying our cataloging work, the stylistic argumentation of the attribution (in the absence of an external certificate), and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53487198863693,"sku":null,"price":1130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0073_82ea625a-07fa-436c-be8d-c5cec52ec418.jpg?v=1772732897"},{"product_id":"joan-aragones-iglesia-rural-homenaje-a-mossen-baldello-aguada-original-escuela-catalana","title":"JOAN ARAGONÈS | RURAL CHURCH (HOMAGE TO MOSSÈN BALDELLÓ) | ORIGINAL GOUACHE | CATALAN SCHOOL","description":"\u003ch2 data-path-to-node=\"4\"\u003eJOAN ARAGONÈS | RURAL CHURCH (HOMAGE TO MOSSÈN BALDELLÓ) | ORIGINAL WASH | CATALAN SCHOOL\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eA disciple's reverence captured in the sobriety of chiaroscuro. An extraordinary historical and artistic document attesting to the respect and profound connection between two Catalan intellectuals from the turn of the century.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eTribute to the master: Francesc de Paula Baldelló\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThere are works whose importance transcends graphic technique to delve fully into the realm of cultural memory. This delicate original wash by Joan Aragonès is an exceptional example of this. It is not a simple landscape sketch; it is, above all, an object of personal veneration.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe key to the print lies in the emphatic handwritten dedication in ink in the lower left corner: \u003ci data-path-to-node=\"9\" data-index-in_node=\"118\"\u003e\"A Mossèn Baldelló amb la veneració que devem als grans mestres\"\u003c\/i\u003e (To Mossèn Baldelló with the veneration we owe to great masters). Francesc de Paula Baldelló (1887-1977), presbyter and foundational figure of modern Catalan musicology, receives here the tribute of Aragonès, who uses the purity of the monochromatic wash to imbue the architecture with tangible spirituality and silence.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe synthesis of volume and water control\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe technical execution demonstrates masterful restraint and maturity. Aragonès presents a robust rural church, crowned by a bell-gable and skillfully framed by the silhouette of a pine tree on the left margin. The artist foregoes color to play exclusively with the pigment's dilutions, creating the heavy volumes of stone through confident and intuitive washes. His mastery of \"negative space\" is brilliant: the untouched raw white of the paper visually acts as the relentless midday sun striking the facades, generating a contrast of enormous scenic force.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eHistorical and Documentary Value:\u003c\/b\u003e The direct, handwritten connection to a personality of Mossèn Baldelló's stature gives this work a superior interest. It is an invaluable asset for scholars, bibliophiles, and collectors of Barcelona's ecclesiastical and musical history.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eMonochromatic Erudition:\u003c\/b\u003e Aragonès demonstrates that a complex palette is not needed to evoke the peace of sacred landscapes. The absolute control of humidity and contrast makes it a sketch of profound academic elegance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eAutographic Immediacy:\u003c\/b\u003e The dedication and signature, drawn with immediacy, guarantee the \"study gift\" nature of the print, pieces always highly coveted in the market for their extreme intimacy.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Joan Aragonès.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Landscape with Rural Church \/ Homage to Mossèn Baldelló (Architectural drawing).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eEstimated Period:\u003c\/b\u003e Mid-20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original monochromatic wash (diluted ink) on warm-toned drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Approx. 21 x 26 cm (Landscape cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Features an autographed dedication and handwritten signature \u003ci data-path-to-node=\"15,5,0\" data-index-in-node=\"73\"\u003e\"Joan Aragonès\"\u003c\/i\u003e in the lower left margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Synthetic Realism \/ Catalan School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,8,0\"\u003e\u003cb data-path-to-node=\"15,8,0\" data-index-in-node=\"0\"\u003eCondition and Curatorial Note:\u003c\/b\u003e Stabilized period condition. The wash maintains excellent contrast and the paper retains a beautiful natural tone. \u003ci data-path-to-node=\"15,8,0\" data-index-in-node=\"157\"\u003eArchive note:\u003c\/i\u003e True to its history, the support shows small focal perforations mainly in the sky area above the bell tower (historical wear\/wood-borers), attributes that attest to its age without compromising the readability of the work. Its valuation already strictly reflects this archival condition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eThis piece is a silent dialogue between two scholars. Aragonès presents us with a landscape that breathes the same humility with which he recognizes a \"great master\" in the other. At El Taller del Coleccionista, we present this print not only as a refined artistic work, but as an unrepeatable fragment of Catalonia's intellectual memory, deserving of a place of honor in any specialized archive.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study of the piece, prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53488357048653,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0258_04.jpg?v=1772753624"},{"product_id":"guillem-fresquet-paisaje-rural-con-campanario-1952-acuarela-original-escuela-catalana","title":"GUILLEM FRESQUET | RURAL LANDSCAPE WITH BELL TOWER (1952) | ORIGINAL WATERCOLOR | CATALAN SCHOOL","description":"\u003ch2 data-path-to-node=\"7\"\u003eGUILLEM FRESQUET | RURAL LANDSCAPE WITH BELL TOWER (1952) | ORIGINAL WATERCOLOR | CATALAN SCHOOL\u003c\/h2\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe dance of water and pigment. An open window to the atmosphere of the Catalan landscape, executed by one of the great historical masters of the Agrupación de Acuarelistas de Cataluña (Association of Watercolorists of Catalonia).