{"title":"Portraits and the Human Figure","description":"","products":[{"product_id":"francisco-ribera-retrato-garcia-nieto-paris-oleo","title":"Francisco Ribera | Portrait of Ramón N. García-Nieto (Paris) | Original Oil Painting","description":"\u003cp\u003e\u003ci\u003eA master's gaze to preserve a memory.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eThe Curator's Note\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003eWhen a portrait bears the signature of Francisco Ribera Gómez, we know we are looking at more than just a simple effigy; we are looking at a study of the soul. Upon receiving this work in the Workshop, my attention was divided between two points: the incredible vividness that the painter managed to infuse into the sitter's gaze and, on the other hand, the solemn plaque on the frame. The painting's date is 1980, but Don Ramón N. García-Nieto Paris's life ended in 1978. This is not a portrait from life; it is a posthumous tribute. It is a commissioned work, undoubtedly of great importance, entrusted to one of the best Spanish portraitists of the 20th century to immortalize a legacy. I feel a great responsibility in safeguarding such a piece, which combines artistic mastery with a deep emotional and testimonial charge.\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eCuratorial Analysis\u003c\/b\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eComposition and Technique:\u003c\/b\u003e Ribera Gómez here displays all his academic knowledge, heir to the great Spanish portrait tradition. The composition, three-quarter length and with the seated figure, is of classic elegance. The brushwork is precise and restrained, yet full of wisdom: it is visible in the construction of the facial volumes, in the modeling of the hands—a true display of drawing and color—and in the astonishing ability to differentiate textures. The fabric of the suit, the subtle sheen of the silk tie, and the matte quality of the paper he holds in his hands are resolved with impeccable technical proficiency.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePalette and Light:\u003c\/b\u003e The artist uses clever chiaroscuro to focus all attention on the figure. Against a neutral, dark background, the sitter emerges, bathed in a warm, directed light that highlights his features and, above all, his intelligent and affable expression. The palette is sober and distinguished, dominated by the blacks, bluish-greys, and off-whites of the attire, which allow the warm skin tones to take center stage. The light not only illuminates but defines the character and psychology of the individual.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eContext and Significance:\u003c\/b\u003e In 1980, amidst the effervescence of avant-garde and abstraction, resorting to an established master of figuration like Francisco Ribera Gómez for a tribute portrait was a declaration of principles. It was a commitment to tradition, technical excellence, and a lasting concept of art. Ribera, a professor and academic, represented the pinnacle of official and bourgeois portraiture. This posthumous commission underscores the immense esteem in which Don Ramón N. García-Nieto was held, seeking for his memory not a modern interpretation, but the certainty and prestige of an academic master.\u003c\/p\u003e\n\u003ch2\u003e\u003cb\u003eWhy This Piece Deserves a Place in Your Collection\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSigned by a Master of Portraiture:\u003c\/b\u003e Francisco Ribera Gómez is a pivotal figure in 20th-century Spanish figurative painting. His work is present in important museums and collections, and his mastery of portraiture is universally recognized.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eExceptional Academic Quality:\u003c\/b\u003e This is an outstanding example of academic painting at its finest. A lesson in drawing, composition, and mastery of color that withstands the test of time and trends.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eA Testament to Memory and Legacy:\u003c\/b\u003e This work is not a generic portrait. It is a piece with a documented history, a posthumous commission that imbues it with an aura of respect and historical significance, making it a unique collector's item.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003ePresence and Distinction:\u003c\/b\u003e Due to its large format and the quality of its period framing, it is a work destined to grace an important space, whether in a private residence, a professional office, or an institutional headquarters, providing an undeniable touch of prestige.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cb\u003eWork Dossier\u003c\/b\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eArtist:\u003c\/b\u003e Francisco Ribera Gómez (Madrid, 1907 - Barcelona, 1996)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle:\u003c\/b\u003e Portrait of Don Ramón N. García-Nieto Paris\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eYear:\u003c\/b\u003e 1980 (MCMLXXX)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eMedium:\u003c\/b\u003e Oil on canvas\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSupport:\u003c\/b\u003e Canvas\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e Large format (exact measurements available upon request)\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed \"FRANCISCO RIBERA\" and dated \"MCMLXXX\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eIdentification of the Sitter:\u003c\/b\u003e Metal plaque on the frame with the inscription: \"DON RAMON N. GARCIA-NIETO PARIS \/ BARCELONA \/ 21 MAY 1931 - 15 JUNE 1978\".\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Good. The canvas and pictorial layer are in good general condition. A small superficial scuff is visible near the signature area, which does not affect the integrity of the work and is visible in the photographs. The period frame shows logical signs of its age.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52285682286925,"sku":null,"price":920.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0407_3d46d661-fb51-4048-81c5-ff0bd23e99e5.jpg?v=1763405256"},{"product_id":"ricardo-opisso-enterrament-poeta-iglesias-1928","title":"Attributed to Ricard Opisso | Funeral of the Poet Iglésias (1928) | Historical Drawing","description":"\u003cp\u003eA visual testimony and tribute to Barcelona in 1928. A graphic document from the era where social chronicle transforms into a personal elegy, capturing the essence of Catalan Modernism.\u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eThe story behind the stroke\u003c\/b\u003e To understand the magnitude of this piece, we must place it at the heart of the cultural effervescence of early 20th-century Catalonia. We are not looking at a mere representation of an artist and a poet; we are witnessing the historical intersection of two fundamental figures. Ricard Opisso (1880-1966) was the great graphic chronicler of the Els Quatre Gats generation, and Ignasi Iglésies established himself as one of its most celebrated playwrights and social poets. This work, attributed to Opisso's hand due to his unmistakable stroke and technique, is not a journalistic report but an intimate farewell.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe document behind the work\u003c\/b\u003e The definitive context of this piece is provided by an extraordinary handwritten note on its reverse, which documents Iglésies' funeral in 1928 and reveals three fundamental facts for its cataloging:\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eThe Emotion:\u003c\/b\u003e The inscription \u003ci\u003e\"Ho va dibuixar plorant\"\u003c\/i\u003e (He drew it crying) shows that there was no impartial spectator, but a peer bidding farewell. This emotional charge justifies the nervous stroke and the dense atmosphere that envelops the scene.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eThe Composition:\u003c\/b\u003e The human tide depicted on the paper is not an anonymous mass; it is Barcelona society paying tribute. As a stroke of compositional genius, the center does not depict a coffin, but the framed face of the poet, standing as the spiritual epicenter of the mourning.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eThe Uniqueness:\u003c\/b\u003e The note concludes with an invaluable piece of information for any archive: \u003ci\u003e\"L'unic retrat que existeix de l'enterrament\"\u003c\/i\u003e (The only existing portrait of the burial).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eExceptional Historical Document:\u003c\/b\u003e As the only known portrait of the poet during his funeral, its documentary value transcends the purely aesthetic. It is a first-rate study and archive piece.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eIntersection of Masters:\u003c\/b\u003e The work encapsulates the direct connection between the great visual chronicler of the era and one of its most respected literati, uniting two pillars of Catalan culture on the same medium.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTransparency and Market Value:\u003c\/b\u003e The piece features the characteristic signature of the author and superb technical execution. Cataloged rigorously as an attributed work, the collector has the opportunity to acquire a fragment of museum-quality history at a highly competitive investment value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Attributed to Ricard Opisso i Sala (1880-1966).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle:\u003c\/b\u003e Enterrament del Poeta I. Iglesias (Burial of Poet I. Iglesias).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eYear:\u003c\/b\u003e 1928.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Period ink on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 31.5 x 57 cm (Work) | 54.5 x 79.5 x 2.5 cm (Frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature and Inscriptions:\u003c\/b\u003e Features the inscription \"Opisso\" in the lower right corner. Includes a handwritten historical note on the reverse.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Very good. Shows slight foxing (natural paper oxidation) consistent with its age, certifying its era without affecting the integrity of the drawing. Delivered with frame if desired.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp\u003eThis work perfectly represents the rigor and heritage rescue that we advocate. It is not just a drawing with a high technical level; it is a piece with a documented and palpable story. The handwritten note on the reverse immediately elevates it from a mere print to a historical testimony of great caliber. It is an acquisition designed for the erudite collector who seeks to connect directly with the emotion and memory of Barcelona in 1928.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is accompanied by an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying the stylistic argumentation of the attribution and the transcription of its documented provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52783994306893,"sku":null,"price":1850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0197.jpg?v=1763321877"},{"product_id":"ramon-aguilar-more-retrato-femenino-1950-dibujo-original-de-epoca","title":"RAMÓN AGUILAR MORÉ: FEMALE PORTRAIT (1950) | ORIGINAL DRAWING FROM THE PERIOD","description":"\u003ch1\u003e \u003cb\u003eRAMÓN AGUILAR MORÉ: FEMALE PORTRAIT (1950) | ORIGINAL DRAWING FROM THE PERIOD\u003c\/b\u003e\n\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci\u003eThe elegance of post-war Barcelona, ​​captured by the \"painter of rhythm\".\u003c\/i\u003e \u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5,1,0\"\u003e\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"6\"\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eDossier of the Work\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Ramón Aguilar Moré (Barcelona, ​​1924 - 2015).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e \u003cb\u003eTitle:\u003c\/b\u003e Female Portrait.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e \u003cb\u003eYear:\u003c\/b\u003e 1950 (Signed and dated).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,3,0\"\u003e \u003cb\u003eTechnique:\u003c\/b\u003e Mixed media on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 40 x 30 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Signed and dated \"R. Aguilar Moré 50\" in the lower corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"8,7,0\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Good state of preservation. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003chr data-path-to-node=\"9\"\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eCuratorial Analysis: The Captured Moment\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"11\"\u003e This work has significant biographical value: it is dated \u003cb\u003e1950.\u003c\/b\u003e To understand it, one must know that Aguilar Moré was only 26 years old at the time and had just held his first exhibition at the legendary Sala Rovira (1949). We are looking at the work of a young talent in full bloom, just one year before his decisive trip to Paris. \u003c\/p\u003e\n\n\u003col start=\"1\" data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e \u003cb\u003eThe Lineage of Movement:\u003c\/b\u003e Aguilar Moré descended from the \"Napoleon\" saga, the photographers who brought cinema to Barcelona. He had capturing the moment in his blood. Although here he portrays a static face, he uses the same \u003cb\u003e\"nervous\" and electric line\u003c\/b\u003e with which he would become famous drawing jazz and ballet at the Liceu.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb\u003eThe Master's Influence:\u003c\/b\u003e In 1950, Aguilar Moré was still working under the tutelage of his mentor, the great set designer \u003cb\u003eOleguer Junyent\u003c\/b\u003e . Junyent gave him advice that would define his life: \"always draw, anywhere.\" This portrait has that immediacy; it's not a rigid academic study, but a sketch from life, full of life and psychology.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e \u003cb\u003eThe Neo-Romantic Model:\u003c\/b\u003e The female figure, with its slender neck and melancholic gaze, is archetypal of his early period. It represents the discreet sophistication of the Barcelona bourgeoisie of the time, enveloped in that atmosphere that critics called \"neo-romanticism.\" \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003chr data-path-to-node=\"13\"\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eValue of the Piece\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e \u003cb\u003eVintage Work:\u003c\/b\u003e Finding a work by Aguilar Moré from \u003cb\u003e1950\u003c\/b\u003e is difficult. Most of what is circulating on the market is from later periods (1970s-1990s). This piece belongs to his formative and consolidated period, before winning major awards such as the Sant Jordi (1954).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb\u003eLine Quality:\u003c\/b\u003e It shows the purity of his drawing before his style became more decorative in later decades. Here the line is functional, expressive, and precise.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e \u003cb\u003eHistorical Signature:\u003c\/b\u003e Aguilar Moré is an institutionalized artist, with work in the MACBA, the Reina Sofía Museum in Athens and the BBVA Collection. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003chr data-path-to-node=\"16\"\u003e\n\n\u003cp data-path-to-node=\"17\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eWorkshop Note\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"18\"\u003e This piece is a little gem for anyone who understands the history of Catalan painting. It's Aguilar Moré before he was \"famous,\" drawing with the honesty and hunger of any beginning. It's a portrait that captures not only a woman, but also the atmosphere of a cultured and elegant Barcelona that was beginning to awaken in the 1950s.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52793027461453,"sku":null,"price":420.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0282.jpg?v=1763482800"},{"product_id":"josep-barrenechea-retrato-masculino-carboncillo-original","title":"JOSEP BARRENECHEA: MALE PORTRAIT | ORIGINAL CHARCOAL DRAWING","description":"\u003ch1\u003e \u003cb\u003eJOSEP BARRENECHEA: MALE PORTRAIT | ORIGINAL CHARCOAL DRAWING\u003c\/b\u003e\n\u003c\/h1\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003ci\u003eA psychological study of light and shadow.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eDossier of the Work\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Josep Barrenechea Tubilla (Barcelona, ​​1908 – 1991).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,1,0\"\u003e \u003cb\u003eTitle:\u003c\/b\u003e Male Portrait.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e \u003cb\u003eYear:\u003c\/b\u003e 1972\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"7,3,0\"\u003e\u003cb\u003eTechnique:\u003c\/b\u003e Charcoal on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 48 x 32 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Signed \"Barrenechea\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Good. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003chr data-path-to-node=\"8\"\u003e\n\n\u003cp data-path-to-node=\"9\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e\u003cb\u003eCuratorial Analysis: The Inner Gaze\u003c\/b\u003e\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e Josep Barrenechea Tubilla was not an amateur; he was a figurative painter who exhibited in the legendary \u003cb\u003eBarcelona Spring Salons\u003c\/b\u003e of the 1930s (1933-1937) and in the \u003cb\u003eSaló d'Independents\u003c\/b\u003e of 1936. He belongs to that generation of solid craftsmanship that kept classical figuration alive through the turbulent decades of the 20th century.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"11\"\u003e In this charcoal drawing, he demonstrates his skill for psychological portraiture: \u003c\/p\u003e\n\n\u003col start=\"1\" data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e \u003cb\u003eThe Gesture:\u003c\/b\u003e The pose is classic yet powerful: his hand supporting his face, his brow slightly furrowed, and his gaze lost in the distance. It's not a social pose; it's a man alone with his thoughts.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb\u003eMasculinity and Line:\u003c\/b\u003e Barrenechea adapts his technique to the subject. He uses angular and firm lines to define the jaw, nose, and fingers, accurately conveying the bone structure.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e \u003cb\u003eThe Drama of Light:\u003c\/b\u003e The use of charcoal is dramatic. The artist immerses the garment (the dark jacket) in a dense, rapid black wash, causing the illuminated face and hand to \"jump\" toward the viewer. It is a chiaroscuro that lends gravity and solemnity to the scene. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003chr data-path-to-node=\"13\"\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eValue of the Piece\u003c\/b\u003e \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e \u003cb\u003eHistorical Generation:\u003c\/b\u003e It is the work of an artist who lived and exhibited in Barcelona during the Republic and the post-war period, maintaining a consistent career as a watercolorist and draftsman.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e \u003cb\u003eTechnical Mastery:\u003c\/b\u003e This is a lesson in academic drawing. It shows how to resolve anatomy and expression without the need for color, relying solely on the tonal values ​​of the black and white of the paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb\u003eExpressive Force:\u003c\/b\u003e Unlike a decorative portrait, this work has weight. It conveys an atmosphere of serious reflection that lends character to the room where it is placed. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003chr data-path-to-node=\"16\"\u003e\n\n\u003cp data-path-to-node=\"17\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cb\u003eWorkshop Note\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"18\"\u003e This work stands out for its simplicity. Barrenechea did not seek to embellish the model, but rather to capture his state of mind. It is a masculine, understated, and powerful portrait, ideal for an office or a library, places where silence and contemplation take center stage.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52793523601741,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0376.jpg?v=1763487965"},{"product_id":"magda-folch-doble-retrato-de-pareja-escuela-de-tarragona-tinta-sobre-papel","title":"MAGDA FOLCH | DOUBLE PORTRAIT OF A COUPLE | TARRAGONA SCHOOL | INK ON PAPER","description":"\u003ch1\u003e MAGDA FOLCH | DOUBLE PORTRAIT OF A COUPLE | TARRAGONA SCHOOL | INK ON PAPER\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci\u003eA masterclass in synthesis where the artist captures the psychology of two characters with a single continuous stroke.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e Magda Folch (Reus, 1903 – Tarragona, 1981) \u003cb\u003e, the First Lady of Painting,\u003c\/b\u003e was a pioneer. In a time and place (post-war Tarragona) dominated by men, she established herself as a key figure, a professor, and a mentor to generations. Although she is celebrated for her oil paintings with their rich colors and impeccable technique, this 1973 drawing reveals her most intimate and modern side: the search for essence.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003e\u003cb\u003eVisual Analysis: Ariadne's Thread.\u003c\/b\u003e This is a pure drawing exercise. Folch uses a fine line to construct two faces and a gesture (the hand on the shoulder) without barely lifting his hand from the paper. The line is nervous, vibrant, almost a seismograph of emotion.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e There are no corrections. The artist has complete faith in her own hand. Notice how she renders the man's beard or the woman's hair with controlled scribbles that suggest volume without any need for smudging. It's a style reminiscent of Cocteau's line drawings or Picasso's late sketches, where economy of means is a sign of absolute mastery. The figures' gaze, slightly melancholic, speaks of a silent communication between them.