\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"9\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe painter of air and atmospheric perspective\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eGuillem Fresquet Bardina (1914–1991) did not just paint topography; he painted the air and humidity that enveloped the landscape. Trained at La Llotja, he dedicated his life to perfecting the most unforgiving technique in the plastic arts. In this superb original watercolor, dated 1952, we find the quintessence of his style: a small rural nucleus crowned by a bell tower that emerges against the imposing silhouette of a mountain.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe piece vibrates with a particular energy. Fresquet uses watercolor not as a simple chromatic filler, but as a living element that expands volume. The large mountainous mass in the background, resolved with masterful leaden and purple tones, blurs and merges with the cloudy sky, achieving a dazzling atmospheric depth that diminishes the persistent human trace of the architecture.\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003e\u003cb data-path-to-node=\"13\" data-index-in-node=\"0\"\u003eTechnical duality: from \u003ci data-path-to-node=\"13\" data-index-in-node=\"25\"\u003ewet-on-wet\u003c\/i\u003e to dry brushstroke\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe true technical display of this print lies in its divided execution. While the backgrounds are resolved with the uncontrollable and poetic \"wet-on-wet\" technique (letting the water work on the cellulose by itself), the foreground shows the firm pulse of the draftsman. Fresquet defines the rustic wooden fence on the left and the edges of the dirt road with energetic, almost dry brushstrokes and highly saturated pigment, visually anchoring the composition and pushing the landscape towards the horizon.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eInstitutional Signature:\u003c\/b\u003e Guillem Fresquet is an unavoidable figure in the historiography of 20th-century Spanish watercolor. His mastery of transparency makes him an essential reference for any rigorous graphic cabinet.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eAutograph Dating (1952):\u003c\/b\u003e The presence of the date next to the signature allows the work to be anchored in a specific period of the author's maturity, giving it academic traceability far superior to that of anonymous sketches.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eEconomy of Means (The White of the Paper):\u003c\/b\u003e Fresquet's mastery lies in knowing when to stop. The work breathes thanks to the large areas of reserve (the natural unpainted white of the paper) in the road and sky, achieving maximum luminosity without saturating the support.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"18\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,0,0\"\u003e\u003cb data-path-to-node=\"18,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Guillem Fresquet Bardina (Barcelona, 1914 - 1991).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,1,0\"\u003e\u003cb data-path-to-node=\"18,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Rural landscape with bell tower and mountain (Catalan Landscape).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,2,0\"\u003e\u003cb data-path-to-node=\"18,2,0\" data-index-in-node=\"0\"\u003eYear of creation:\u003c\/b\u003e 1952.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,3,0\"\u003e\u003cb data-path-to-node=\"18,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Fluid original watercolor on drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,4,0\"\u003e\u003cb data-path-to-node=\"18,4,0\" data-index-in-node=\"0\"\u003eDocumented dimensions:\u003c\/b\u003e 19.5 x 28.5 cm (Horizontal cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,5,0\"\u003e\u003cb data-path-to-node=\"18,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed and dated \u003ci data-path-to-node=\"18,5,0\" data-index-in-node=\"48\"\u003e\"FRESQUET 52\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,6,0\"\u003e\u003cb data-path-to-node=\"18,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Atmospheric Realism \/ Catalan Watercolor School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,7,0\"\u003e\u003cb data-path-to-node=\"18,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,8,0\"\u003e\u003cb data-path-to-node=\"18,8,0\" data-index-in-node=\"0\"\u003eCondition and Curatorial Note:\u003c\/b\u003e Stabilized period condition. The pigments retain excellent freshness and chromatic saturation. \u003ci data-path-to-node=\"18,8,0\" data-index-in-node=\"143\"\u003eArchive note:\u003c\/i\u003e The support shows slight \u003ci data-path-to-node=\"18,8,0\" data-index-in-node=\"198\"\u003efoxing\u003c\/i\u003e marks (natural oxidation spots on the paper) primarily focused in the sky area. These organic alterations are the unmistakable patina of its age (over 70 years) and do not compromise the structural stability or the sublime aesthetic reading of the work in any way.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"19\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"20\"\u003eAn amateur paints trees; a master paints the fog that hides them. This work by Fresquet is a visual refuge that invites silent contemplation. An erudite acquisition that demonstrates that the true weight of a landscape is not in the amount of details, but in the accuracy of the captured light.\u003c\/p\u003e\n\u003chr data-path-to-node=\"21\"\u003e\n\u003cp data-path-to-node=\"22\"\u003e\u003cb data-path-to-node=\"22\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study of the work, prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53488400597325,"sku":null,"price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0196_03.jpg?v=1772756376"},{"product_id":"antonio-comerma-dibujo-arquitectura-romanica-aguada-sepia-1942","title":"Antonio Comerma | Romanesque Monumentality (1942) | Original Sepia Wash Drawing","description":"\u003cp data-path-to-node=\"2\"\u003e\u003ci data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eOriginal 1942 drawing depicting the architecture of a Romanesque church. A large-format academic work that stands out for its mastery of volume and light.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"3\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"4\"\u003eSigned by Antonio Comerma and dated 1942, this piece is an example of rigorous architectural drawing. The work shows the apse and bell tower of a Catalan Romanesque church, focusing attention on the structure of the apse. The choice of monochrome wash in sepia tones gives the image an aesthetic similar to that of old engravings or vintage photographs, reinforcing its historical character.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe artist constructs the volume of the stone through a precise use of projected shadows. The depth of the blind arches and the perspective of the walls demonstrate an advanced knowledge of architectural geometry. Created in a complex historical context, the work seeks to convey the solidity and stability of medieval heritage through a serene and balanced drawing.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"6\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb data-path-to-node=\"7,0,0\" data-index-in-node=\"0\"\u003eClassic aesthetic for interiors\u003c\/b\u003e: Architectural drawings are a fundamental element in classic and professional decor. Their sobriety makes them ideal for offices, libraries, or spaces that require timeless distinction.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb data-path-to-node=\"7,1,0\" data-index-in-node=\"0\"\u003eTechnical quality and rigor\u003c\/b\u003e: This is a finished work with absolute control over the ink wash. The precision in perspective and light treatment elevates this piece above a conventional sketch.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e\u003cb data-path-to-node=\"7,2,0\" data-index-in-node=\"0\"\u003eVisual presence\u003c\/b\u003e: With a height of 52 cm, the work has generous dimensions that allow it to stand out in any room, serving as a focal point of architectural interest.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,3,0\"\u003e\u003cb data-path-to-node=\"7,3,0\" data-index-in-node=\"0\"\u003ePatina of authenticity\u003c\/b\u003e: Being an original piece from 1942, the support shows natural signs of age, which certifies its antiquity and gives it added value for the collector of works on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"8\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb data-path-to-node=\"9,0,0\" data-index-in-node=\"0\"\u003eArtist\u003c\/b\u003e: Antonio Comerma.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb data-path-to-node=\"9,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme\u003c\/b\u003e: View of Romanesque apse and bell tower.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb data-path-to-node=\"9,2,0\" data-index-in-node=\"0\"\u003eYear\u003c\/b\u003e: 1942.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e\u003cb data-path-to-node=\"9,3,0\" data-index-in-node=\"0\"\u003eTechnique\u003c\/b\u003e: Sepia wash on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,4,0\"\u003e\u003cb data-path-to-node=\"9,4,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: 52 x 37 cm (20.5 x 14.6 in).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,5,0\"\u003e\u003cb data-path-to-node=\"9,5,0\" data-index-in-node=\"0\"\u003eInscriptions\u003c\/b\u003e: Signed \"A. Comerma\" and dated \"1942\" in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,6,0\"\u003e\u003cb data-path-to-node=\"9,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement\u003c\/b\u003e: Academic Realism \/ Regionalist Architecture.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,7,0\"\u003e\u003cb data-path-to-node=\"9,7,0\" data-index-in-node=\"0\"\u003eProvenance\u003c\/b\u003e: Private Collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,8,0\"\u003e\u003cb data-path-to-node=\"9,8,0\" data-index-in-node=\"0\"\u003eCondition\u003c\/b\u003e: Vintage condition. The support shows \u003ci data-path-to-node=\"9,8,0\" data-index-in-node=\"60\"\u003efoxing\u003c\/i\u003e (small oxidation spots due to humidity) characteristic of the paper's age. These marks do not interfere with the legibility of the drawing and emphasize its character as an original antique object.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"10\"\u003eThe workshop's note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"11\"\u003eThis work by Antonio Comerma is an ideal piece for those who value technical drawing and the history of our architecture. The softness of the sepia tones and the firmness of the line achieve an image that combines documentary rigor with great artistic sensitivity. It is a recommended acquisition both for its quality of execution and for its ability to bring a distinguished and cultured air to any collection.\u003c\/p\u003e\n\u003chr data-path-to-node=\"12\"\u003e\n\u003cp data-path-to-node=\"13\"\u003e\u003cb data-path-to-node=\"13\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This set comes with a research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53518282031437,"sku":null,"price":103.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0031_2b3113ed-5b67-4ced-ac03-cc02b4cbef10.jpg?v=1773251853"},{"product_id":"guillem-fresquet-acuarela-original-paisaje-romanico-ermita","title":"Guillem Fresquet | Romanesque Landscape (Path to the Hermitage) | Original Watercolor on Paper","description":"\u003cp data-path-to-node=\"2\"\u003e\u003ci data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eAn original watercolor that captures the essence of the rural landscape through fluid and atmospheric technical execution. A representative work of Guillem Fresquet's landscape tradition.