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY? \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb\u003eHistorical Female Signature:\u003c\/b\u003e Magda Folch is one of the most respected female artists in 20th-century Catalan historiography, with work in the Museu d'Art Modern de Tarragona.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb\u003eMinimalist Aesthetic:\u003c\/b\u003e This artwork fits perfectly into contemporary interiors. Its clean lines allow for a modern frame that contrasts with the antique paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb\u003eMature Document:\u003c\/b\u003e Dated 1973, it belongs to the artist's last stage, when her anatomical knowledge was such that she could afford to \"play\" with the line.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eEntrance Fee:\u003c\/b\u003e As it is a drawing and shows signs of age, it allows you to acquire a museum signature at a fraction of the price of his oil paintings.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Magda Folch (1903–1981).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Couple (Double portrait with hand).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e 1973 (Dated next to the signature).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Ink on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 49.5 x 34.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Signed \"Magda Folch\" and dated \"73\" in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,6,0\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Acceptable. The artwork shows visible damp stains ( \u003ci\u003efoxing\u003c\/i\u003e and water halos) in the lower left and right corners. \u003cb\u003eNote:\u003c\/b\u003e These defects are marginal and can be easily concealed with a conservation mat when framing, leaving the clean central image visible.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e I rescued this drawing because it possesses a brutal honesty. Magda Folch wasn't trying to impress anyone here; she was capturing a soul. Despite the stains on the paper—which, to me, are the scars of time and proof that it's not a modern print—the power of those four lines that form the eyes remains intact. It's a piece for those who know how to look beyond the surface and see the hand that touched it.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\"\u003e\n\n \u003cp data-path-to-node=\"15\"\u003e\u003cstrong\u003eIncludes Collector's Dossier\u003c\/strong\u003e : This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52803348037965,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0149.jpg?v=1763646176"},{"product_id":"michel-henricot-la-dame-dans-le-bain-realismo-fantastico-serigrafia","title":"MICHEL HENRICOT | LA DAME DANS LE BAIN | FANTASTIC REALISM | SERIGRAPHY","description":"\u003ch1 class=\"\"\u003e MICHEL HENRICOT | LA DAME DANS LE BAIN | FANTASTIC REALISM | SERIGRAPHY\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci class=\"\"\u003eA hypnotic and timeless vision of the human body, where the figure does not bathe, but seems to levitate in a state of eternal suspension.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e\u003c\/p\u003e\n\n \u003ch2\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003cb class=\"\"\u003eThe Body as Architecture:\u003c\/b\u003e \u003cspan class=\"\"\u003eMichel Henricot (France,\u003c\/span\u003e \u003cspan class=\"\"\u003e1939–2020) was a master of \"Fantastic Realism.\"\u003c\/span\u003e \u003cspan class=\"\"\u003eHis work departs from Dalí's dreamlike surrealism to delve into something more solemn and mysterious.\u003c\/span\u003e \u003cspan class=\"\"\u003eHenricot was obsessed with the human body,\u003c\/span\u003e \u003cspan class=\"\"\u003enot as living flesh,\u003c\/span\u003e \u003cspan class=\"\"\u003ebut as a fossilized, mummified, or ethereal structure\u003c\/span\u003e \u003cspan class=\"\"\u003e.\u003c\/span\u003e \u003cspan class=\"\"\u003eThis work,\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003ci class=\"\"\u003eLa Dame dans le bain\u003c\/i\u003e \u003cspan class=\"\"\u003e(The Lady in the Bath),\u003c\/span\u003e \u003cspan class=\"\"\u003eis a classic example of his imagery:\u003c\/span\u003e \u003cspan class=\"\"\u003ethe encapsulated human figure.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003e\u003cb class=\"\"\u003eVisual Analysis: The Chrysalis.\u003c\/b\u003e \u003cspan class=\"\"\u003eThe perspective is from above,\u003c\/span\u003e \u003cspan class=\"\"\u003eplacing us in a privileged position as observers.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe female figure doesn't appear to be submerged in ordinary water,\u003c\/span\u003e \u003cspan class=\"\"\u003ebut rather in an amniotic or energetic fluid of luminescent turquoise and emerald tones.\u003c\/span\u003e \u003cspan class=\"\"\u003eWhat is fascinating is the treatment of the anatomy:\u003c\/span\u003e \u003cspan class=\"\"\u003eHenricot envelops the body in bands or glazes reminiscent of a mummy's bandages or biological armor.\u003c\/span\u003e \u003cspan class=\"\"\u003eThere is no movement; there is absolute silence.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe oval composition reinforces the idea of ​​a womb,\u003c\/span\u003e \u003cspan class=\"\"\u003esarcophagus, or science-fiction hibernation capsule.\u003c\/span\u003e \u003cspan class=\"\"\u003eIt is an image that oscillates between the ancestral (death\/ritual) and the futuristic.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"7\"\u003eThe screen printing \u003cb class=\"\"\u003etechnique\u003c\/b\u003e \u003cspan class=\"\"\u003eperfectly captures the transparencies and subtle gradations that characterize Henricot's paintings.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe \"glow\" effect around the body is very well achieved,\u003c\/span\u003e \u003cspan class=\"\"\u003ecreating that supernatural atmosphere typical of the artist.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY? \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb class=\"\"\u003eCult Artist:\u003c\/b\u003e \u003cspan class=\"\"\u003eHenricot has a legion of devoted followers in France and the United States,\u003c\/span\u003e \u003cspan class=\"\"\u003elovers of visionary and fantastical art.\u003c\/span\u003e \u003cspan class=\"\"\u003eFollowing his death in 2020,\u003c\/span\u003e \u003cspan class=\"\"\u003ehis work is being revisited with nostalgia.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb class=\"\"\u003eSci-Fi\/Mystical Aesthetic:\u003c\/b\u003e \u003cspan class=\"\"\u003eIt is a piece that fits beautifully into thematic collections of science fiction,\u003c\/span\u003e \u003cspan class=\"\"\u003eesotericism, or unconventional figurative art.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb class=\"\"\u003eLimited Edition:\u003c\/b\u003e \u003cspan class=\"\"\u003eCopy 78 of a short run of 100,\u003c\/span\u003e \u003cspan class=\"\"\u003eguaranteeing its exclusivity.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb class=\"\"\u003eAuthor:\u003c\/b\u003e \u003cspan class=\"\"\u003eMichel Henricot (1939–2020).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb class=\"\"\u003eQualification:\u003c\/b\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003ci class=\"\"\u003eThe Lady in the Bath\u003c\/i\u003e \u003cspan class=\"\"\u003e(La dama dans le bain).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb class=\"\"\u003eYear\/Period:\u003c\/b\u003e \u003cspan class=\"\"\u003eCirca 1970-1980 (His golden age of graphic production).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb class=\"\"\u003eTechnique and Support:\u003c\/b\u003e \u003cspan class=\"\"\u003eColor screen printing on high grammage paper.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb class=\"\"\u003eDimensions:\u003c\/b\u003e \u003cspan class=\"\"\u003e65 x 50 cm (Paper).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb class=\"\"\u003eSignature:\u003c\/b\u003e \u003cspan class=\"\"\u003eSigned in pencil \"Henricot\" in the lower right corner.\u003c\/span\u003e \u003cspan class=\"\"\u003eNumbered 78\/100 on the left.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,6,0\"\u003e\u003cb class=\"\"\u003eCondition:\u003c\/b\u003e \u003cspan class=\"\"\u003eGood.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe central image is in good condition and retains its vibrant colors.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe\u003c\/span\u003e \u003cspan class=\"\"\u003ewhite margins show\u003c\/span\u003e \u003ci class=\"\"\u003efoxing\u003c\/i\u003e \u003cspan class=\"\"\u003e(rust spots).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb class=\"\"\u003eInspection Guarantee:\u003c\/b\u003e \u003cspan class=\"\"\u003e14-day money-back guarantee to inspect the work in person.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"13\"\u003e\u003cspan class=\"\"\u003eThis piece is magnetic.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe first time I saw it,\u003c\/span\u003e \u003cspan class=\"\"\u003eit reminded me of 1970s science fiction illustrations,\u003c\/span\u003e \u003cspan class=\"\"\u003ebut with an old-master technique.\u003c\/span\u003e \u003cspan class=\"\"\u003eIt's both unsettling and beautiful.\u003c\/span\u003e \u003cspan class=\"\"\u003eI've selected it for the workshop because Henricot is a rare bird; he's not a painter of landscapes or flowers,\u003c\/span\u003e \u003cspan class=\"\"\u003ehe's a painter of mysteries.\u003c\/span\u003e \u003cspan class=\"\"\u003eDespite the smudges on the paper,\u003c\/span\u003e \u003cspan class=\"\"\u003ethe central image has a captivating power.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\" class=\"\"\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e \u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52803974463821,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2025-11-20_172142283.png?v=1763655706"},{"product_id":"rofer-roberto-fernandez-tras-el-telon-cronica-sovietica-ilustracion-original-de-prensa-tecnica-mixta","title":"ROFER (ROBERTO FERNÁNDEZ) | BEHIND THE CURTAIN (SOVIET CHRONICLE) | ORIGINAL PRESS ILLUSTRATION | MIXED MEDIA","description":"\u003ch1\u003eROFER (ROBERTO FERNÁNDEZ) | BEHIND THE CURTAIN (SOVIET CHRONICLE) | ORIGINAL PRESS ILLUSTRATION | MIXED MEDIA\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci\u003eA piece of graphic journalism that captures, with the irony and speed of a born illustrator, the atmosphere of secrecy behind the Iron Curtain.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003cb\u003ePhotojournalist\u003c\/b\u003e Roberto Fernández \"Rofer\" (1927–2020) was one of the great illustrators of the Spanish press in the 20th century. His agile pen documented current events in historic publications such as \u003ci\u003eABC\u003c\/i\u003e and \u003ci\u003eBlanco y Negro\u003c\/i\u003e . This work is not a cabinet painting; it is an \u003cb\u003eoriginal illustration\u003c\/b\u003e conceived for reproduction (possibly as a section header, feature cover, or book cover). The handwritten title \"TRAS EL CETÓN...\" (Behind the Curtain...) makes an unmistakable reference to the \"Iron Curtain\" and the Soviet Union during the Cold War.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003e\u003cb\u003eVisual Analysis: The Spy's Gaze\u003c\/b\u003e The composition is theatrical and narrative. A male character—probably an \u003ci\u003ealter ego\u003c\/i\u003e of the journalist or the artist himself—wearing the characteristic fur hat ( \u003ci\u003eushanka\u003c\/i\u003e ) and glasses, parts heavy blue curtains to take notes. His gaze, directed at the viewer, makes us complicit in what he is observing\/investigating.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e In the background, Rofer places Moscow's quintessential icon: the bulbous domes of St. Basil's Cathedral, rendered with quick ink strokes and splashes of color that suggest the architecture without dwelling on academic detail. The technique is mixed: watercolor or gouache for the large masses of color (the drapery, the clothing) and India ink or marker to outline the contours with a nervous and efficient graphic style, typical of someone working against the printing press's clock.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY?\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb\u003ePeriod Document:\u003c\/b\u003e Beyond its aesthetic value, it is a testament to 20th-century geopolitics as seen through the Spanish press. It captures the mystery and fascination that the USSR exerted.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb\u003eLarge Format:\u003c\/b\u003e At almost 70 cm high, it is an illustration of unusually large dimensions, giving it a much greater presence on the wall than the usual press cartoon.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb\u003eOriginality:\u003c\/b\u003e Since it is the original (not the print), the underlying pencil strokes, the freshness of the watercolor, and the hand lettering of the title are appreciated, elements that are lost in the printed reproduction.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eCult Signature:\u003c\/b\u003e Rofer is a benchmark for collectors of Spanish illustration and classic comics.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Rofer (Roberto Fernández, 1927–2020).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eTitle \/ Topic:\u003c\/b\u003e Behind the Curtain (Journalist in Moscow).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e Circa 1970-1980.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Mixed media on cardboard.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 69.5 x 49.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,5,0\"\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed \"Rofer\" vertically in the center left area. Handwritten title in the upper right area.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Acceptable. The central image and colors are in excellent condition, vibrant and fresh. There are some \u003ci\u003efoxing\u003c\/i\u003e and dirt spots on the right margin, outside the main illustration, typical of newsprint.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e This work amuses and fascinates me in equal measure. It has that cinematic quality of 70s spy films. Rofer had a unique ability to characterize people with just a few lines; look at the journalist's expression, a mixture of curiosity and caution. It's a perfect piece for an office or a library because it speaks of investigation, travel, and history. It's not just a drawing; it's a chronicle.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52804294869325,"sku":null,"price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0080.jpg?v=1763659488"},{"product_id":"escuela-espanola-s-xix-xx-la-lectora-segun-fragonard-academicismo-carboncillo","title":"SPANISH SCHOOL (19TH-20TH CENTURIES) | THE READER (ACCORDING TO FRAGONARD) | ACADEMICISM | CHARCOAL DRAWING","description":"\u003ch1\u003e SPANISH SCHOOL (19TH-20TH CENTURIES) | THE READER (ACCORDING TO FRAGONARD) | ACADEMICISM | CHARCOAL DRAWING\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"3\"\u003e\u003ci\u003eAn exercise in academic virtuosity that translates into black and white the intimacy and silence of one of the masterpieces of the Rococo.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003cb\u003eDialogue with the Master\u003c\/b\u003e This work is a direct homage to \u003ci\u003e\"La Liseuse\"\u003c\/i\u003e (The Young Girl Reading), painted by Jean-Honoré Fragonard around 1770. The artist, belonging to the Spanish school of the early 20th century, undertakes a classic exercise in \u003ci\u003eemulation\u003c\/i\u003e : studying the master to learn how to capture light. Unlike the original oil painting, where yellow is the dominant color, here the artist faces the challenge of conveying the entire atmosphere and texture of the dress using only the gray scale of charcoal.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003e\u003cb\u003eVisual Analysis: The Light of Knowledge.\u003c\/b\u003e The work stands out for its exquisite treatment of light, which falls on the young woman's face and the pages of the book, leaving the background in a velvety penumbra that enhances the intimacy of the scene. The use of charcoal is academic and meticulous: there is a soft modeling ( \u003ci\u003esfumato\u003c\/i\u003e ) in the girl's skin and a remarkable volumetric work in the folds of the dress and the cushion, which contrast with the darkness of the chair's back.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e The handwritten dedication in the lower right corner (\"Remembering my dear sister on her Saint's Day...\") reveals the intimate nature of the work: it was not an anonymous commercial commission, but a personal gift, probably made by a cultured artist trained in copying museum pieces.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY?\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb\u003eUniversal Iconography:\u003c\/b\u003e The image of a woman reading is an absolute classic in the history of art (\"Bibliophilia\"). It represents intimacy, intellect, and domestic peace, and is a theme that is always in high demand for decorative purposes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb\u003eQuality of Execution:\u003c\/b\u003e It is not an \u003ci\u003eamateur\u003c\/i\u003e sketch; the hands and profile are drawn with anatomical precision that denotes a solid academic background.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb\u003eLarge Format:\u003c\/b\u003e Measuring 62 x 46.5 cm, it is a substantial piece. Framed with a good mat and a classic frame, it has the necessary presence to grace a library or office.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eTimeless Aesthetics:\u003c\/b\u003e It allows you to have the classic essence of a Fragonard but with the elegant and modern sobriety of black and white.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Spanish \/ Catalan School (Signature not identified).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eTitle \/ Theme:\u003c\/b\u003e The Reader (Interpretation of Jean-Honoré Fragonard).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e Circa 1900-1930.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Charcoal and blending stump on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,4,0\"\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 62 x 46.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb\u003eInscriptions:\u003c\/b\u003e Handwritten dedication on the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb style=\"font-size: 0.875rem;\"\u003eCondition:\u003c\/b\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eGood. The central drawing (the figure) remains perfectly legible and with excellent contrast. The paper shows\u003c\/span\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003ethe natural browning characteristic of the support due to age.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"13\"\u003eWhat fascinates me about this piece is how it captures the total absorption of reading. The artist has managed to translate Fragonard's vibrant color into a silent, velvety grayscale, creating an atmosphere of absolute intimacy. But above all, it is the handwritten dedication that gives it soul: it transforms a technical study into a personal testament of familial affection. It is an ideal work for a bibliophile, a piece that not only decorates but also accompanies the silence of a good book.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\"\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e \u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52815284928845,"sku":null,"price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0225.jpg?v=1763833126"},{"product_id":"julio-quesada-guilabert-retrato-de-caballero-escuela-espanola-1961-acuarela","title":"JULIO QUESADA GUILABERT | PORTRAIT OF A GENTLEMAN | SPANISH SCHOOL (1961) | WATERCOLOR","description":"\u003ch1\u003e JULIO QUESADA GUILABERT | PORTRAIT OF A GENTLEMAN | SPANISH SCHOOL (1961) | WATERCOLOR\u003c\/h1\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003e \u003ci\u003eA masterclass in water and pigment control by one of Spain's most celebrated and respected watercolorists.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e HISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e Julio Quesada (Madrid, 1918 – Crevillent, 2009) \u003cb\u003e, the Virtuoso of Water,\u003c\/b\u003e was no ordinary painter; he was an innovator and an absolute master of watercolor. Considered one of the best Spanish watercolorists of the 20th century (with his own museum in Crevillent and international acclaim), Quesada had the ability to \"draw by painting.\" This work from 1961 belongs to his period of technical mastery, where his command of portraiture was such that he could capture the psychology of the model without the need for an obvious preliminary drawing.\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"7\"\u003e\u003cb\u003eVisual Analysis: Transparency.\u003c\/b\u003e What defines this piece is the \u003cb\u003eatmosphere\u003c\/b\u003e . Quesada does not fill in an outline; he constructs the face through planes of light and shadow created with superimposed washes.\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e \u003cb\u003eThe Technique:\u003c\/b\u003e The background is an abstract, wet-looking stain in shades of gray and green that envelops the figure without obscuring it. From this abstraction, the face emerges with astonishing clarity, demonstrating the artist's control over the paper's moisture.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e \u003cb\u003eThe Detail:\u003c\/b\u003e The gaze is fluid and alive, the focal point of the work. The skin is not a single color; it has pinkish and ochre undertones, and cool (blue\/violet) shadows on the jawline that suggest shaving. The tie and shirt collar are rendered with an impressionistic looseness, contrasting with the anatomical precision of the eyes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"9\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e WHY IS THIS PIECE AN OPPORTUNITY? \u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e \u003cb\u003eTop-Tier Signature:\u003c\/b\u003e Julio Quesada is an undisputed \"Blue Chip\" of Spanish watercolor painting. His signature is a guarantee of superior technical quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb\u003eGolden Age:\u003c\/b\u003e Dated in 61, it corresponds to a moment of maturity where the artist already had total control of the technique but retained the classical freshness.