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"3\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"4\"\u003eThis work is a piece by Guillem Fresquet (1914-1991), a consolidated name in 20th-century Catalan watercolor. The artist presents a mountain scene where a Romanesque hermitage, with its characteristic bell gable, becomes the visual center of the composition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eTechnically, the work stands out for its management of depth planes. Fresquet uses grayish blue and violet tones for the background mountains, achieving an aerial perspective effect that suggests haze and distance. In contrast, the foreground is resolved with warmer, more defined greens and browns. The dirt road on the right margin acts as a visual guide, integrating two figures that add scale and narrative to the architecture. The texture of the church stone is built using confident strokes that take advantage of the white of the paper to represent the incidence of light, demonstrating absolute mastery of the watery medium.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"6\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb data-path-to-node=\"7,0,0\" data-index-in-node=\"0\"\u003ePrestigious authorship\u003c\/b\u003e: Guillem Fresquet is an author with a presence in art dictionaries and a stable quotation in the secondary market. His membership in institutions such as the Agrupació d’Aquarel·listes de Catalunya guarantees the technical quality of his production.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb data-path-to-node=\"7,1,0\" data-index-in-node=\"0\"\u003eTheme of identity and calm\u003c\/b\u003e: Romanesque architecture integrated into nature is a classic theme that evokes the history and serenity of the rural environment. It is a work that conveys tranquility and balance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e\u003cb data-path-to-node=\"7,2,0\" data-index-in-node=\"0\"\u003eTechnical purity\u003c\/b\u003e: This is a watercolor made with transparency, without resorting to gouache loads, where the author's skill in the gradients of the sky and the treatment of rocky surfaces is appreciated.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,3,0\"\u003e\u003cb data-path-to-node=\"7,3,0\" data-index-in-node=\"0\"\u003eAesthetic versatility\u003c\/b\u003e: Due to its natural tones and pleasant figurative style, it is a piece that adapts to various decorative environments, providing a visual window to a luminous and airy landscape.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"8\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb data-path-to-node=\"9,0,0\" data-index-in-node=\"0\"\u003eAuthor\u003c\/b\u003e: Guillem Fresquet (Barcelona, 1914 - 1991).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb data-path-to-node=\"9,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme\u003c\/b\u003e: Mountain landscape with Romanesque hermitage and figures.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb data-path-to-node=\"9,2,0\" data-index-in-node=\"0\"\u003eTechnique\u003c\/b\u003e: Original watercolor on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e\u003cb data-path-to-node=\"9,3,0\" data-index-in-node=\"0\"\u003eDimensions\u003c\/b\u003e: 32 x 45 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,4,0\"\u003e\u003cb data-path-to-node=\"9,4,0\" data-index-in-node=\"0\"\u003eInscriptions\u003c\/b\u003e: Signed \"Guillem Fresquet\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,5,0\"\u003e\u003cb data-path-to-node=\"9,5,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement\u003c\/b\u003e: Figurative landscape \/ Catalan School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,6,0\"\u003e\u003cb data-path-to-node=\"9,6,0\" data-index-in-node=\"0\"\u003eProvenance\u003c\/b\u003e: Private Collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,7,0\"\u003e\u003cb data-path-to-node=\"9,7,0\" data-index-in-node=\"0\"\u003eConservation Status\u003c\/b\u003e: Very good. The colors maintain their original freshness and transparency, and the paper support is in optimal condition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"10\"\u003eThe workshop's note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"11\"\u003eThis watercolor by Guillem Fresquet is a safe acquisition for collectors looking for quality original graphic work with a direct and honest language. The solvency with which the author resolves the light and atmosphere of the mountain makes it a piece with great decorative capacity, ideal for those who value classic and academic watercolor painting.\u003c\/p\u003e\n\u003chr data-path-to-node=\"12\"\u003e\n\u003cp data-path-to-node=\"13\"\u003e\u003cb data-path-to-node=\"13\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This set comes with a research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53518351827277,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0327_cd6193af-ff98-47b8-b645-ed76edf09375.jpg?v=1773253000"},{"product_id":"oriol-jansana-cristo-calvario-crucifixion-oleo-tabla","title":"Oriol Jansana Cristo | Calvary | Oil on Panel | 20th Century","description":"\u003cp data-path-to-node=\"1\"\u003eA work of deep dramatic charge and spiritual intimacy. This small-format panel condenses the intensity of the Crucifixion scene through an expressionistic language and a palette of very strong contrasts.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eHistory and Curatorial Analysis\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe composition addresses one of the central themes of Christian iconography, Calvary, focusing attention purely on the dramatism of the figures. Oriol Jansana Cristo dispenses with complex narrative backgrounds to isolate Christ on the cross, flanked by the Virgin Mary and Saint John. The artist uses a vertical, loose, and very impastoed brushstroke, typical of mid-20th-century expressionist figuration.