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e \u003cb\u003eState of Conservation:\u003c\/b\u003e The paper looks clean and the colors have not lost their transparency or luminosity, something vital in watercolors from more than 60 years ago.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e \u003cb\u003eMuseum Quality:\u003c\/b\u003e This is a perfect example of academic portraiture executed with a difficult technique (watercolor does not allow for corrections). Ideal for collectors who value craftsmanship and mastery.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"11\"\u003e\u003c\/p\u003e\n\n\u003ch3\u003e TECHNICAL SPECIFICATIONS \u003c\/h3\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Julio Quesada Guilabert (1918–2009).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e \u003cb\u003eTitle \/ Subject:\u003c\/b\u003e Portrait of a gentleman.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e 1961 (Dated next to the signature).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Watercolor on medium grain paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 43.5 x 31 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e \u003cb\u003eSignature:\u003c\/b\u003e Signed \"Quesada\" and dated \"61\" in the lower right corner with his characteristic handwriting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e \u003cb\u003eState of Conservation:\u003c\/b\u003e Very good.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e THE WORKSHOP NOTE\u003c\/h2\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e I included this piece for a technical reason: the eyes. Painting a convincing gaze in oil is difficult; doing it in watercolor, where one mistake can ruin the paper, is a master's feat. Here, Quesada manages to make the water become flesh. Although the subject is anonymous, the quality of the painting allows the work to stand on its own as an object of technical beauty.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"15\"\u003e\n\n\u003cp data-path-to-node=\"16\"\u003e \u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52815514665293,"sku":null,"price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0010_26bf0e8d-81ca-42b4-bef9-cc15505185df.webp?v=1763840639"},{"product_id":"edmond-vales-veilleur-de-nuit-el-vigilante-nocturno-orientalismo-grabado-al-aguafuerte","title":"EDMOND VALÈS | VEILLEUR DE NUIT (THE NIGHT WATCHMAN) | ORIENTALISM | ETCHING","description":"\u003ch1 data-path-to-node=\"2\"\u003e \u003cb\u003eEDMOND VALÈS | VEILLEUR DE NUIT (THE NIGHT WATCHMAN) | ORIENTALISM | ETCHING\u003c\/b\u003e\n\u003c\/h1\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci\u003eAn atmosphere of silence and waiting where the lamplight reveals the intimacy of a night in the Maghreb.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"4\"\u003e \u003cb\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n \u003cp data-path-to-node=\"5\"\u003e\u003cb\u003eThe Ritual of Waiting.\u003c\/b\u003e In this engraving, Edmond Valès (1918-2001) invites us to share the solitude of an archetypal figure from North African culture: the night watchman. Far from depicting tension or danger, Valès captures a moment of introspective pause. The protagonist, wrapped in his heavy djellaba to protect himself from the desert cold, holds a glass of tea, an indispensable companion during the long hours of vigil.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e \u003cb\u003eVisual Analysis: Mastery of Chiaroscuro\u003c\/b\u003e The etching technique allows the artist to construct the scene through light and shadow.\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e \u003cb\u003eThe Atmosphere:\u003c\/b\u003e The dark and dense background, achieved through a thick grid of lines, envelops the character and focuses all attention on his weathered face and hands.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb\u003eThe Details:\u003c\/b\u003e Valès is a meticulous chronicler. Every object tells the story of the night: the brazier beneath the steaming kettle, the oil lamp illuminating the scene from below (creating theatrical shadows on the face), and the walking stick resting against the wall. Even the solitary slipper in the foreground adds a touch of humanity and repose.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e \u003cb\u003eTexture:\u003c\/b\u003e The engraver's stroke becomes especially sensitive when describing the folds of the fabric and the texture of the skin, conveying the weight and warmth of the clothing against the night's cold.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"8\"\u003e \u003cb\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb\u003eHumanistic Orientalism:\u003c\/b\u003e Unlike the fanciful Orientalism of the 19th century, Valès offers an ethnographic, respectful, and realistic vision. It is an honest window into a traditional way of life.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb\u003eTechnical Quality:\u003c\/b\u003e This is a limited and numbered edition (copy 30 of 150), guaranteeing its exclusivity compared to mass-produced copies. The drawing technique is academic and masterful.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb\u003eTimeless Aesthetics:\u003c\/b\u003e The black and white (or very dark sepia) print has a restrained elegance that fits into any setting. It is a work that invites calm and reflection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eFormat:\u003c\/b\u003e The dimensions of the work are generous for a print, giving it a significant presence on the wall.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"10\"\u003e \u003cb\u003eTECHNICAL SPECIFICATIONS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Edmond Valès (Signed \"E. Valès\" in pencil in the lower right corner).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eTitle \/ Theme:\u003c\/b\u003e \u003ci\u003eVeilleur de Nuit\u003c\/i\u003e (Night Watchman).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e 20th Century (Probably the middle decades, c. 1950-70).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Etching on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e Artwork: 32.5 x 50 cm | Frame: 48.5 x 66.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb\u003eEdition:\u003c\/b\u003e 30\/150 (Numbered in pencil in the lower left corner).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,7,0\"\u003e\u003cb\u003eCondition:\u003c\/b\u003e Excellent.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"12\"\u003e \u003cb\u003eTHE WORKSHOP NOTE\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e I selected this print for its technically sound execution and its atmosphere. Valès manages to construct a believable night scene using only the etching process, without the need for color. I was particularly interested in how he handles the lighting from below, focusing the eye on the gesture of the hands and the tea. It is a restrained and classic work, a good choice for those looking for a well-drawn graphic piece that brings calm to the space without being jarring.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\"\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e \u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52825809682765,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0390.jpg?v=1764002061"},{"product_id":"edmond-vales-lithams-mujeres-veladas-orientalismo-etnografico-grabado-a-punta-seca","title":"EDMOND VALÈS | LITHAMS (VEILED WOMEN) | ETHNOGRAPHIC ORIENTALISM | DRYPOINT ENGRAVING","description":"\u003ch1 data-path-to-node=\"2\"\u003e\u003cb\u003eEDMOND VALÈS | LITHAMS (VEILED WOMEN) | ETHNOGRAPHIC ORIENTALISM | DRYPOINT ENGRAVING\u003c\/b\u003e\u003c\/h1\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci\u003eA study of gazes and textiles that explores female identity in the Maghreb through the delicacy of the line.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"4\"\u003e \u003cb\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003cb\u003eThe Language of the Veil.\u003c\/b\u003e In this work entitled \u003ci\u003eLithams\u003c\/i\u003e , Edmond Valès (1918-2001) undertakes a fascinating exercise in cultural documentation. Far from the exotic or sensualized gaze typical of 19th-century Orientalism, Valès approaches the female figure with the curiosity of an anthropologist and the sensitivity of an artist. The work is a visual compendium of the different ways of wearing the \u003ci\u003elitham\u003c\/i\u003e , or traditional veil, showing how the same garment can acquire distinct personalities depending on who wears it.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e \u003cb\u003eVisual Analysis: The Line as Protagonist\u003c\/b\u003e Unlike the previous etching (which played with masses of shadow), here Valès opts for \u003cb\u003edrypoint\u003c\/b\u003e , a more direct and linear technique.\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb\u003eThe Composition:\u003c\/b\u003e It is not a narrative scene, but a series of studies. The artist distributes five female portraits in the space, creating a visual collage where each face engages in dialogue with the others without competing.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,1,0\"\u003e \u003cb\u003eThe Line:\u003c\/b\u003e The drypoint technique allows for a velvety and rich line. Valès demonstrates exceptional technical mastery in differentiating textures: the rigidity of striped fabrics, the softness of falling folds, and above all, the intensity of the eyes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e \u003cb\u003eThe Gaze:\u003c\/b\u003e By concealing the mouth and nose, all expressiveness falls on the eyes. Valès ensures that each gaze is unique: some are direct and challenging, others timid or evasive, endowing each woman with individuality despite the veil.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"8\"\u003e \u003cb\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e \u003cb\u003eDocumentary Value:\u003c\/b\u003e It is a piece that transcends the decorative to become an ethnographic record of traditional clothing that, in many cases, has evolved or disappeared.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb\u003eExquisite Technique:\u003c\/b\u003e Drypoint is a demanding technique that allows no room for error. The quality of the drawing, especially in the treatment of volumes through crosshatching, is museum-quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb\u003eLimited Edition:\u003c\/b\u003e This is copy number 42 of a short run of 150, which guarantees its scarcity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb\u003eCoherent Set:\u003c\/b\u003e When acquired together with \"Night Watchman,\" it forms a perfect diptych (masculine\/feminine, night\/day, light\/line) that elevates any collection of graphic or Orientalist art. This other work can be found on our website.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"10\"\u003e \u003cb\u003eTECHNICAL SPECIFICATIONS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Edmond Valès (Signed \"E. Valès\" in pencil in the lower right corner).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb\u003eTitle \/ Subject:\u003c\/b\u003e \u003ci\u003eLithams\u003c\/i\u003e (Study of veiled women).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003eYear\/Period:\u003c\/b\u003e 20th Century (c. 1950-70).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eTechnique and Support:\u003c\/b\u003e Drypoint engraving on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e Print\/Image: 32.5 x 51.5 cm | Frame: 48.5 x 66.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb\u003eEdition:\u003c\/b\u003e 42\/150 (Numbered in pencil in the lower left corner).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,6,0\"\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Very good. The paper shows the natural marks of the printing plate (print) and there is some slight oxidation at the edges (outside the image) typical of its age, which certifies its authenticity without affecting the aesthetics of the work.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"12\"\u003e \u003cb\u003eTHE WORKSHOP NOTE\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e This print interested me because it functions as a \"field sketch\" translated into printmaking. It's not a posed scene, but a comparative study where Valès demonstrates his mastery of drypoint. What's truly remarkable here is his ability to synthesize: look at the central striped headdress. Achieving that volume and that tactile sensation of the fabric using only the direction of the line, with hardly any supporting shadows, is a demonstration of graphic skill that is very rare to find.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\"\u003e\n\n \u003cp data-path-to-node=\"15\"\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52825907265869,"sku":null,"price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0398_01.jpg?v=1764002422"},{"product_id":"subirana-verdaguer-bailarina-clasica-impresionismo-estilo-degas-pastel-sobre-papel","title":"SUBIRANA VERDAGUER | CLASSICAL DANCER | IMPRESSIONISM \/ DEGAS STYLE | PASTEL ON PAPER","description":"\u003ch1 data-path-to-node=\"2\"\u003e\u003cb class=\"\"\u003eSUBIRANA VERDAGUER | CLASSICAL DANCER | IMPRESSIONISM \/ DEGAS STYLE | PASTEL ON PAPER\u003c\/b\u003e\u003c\/h1\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e \u003ci class=\"\"\u003eA direct homage to the elegance and suspended movement of Degas's ballerinas.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"4\"\u003e \u003cb class=\"\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e \u003cb class=\"\"\u003eDegas's Legacy\u003c\/b\u003e \u003cspan class=\"\"\u003eIn this delicate pastel work,\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003cb class=\"\"\u003eSubirana Verdaguer\u003c\/b\u003e \u003cspan class=\"\"\u003emakes no secret of her admiration for the master Edgar Degas;\u003c\/span\u003e \u003cspan class=\"\"\u003erather, she makes him the central theme.\u003c\/span\u003e \u003cspan class=\"\"\u003eFar from being a mere copy,\u003c\/span\u003e \u003cspan class=\"\"\u003ethe piece seeks to capture the ethereal atmosphere of classical ballet that defined late 19th-century French painting.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe artist focuses on the solitary figure of a ballerina in a pose (\u003c\/span\u003e \u003ci class=\"\"\u003earabesque\u003c\/i\u003e \u003cspan class=\"\"\u003eor preparation),\u003c\/span\u003e \u003cspan class=\"\"\u003eisolating her in an undefined setting to highlight the purity of line.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-path-to-node=\"6\"\u003e\u003cb class=\"\"\u003eVisual Analysis: The Softness of Pastel\u003c\/b\u003e \u003cspan class=\"\"\u003eThe pastel technique is the perfect choice for this subject,\u003c\/span\u003e \u003cspan class=\"\"\u003eand Subirana handles it with skill.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"7\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,0,0\"\u003e \u003cb class=\"\"\u003eLight and Color:\u003c\/b\u003e \u003cspan class=\"\"\u003eThe focal point is the white tutu,\u003c\/span\u003e \u003cspan class=\"\"\u003erendered with quick, diffused strokes that suggest tulle in motion,\u003c\/span\u003e \u003cspan class=\"\"\u003econtrasting with the sky-blue bodice which adds a cool and elegant touch.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe lighting is theatrical,\u003c\/span\u003e \u003cspan class=\"\"\u003efalling on the figure from the left and leaving the background in a warm, twilight of gray and ochre tones.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"7,1,0\"\u003e\u003cb class=\"\"\u003eAnatomy:\u003c\/b\u003e \u003cspan class=\"\"\u003eThe figure is stylized,\u003c\/span\u003e \u003cspan class=\"\"\u003ewith elongated limbs that emphasize the grace of ballet.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe treatment of the legs and arms,\u003c\/span\u003e \u003cspan class=\"\"\u003ewith smooth transitions of flesh tones and pinkish shadows,\u003c\/span\u003e \u003cspan class=\"\"\u003edemonstrates a good understanding of academic drawing.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"7,2,0\"\u003e \u003cb class=\"\"\u003eThe Background:\u003c\/b\u003e \u003cspan class=\"\"\u003eUnlike photographic realism,\u003c\/span\u003e \u003cspan class=\"\"\u003ethe background is an atmospheric abstraction,\u003c\/span\u003e \u003cspan class=\"\"\u003ea \"fog\" of color that envelops the dancer and lifts her off the plane,\u003c\/span\u003e \u003cspan class=\"\"\u003egiving her volume.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"8\"\u003e \u003cb class=\"\"\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb class=\"\"\u003eClassical Aesthetics:\u003c\/b\u003e \u003cspan class=\"\"\u003eThis is a timeless piece.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe ballet theme and impressionistic execution fit perfectly into romantic,\u003c\/span\u003e \u003cspan class=\"\"\u003eclassic, or tastefully decorated youth bedrooms.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb class=\"\"\u003eNoble Technique:\u003c\/b\u003e \u003cspan class=\"\"\u003ePastel is a difficult technique that doesn't allow for easy corrections.\u003c\/span\u003e \u003cspan class=\"\"\u003eHere, fluidity and confidence in the stroke are appreciated.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb class=\"\"\u003eLuxury Framing:\u003c\/b\u003e \u003cspan class=\"\"\u003eThe work is presented in a classic style gold frame with vegetal ornamentation on the profile,\u003c\/span\u003e \u003cspan class=\"\"\u003ewhich enhances the nobility of the drawing and makes it a ready-to-hang piece with the presence of an \"important painting\".\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,3,0\"\u003e \u003cb class=\"\"\u003eRecognizable Signature:\u003c\/b\u003e \u003cspan class=\"\"\u003eSigned by the author in the lower left corner.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"10\"\u003e \u003cb class=\"\"\u003eTECHNICAL SPECIFICATIONS\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb class=\"\"\u003eAuthor:\u003c\/b\u003e \u003cspan class=\"\"\u003eSubirana Verdaguer (Signed \"Subirana\" in the lower left corner).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e \u003cb class=\"\"\u003eTitle \/ Theme:\u003c\/b\u003e \u003cspan class=\"\"\u003eClassical ballerina in pose.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb class=\"\"\u003eYear\/Era:\u003c\/b\u003e \u003cspan class=\"\"\u003e20th Century (Probably the 1970s-80s).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb class=\"\"\u003eTechnique and Support:\u003c\/b\u003e \u003cspan class=\"\"\u003ePastel on paper.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e \u003cb class=\"\"\u003eDimensions:\u003c\/b\u003e \u003cspan class=\"\"\u003eArtwork:\u003c\/span\u003e \u003cspan class=\"\"\u003e37 x 27 cm | Frame:\u003c\/span\u003e \u003cspan class=\"\"\u003e53 x 44 x 4.5\u003c\/span\u003e \u003cspan class=\"\"\u003ecm.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e \u003cb class=\"\"\u003eSignature:\u003c\/b\u003e \u003cspan class=\"\"\u003eHandwritten in reddish pastel in the lower left corner.\u003c\/span\u003e \u003cspan class=\"\"\u003eIdentification plaque on the frame.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e \u003cb class=\"\"\u003eProvenance:\u003c\/b\u003e \u003cspan class=\"\"\u003ePrivate collection.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e \u003cb class=\"\"\u003eCondition:\u003c\/b\u003e \u003cspan class=\"\"\u003eExcellent.\u003c\/span\u003e \u003cspan class=\"\"\u003eThe pastel remains vibrant and well-fixed,\u003c\/span\u003e \u003cspan class=\"\"\u003ewith no visible pigment loss.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,8,0\"\u003e\u003cb class=\"\"\u003eInspection Guarantee:\u003c\/b\u003e \u003cspan class=\"\"\u003e14-day money-back guarantee to inspect the work in person.\u003c\/span\u003e \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"12\"\u003e \u003cb class=\"\"\u003eTHE WORKSHOP NOTE\u003c\/b\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"13\"\u003e \u003cspan class=\"\"\u003eI chose this piece for its delicacy.\u003c\/span\u003e \u003cspan class=\"\"\u003eSometimes,\u003c\/span\u003e \u003cspan class=\"\"\u003econtemporary art forgets about classical beauty,\u003c\/span\u003e \u003cspan class=\"\"\u003eand this piece is a reminder of it.\u003c\/span\u003e \u003cspan class=\"\"\u003eI especially like how Subirana has rendered the tutu:\u003c\/span\u003e \u003cspan class=\"\"\u003eshe hasn't painted each fold,\u003c\/span\u003e \u003cspan class=\"\"\u003ebut rather used patches of white pastel to suggest the lightness of the fabric.\u003c\/span\u003e \u003cspan class=\"\"\u003eIt's a work that conveys silence and concentration,\u003c\/span\u003e \u003cspan class=\"\"\u003eperfect for a quiet corner.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\" class=\"\"\u003e\n\n \u003cp data-path-to-node=\"15\"\u003e\u003cb class=\"\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e \u003cspan class=\"\"\u003eThis work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/span\u003e\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52826523435341,"sku":null,"price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0146.jpg?v=1764008426"},{"product_id":"borja-guijarro-tecnica-mixta-original-neo-pop-veloce-motor-clasico","title":"Borja Guijarro | Veloce (2006) | Large-Format Neo-Pop Mixed Media","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eLarge format Neo-Pop composition. An original work on panel that fuses classic automotive iconography, advertising typography, and retro fashion through the technical cleanliness of the European Ligne Claire style.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe graphic language and Neo-Pop aesthetic\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eBorja Guijarro uses resources from European comics and poster art to structure pictorial works of great visual complexity. In this panel, dated 2006, the artist dispenses with traditional spatial perspective to construct a pictorial assemblage in panoramic format. The mixed media technique allows him to apply flat, saturated colors, achieving a polished surface that gives absolute prominence to the precision of the drawing and graphic design.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eGlobal iconography and narrative contrast\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe composition functions as a continuous frieze where elements from different eras and cultures coexist. Heavy industrial design, represented by the classic motorcycle and the Soviet vehicle (a Moskvitch 408), is visually balanced by the stylization of female figures dressed in 1920s and 1930s fashion. The integration of typographies in various alphabets—Cyrillic, Asian characters, and the Latin alphabet—along with everyday objects like the row of footwear at the bottom, places the work in a cosmopolitan, dynamic, and purely urban context.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eStrategic Panoramic Format:\u003c\/b\u003e Its dimensions (100 x 50 cm) offer a high-impact decorative solution. Its pronounced horizontality is ideal for furnishing complex architectural spaces in current interior design, such as the area above a sofa, a sideboard, or long hallways.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eIndustrial and Contemporary Aesthetic:\u003c\/b\u003e The theme focused on motors and vintage advertising graphics makes this piece a perfect option for lofts, offices, or decoration projects looking to integrate modern art with industrial design furniture.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eActive Visual Narrative:\u003c\/b\u003e It is a work designed to maintain the viewer's interest long-term. The multitude of details, brands, prices, and multilingual references invites continuous reading, functioning as an excellent \u003ci data-path-to-node=\"8,2,0\" data-index-in-node=\"255\"\u003eConversation Piece\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Borja Guijarro.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Veloce (Pop composition with motorcycle and figures).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 2006 (Contemporary Spanish Art \/ Neo-Pop).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Mixed media on panel.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 100 x 50 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and dated \"BORJA GUIJARRO 06\" in the upper left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Stable, clean pictorial surface with pigments retaining their maximum original saturation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify its condition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe main appeal of this piece by Guijarro lies in its ability to organize visual excess. Despite the saturation of disparate references—a Cold War car, international texts, Art Deco models, and classic mechanics—the artist achieves a balanced composition thanks to absolute mastery of color and structure. It is a solid, direct, and cosmopolitan painting, ideal for injecting energy, color, and modernity into a room without losing the rigor of a well-executed original work of art.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"170\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52841617752397,"sku":null,"price":825.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0223_01.jpg?v=1764180224"},{"product_id":"juan-lopez-segun-b-vautier-el-arresto-die-verhaftung-escuela-de-dusseldorf-obra-grafica-s-xix","title":"JUAN LÓPEZ (AFTER B. VAUTIER) | \"THE ARREST\" (DIE VERHAFTUNG) | DÜSSELDORF SCHOOL | 19th century GRAPHIC WORK","description":"\u003ch1\u003e JUAN LÓPEZ (AFTER B. VAUTIER) | \"THE ARREST\" (DIE VERHAFTUNG) | DÜSSELDORF SCHOOL | 19th century GRAPHIC WORK\u003c\/h1\u003e\n\n \u003cp data-path-to-node=\"5\"\u003e\u003ci\u003eA masterful translation into printmaking of one of the most tense and celebrated genre paintings of 19th-century German realism.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cstrong\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"7\"\u003e This print, signed by Juan López, is a copperplate interpretation of \u003cb\u003eBenjamin Vautier\u003c\/b\u003e 's celebrated painting \u003ci\u003e\"Die Verhaftung\"\u003c\/i\u003e (The Arrest), a cornerstone of the Düsseldorf School. In the 19th century, before the advent of mass photography, printmakers like López were responsible for democratizing great masterpieces, translating the color of oil paint into the binary language of ink with almost mathematical precision.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"8\"\u003e The scene now takes on a full meaning: it's not just any eviction, it's the \u003cb\u003earrest of a con artist or white-collar criminal\u003c\/b\u003e . Vautier was famous for his ability to grasp the psychology of a crowd, and López brilliantly translates that to the page here.\u003c\/p\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb\u003eThe Conflict:\u003c\/b\u003e We see the exact moment when the authorities (in the background, wearing tricorn hats or helmets) take the detainee away, while the community reacts. The baker (wearing an apron) points accusingly, passing moral judgment.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e \u003cb\u003eThe Intimate Drama:\u003c\/b\u003e The woman crying in the foreground, collapsed on the stairs of the marked house (sign \"ISAAC\" or similar), represents family shame and social ruin, a recurring theme in the realist literature of the time.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e \u003cb\u003eSetting:\u003c\/b\u003e The architecture is unmistakably German\/Swiss (timber framing), reflecting the environment where Vautier developed his career.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"10\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cstrong\u003eWHY IS THIS PIECE AN OPPORTUNITY?\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e \u003cb\u003eConnection to Art History:\u003c\/b\u003e By acquiring this work, you are not just buying a drawing; you are buying a direct reference to a masterpiece of European genre painting that hung in the most prestigious salons of the 19th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb\u003eNarrative of \"Crime and Punishment\":\u003c\/b\u003e It is a scene with a brutal psychological charge. The tension between public rejection (the neighbors pointing) and private pain (the wife crying) transforms the scene into a complete visual novel.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e \u003cb\u003eThe Engraver's Virtuosity:\u003c\/b\u003e Juan López demonstrates here why interpretive engraving was a major art form. Notice how he differentiates the texture of the stone, the old wood, and the silk of the woman's dress using only lines. It's a technical feat.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e \u003cb\u003eA Rarity in the Spanish Market:\u003c\/b\u003e Finding prints from the Düsseldorf School signed by Spanish artists is very uncommon. It's a collector's item for those seeking cross-border rarities.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"12\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e TECHNICAL SPECIFICATIONS\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e \u003cb\u003eAuthor:\u003c\/b\u003e Juan López (Engraver\/Draftsman), based on the work of Benjamin Vautier (1829-1898).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e \u003cb\u003eTitle:\u003c\/b\u003e The Arrest (Die Verhaftung).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e \u003cb\u003eTime period:\u003c\/b\u003e Late 19th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,3,0\"\u003e \u003cb\u003eTechnique:\u003c\/b\u003e Ink \/ Etching on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,4,0\"\u003e \u003cb\u003eDimensions:\u003c\/b\u003e 42 x 55 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cp data-path-to-node=\"13,5,0\"\u003e\u003cb\u003eSignature:\u003c\/b\u003e Signed \"J. López\" on the plate.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,6,0\"\u003e \u003cb\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,7,0\"\u003e \u003cb\u003eCondition:\u003c\/b\u003e Good. Paper with a natural cream tone. The image retains excellent sharpness in the blacks.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,8,0\"\u003e \u003cb\u003eInspection Guarantee:\u003c\/b\u003e 14-day money-back guarantee to inspect the work in person.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp data-path-to-node=\"14\"\u003e\u003c\/p\u003e\n\n\u003ch2\u003e \u003cstrong\u003eTHE WORKSHOP NOTE\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e What strikes me about this print is how Juan López managed to capture the coldness of that German street using only black ink. Vautier's original plays with dark colors, but López had to create light by scratching the paper. The figure of the woman is heartbreaking; she is the emotional heart of the work. It's a perfect piece for anyone who enjoys deciphering the hidden stories behind images.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"16\"\u003e\n\n\u003cp data-path-to-node=\"17\"\u003e \u003cstrong\u003eIncludes Collector's Dossier:\u003c\/strong\u003e This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52855871439181,"sku":null,"price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0121.jpg?v=1764328990"},{"product_id":"ernest-julien-malla-autorretrato-madurez-oleo-original-1999","title":"Ernest Julien Malla | Self-Portrait of Maturity (1999) | Original Oil Painting","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA self-portrait showing clear Fauvist influence. An original oil on canvas where the Catalan painter applies his mastery of color and gestural brushwork to his own figure.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eColor as a tool for introspection\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eErnest Julien Malla (Barcelona, 1927 - 2022) developed a solid career within the contemporary Catalan school, remaining faithful to figuration structured fundamentally through color. Dated 1999, this work represents an unusual turning point in his production—usually dominated by landscape and still life—to address self-portraiture. Far from complacency, the artist undertakes a direct and analytical visual self-analysis at 72 years old.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eExpressionist technique and chromatic audacity\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eTechnically, the canvas reflects the assurance of decades of craftsmanship. Malla models anatomy directly by applying paint, foregoing traditional preliminary drawing. He uses a bold palette of violets, earth tones, and grays for the flesh, prioritizing expressive power over photographic realism. The visual anchor of the composition lies in the yellow-framed glasses, a chromatically modern accent that illuminates the face. The background, rendered with quick, abstract brushstrokes in greenish tones, projects the figure toward the viewer and gives the canvas a remarkable physical presence.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eRarity within his Catalog:\u003c\/b\u003e Self-portraits are particularly scarce in Malla's career. Owning the artist's own graphic representation adds undeniable documentary and biographical interest for any collection of contemporary Spanish painting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eVisual and Decorative Impact:\u003c\/b\u003e The expressive use of color and the striking aesthetic of the face give the work a very contemporary character. It is a piece with immense personality, perfect for focusing attention in an office, a library, or modern interior design.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eAbsolute Traceability:\u003c\/b\u003e The work bears the title, date (1999), and full signature handwritten by the artist himself on the back of the canvas. This level of direct documentation guarantees its origin and facilitates its correct cataloging in the art market.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Ernest Julien Malla (1927-2022).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Subject:\u003c\/b\u003e Self-portrait of maturity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1999 (Signed and dated).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Oil on canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 43.5 x 35.5 cm (work) | 60 x 52 x 4 cm (with frame).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"Julien\" on the front. Titled, signed, and dated on the back: \"AUTORRETRAT \/ 8F ERNEST JULIEN MALLA \/ 1999\".\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection (Barcelona).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The pictorial layer is stable, retaining the original chromatic vibrancy and impasto relief.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify its condition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe greatest value of this canvas is its technical honesty. Malla rendered his face with the same chromatic forcefulness he applied to his \u003ci data-path-to-node=\"12\" data-index-in-node=\"157\"\u003eFauve\u003c\/i\u003e-style landscapes. There are no embellishments or academic touch-ups; it is direct painting, structured with dry brushstrokes and a deep knowledge of color theory (as evidenced by that vibrant yellow against the cool skin tones). It is a solid, mature, and excellently executed work that perfectly documents a tireless worker of Catalan art.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52958702469453,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0203_01.jpg?v=1765370071"},{"product_id":"glauco-capozzoli-oleo-original-desnudo-femenino-reclinado-1984","title":"Glauco Capozzoli | Female Nude in Gloom | Original Oil Painting (1984)","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eAn ode to silent intimacy. An original oil on canvas that exemplifies the luminous mastery of the Rio de la Plata school, where the human figure becomes a vehicle of light and poetic atmosphere.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Excellence of Craftsmanship in Uruguayan Painting\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eGlauco Capozzoli (Montevideo, 1929 - Borja, 2003) represents one of the highest points of Uruguayan figuration in the second half of the 20th century. Trained at the National School of Fine Arts, he developed a language that moved away from descriptive realism to seek a neo-romantic essence. This work, dated 1984 during his mature period, shows his ability to treat the human figure through a vaporous atmosphere, integrating the body into the environment through suggestion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eGlazing Technique and Visual Stillness\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe composition features a reclining female nude, rendered with a palette of earth tones, ochres, and siennas that capture the warmth of the skin under a soft interior light. Capozzoli employs a smooth, almost tactile technique, blurring contours to avoid anatomical rigidity. The light falls from the side, delicately modeling the torso while leaving the rest of the figure in an intentional chiaroscuro. It is a painting that prioritizes stillness and elegant sensuality, connecting the tradition of the classical nude with a modern and nostalgic sensibility.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eSignature of International Relevance:\u003c\/b\u003e Capozzoli is a reference name in Uruguayan and Latin American art. While his graphic work is more common in the market, his original oil paintings from the 1980s are much scarcer and more valued by specialized collectors.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eContemplative Aesthetic:\u003c\/b\u003e The delicacy of the treatment makes this work an ideal piece for private spaces and environments seeking serenity. It is a refined nude that adds a note of classical sophistication to any contemporary interior.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eTechnical Mastery:\u003c\/b\u003e The artist's ability to achieve that soft pictorial texture through the masterful use of glazes evidences a top-level academic training, guaranteeing the artistic quality of the work.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Glauco Capozzoli (1929-2003).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Reclining Nude (Rio de la Plata Figuration).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1984 (Signed and dated).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Oil on canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 40 x 60 cm (artwork). Presented framed.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and dated \"Capozzoli 84\" in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good. The pictorial layer is stable and clean, maintaining the original subtlety of the luminous transitions.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return period to inspect the artwork in person and verify its technical quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhat defines the quality of this canvas is the resolution of volume through light. With a masterful economy of tones, Capozzoli achieves a real physical presence for the figure in an almost abstract environment. It is a painting that does not need extravagance to stand out; its strength lies in the silence and the warmth emanating from the skin. One perceives that Rio de la Plata heritage that combines European rigor with a unique melancholic atmosphere. An impeccable piece for those who value figurative painting executed with mastery and sensitivity.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This artwork comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52959784960333,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2026-03-12_191015316.png?v=1773339097"},{"product_id":"ruben-vidal-tecnica-mixta-madera-lulu-desnudo-gran-formato","title":"Rubén Vidal | \"Lulú\" | Large-Format Nude on Solid Wood","description":"\u003cdiv class=\"container\"\u003e\n\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_faf16303595910cc\" aria-live=\"off\" aria-busy=\"false\" dir=\"ltr\"\u003e\n\n\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe contemporary nude confronts raw material. A large-format work where the precision of anatomical drawing directly dialogues with the grain and history of the organic support.\u003c\/i\u003e\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe support as pictorial skin\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"4\"\u003eRubén Vidal (1970) makes a drastic structural decision: to forgo the neutrality of canvas in favor of solid wood. Far from concealing the support under thick layers of primer, the artist allows the natural grain to actively participate in the embodiment of the figure. This choice gives the model an earthy quality, integrating the natural imperfections and oxidation of the wood as part of the intimate atmosphere of the work. It is an exercise in double nudity: that of the figure and that of the material itself.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe rigor of the stroke and geometric contrast\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"6\"\u003eTechnically, the work is a display of structural mastery. Observing the anatomical detail of the hands and feet, we discover the assertiveness of graphite and charcoal, revealing the scaffolding of the drawing beneath the light glazes of color. Vidal does not seek the aseptic polish of academicism; he applies the \u003ci data-path-to-node=\"6\" data-index-in-node=\"321\"\u003enon-finito\u003c\/i\u003e technique (unfinished), leaving raw areas that document his creative process.\u003c\/p\u003e\n\n\u003cp data-path-to-node=\"7\"\u003eThe definitive compositional success lies in the background. The artist isolates the organic figure by placing it against flat, geometric blocks of color (off-white in the upper half, terracotta in the lower). This contrast between the softness of the human curve and the rigidity of the space injects a striking modernity into a classic theme.\u003c\/p\u003e\n\n\u003ch2 data-path-to-node=\"8\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"9\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,0,0\"\u003e\u003cb data-path-to-node=\"9,0,0\" data-index-in-node=\"0\"\u003eSignature of International Projection:\u003c\/b\u003e Trained in Spain, Italy, and Germany, Rubén Vidal has a proven institutional and commercial trajectory. Acquiring an original work by him documents quality contemporary Spanish figuration in the collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,1,0\"\u003e\u003cb data-path-to-node=\"9,1,0\" data-index-in-node=\"0\"\u003eArchitectural Presence:\u003c\/b\u003e With its 120 x 78 cm and wooden support, this piece transcends the concept of a mere painting to become an object with visual weight and mass. Its monumental scale makes it ideal for structuring and leading the interior design of a spacious living room, a loft, or a professional studio.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"9,2,0\"\u003e\u003cb data-path-to-node=\"9,2,0\" data-index-in-node=\"0\"\u003eAesthetics of Living Matter:\u003c\/b\u003e The patina of time, with its natural oxidations and marks, gives it the character of a \"lived object.\" It is the perfect acquisition for the collector who values the truth of organic materials and shies away from standardized painting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2 data-path-to-node=\"10\"\u003eTechnical Sheet\u003c\/h2\u003e\n\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb data-path-to-node=\"11,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Rubén Vidal (Alcañiz, b. 1970).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb data-path-to-node=\"11,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e \"Lulú\" (Contemporary figurative nude).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb data-path-to-node=\"11,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Late 20th \/ Early 21st Century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e\u003cb data-path-to-node=\"11,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original mixed media (Graphite, charcoal, and acrylic\/oil glazes) on solid wood panel.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,4,0\"\u003e\u003cb data-path-to-node=\"11,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 120 x 78 cm (Large format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,5,0\"\u003e\u003cb data-path-to-node=\"11,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed \"Rubén Vidal\" in the lower right corner. Title documented in subsequent cataloging.