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe rigorous study of light stands out: a dark, nocturnal background envelops the scene, allowing the pale anatomy of Christ and the intense crimson red and indigo blue garments of the companions to emerge with great visual force. This technique, which prioritizes emotion and the weight of the pictorial material over academic detail, imbues the painting with undeniable contemplation and solemnity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eReasons for the collection\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"6\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,0,0\"\u003e\u003cb data-path-to-node=\"6,0,0\" data-index-in-node=\"0\"\u003eExpressive Intensity:\u003c\/b\u003e The quick and textured execution manages to convey the tragedy of the scene with minimal but highly effective resources.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,1,0\"\u003e\u003cb data-path-to-node=\"6,1,0\" data-index-in-node=\"0\"\u003eCabinet Format:\u003c\/b\u003e Its intimate dimensions are in keeping with the tradition of private devotional painting, making it a very versatile piece for display.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,2,0\"\u003e\u003cb data-path-to-node=\"6,2,0\" data-index-in-node=\"0\"\u003eAesthetic Contrast:\u003c\/b\u003e The severity and dark tone of the panel contrast deliberately and strikingly with its white painted Rococo style frame, making it a decorative object of great character.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eTechnical Data Sheet\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Oriol Jansana Cristo.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTheme:\u003c\/b\u003e Religious art \/ Biblical scene (The Crucifixion).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eTechnique:\u003c\/b\u003e Oil on wood panel.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e\u003cb data-path-to-node=\"8,3,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 24.5 x 18 cm (Work) \/ 36 x 30 cm (Frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,4,0\"\u003e\u003cb data-path-to-node=\"8,4,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good general condition. The pictorial layer is stable and preserves the relief of the original impastos. It comes with a carved wooden frame with floral and shell motifs, lacquered in white, which shows natural wear consistent with its age. We recommend reviewing the attached photographs as a binding document.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,5,0\"\u003e\u003cb data-path-to-node=\"8,5,0\" data-index-in-node=\"0\"\u003eIncludes:\u003c\/b\u003e Original carved frame and professional transport insurance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe Workshop's Note\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eContemporary religious art finds its best expression when it abandons rigid copying and seeks genuine emotion. This small panel is a clear example of this: an austere, direct painting conceived from the vibration of dark color. It is an excellent acquisition for collectors who value material painting and seek pieces with an atmosphere of absolute contemplation, enhanced by an unusual and attractive framing.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":54326783115597,"sku":null,"price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0144-Photoroom.png?v=1784388995"},{"product_id":"firma-interpretar-paisaje-naif-castillo-calvario-gouache-1950","title":"Signature to Interpret | Naive Landscape with Castle and Calvary | Gouache | 1950","description":"\u003cp data-path-to-node=\"1\"\u003eA landscape of genuine charm and intuitive perspective. This 1950 work intertwines the monumentality of Spanish civil architecture with popular fervor, creating a visual narrative full of freshness and candor.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eHistory and Curatorial Analysis\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eNaïve art is characterized by its spontaneity, its rejection of academic rules of perspective, and its expressive purity. In this work, dated to the mid-20th century, the author composes a busy scene where multiple elements of Spanish customs and geography coexist. On the left margin stands an imposing castle or palace crowned with the national flag, connected to a stone ashlar bridge over which the figure of a fisherman appears. On the right margin, the narrative turns to the spiritual with the representation of a crucified Christ by the roadside, flanked by two praying figures under a sky with a crescent moon and birds in flight.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eTechnically, the piece is resolved using water-based pigments (gouache and watercolor). It stands out for the use of flat colors, strongly delineated dark outlines, and an intentional dislocation of logical scales. This narrative horizontality allows all elements to have the same visual hierarchy, a definitive and highly valued trait in genuine naïve style.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eReasons for Collection\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"6\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,0,0\"\u003e\u003cb data-path-to-node=\"6,0,0\" data-index-in-node=\"0\"\u003eDefined Style:\u003c\/b\u003e A textbook example of Spanish self-taught art from the 1950s, sought after for its authenticity and lack of academic pretension.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,1,0\"\u003e\u003cb data-path-to-node=\"6,1,0\" data-index-in-node=\"0\"\u003eNarrative Richness:\u003c\/b\u003e The multitude of micro-scenes (the fisherman, the devotees, the meticulously dotted vegetation, the architecture) invites careful observation and provides a strong playful component.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,2,0\"\u003e\u003cb data-path-to-node=\"6,2,0\" data-index-in-node=\"0\"\u003eDecorative Value:\u003c\/b\u003e Its considerable dimensions and cheerful color palette make it an ideal accent piece for eclectic decorations or spaces seeking to break visual monotony.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eTechnical Sheet\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Signature to be interpreted (Partially legible \"José...\"). Spanish Naïve School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTheme:\u003c\/b\u003e Costumbrist landscape \/ Civil architecture and religious scene.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1950.