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,6,0\"\u003e\u003cb data-path-to-node=\"11,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,7,0\"\u003e\u003cb data-path-to-node=\"11,7,0\" data-index-in-node=\"0\"\u003eCondition of Conservation:\u003c\/b\u003e Stable, with evident organic patina. The panel shows superficial marks of natural humidity and oxidation of the original coating, elements that certify the organic aging of the wood without compromising structural soundness or the graphic readability of the work.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,8,0\"\u003e\u003cb data-path-to-node=\"11,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify the physical impact of its format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch2 data-path-to-node=\"12\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\n\u003cp data-path-to-node=\"13\"\u003eWhat is striking about this piece when you stand before it is its scale and weight. It is enormous and structural. Vidal demonstrates here the quality of a superior draftsman: note the foot in the lower-left corner, rendered with a quick, nervous charcoal line that perfectly anchors the figure to the ground. We have decided not to restore or polish the wood because that is precisely where the strength of the work lies: in the contrast between the silent, delicate attitude of Lulú and the noisy rawness of the stained wood. A piece designed to dominate the space and provide a very high level of contemporary character.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"14\"\u003e\n\n\u003cp data-path-to-node=\"15\"\u003e\u003cb data-path-to-node=\"15\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a biographical research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"15\" data-index-in-node=\"170\"\u003eEl Taller del Coleccionista\u003c\/i\u003e (The Collector's Workshop).\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003c!----\u003e\u003c!----\u003e\n\n\u003c\/div\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52961806156109,"sku":null,"price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0068_02.jpg?v=1765391224"},{"product_id":"escuela-espanola-oleo-original-orientalista-gran-formato-guardia-espingarda","title":"Spanish School (20th Century) | Guard with Blunderbuss | Original Large Format Oil Painting","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eLarge format painting with a strong theatrical character. An original oil painting that revives the aesthetic of genre orientalism, notable for its treatment of light and rigorous depiction of historical attire.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Enduring Presence of Orientalism in Painting\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eNineteenth-century Orientalism left a profound mark on European painting, an aesthetic influence that extended well into the 20th century. This work, of anonymous authorship belonging to the Spanish school, demonstrates a solid knowledge of the genre's visual codes: the capture of arid light and the detailed representation of the figure in its context. The composition features a guard in a static pose, adorned with characteristic elements such as a turban, sash, espingarda (a type of rifle), and the traditional curved dagger (\u003ci data-path-to-node=\"4\" data-index-in-node=\"541\"\u003egumia\u003c\/i\u003e).\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eChromatic and Atmospheric Treatment\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eTechnically, the canvas stands out for the careful rendering of the whites in the tunic. The artist avoids pure pigment, constructing the folds and volume through a rich range of grays, ochres, and cast shadows. The background, executed with looser brushstrokes, places the scene in a desert environment, giving absolute prominence to the central figure and effectively conveying the warm atmosphere of the surroundings.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eDecorative Impact (Statement Piece):\u003c\/b\u003e Its dimensions (120 x 70 cm) make it a focal point. It is an ideal piece to lead colonial, eclectic, or contemporary interior design projects, providing a strong visual impact in large living rooms, offices, or hallways.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eClassic Theme:\u003c\/b\u003e Orientalist painting maintains constant interest in interior decoration due to its rich chromaticism and historical aesthetic. It allows for incorporating the characteristic atmosphere of traveler painters in a truly imposing format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eAccessibility to Large Format:\u003c\/b\u003e Being an anonymous school work and having a \"vintage\" state of conservation, it offers the possibility of acquiring an original oil painting of large dimensions and good technical craftsmanship at a highly competitive price.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Spanish School (Anonymous).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Guard with Espingarda (Genre Orientalism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Second half of the 20th century (Estimated 1960-1970).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original oil on canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 120 x 70 cm. Gilded frame with embossed decoration included.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e \u003ci data-path-to-node=\"10,6,0\" data-index-in-node=\"31\"\u003eVintage\u003c\/i\u003e condition with visible flaws. It presents localized paint losses (chips) and scattered scratches, especially in the upper area. The canvas shows slackening and pressure marks resulting from its historical storage. It is sold in its current state, ideal for projects that value the patina of time or for subsequent aesthetic consolidation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify its condition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eAt El Taller del Coleccionista, we value signed works, but we also prioritize scenic presence. This canvas stands out for the striking attitude of the character and the light that the figure projects onto the arid background. We have decided to keep the work in its original state of conservation, without interventions, to be able to offer a piece of this format at an accessible price. It is a painting with a lot of character, designed to visually dominate any room thanks to its large scale and a very well-structured earthy color palette.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":52961896661325,"sku":null,"price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0110_01.jpg?v=1765393390"},{"product_id":"humberto-jaimes-sanchez-rostro-cubista-1954","title":"Humberto Jaimes Sánchez | Cubist Face, Rome 1954 | Oil on Paper","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA visceral and magnetic fragment where color explodes. An enigmatic geometric mask that documents, in the artist's own hand, the creative awakening of the Venezuelan master in post-war Europe.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003ch3 data-path-to-node=\"3\"\u003eThe Transatlantic Clash in the Eternal City\u003c\/h3\u003e\n\u003cp data-path-to-node=\"4\"\u003eTo grasp the significance of this work, we must place ourselves in 1954. A young Humberto Jaimes Sánchez has just crossed the Atlantic, leaving Venezuela behind to absorb the effervescence of a Europe attempting to rebuild after the war. Before achieving renown in Paris and before embracing the informalism that would define his mature period, Rome was his laboratory. This city, with its classical weight and latent avant-garde, caused an aesthetic short circuit in him. This work is, literally, the physical testament to that clash: the exact moment a Latin American artist begins to chew on and digest the European language to find his own voice.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"5\"\u003eThe Geometric Dissection of the Face\u003c\/h3\u003e\n\u003cp data-path-to-node=\"6\"\u003eWhen confronting the work, the first impression is one of a powerful impact uncharacteristic of its size. Jaimes Sánchez does not paint a face; he deconstructs it. Using a language with clear Cubist roots, he fractures the anatomy into sharp planes and tense triangles.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eMost fascinating is the use of color and material. The carmine reds, terracottas, and ochres are not applied delicately, but with an almost primitive urgency, rubbed onto the support, revealing the lively texture of the material. These warm, saturated planes are brutally delimited by thick, decisive black and white lines that structure the composition as if they were the foundations of a building. The visual result inevitably alludes to tribal masks or primitive art, a key influence in the early avant-gardes that the artist reinterprets here with undeniable ferocity.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"8\"\u003eThe Intimate Diary of a Genius in Formation\u003c\/h3\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis is not a work conceived for the wall of a large museum, and therein lies its magic. We are looking at an intimate work, a flash of genius quickly captured before the idea vanished. The autograph inscription in the lower right corner, \u003ci data-path-to-node=\"9\" data-index-in-node=\"274\"\u003e\"H. Jaimes Sánchez 54 Roma,\"\u003c\/i\u003e acts like a passport stamp. It transforms a brilliant Cubist exercise into a biographical document. It allows us to peek into the artist's private Roman studio, experimenting, searching, and laying the foundations for the great creator he was about to become.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"10\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb data-path-to-node=\"11,0,0\" data-index-in-node=\"0\"\u003eThe Value of the Geographic \"Incunabulum\":\u003c\/b\u003e Early works from Jaimes Sánchez's Italian period (pre-Paris) are rare to see outside institutional circuits. Having the handwritten date \"1954\" and location \"Roma\" by the artist makes this piece a fundamental chronological anchor for understanding his evolution.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb data-path-to-node=\"11,1,0\" data-index-in-node=\"0\"\u003eVisual Power in Cabinet Format:\u003c\/b\u003e Size is often confused with impact. This work is pure concentrated energy. Its saturated colors and geometric tension give it a visual weight that, with appropriate museum framing (for example, floating over a deep neutral passe-partout), will dominate the space with the authority of a large format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb data-path-to-node=\"11,2,0\" data-index-in-node=\"0\"\u003eSynchronicity of Avant-Gardes:\u003c\/b\u003e For collectors of modern and Latin American art, this piece represents the \"missing link.\" It shows the exact moment of assimilation of European Cubism by a South American talent, a highly sought-after curatorial narrative today for bringing coherence to transversal collections.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"12\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Humberto Jaimes Sánchez (1930 - 2003).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Subject:\u003c\/b\u003e Cubist Anthropomorphic Composition (Rome Study).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eDate:\u003c\/b\u003e 1954.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,3,0\"\u003e\u003cb data-path-to-node=\"13,3,0\" data-index-in-node=\"0\"\u003eMedium and Support:\u003c\/b\u003e Oil on paper (marouflaged on cardboard).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,4,0\"\u003e\u003cb data-path-to-node=\"13,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 11 x 20 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,5,0\"\u003e\u003cb data-path-to-node=\"13,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed, dated, and located in the lower right corner: \u003ci data-path-to-node=\"13,5,0\" data-index-in-node=\"85\"\u003e\"H. Jaimes Sanchez 54 Roma\"\u003c\/i\u003e.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,6,0\"\u003e\u003cb data-path-to-node=\"13,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,7,0\"\u003e\u003cb data-path-to-node=\"13,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very good. The pictorial layer remains stable, vibrant, and without flaking, preserving the original, matte texture characteristic of this technique on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,8,0\"\u003e\u003cb data-path-to-node=\"13,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return period to inspect the work in person and verify its emphatic physical presence.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"14\"\u003eThe Workshop Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"16\"\u003eHere there is no Jaimes Sánchez comfortable in his style; there is a 24-year-old artist in Rome, struggling with forms, seeking to break what he knew to build something new. That black line in the center, almost like a nose, drawn with such force, tells you more about his ambition than ten art treatises. It is an absolute gem for an analytical collector, someone who enjoys showing their pieces up close and explaining \u003ci data-path-to-node=\"16\" data-index-in-node=\"425\"\u003ewhy\u003c\/i\u003e that paper dated '54 is the key to understanding everything that came after.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical specifications, and historical context, prepared and printed by El Taller del Coleccionista.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53456245031245,"sku":null,"price":2450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0372_a8acf2ca-3c77-4ffd-a9dc-a79e5dae6fd6.jpg?v=1772454288"},{"product_id":"ricard-opisso-escena-costumbrista-encuentro-tinta-acuarela","title":"Attributed to Ricard Opisso | Genre Scene \"The Encounter\" | Ink and Watercolor","description":"\u003cp\u003eA clash of two worlds captured with satirical brilliance and masterful strokes. A historical graphic document where the sharp dissection of society of its time is presented in a cabinet format with exceptional mounting.\u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eThe scrutiny of modernity\u003c\/b\u003e Ricard Opisso (1880-1966) was a fundamental figure for understanding the graphic evolution of Catalonia. Trained in Gaudí's workshop and seasoned in the tertulias of Els Quatre Gats, he knew how to distill the essence of an era of profound social transformations. This piece, attributed to his hand due to solid stylistic, technical, and thematic similarities, functions as a first-rate sociological document. It presents that sharp gaze, capable of synthesizing with ink and water the psychology of an entire country, characteristic of the best historical illustration publications.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe collision of two Catalonias\u003c\/b\u003e The scene poses a perfect narrative contrast, resolved with the unmistakable black, continuous, and dynamic line associated with the author's orbit. On one side, the figure of the urban bourgeois: with rounded volumes, neat clothes, and a static attitude, delicately holding his jacket. In front of him, the peasant: lean, wiry, wearing the traditional red barretina and mended trousers.\u003c\/p\u003e\n\u003cp\u003eThe visual dialogue is fascinating, built on deeply humanist humor rather than drama. The drop of sweat on the peasant's forehead contrasts with the haughtiness on the face of the city man. The subtle watercolor washes do not compete with the drawing but embrace it, giving the scene depth and atmosphere.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExceptional mounting\u003c\/b\u003e What elevates this piece to a highly particular collector's item is its support. It is not conceived on loose paper but is organically mounted on a dark leather base. This material decision gives it an almost artisanal, tactile, and definitive character. The paper presents a natural and imperfect undulation, a result of time and manual mounting, providing a \"patina of life\" that speaks directly of meticulous workshop work.\u003c\/p\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eThe Essence of Costumbrismo:\u003c\/b\u003e Acquiring a scene where the contrast of classes is resolved with such brilliance and charm means incorporating into the collection a fundamental visual archetype of Catalan modernity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTransparency and Market History:\u003c\/b\u003e The work of Ricard Opisso is a pillar in collecting, with a presence in institutions such as the MNAC. This piece has a documented auction history (previous bid of €800), offering a real metric of its solidity in the secondary market. Its rigorous cataloging as an attributed work, based on the inscription and technique, allows for an intelligent acquisition at a highly competitive value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCabinet Format:\u003c\/b\u003e Its contained dimensions make it a tactile and intimate piece, forcing the viewer to get closer to enjoy the irony of the strokes and the fluidity of the ink.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Data\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Attributed to Ricard Opisso i Sala (1880 - 1966).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Scene of Customs (The Encounter).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003ePeriod:\u003c\/b\u003e First half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Black ink and period watercolor on paper, mounted on leather support.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 13.5 x 13.5 cm (artwork dimensions).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature and Inscriptions:\u003c\/b\u003e Features the inscription \"Opisso\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection (with auction bid history).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Good. Presents a very attractive period patina and an organic undulation of the paper due to manual mounting on leather. Vivid and stable colors.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp\u003eWhat stands out most about this piece when holding it is how much it manages to convey with so little. Upon closer inspection of the details—the patches on the peasant's trousers or the heaviness with which the bourgeois's shoes tread—it becomes evident that not a single line was drawn at random. The leather support gives it a surprising physical and visual weight; it transforms a humorous sketch into a solemn object. It is a small historical gem for the collector who values technical rigor and the charm of a scene that always manages to bring a smile.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical sheet, and historical context, prepared and printed by El Taller del Coleccionista, certifying the stylistic argument of the attribution and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53456896393549,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0360.jpg?v=1772461847"},{"product_id":"ricardo-moraga-tiempo-oxido-oleo-hiperrealista","title":"Ricardo Moraga | Time of Rust (2004) | Material Hyperrealism in Oil","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA visual meditation on human fragility and the relentless weight of matter. A tactile and dreamlike canvas, rigorously documented, confronting anatomical perfection with the erosion of time.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"1\"\u003e \u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"4\"\u003eIn the early 2000s, Chilean-Spanish painter Ricardo Moraga consolidated a unique artistic language that skillfully navigates between pristine hyperrealism and the dreamlike quality of Magical Realism. \u003ci data-path-to-node=\"4\" data-index-in-node=\"202\"\u003eTiempo de Óxido (Time of Rust)\u003c\/i\u003e (2004) is a magnificent testament to this maturity. The work places us in a landscape that belongs not to physical geography, but to psychological terrain. A naked man, with his back to us, seeks shelter or perhaps answers against a colossal monolith. Moraga freezes time in this moment of introspection, creating a visual silence that captivates the viewer from the first encounter.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"5\"\u003eThe masterful collision of textures\u003c\/h3\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe true technical triumph of this piece lies in its material duality. On one hand, the human figure is rendered with anatomical precision and tonal softness inherited from classical painting; the skin seems to pulsate, vulnerable and warm. On the other hand, the immense turquoise wall dominating the composition rises as a barrier of pure textured abstraction. Moraga works the oil here almost like a sculptor, generating roughness, grooves, and oxidation patinas that simulate aged copper. It is a frontal clash between the organic (man) and the inorganic (rust), between the ephemeral and the eternal.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eDespite the imposing central wall, the work breathes. The composition opens up to a gradient sky, a masterful transition from clean blues to the pinks and ochres of a perpetual sunset. Secondary elements act as narrative anchors: the frayed rope crossing the stone suggests ties or temporal limits, while the solitary seagull soaring on the horizon introduces a counterpoint of absolute freedom. It is a scene that does not demand immediate understanding, but invites contemplation again and again, revealing new emotional interpretations with each glance.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eWhy is this work an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eAcademic Guarantee (Cataloged Work):\u003c\/b\u003e In the contemporary art market, provenance is everything. This painting comes with the artist's original catalog where it is reproduced. This certifies its importance within the \u003ci data-path-to-node=\"10,0,0\" data-index-in-node=\"246\"\u003eTiempo de Óxido\u003c\/i\u003e series, eliminating any doubt about its authorship and relevance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eAesthetic Duality for High Decoration:\u003c\/b\u003e It achieves a very difficult balance: it offers the classical rigor of the figurative nude and the power of abstract material painting on the same canvas. That large turquoise block acts as a powerful chromatic focal point, ideal for complementing modern architectural spaces or minimalist interior designs.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003ePsychological Depth:\u003c\/b\u003e Beyond its undeniable technical execution, it is a work with soul. It is not merely a decorative piece, but an atmosphere generator that brings intellectual depth, calm, and reflection to the environment in which it is displayed.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eTechnical Details\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Ricardo Moraga (Chile \/ Spain, b. 1957).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\u003c!--nl--\"\u003e\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Series:\u003c\/b\u003e Tiempo de Óxido (Time of Rust).\u003c\/p\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 2004 (Contemporary Art).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb data-path-to-node=\"12,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Oil and material loads on original canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb data-path-to-node=\"12,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 81 x 60 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and dated on the front (\"R. Moraga F. 2004\"). Signed, titled, and with inventory label (\"Filgood\") on the reverse.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Art Gallery \/ Private collection archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good. Shows minimal superficial craquelure (small crack and white dots on the upper margin), imperceptible at a normal viewing distance and stabilized, characteristic of works with a high material load.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,8,0\"\u003e\u003cb data-path-to-node=\"12,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person, touch the canvas (carefully), and check its chromatic impact. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,9,0\"\u003e\u003cb data-path-to-node=\"12,9,0\" data-index-in-node=\"0\"\u003eExtras:\u003c\/b\u003e The ORIGINAL CATALOG of the exhibition where the work is documented and photographed is included.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe first thing I thought when I saw this canvas wasn't about the technique, but about the immense solitude it conveys—a beautiful solitude, the kind that brings comfort. The photograph doesn't do justice to the turquoise wall; the way Moraga has worked the oil to simulate corrosion and rust is hypnotic. It makes you want to run your hand over it (though we shouldn't). Moreover, the fact that the piece is backed by its publication in the original catalog is the kind of detail that distinguishes an impulsive purchase from a mature and well-founded acquisition. It is an honest, poetically melancholic, and visually spectacular work.\u003c\/p\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with its original period catalog, as well as a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53456993616205,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0284_02.jpg?v=1772462450"},{"product_id":"pere-gine-retrato-alegorico-hombre-de-azul-noucentisme-acuarela-original-sobre-papel","title":"PERE GINÉ | ALLEGORICAL PORTRAIT (MAN IN BLUE) | NOUCENTISME | ORIGINAL WATERCOLOR ON PAPER","description":"\u003ch1 data-path-to-node=\"0\" class=\"\"\u003ePERE GINÉ | ALLEGORICAL PORTRAIT (MAN IN BLUE) | NOUCENTISME | ORIGINAL WATERCOLOR ON PAPER\u003c\/h1\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\" class=\"\"\u003eA serene gaze encapsulating the soul of Catalan humanism. An intimate portrait where the stroke and light of watercolor reveal the artist's creative process.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\" class=\"\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\u003ch3 data-path-to-node=\"3\" class=\"\"\u003eThe light of the Mediterranean\u003c\/h3\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003cspan class=\"\"\u003eIn contrast to the disruption and chaos of the early avant-garde,\u003c\/span\u003e\u003cspan class=\"\"\u003e Catalan \u003c\/span\u003e\u003ci data-path-to-node=\"4\" data-index-in-node=\"62\" class=\"\"\u003eNoucentisme\u003c\/i\u003e\u003cspan class=\"\"\u003e proposed a return to clarity,\u003c\/span\u003e\u003cspan class=\"\"\u003e measure, and reason.\u003c\/span\u003e\u003cspan class=\"\"\u003e Pere Giné (1906 - 2001) embraces this philosophy in a work that transcends mere portraiture to become a declaration of intent.\u003c\/span\u003e\u003cspan class=\"\"\u003e This watercolor does not seek to disturb the viewer,\u003c\/span\u003e\u003cspan class=\"\"\u003e but to calm them.\u003c\/span\u003e\u003cspan class=\"\"\u003e It is the visual representation of a humanist ideal,\u003c\/span\u003e\u003cspan class=\"\"\u003e where classical beauty and Mediterranean light act as antidotes to the noise of the modern world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cspan class=\"\"\u003eThe initial impact of the work is dictated by its palette.\u003c\/span\u003e\u003cspan class=\"\"\u003e Giné floods the composition with a vibrant, fluid cerulean blue that lends the figure an almost ethereal quality,\u003c\/span\u003e\u003cspan class=\"\"\u003e masterfully contrasting with the earthy and sienna tones of the hair.\u003c\/span\u003e\u003cspan class=\"\"\u003e However,\u003c\/span\u003e\u003cspan class=\"\"\u003e the true depth lies in the underlying drawing.\u003c\/span\u003e\u003cspan class=\"\"\u003e The black ink,\u003c\/span\u003e\u003cspan class=\"\"\u003e applied with a firm yet delicate stroke,\u003c\/span\u003e\u003cspan class=\"\"\u003e defines a face with an introspective and calm gaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cspan class=\"\"\u003eThe work is charged with cultured and silent symbolism:\u003c\/span\u003e\u003cspan class=\"\"\u003e the green branch held by the young man refers to peace and the victory of the spirit,\u003c\/span\u003e\u003cspan class=\"\"\u003e while the open book in the foreground — clearly inscribed \u003c\/span\u003e\u003ci data-path-to-node=\"7\" data-index-in-node=\"212\" class=\"\"\u003e«Ex-Libris Ipse Facit Pere Giné Catalonia»\u003c\/i\u003e\u003cspan class=\"\"\u003e — reveals the author's connection with the rich bibliophilic tradition and editorial illustration of the period.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"8\" class=\"\"\u003eBreaking the fourth wall of the studio\u003c\/h3\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cspan class=\"\"\u003eWhat transforms this paper into an exceptional document is found in its lower margin.\u003c\/span\u003e\u003cspan class=\"\"\u003e Giné did not trim the sheet upon completion; he left his color proofs visible.\u003c\/span\u003e\u003cspan class=\"\"\u003e These abstract brushstrokes of red,\u003c\/span\u003e\u003cspan class=\"\"\u003e blue,\u003c\/span\u003e\u003cspan class=\"\"\u003e green, and ocher are the visual equivalent of hearing the artist's breath.\u003c\/span\u003e\u003cspan class=\"\"\u003e They allow us to leave the exhibition hall and enter directly into the intimacy of his studio,\u003c\/span\u003e\u003cspan class=\"\"\u003e observing how he calibrated the humidity of the brush and the saturation of the pigment before tackling the definitive portrait.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"10\" class=\"\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb data-path-to-node=\"11,0,0\" data-index-in-node=\"0\" class=\"\"\u003eDual Market Interest (Art and Bibliophilia):\u003c\/b\u003e\u003cspan class=\"\"\u003e The inclusion of an \u003c\/span\u003e\u003ci data-path-to-node=\"11,0,0\" data-index-in-node=\"77\" class=\"\"\u003eEx-Libris\u003c\/i\u003e\u003cspan class=\"\"\u003e design within the pictorial composition itself is a rarity.\u003c\/span\u003e\u003cspan class=\"\"\u003e This makes it a coveted work not only by collectors of period painting,\u003c\/span\u003e\u003cspan class=\"\"\u003e but also by the demanding niche of bibliophilia and the history of graphic illustration.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb data-path-to-node=\"11,1,0\" data-index-in-node=\"0\" class=\"\"\u003eThe Value of \"Studio Work\":\u003c\/b\u003e\u003cspan class=\"\"\u003e In mature collecting,\u003c\/span\u003e\u003cspan class=\"\"\u003e pieces that show the creative process (such as preparatory sketches or,\u003c\/span\u003e\u003cspan class=\"\"\u003e in this case,\u003c\/span\u003e\u003cspan class=\"\"\u003e original color tests on the same support) possess an aura of authenticity and intimacy far superior to cold and overly polished commissioned works.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,3,0\"\u003e\u003cb data-path-to-node=\"11,3,0\" data-index-in-node=\"0\" class=\"\"\u003eHistorical Representativeness:\u003c\/b\u003e\u003cspan class=\"\"\u003e Pere Giné is an indispensable name for understanding editorial aesthetics and poster design in 20th century Catalonia.\u003c\/span\u003e\u003cspan class=\"\"\u003e Owning a work that distills all the virtues of his style is to anchor a fundamental piece of that cultural history on your own wall.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"12\" class=\"\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h2\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\" class=\"\"\u003eArtist:\u003c\/b\u003e\u003cspan class=\"\"\u003e Pere Giné (1906 - 2001).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\" class=\"\"\u003eTitle \/ Theme:\u003c\/b\u003e\u003cspan class=\"\"\u003e Allegorical Portrait (Man in Blue \/ Design for Ex-Libris).\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\" class=\"\"\u003ePeriod:\u003c\/b\u003e\u003cspan class=\"\"\u003e 20th Century.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,3,0\"\u003e\u003cb data-path-to-node=\"13,3,0\" data-index-in-node=\"0\" class=\"\"\u003eTechnique and Medium:\u003c\/b\u003e\u003cspan class=\"\"\u003e Original watercolor and ink on paper.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,4,0\"\u003e\u003cb data-path-to-node=\"13,4,0\" data-index-in-node=\"0\" class=\"\"\u003eDimensions:\u003c\/b\u003e\u003cspan class=\"\"\u003e 17.5 x 28.5 cm.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,5,0\"\u003e\u003cb data-path-to-node=\"13,5,0\" data-index-in-node=\"0\" class=\"\"\u003eSignature and Inscriptions:\u003c\/b\u003e\u003cspan class=\"\"\u003e Handwritten inscription integrated into the artwork:\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003ci data-path-to-node=\"13,5,0\" data-index-in-node=\"68\" class=\"\"\u003e«Ex-Libris Ipse Facit \/ Pere Giné \/ Catalonia»\u003c\/i\u003e\u003cspan class=\"\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,6,0\"\u003e\u003cb data-path-to-node=\"13,6,0\" data-index-in-node=\"0\" class=\"\"\u003eProvenance:\u003c\/b\u003e\u003cspan class=\"\"\u003e Private collection archive.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,7,0\"\u003e\u003cb data-path-to-node=\"13,7,0\" data-index-in-node=\"0\" class=\"\"\u003eCondition:\u003c\/b\u003e\u003cspan class=\"\"\u003e Very good.\u003c\/span\u003e\u003cspan class=\"\"\u003e The support retains its integrity and the pigments maintain a high degree of vibrancy and saturation.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,8,0\"\u003e\u003cb data-path-to-node=\"13,8,0\" data-index-in-node=\"0\" class=\"\"\u003eUnique Detail:\u003c\/b\u003e\u003cspan class=\"\"\u003e Retains the artist's original color proofs on the lower margin of the sheet.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,9,0\"\u003e\u003cb data-path-to-node=\"13,9,0\" data-index-in-node=\"0\" class=\"\"\u003eInspection Guarantee:\u003c\/b\u003e\u003cspan class=\"\"\u003e 14-day guaranteed return period to inspect the artwork in person and verify the freshness of its palette.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"14\" class=\"\"\u003eTHE WORKSHOP NOTE\u003c\/h2\u003e\n\u003cp data-path-to-node=\"15\"\u003e\u003cspan class=\"\"\u003eWhen you hold it,\u003c\/span\u003e\u003cspan class=\"\"\u003e those color test marks at the bottom completely change your perception; you're no longer seeing a finished product,\u003c\/span\u003e\u003cspan class=\"\"\u003e you're seeing the precise moment someone was working at their table.\u003c\/span\u003e\u003cspan class=\"\"\u003e The blue Giné achieved has an astonishing ability to soothe the eyes.\u003c\/span\u003e\u003cspan class=\"\"\u003e It's the perfect piece for that cultured collector looking to place a work next to their library or in a reading nook,\u003c\/span\u003e\u003cspan class=\"\"\u003e a space where tranquility and intellect are the true protagonists.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-path-to-node=\"16\" class=\"\"\u003e\n\u003cp data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\" class=\"\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e\u003cspan class=\"\"\u003e This artwork is delivered with an exhaustive research study,\u003c\/span\u003e\u003cspan class=\"\"\u003e technical data sheet, and historical context,\u003c\/span\u003e\u003cspan class=\"\"\u003e prepared and printed by El Taller del Coleccionista.\u003c\/span\u003e\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53457143529805,"sku":null,"price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0042_02.jpg?v=1772464004"},{"product_id":"salvador-perez-bassols-oleo-original-golf-clasico-el-swing-materico","title":"Salvador Pérez Bassols | The Swing (Classic Golf) | Original Textured Oil Painting","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe tension of sport sculpted in oil. A niche work that captures the elegance and social ritual of classic golf through a masterful use of impasto and depth of field.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eDepth of field and luminous focus\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eSalvador Pérez Bassols foregoes static illustration to offer a purely impressionistic sketch of the sport. The visual intelligence of this work lies in how the artist hierarchizes the gaze, emulating a photographic depth of field effect. The crowd in the background—spectators dressed in classic hats and vests behind the rope—is rendered with synthetic strokes in earthy tones, ochres, and muted greens. This intentional blur acts as a silent soundbox that draws all attention to the foreground.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe sculpture of white\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe true technical tour de force of the piece is the treatment of the player. Bassols does not \"draw\" the figure; he sculpts it. He uses an extreme load of oil (\u003ci data-path-to-node=\"6\" data-index-in-node=\"156\"\u003eimpasto\u003c\/i\u003e) in immaculate white to define the golfer's shirt and trousers at the exact moment of the \u003ci data-path-to-node=\"6\" data-index-in-node=\"284\"\u003eswing\u003c\/i\u003e's culmination. The thick brushstrokes, clearly visible in the folds of the clothing and the glints on the grass, give the figure a tactile and three-dimensional quality. It is a painting executed with speed and confidence, where the very energy of the stroke mimics the explosive force of the shot.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy this piece is an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eNiche Collecting (Sports Memorabilia):\u003c\/b\u003e Pictorial representations of classic golf have an extremely specific and loyal market. They are highly sought-after structural assets for high-end interior design projects in professional offices, sports clubs, or private libraries.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eMaterial Robustness:\u003c\/b\u003e In contrast to the usual flat reproductions or watercolors in golf themes, this canvas offers undeniable physical presence thanks to its thick impasto, demonstrating that it is an original easel painting with character.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eEnhancing Frame:\u003c\/b\u003e The artwork is delivered with a robust silver-colored wooden frame with a stripped and intentionally scratched finish. This contemporary yet aged-looking (\u003ci data-path-to-node=\"8,2,0\" data-index-in-node=\"182\"\u003evintage\u003c\/i\u003e) design isolates the central light of the canvas and perfectly matches the historical period evoked by the scene.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Salvador Pérez Bassols.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The Swing (Sports scene \/ Classic golf).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Second half of the 20th century (Contemporary Art).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original material oil on canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 30 x 30 cm (artwork).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed \"S. Pérez Bassols\" in red in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good. The paint layer is firm and the white impastos retain their original vibrancy. \u003ci data-path-to-node=\"10,7,0\" data-index-in-node=\"114\"\u003eCondition Note:\u003c\/i\u003e There is an old intervention\/restoration on the support, correctly stabilized, which does not penalize the aesthetic and frontal reading of the work at all.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the canvas in person and appreciate the tactile richness of its impasto.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eWhat separates this painting from a simple sports print is the courage of the brushstroke. Bassols understands that golf is technique and strength, and applies that same principle to the canvas. Notice the player's torsion: the hip movement is not outlined; it is sustained solely by the way the painter dragged the palette knife or lead-white-loaded brush over the waist area and the right leg. It is a painting that, despite its contained format, projects a lot of light and energy on the wall. An impeccable acquisition for a collector who loves the green.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53461214265677,"sku":null,"price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0234_24988d49-e738-4061-a508-b1486a8a7b67.jpg?v=1772546917"},{"product_id":"carme-navarra-pruna-la-dulzura-de-la-mirada-retrato-de-joven-con-flores-retrato-contemporaneo-tecnica-mixta","title":"CARME NAVARRA PRUNA | THE SWEETNESS OF THE GAZE (PORTRAIT OF A YOUNG WOMAN WITH FLOWERS) | CONTEMPORARY PORTRAIT | MIXED MEDIA","description":"\u003ch2 data-path-to-node=\"0\"\u003eCARME NAVARRA PRUNA | THE SWEETNESS OF THE GAZE (PORTRAIT OF A YOUNG WOMAN WITH FLOWERS) | CONTEMPORARY PORTRAIT | MIXED MEDIA\u003c\/h2\u003e\n\u003cp data-path-to-node=\"1\"\u003eA face emanating serenity and freshness, where the manual intervention of color and floral detail create an atmosphere of profound tactile sensibility.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"2\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe mastery of psychological portraiture\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eCarme Navarra Pruna (Barcelona, 1947) solidifies her innate ability to capture the emotional essence of her subjects. Far from academic rigidity, the artist opts for a candid and vulnerable frontal view, focusing all emotional weight on the softness of the gaze. This piece is a clear testament to the figurative sensibility of the contemporary Catalan school, where the human figure is approached from an intimate, poetic, and unadorned perspective, seeking a silent and direct dialogue with the viewer.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eFormally, the work stands out for its masterful use of mixed media. On a graphic base that provides a distinct granular texture—evoking the porosity of classical fresco or the optical vibration of pointillism—Navarra Pruna manually intervenes the piece with pastel pigments. The treatment of the hair is the luminous key to the composition: the application of reddish and pink tones generates an ethereal volume that frames and enlivens the face. As a necessary chromatic counterpoint, the subtle floral detail on the neckline, rendered with echoes of green and sienna, anchors the composition at its base and balances the overall warmth of the palette.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eExhibition Dialogue:\u003c\/b\u003e Due to its scale, theme, and stylistic resolution, this work has been conceived with a cadence that allows for a perfect pairing with other pieces by the artist (such as her classic profile portraits or \"ladies with hats\"), offering the collector the possibility of articulating a powerful narrative diptych around femininity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eAesthetic Potential:\u003c\/b\u003e The elegance of its pastel palette and the undeniable serenity of the composition make this work a highly versatile visual accent, capable of bringing warm and timeless luminosity to thoughtfully designed spaces.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"9\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Carme Navarra Pruna (Barcelona, 1947).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The sweetness of the gaze (Portrait of a young woman with flowers).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Art (Catalan School).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Mixed media (graphic base with direct manual application of pigments\/pastel) on high-quality art paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Artwork: 32 x 23 cm | With frame: 52 x 43 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed by hand \"C. Navarra Pruna\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good. Stable pigments with no loss of saturation. Presented framed with a noble wooden molding, passe-partout, and a delicate golden fillet that enhances the artwork.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe differentiating value of this piece lies in its tactile execution: the porosity of the support interacts exceptionally with the pink and reddish pigments applied by hand by the artist. This vibrant quality, combined with the psychological depth of the gaze, makes it a portrait of magnetic intimacy. A work that, backed by a classic and noble framing, retains the freshness of its first day intact.