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e\u003cb data-path-to-node=\"8,3,0\" data-index-in-node=\"0\"\u003eTechnique:\u003c\/b\u003e Mixed media on paper (watercolor and gouache).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,4,0\"\u003e\u003cb data-path-to-node=\"8,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 50 x 70 cm (Artwork) \/ 53 x 73 cm (Frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,5,0\"\u003e\u003cb data-path-to-node=\"8,5,0\" data-index-in-node=\"0\"\u003eSignature:\u003c\/b\u003e Signed and dated \"1950\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,6,0\"\u003e\u003cb data-path-to-node=\"8,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good general condition. The pigments retain their original chromatic vibrancy. Slight undulations are observed in the support, natural with the application of water techniques on period paper. The smooth profile wooden frame is in good condition and protects the work under glass. Please examine the attached photographs.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,7,0\"\u003e\u003cb data-path-to-node=\"8,7,0\" data-index-in-node=\"0\"\u003eIncludes:\u003c\/b\u003e Wooden frame with glass and professional transport insurance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe Workshop Note\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eNaïve art does not compete in anatomical rigor or scientific perspective, but in honesty. This piece is an excellent testimony to Spanish popular painting from the post-war period; a work that does not hide its geometric ingenuousness, but uses it as its greatest aesthetic virtue. It is a cheerful, direct painting with a narrative capacity that grabs attention from the first glance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":54326807658829,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0114_02_50d6bc52-e710-4d64-93ae-a30cef0b8d80.jpg?v=1784389330"},{"product_id":"lluis-mestres-borrell-paisaje-ermita-oleo-espatula-1984","title":"Lluís Mestres Borrell | Rural Landscape with Hermitage | Oil with Palette Knife | 1984","description":"\u003cp data-path-to-node=\"1\"\u003eA work that stands out for its material robustness and mastery of color. This rural landscape, executed entirely with a palette knife, is an excellent example of late 20th-century Catalan post-impressionism, where the texture of the paint creates the volume of the scene.\u003c\/p\u003e\n\u003cp data-path-to-node=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eHistory and Curatorial Analysis\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe composition focuses on a rural architectural ensemble, highlighting the apse of a small church or hermitage with clear Romanesque reminiscences (visible in the blind arcades or Lombard bands at its base). The central cypress acts as a powerful vertical axis that balances the horizontality of the buildings and the sky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe great technical value of this piece lies in Lluís Mestres Borrell's execution. The artist foregoes brushes to work directly with a palette knife, applying thick layers of oil paint (impasto). This technique is especially evident in the vegetation in the foreground, where purple, reddish, ocher, and green tones overlap, creating an almost sculptural relief. The contrast between the rough texture of the bushes and the smoother, calmer surface of the sky demonstrates a profound knowledge of the medium and great confidence in his strokes.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eReasons for the collection\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"6\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,0,0\"\u003e\u003cb data-path-to-node=\"6,0,0\" data-index-in-node=\"0\"\u003eMaterial Richness:\u003c\/b\u003e The application of oil paint with a palette knife gives the work a three-dimensionality and relief that makes it visually very attractive from any lighting angle.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,1,0\"\u003e\u003cb data-path-to-node=\"6,1,0\" data-index-in-node=\"0\"\u003eCataloged Signature:\u003c\/b\u003e Lluís Mestres Borrell is a recognized painter within the Catalan landscape school, precisely known for his skill with the palette knife and his vibrant chromatic palette.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,2,0\"\u003e\u003cb data-path-to-node=\"6,2,0\" data-index-in-node=\"0\"\u003ePresentation Quality:\u003c\/b\u003e The piece comes with a high-quality frame. The classic dark wood frame, combined with a wide fabric (linen\/burlap) mat and a silver inner fillet, enhances the colors of the work and gives it an institutional presentation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eTechnical Data Sheet\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Lluís Mestres Borrell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTheme:\u003c\/b\u003e Rural landscape \/ Religious architecture.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Dated July 1984.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e\u003cb data-path-to-node=\"8,3,0\" data-index-in-node=\"0\"\u003eTechnique:\u003c\/b\u003e Oil with palette knife.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,4,0\"\u003e\u003cb data-path-to-node=\"8,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 27 x 34 cm (Work) \/ 46 x 53 cm (Frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,5,0\"\u003e\u003cb data-path-to-node=\"8,5,0\" data-index-in-node=\"0\"\u003eSignature:\u003c\/b\u003e Signed in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,6,0\"\u003e\u003cb data-path-to-node=\"8,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The thick pictorial layer is completely stable, without detachments or cracks, preserving the freshness of the original color. The frame and fabric mat are in magnificent condition. It is recommended to examine the photographic report as a binding document.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,7,0\"\u003e\u003cb data-path-to-node=\"8,7,0\" data-index-in-node=\"0\"\u003eIncludes:\u003c\/b\u003e High-quality frame with fabric mat and professional packaging.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe Workshop Note\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eIn the figurative art market, the palette knife technique is highly sought after for the force and character it imparts to canvases. This work is not a flat landscape; it is a tactile, energetic, and resolved painting with a very mature color palette. The solidity of the historical architecture contrasts wonderfully with the expressionistic treatment of nature. A definitive and aesthetically high-quality acquisition for any collection of Catalan art.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":54326880895309,"sku":null,"price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0045_b24d4fe3-2b7c-4977-8eb5-e4fdb6f1e93b.jpg?v=1784390338"},{"product_id":"puell-melia-paisaje-rural-campanario-acuarela-tabla","title":"Puell Meliá | Mediterranean Atmosphere: Rural Landscape with Bell Tower | Watercolor on Panel","description":"\u003cp data-path-to-node=\"1\"\u003eA work that captures the essence of rural tranquility through an absolute mastery of light and atmosphere. This landscape by Puell Meliá stands out for the fluidity of its washes and the warmth of its palette, offering a direct window into the peace of the countryside.\u003c\/p\u003e\n\u003cp data-path-to=\"2\"\u003e\u003cb data-path-to-node=\"2\" data-index-in-node=\"0\"\u003eHistory and Curatorial Analysis\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThe composition transports us to a traditional rural core, dominated by the verticality of a bell tower and the unmistakable silhouette of cypresses, classic elements of the Mediterranean landscape. Puell Meliá structures the scene in several planes of depth: a sketched foreground with loose brushstrokes and earthy tones, a middle ground where the hamlet sits—with the narrative detail of smoke escaping from the chimney—and a blurred mountainous background under an overcast sky.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eTechnically, the choice of watercolor on board is very interesting. This rigid support allows the artist to work with a different control over the moisture of the pigment compared to traditional paper, preventing deformations. The author demonstrates great mastery of the wet-on-wet technique to resolve the heavy sky and the mountains in the background, contrasting with the more precise and dry detail in the architecture and central vegetation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eReasons for the collection\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"6\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,0,0\"\u003e\u003cb data-path-to-node=\"6,0,0\" data-index-in-node=\"0\"\u003eAtmospheric Mastery:\u003c\/b\u003e The artist's ability to capture the diffused light of a cloudy day and the humid atmosphere of the countryside demonstrates a high level of landscape artistry.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,1,0\"\u003e\u003cb data-path-to-node=\"6,1,0\" data-index-in-node=\"0\"\u003eAesthetic and Narrative Value:\u003c\/b\u003e It is a bucolic and serene painting. The detail of the smoking chimney adds life and warmth to the composition, making it more than a mere inert landscape.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"6,2,0\"\u003e\u003cb data-path-to-node=\"6,2,0\" data-index-in-node=\"0\"\u003eHigh Quality Presentation:\u003c\/b\u003e The artwork is delivered protected by a robust frame. The dark wooden frame, with its 6 cm thickness and interior metallic fillet, enhances the warm tones of the painting and gives it an excellent exhibition presence.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eTechnical Data Sheet\u003c\/b\u003e\u003c\/p\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Puell Meliá.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eSubject:\u003c\/b\u003e Rural landscape \/ Traditional architecture.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eTechnique:\u003c\/b\u003e Watercolor on board.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e\u003cb data-path-to-node=\"8,3,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 46 x 60 cm (Artwork) \/ 67 x 80.5 x 6 cm (Frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,4,0\"\u003e\u003cb data-path-to-node=\"8,4,0\" data-index-in-node=\"0\"\u003eSignature:\u003c\/b\u003e Signed \"Puell Meliá\" in the lower right corner. It also has a metallic identification plate centered on the lower mat.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,5,0\"\u003e\u003cb data-path-to-node=\"8,5,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The pigments maintain their original freshness and luminosity, with no signs of oxidation or discoloration due to light exposure. The board guarantees the perfect flatness of the work. The solid frame is in magnificent condition. Please review the detailed photographs, which are binding.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,6,0\"\u003e\u003cb data-path-to-node=\"8,6,0\" data-index-in-node=\"0\"\u003eIncludes:\u003c\/b\u003e High-quality original frame and professional shipping insurance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe Workshop's Note\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThere are landscapes that simply invite you to breathe, and this is one of them. Watercolor is a technique that does not forgive mistakes; it requires decision and speed. Puell Meliá resolves the sky and the shadows of the vegetation with enviable assurance, achieving a comforting silence throughout. The mounting on board and the imposing framing make it a finished piece, ready to bring elegance and calm to a living room, an office, or any space seeking the balance of classic figurative art.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":54332571418957,"sku":null,"price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0091_01_d8e84f33-2422-48e0-a765-f29c394c7fa7.jpg?v=1784460514"},{"product_id":"frans-geerts-oleo-cardenal-estudio-costumbrismo-belga-siglo-xix","title":"Frans Geerts | The Cardinal in His Study | Oil on canvas | Belgian Anecdotal Genre Painting","description":"\u003cp data-path-to-node=\"1\"\u003eAn intimate and meticulously detailed scene that perfectly captures the elegance and ironic wink of the \"cardinal painting\" subgenre, highly coveted by the European bourgeoisie of the Belle Époque.