\u003c\/p\u003e\n\u003chr data-path-to-node=\"4\"\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This artwork comes with a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53462726476109,"sku":null,"price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0065_0f3153b1-ca91-403b-80e4-c139c6c687f2.jpg?v=1772553653"},{"product_id":"carme-navarra-pruna-la-dama-del-sombrero-retrato-contemporaneo-tecnica-mixta","title":"CARME NAVARRA PRUNA | THE LADY OF THE HAT | CONTEMPORARY PORTRAIT | MIXED MEDIA","description":"\u003ch2 data-path-to-node=\"0\"\u003eCARME NAVARRA PRUNA | THE LADY IN THE HAT | CONTEMPORARY PORTRAIT | MIXED MEDIA\u003c\/h2\u003e\n\u003cp data-path-to-node=\"1\"\u003eA work that breathes the nostalgia of the Belle Époque with the delicacy of contemporary Catalan brushwork.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"2\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Mastery of Figurative Elegance\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eCarme Navarra Pruna (Barcelona, 1947) takes up the mantle of the great Catalan figurative tradition and brings it to a realm of poetic intimacy. In \u003ci data-path-to-node=\"4\" data-index-in-node=\"149\"\u003eThe Lady in the Hat\u003c\/i\u003e, the artist uses a profile portrait — a classical formula that grants nobility and detachment to the subject — to explore femininity with respect and utmost sophistication. The young woman, framed by the striking presence of a wide-brimmed hat, becomes an archetype of timeless elegance, recalling the visual cadence of the Belle Époque but resolved with a distinctly contemporary aesthetic sensibility.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eVisual Narrative and Material Texture\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eA detailed analysis of the surface reveals Navarra Pruna's mastery in superimposing disciplines. The work is based on a very fine graphic foundation that creates an optical vibration, evoking a grainy or pointillist quality in the background and bust. It is upon this subtle structure that the artist manually intervenes with pastels, performing an alchemy of color: the pink tones of the floral ornamentation, the greenish echoes of the leaves, and the warm flesh tones of the face elevate the piece, endowing it with a volume and breath that transcend the two-dimensional plane.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eExhibition Dialogue:\u003c\/b\u003e This work shares scale, technique, and framing with \u003ci data-path-to-node=\"8,0,0\" data-index-in-node=\"71\"\u003eThe Sweetness of the Gaze\u003c\/i\u003e (a frontal portrait by the same artist). Acquiring both pieces allows the collector to articulate a powerful diptych on femininity, contrasting frontal innocence with the mysterious elegance of the profile.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eMaterial Richness:\u003c\/b\u003e The confirmation of the mixed media technique through direct manual intervention gives the work a unique value. The interaction of pastel pigment with the porosity of the support generates undeniable visual warmth.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eAesthetic Potential:\u003c\/b\u003e The subtlety of its execution and timeless theme make it a versatile decorative accent. It is a serene piece that brings light, elegance, and an air of classic romanticism to any space.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"9\"\u003eTECHNICAL DATA SHEET\u003c\/h3\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Carme Navarra Pruna (Barcelona, 1947).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The Lady in the Hat (Portrait of a woman in profile with a floral headdress).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Art (Catalan School).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Mixed media (graphic base with manual pastel and pigment intervention) on textured art paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Work: 32 x 23 cm | With frame: 52 x 43 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed by hand \"C. Navarra Pruna\" in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good. Stable support and pigments. Presented with a mat and careful framing in noble wood with a gilded fillet, ready for display.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe distinguishing value of this profile lies in the physical confirmation of its mixed media technique. Observing the piece up close, the apparent flatness of the graphic base disappears to give way to the relief and warmth of the hand-applied pastel. This direct intervention on the floral detail and skin transforms the work, giving it the human pulse and artisanal mastery characteristic of Navarra Pruna, all preserved by classic framing of excellent craftsmanship.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This artwork comes with a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53462828253517,"sku":null,"price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0050_a048d74d-2011-402f-b2c8-4d7aba28b646.jpg?v=1772553912"},{"product_id":"manolo-belzunce-las-mil-y-una-noches-carpeta-de-4-grabados-obra-grafica-original-aguafuerte","title":"MANOLO BELZUNCE | ONE THOUSAND AND ONE NIGHTS (PORTFOLIO OF 4 PRINTS) | ORIGINAL GRAPHIC WORK | ETCHING","description":"\u003ch2 data-path-to-node=\"0\"\u003eMANOLO BELZUNCE | THE THOUSAND AND ONE NIGHTS (PORTFOLIO OF 4 ETCHINGS) | ORIGINAL GRAPHIC WORK | ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"1\"\u003eAn exceptional graphic series where architecture and historical landscapes are transformed into an evocative setting of an oriental fable. A numbered and signed collector's edition, preserved in its physical and conceptual integrity.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"2\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe mastery of dreamlike figuration\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eIn this ambitious project, Manolo Belzunce (Murcia, 1944) establishes himself as a true \"nocturnal storyteller.\" Far from literal illustration, the artist links heritage landmarks of his land with the lyricism, eroticism, and mysticism of classic Arab imagery. Through a figurative line of great formal synthesis and deep dreamlike resonances, Belzunce merges the tangible reality of Murcian geography with literary legend, achieving, in the words of Martín Páez Burruezo's introductory text, \"bequeathing an illusory yesterday to the memory of men.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eVisual narrative and composition\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eTechnically, the series showcases mastery of the etched line, printed in a strong, warm sepia tone that accentuates the timeless and nocturnal atmosphere of the whole. The collection is structured into four interconnected visual acts: \u003ci data-path-to-node=\"6\" data-index-in-node=\"285\"\u003e\"La noria\"\u003c\/i\u003e (The Waterwheel), which pays aesthetic tribute to hydraulic engineering under the presence of figures evoking a nomadic past; \u003ci data-path-to-node=\"6\" data-index-in-node=\"412\"\u003e\"El Castillejo de Monteagudo\"\u003c\/i\u003e, where the hedonism of odalisques unfolds next to the impluvium and the geometry of water; \u003ci data-path-to-node=\"6\" data-index-in-node=\"536\"\u003e\"La torre Alfonsina\"\u003c\/i\u003e (The Alfonsina Tower), which frames the robustness of the territory from an interior perspective; and \u003ci data-path-to-node=\"6\" data-index-in-node=\"631\"\u003e\"La sirvienta y la favorita\"\u003c\/i\u003e (The Maid and the Favorite), a scene of exquisite intimacy that demonstrates the deep oriental influence on daily life.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eIntegrity of the Work (Complete Portfolio):\u003c\/b\u003e In collecting graphic works, it is unusual to find historical series that maintain their original unity without having been dismembered. This portfolio preserves all four etchings together, accompanied by the original exhibition sheet and their protective workshop silks.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eLimited and Certified Edition:\u003c\/b\u003e This is a strictly limited numbered edition (copy 88 \/ 100). Each of the four prints has been hand-signed and numbered in pencil by the artist himself, guaranteeing its authenticity and direct supervision of the edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eAesthetic and Exhibition Potential:\u003c\/b\u003e The chromatic uniformity of the ink and thematic coherence allow for multiple display options: from a striking grid composition to a sequential linear reading, providing undeniable literary sophistication and a warm visual focal point for thoughtfully designed spaces.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"9\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Manolo Belzunce (Murcia, 1944).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The Thousand and One Nights (Complete portfolio of 4 scenes).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Art (Figuration with historical evocation).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original etching on high-quality art paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Paper: 28 x 38 cm (each print) | Plate mark: 16 x 25 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed \"Belzunce\" and numbered \"88\/100\" in pencil in the lower margin of each of the four prints.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Gallery's stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The plate marks are deep, and the pigments retain their full intensity. Includes original printed text by Martín Páez Burruezo and original protective silks.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe differentiating value of this acquisition is the immersive experience of collecting. We are not looking at an isolated print, but rather a complete curatorial project conceived by Belzunce. The impeccable preservation of the paper, the almost tactile intensity of the sepia ink, and the presence of the original elements of the edition (the introductory text and the rustle of the silks as each engraving is turned) make this portfolio a pure cultural asset, a window into graphic history ready to be appreciated.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53468229730637,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0240_ef472ac2-3084-4601-ac95-fbf13a23e4f0.jpg?v=1772566509"},{"product_id":"francesc-artigau-ninos-1981-edicion-institucional-h-c-aguafuerte-original","title":"FRANCESC ARTIGAU | CHILDREN (1981) | INSTITUTIONAL EDITION (H\/C) | ORIGINAL ETCHING","description":"\u003ch2 data-path-to-node=\"5\"\u003eFRANCESC ARTIGAU | CHILDREN (1981) | INSTITUTIONAL EDITION (H\/C) | ORIGINAL ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eAn exceptional original etching (Hors Commerce) by the Catalan master Francesc Artigau. A print that captures the vitality of childhood through a superb mastery of drawing, linked to the historic patronage of Banca Mas Sardà.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe dynamism of New Figuration\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eFrancesc Artigau (Barcelona, 1940) stands as a fundamental figure in Catalan New Figuration. In this 1981 composition, the artist distills his characteristic humanist and genre-scene perspective, delving into the universe of childhood. The scene, which seems to portray a drawing workshop or a moment of school play, allows Artigau to explore the dynamism of bodies in motion. Far from seeking a static portrait, the artist imbues each figure with a very particular attitude and physiognomy, achieving a choral work that breathes spontaneity and visual strength.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eVisual narrative and the intaglio line\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eOn a technical level, the plate reveals Artigau's mastery in the use of the burin and needle. The artist masterfully plays with contrast: while the faces and arms of the children are rendered with clean, synthetic lines, the visual weight of the composition falls on the central character and the large board he holds, worked with dense and meticulous \u003ci data-path-to-node=\"11\" data-index-in-node=\"370\"\u003ehatching\u003c\/i\u003e (cross-hatching). This intertwining of inks creates a resounding volume and spectacular chiaroscuro that demonstrates the author's deep knowledge of the printmaking craft.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eDocumentary Rarity (H\/C Edition):\u003c\/b\u003e This is an \u003ci data-path-to-node=\"13,0,0\" data-index-in-node=\"65\"\u003eHors Commerce\u003c\/i\u003e (Not for Sale) proof. This designation indicates that the print did not belong to the edition intended for public sale, but was strictly reserved for the artist's archive, collaborators, or, in this case, institutional commitments. These are examples of indisputable curatorial purity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003ePatronage and Local History:\u003c\/b\u003e The incalculable added value of this piece lies in its provenance. During the 1970s and 80s, Banca Mas Sardà exercised elite patronage by commissioning graphic works from the country's best artists. Preserving the original corporate case acts as irrefutable proof of provenance and imbues the work with a valuable historical patina.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003ePrinting Quality:\u003c\/b\u003e The execution on high-grammage intaglio paper guarantees optimal saturation of the black inks and allows one to physically appreciate the relief and depth of the press mark.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Francesc Artigau (Barcelona, 1940).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Children (Children's scene \/ Drawing workshop).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1981 (Contemporary Art \/ New Figuration).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching on high-grammage intaglio paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Run:\u003c\/b\u003e Copy cataloged as H\/C (\u003ci data-path-to-node=\"15,4,0\" data-index-in-node=\"48\"\u003eHors Commerce\u003c\/i\u003e \/ Not for sale). Reserve edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 29 x 33 cm | Plate mark: 21 x 27 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and dated by hand \u003ci data-path-to-node=\"15,6,0\" data-index-in-node=\"57\"\u003e\"artigau 81\"\u003c\/i\u003e in the lower right corner. Technical annotation \u003ci data-path-to-node=\"15,6,0\" data-index-in-node=\"119\"\u003e\"H\/C\"\u003c\/i\u003e in pencil in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Banca Mas Sardà institutional edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,8,0\"\u003e\u003cb data-path-to-node=\"15,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The work maintains its structural integrity and includes the original institutional sleeve\/folder from the bank.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe differentiating value of this print is the boldness of its graphic line combined with impeccable provenance. Seeing how Artigau constructs the shadows of the central child's trousers with hundreds of cross-hatching lines is a delight for any lover of classic engraving. This technical purity, embraced by the original folder from Banca Mas Sardà, makes the piece a \"living document\" of Barcelona's cultural and institutional history.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470906253645,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0378_c6832ecb-57fc-480a-ad8c-136ad6ac46e6.jpg?v=1772583024"},{"product_id":"francesc-artigau-verano-1981-edicion-institucional-h-c-aguafuerte-original","title":"FRANCESC ARTIGAU | SUMMER (1981) | INSTITUTIONAL EDITION (H\/C) | ORIGINAL ETCHING","description":"\u003ch2 data-path-to-node=\"5\"\u003eFRANCESC ARTIGAU | SUMMER (1981) | INSTITUTIONAL EDITION (H\/C) | ORIGINAL ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eAn exceptional original etching (Hors Commerce) by the Catalan master Francesc Artigau. A print that merges classic still life and coastal landscape to capture the essence of Mediterranean light, linked to the historical patronage of Banca Mas Sardà.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eMediterranean Costumbrismo and New Figuration\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eFrancesc Artigau (Barcelona, 1940) reaffirms in this 1981 work his position as an undeniable pillar of Catalan New Figuration. Under the evocative title of \"Summer\", the artist invites us to a scene of deep Mediterranean roots. The composition masterfully articulates three planes of depth: a lush fruit still life in the foreground (featuring a large cut watermelon, peaches, and cherries), a serene female figure acting as a psychological link in the middle ground, and a luminous coastal landscape in the background, where the silhouette of a large insular rock and the figures of bathers dominate the marine horizon.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eVisual narrative and the virtuosity of the burin\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eOn a technical level, the plate is a resounding display of the author's graphic mastery. Artigau employs his characteristic and meticulous \u003ci data-path-to-node=\"11\" data-index-in-node=\"130\"\u003ehatching\u003c\/i\u003e (strongly cross-hatched line patterns) to give an almost sculptural volume to the fruits in the foreground. This dense chiaroscuro work contrasts sharply with the linear and clean synthesis of the background landscape, where with just a few subtle needle strokes he manages to suggest the blinding light of summer, the stillness of the sea, and the breeze, creating an atmosphere of astonishing visual richness.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eDocumentary Rarity (H\/C Edition):\u003c\/b\u003e This is an \u003ci data-path-to-node=\"13,0,0\" data-index-in-node=\"65\"\u003eHors Commerce\u003c\/i\u003e (Not for Sale) proof. This designation certifies that the print was not part of the edition intended for public sale, but was strictly reserved for the artist's archive, collaborators, or institutional commitments. These are examples of indisputable curatorial purity and very restricted circulation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003ePatronage and Local History:\u003c\/b\u003e The invaluable added value lies in its provenance. During the 70s and 80s, Banca Mas Sardà exercised elite cultural patronage by commissioning graphic works from the country's most relevant artists. Preserving the original corporate sleeve\/folder acts as irrefutable proof of provenance and imbues the work with a highly valuable historical patina.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eThematic Duality (Landscape and Still Life):\u003c\/b\u003e The conjunction of a superb still life with dense lines and a light beach scene makes it a very complete work, capable of bringing light, technical sophistication, and an undeniable Mediterranean flavor to any contemporary collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Francesc Artigau (Barcelona, 1940).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Summer (Fruit still life and coastal landscape).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1981 (Contemporary Art \/ New Figuration).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching on high-grammage intaglio paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Run:\u003c\/b\u003e Copy cataloged as H\/C (\u003ci data-path-to-node=\"15,4,0\" data-index-in-node=\"48\"\u003eHors Commerce\u003c\/i\u003e \/ Not for sale). Institutional reserve edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 29 x 33 cm | Plate mark: 21 x 27 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and dated by hand \u003ci data-path-to-node=\"15,6,0\" data-index-in-node=\"57\"\u003e\"artigau 81\"\u003c\/i\u003e in the lower right corner. Technical annotation \u003ci data-path-to-node=\"15,6,0\" data-index-in-node=\"119\"\u003e\"H\/C\"\u003c\/i\u003e in pencil in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Institutional edition Banca Mas Sardà.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,8,0\"\u003e\u003cb data-path-to-node=\"15,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Historically protected by its case, maintaining the integrity of the paper with impeccable visual freshness.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe distinguishing value of this print lies in how Artigau orchestrates light exclusively through the black line. It is fascinating to observe how the density of the inks in the still life anchors our gaze, while the lightness of the strokes in the background instantly transports us to the stillness of a summer afternoon on the coast. A poetic piece, technically superb and with the undeniable documentary backing of a golden age of Catalan corporate collecting.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This artwork comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470910841165,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0366_8ea8d680-a314-473e-978b-e03249a9ef26.jpg?v=1772583152"},{"product_id":"carbonell-rull-noies-el-caballo-alado-prueba-bon-a-tirer-b-a-t-aguafuerte-original","title":"CARBONELL | RULL (GIRLS) - THE WINGED HORSE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING","description":"\u003ch2 data-path-to-node=\"4\"\u003eCARBONELL | RULL (GIRLS) - THE WINGED HORSE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eAn exceptional workshop proof with the coveted category of \u003ci data-path-to-node=\"5\" data-index-in-node=\"63\"\u003eBon à Tirer\u003c\/i\u003e (Good to Print). A print of profound visual poetry and absolute rarity, emerged from the legendary presses of master Masafumi Yamamoto in Barcelona.