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003eFrans Geerts (Antwerp, 1869 - Borgerhout, 1957) belongs to the solid Belgian academic school of the late 19th century. This work fits squarely into what is known as \"cardinal painting,\" a branch of anecdotal genre painting that triumphed in the international market of the time. This subgenre depicted high Church dignitaries in secular, domestic, or leisure situations, surrounded by luxury, offering collectors a humanized and subtly humorous view of the clergy.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eFrom a technical standpoint, Geerts displays absolute academic virtuosity. The composition is structured around the figure of the cardinal, whose red robes act as an undeniable luminous and chromatic focal point. The mastery of color is evident in the treatment of the folds and texture of the silk, which masterfully contrasts with the richness of the surroundings: a monumental fireplace, decorated panels, background tapestries, and a desk covered with a rich oriental rug. The level of detail in the furniture, the parquet floor, and the desk objects — before which the cardinal appears to interact with a small figure or statuette — demonstrates rigorous execution and an exhaustive study of material qualities.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eA detail of enormous historical value is the label preserved on the stretcher, belonging to the original framer \"F. De Leeuw,\" located on Turnhoutschebaan street in Borgerhout (Antwerp). Given that Borgerhout is precisely the town where Geerts resided and died, this label undeniably certifies the direct provenance of the work from the artist's immediate environment.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eReasons for collecting\u003c\/h3\u003e\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb data-path-to-node=\"7,0,0\" data-index-in-node=\"0\"\u003eHigh-demand subgenre:\u003c\/b\u003e Cardinal painting is a classic of 19th-century collecting, a market niche with constant historical demand due to its visual richness and pleasant character.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb data-path-to-node=\"7,1,0\" data-index-in-node=\"0\"\u003eTechnical virtuosity:\u003c\/b\u003e The resolution of textures (red silk, the wool of the oriental rug, carved wood) reflects the high demands of the Belgian academic school.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e\u003cb data-path-to-node=\"7,2,0\" data-index-in-node=\"0\"\u003eTraceability and Authenticity:\u003c\/b\u003e The original label from the Borgerhout framer geographically anchors the piece to the painter's life, offering impeccable provenance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,3,0\"\u003e\u003cb data-path-to-node=\"7,3,0\" data-index-in-node=\"0\"\u003eIntegrity of the piece:\u003c\/b\u003e It retains its original period frame, a heavy carved and gilded wooden structure that not only protects the canvas but also exponentially enhances its decorative presence.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"8\"\u003eTechnical Data Sheet\u003c\/h3\u003e\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb data-path-to-node=\"9,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Frans Geerts (1869-1957)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb data-path-to-node=\"9,1,0\" data-index-in-node=\"0\"\u003eTitle:\u003c\/b\u003e The Cardinal in His Study (attributed title)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb data-path-to-node=\"9,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Late 19th century \/ Early 20th century\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e\u003cb data-path-to-node=\"9,3,0\" data-index-in-node=\"0\"\u003eStyle:\u003c\/b\u003e Genre painting \/ Anecdotal genre\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,4,0\"\u003e\u003cb data-path-to-node=\"9,4,0\" data-index-in-node=\"0\"\u003eTechnique:\u003c\/b\u003e Oil on canvas\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,5,0\"\u003e\u003cb data-path-to-node=\"9,5,0\" data-index-in-node=\"0\"\u003eWork dimensions:\u003c\/b\u003e 32 x 25 cm\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,6,0\"\u003e\u003cb data-path-to-node=\"9,6,0\" data-index-in-node=\"0\"\u003eSignature:\u003c\/b\u003e Signed in the lower right corner (\"F. Geerts\").\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,7,0\"\u003e\u003cb data-path-to-node=\"9,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Retains original label from the F. De Leeuw framing workshop (Borgerhout, Antwerp).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,8,0\"\u003e\u003cb data-path-to-node=\"9,8,0\" data-index-in-node=\"0\"\u003eFraming:\u003c\/b\u003e Original period frame in thick carved and gilded wood.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,9,0\"\u003e\u003cb data-path-to-node=\"9,9,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Stable pictorial layer, no losses, and vibrant colors.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"10\"\u003eThe Workshop's Note\u003c\/h3\u003e\n\u003cp data-path-to-node=\"11\"\u003eCardinal painting is always a safe investment. These pieces were conceived for the visual delight of the elite, and today they continue to fulfill that function perfectly. Finding an oil painting by Frans Geerts that has remained intact in its original Belgian frame for over a century is an exceptional discovery. For El Taller del Coleccionista, this work is a textbook example of what 19th-century genre painting should be: masterful execution, appealing subject matter, and documented provenance on the reverse of the canvas itself.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":54337467187533,"sku":null,"price":590.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/IMG_20260506_181710.jpg?v=1784510268"}],"url":"https:\/\/eltallerdelcoleccionista.com\/en\/collections\/arte-sacro-y-religioso.oembed?page=2","provider":"El taller del coleccionista","version":"1.0","type":"link"}