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eDreamlike Lyricism and Literary Collaboration\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis captivating print is part of the fourth installment of the acclaimed graphic series \"Rull (Noies)\", conceived in March 1985 as a creative dialogue between the artist Carbonell and the Catalan writer Pep Albanell. Far from strict realism, Carbonell immerses us in a universe of dreamlike and poetic figuration. The composition is dominated by the tender encounter between a young woman (dressed in a delicate mottled suit) and a monumental winged horse that evokes the mythological figure of Pegasus. The girl's gesture, caressing the animal's face against a textured background and abstract clouds, imbues the work with formidable silence and visual sensitivity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eWorkshop Pedigree and Technical Purity\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe execution of this plate is superb and was carried out entirely by hand in the legendary Barcelona workshop of master Masafumi Yamamoto, whose presses saw the works of contemporary art totems such as Antoni Tàpies, Joan Brossa, and Jaume Plensa. The etching displays a rich interplay of intaglio textures: from the deep and dense blacks of the background to the subtlety of the patterns in the horse's wings and the young woman's dress, demonstrating the extremely high level of technical demandingness of this edition.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eAbsolute Rarity (The B.A.T. example):\u003c\/b\u003e In print collecting, there is no more important print than the \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"112\"\u003eBon à Tirer\u003c\/i\u003e (B.A.T.). It is the definitive, exact, and perfect proof that the artist approves and signs in their own hand to give the green light to the printer. It serves as an unchangeable model for the rest of the edition. By definition, \u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"332\"\u003ethere is only one B.A.T. per edition\u003c\/b\u003e, which makes this piece a historical document of unattainable rarity for commercial release.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003ePrint Quality:\u003c\/b\u003e The impression of the intaglio plate is deep and bold, demonstrating the absolute freshness of the metal in its first passes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eNoble Support:\u003c\/b\u003e Printed on exceptional 250-gram Vélin Arches mould-made paper. Recognized worldwide for its immutability, the paper retains its coveted natural deckled edges and immaculate whiteness, giving the piece a physical and visual weight of museum quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL DATA\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Carbonell (Engraving belonging to the \"Rull\" series, with texts by Pep Albanell).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Rull (Noies) - Fourth print (The encounter with the winged horse).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e March 1985 (Contemporary Art \/ Poetic Figuration).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching printed by hand on 250 grs Vélin Arches paper (with intact deckled edges).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Run:\u003c\/b\u003e Unique \u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"33\"\u003eB.A.T. (\u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"41\"\u003eBon à Tirer\u003c\/i\u003e)\u003c\/b\u003e example. Workshop reference print, not for commercial sale.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 44 x 32 cm | Plate mark: 24.5 x 30 cm (approx).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Handwritten annotation \u003ci data-path-to-node=\"14,6,0\" data-index-in-node=\"44\"\u003e\"Bon a Tirer\"\u003c\/i\u003e in pencil in the lower left margin and signed in Carbonell's own hand in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Workshop of master printer Masafumi Yamamoto (Barcelona) \/ Technical archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,8,0\"\u003e\u003cb data-path-to-node=\"14,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very Good. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe value of this work transcends its undeniable aesthetic beauty to delve into the very history of the noble craft of engraving. Reading \"Bon a Tirer\" written in pencil in the margin is like being present in Yamamoto's workshop in 1985, at the very moment Carbonell lifts the paper from the press, nods his head, and decides that this, and no other, is the perfect image he wishes to bequeath to the world. It is the pristine origin of the creative process encapsulated on paper.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical data sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470924079437,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2026-03-04_012101114.png?v=1772583665"},{"product_id":"carbonell-rull-noies-desnudo-recogido-prueba-bon-a-tirer-b-a-t-aguafuerte-original","title":"CARBONELL | RULL (GIRLS) - NUDE WITH HAIR UP | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING","description":"\u003ch2 data-path-to-node=\"4\"\u003eCARBONELL | RULL (GIRLS) - RECLINING NUDE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eAn exceptional workshop proof with the coveted \u003ci data-path-to-node=\"5\" data-index-in-node=\"63\"\u003eBon à Tirer\u003c\/i\u003e (Ready for Printing) category. A print of profound visual introspection and absolute rarity, originating from the mythical presses of master Masafumi Yamamoto in Barcelona.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe lyricism of the body and chalcographic depth\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis captivating print is part of the acclaimed graphic series \"Rull (Noies),\" conceived in March 1985 as a creative dialogue between the artist Carbonell and the Catalan writer Pep Albanell. In this composition, Carbonell offers us a female nude of formidable vulnerability and poetry. The figure is curled up on herself, almost in a fetal position, floating or resting on a overwhelmingly dense background. The artist uses the aquatint technique to create a nocturnal, textured universe that embraces the young woman, achieving a dramatic and beautiful contrast with the pallor of the naked skin that breathes through the white of the paper.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eWorkshop pedigree and technical purity\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe execution of this plate is superb and was carried out entirely by hand in the mythical Barcelona workshop of master Masafumi Yamamoto. The works of great contemporary art figures passed through his presses, collaborating closely with creators such as Antoni Tàpies, Joan Brossa, and Jaume Plensa. The impression of the plate is deep and bold, demonstrating the rigor, freshness, and extremely high level of demand in these initial passes, where velvety blacks reach their maximum expression.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eAbsolute Rarity (The B.A.T. print):\u003c\/b\u003e In fine art print collecting, the \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"78\"\u003eBon à Tirer\u003c\/i\u003e (B.A.T.) is the pinnacle of the artisanal process. It is the definitive, exact, and perfect proof that the artist approves and signs by hand to give the master printer the green light. It serves as an unchangeable model for the entire edition. Since \u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"325\"\u003eonly one B.A.T. exists per edition\u003c\/b\u003e, this piece is a historical document of exclusivity unattainable for an ordinary commercial run.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003ePrinting Quality:\u003c\/b\u003e The intensity of the dark inks and the delicacy of the lines in the human figure demonstrate outstanding technical mastery. It is a high-contrast piece that captures the eye.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eNoble Support:\u003c\/b\u003e Printed on exceptional 250-gram Vélin Arches mould-made paper. Globally recognized for its immutability, the paper retains its coveted natural deckled edges and immaculate whiteness, giving the piece a museum-quality physical weight.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Carbonell (Engraving belonging to the \"Rull\" series, with texts by Pep Albanell).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Rull (Girls) - Reclining nude.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e March 1985 (Contemporary Art \/ Poetic Figuration).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original etching and aquatint hand-printed on 250 gsm Vélin Arches paper (with intact deckled edges).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Run:\u003c\/b\u003e Unique \u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"33\"\u003eB.A.T. (Bon à Tirer)\u003c\/b\u003e copy. Workshop reference print, not for commercial sale.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 44 x 32 cm | Plate mark: 24.5 x 30 cm (approx.).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Handwritten annotation \u003ci data-path-to-node=\"14,6,0\" data-index-in-node=\"44\"\u003e\"Bon a Tirer\"\u003c\/i\u003e in pencil in the lower left margin and signed by Carbonell's own hand in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Workshop of master printer Masafumi Yamamoto (Barcelona) \/ Technical Archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,8,0\"\u003e\u003cb data-path-to-node=\"14,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Museum conservation, no oxidation spots, maintaining the original purity and texture of the Arches paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe value of this work transcends its undeniable aesthetic beauty to encapsulate an unrepeatable moment in the noble craft of engraving. To behold the \"Bon a Tirer\" written in pencil beneath those deep blacks is to hold the artist's final decision in one's hands. It is an intimate and powerful print that demands to be admired up close, ideal for purist collectors seeking to possess the very seed from which the entire edition germinated.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical data sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470931747149,"sku":null,"price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2026-03-04_012451871.png?v=1772583897"},{"product_id":"carbonell-rull-noies-desnudo-reclinado-prueba-bon-a-tirer-b-a-t-aguafuerte-original","title":"CARBONELL | RULL (WOMEN) - RECLINING NUDE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING","description":"\u003ch2 data-path-to-node=\"4\"\u003eCARBONELL | RULL (GIRLS) - RECLINING NUDE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eAn exceptional workshop proof with the coveted category of \u003ci data-path-to-node=\"5\" data-index-in-node=\"63\"\u003eBon à Tirer\u003c\/i\u003e (Ready to Print). A print with an intimate atmosphere and undeniable documentary rarity, emerged from the mythical presses of master Masafumi Yamamoto.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe Lyricism of the Body and the Intimate Atmosphere\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis fascinating print corresponds to the first installment of the graphic series \"Rull (Noies)\", a project conceived in March 1985 as a creative dialogue between the artist Carbonell and the Catalan writer Pep Albanell. In this composition, the author introduces us to a scene of profound stillness and poetic voyeurism: a reclining female nude, in an attitude of placid rest, accompanied by the silent presence of a potted plant. The background, worked with an aquatint of overwhelming density, outlines the pale figure of the young woman, giving the work an almost theatrical chiaroscuro and an undeniable nocturnal magnetism.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe Workshop's Pedigree and Technical Purity\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe plate was entirely handcrafted in the legendary Barcelona workshop of master Masafumi Yamamoto, a mandatory stop for art icons such as Antoni Tàpies, Joan Brossa, and Jaume Plensa. The intaglio mark is deep and textured, showing the extremely high contrast between the velvety blacks of the background and the subtlety of the line in the female anatomy during these demanding first passes through the press.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eAbsolute Rarity (The B.A.T. example):\u003c\/b\u003e In graphic art collecting, the \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"78\"\u003eBon à Tirer\u003c\/i\u003e (B.A.T.) is the pinnacle of the artisanal process. It is the definitive, exact, and perfect proof that the artist approves and signs in their own hand to give the master printer the green light. \u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"266\"\u003eOnly one B.A.T. exists per edition\u003c\/b\u003e, which makes this piece a historical document of exclusivity unattainable for the ordinary commercial print run.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eThe Imprint of Time (Living Document):\u003c\/b\u003e For absolute transparency, the work shows a slight chromatic shift (warm tone or \u003ci data-path-to-node=\"12,1,0\" data-index-in-node=\"135\"\u003elight burn\u003c\/i\u003e) in the central area of the figure. Far from being a defect, it is the tactile confirmation of its nature as a workshop proof: B.A.T.s were often exposed or hung in the printing studio as a constant reference throughout the entire print run. This patina attests to its authenticity as a historical working document.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eNoble Support:\u003c\/b\u003e Printed on exceptional Vélin Arches 250-gram rag paper. Globally renowned for its immutability, the paper retains its coveted natural deckled edges, giving the piece an undeniable museum-quality weight.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Carbonell (Engraving from the \"Rull\" series, with texts by Pep Albanell).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Rull (Noies) - First print (Reclining nude).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eEra:\u003c\/b\u003e March 1985 (Contemporary Art \/ Poetic Figuration).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching and aquatint hand-printed on Vélin Arches 250 grs paper (with intact deckled edges).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Print Run:\u003c\/b\u003e Unique \u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"33\"\u003eB.A.T. (\u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"41\"\u003eBon à Tirer\u003c\/i\u003e)\u003c\/b\u003e example. Workshop reference print, not for commercial sale.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 44 x 32 cm | Plate mark: 24.5 x 30 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Handwritten annotation \u003ci data-path-to-node=\"14,6,0\" data-index-in-node=\"44\"\u003e\"Bon a Tirer\"\u003c\/i\u003e in pencil in the lower left margin and hand-signed by Carbonell in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Master printer Masafumi Yamamoto's workshop (Barcelona) \/ Technical archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,8,0\"\u003e\u003cb data-path-to-node=\"14,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good structural condition, retaining its original deckled edges. Shows an aged patina (\u003ci data-path-to-node=\"14,8,0\" data-index-in-node=\"114\"\u003elight burn\u003c\/i\u003e or warm shift) in the plate mark area, typical of its exposure as a reference proof in the workshop, certifying its historicity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe value of this work lies in that it does not hide its past, but proudly displays it. The light patina on the paper tells the story of the hours this print spent in Yamamoto's workshop guiding the master printer's hand. It is a visually powerful piece, with exquisite contrasts, designed for the erudite collector who seeks to own the intimate and human history behind the creation of a graphic edition.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eCollector's Dossier Included:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470936105293,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0333_c9f63ff3-89c9-40e1-bcf9-4d07ae4b31db.jpg?v=1772584000"},{"product_id":"carbonell-y-pep-albanell-rull-noies-carpeta-completa-5-grabados-aguafuerte-original-39-50","title":"CARBONELL Y PEP ALBANELL | RULL (GIRLS) | COMPLETE FOLDER (5 ENGRAVINGS) | ORIGINAL ETCHING (39\/50)","description":"\u003ch2 data-path-to-node=\"5\"\u003eCARBONELL AND PEP ALBANELL | RULL (GIRLS) | COMPLETE PORTFOLIO (5 ETCHINGS) | ORIGINAL ETCHING (39\/50)\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eAn undisputed jewel of contemporary bibliophilia. A complete 1985 edition that preserves the unaltered dialogue between Catalan literature and intaglio mastery, printed on Masafumi Yamamoto's mythical presses.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe indivisible dialogue between literature and engraving\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003ePublished in the vibrant Barcelona of March 1985, the \"Rull (Noies)\" portfolio transcends traditional collecting to offer a complete aesthetic experience. The work safeguards an intimate conversation between the literary prose of renowned Catalan author Pep Albanell and five hypnotic original etchings by artist Carbonell. The visual sequence proposed by the painter is a fascinating narrative journey: it transitions from the silent voyeurism of nudes in interiors, through poetic and mythological lyricism (such as the encounter with the winged horse), to evocative scenes of Mediterranean customs, where two women style their hair against the immensity of the sea.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe technical pinnacle of the Yamamoto workshop\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe true historical weight of this edition lies in its impeccable craftsmanship. The five plates were hand-printed in Masafumi Yamamoto's mythical Barcelona workshop. This Japanese master engraver, an irreplaceable figure in understanding intaglio avant-garde in Catalonia in the 80s, brought his legendary oriental meticulousness to the edition. The works of great contemporary art figures passed through his presses, collaborating closely with creators such as Antoni Tàpies, Joan Brossa, and Jaume Plensa. A scrutiny of the prints reveals the profound depth of the metal's impression on the paper and an unusual richness of velvety blacks that only the exact pressure of a true master's press can achieve.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eConceptual Integrity (Bibliophile Work):\u003c\/b\u003e In the art market, finding complete period portfolios is a rarity, as they are often disassembled. Preserving the original slipcase, endpapers, and typographic texts that precede each of the five prints allows for experiencing the rhythm of visual and literary reading exactly as it was conceived by its authors.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eStrictly Limited Edition:\u003c\/b\u003e Belonging to a very short run of only 50 copies, this piece corresponds to number 39\/50. Each and every one of the five etchings bears Carbonell's autograph signature in pencil and its corresponding numbering, ensuring absolute exclusivity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eHighest Quality Support:\u003c\/b\u003e All this technical virtuosity rests on a regal support: 250-gram Vélin Arches mould-made paper. Renowned for its unalterable purity, the paper exhibits an immaculate whiteness and retains its noble original deckled edges, the greatest fetish of the purist collector.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SHEET\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eAuthors:\u003c\/b\u003e Original texts by Pep Albanell \/ Original engravings by Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Rull (Noies). Complete portfolio.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e March 1985 (Contemporary Art \/ Bibliophilia).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e 5 original etchings hand-printed on 250 gsm Vélin Arches paper, white (with intact deckled edges).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Run:\u003c\/b\u003e Limited edition of 50 copies. Copy 39 \/ 50.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 44 x 32 cm | Plate mark: 24.5 x 30 cm (approx. per print).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e All 5 etchings are signed and numbered in pencil (39\/50) by Carbonell in the lower margins.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Workshop of master printer Masafumi Yamamoto (Barcelona).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,8,0\"\u003e\u003cb data-path-to-node=\"15,8,0\" data-index-in-node=\"0\"\u003eComplete Content:\u003c\/b\u003e Original container portfolio, endpapers, typographic texts by Pep Albanell, and 5 original etchings.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,9,0\"\u003e\u003cb data-path-to-node=\"15,9,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Optimal preservation, museum quality. No moisture damage, foxing, or creases, maintaining the original purity of the edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe immense value of this portfolio is its ability to stop time. Opening the original slipcase, running hands over the texture of the Arches paper, and alternating reading the classic typography with contemplating Carbonell's profound chiaroscuros, is an act of devotion to art. A major, complete work of impeccable technical execution, designed to crown the most demanding libraries and graphic collections.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is accompanied by an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470945182029,"sku":null,"price":310.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0301.jpg?v=1772584574"},{"product_id":"j-carbonell-la-sirena-y-el-velero-mitologia-maritima-prueba-de-autor-p-a-aguafuerte-en-sepia","title":"J. CARBONELL | THE MERMAID AND THE SAILING SHIP (MARITIME MYTHOLOGY) | ARTIST'S PROOF (A.P.) | SEPIA ETCHING","description":"\u003ch2 data-path-to-node=\"5\"\u003eJ. CARBONELL | THE MERMAID AND THE SAILING SHIP (MARITIME MYTHOLOGY) | ARTIST'S PROOF (P.A.) | SEPIA ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe magnetism of classical mythology captured in an immaculate Artist's Proof. A gallery-level print stamped in warm sepia ink, preserved in pristine condition.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eMythological lyricism and sepia atmosphere\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis splendid graphic work by the artist J. Carbonell immerses us fully in the evocative universe of maritime mythology. The composition revives the classical legend of mermaids, presenting a hypnotic female figure with a fish tail who, swayed by the waves, plays a reed flute. Behind her, silhouetted against a cloud-streaked sky and a waning moon, sails an imposing three-masted ship. Carbonell achieves a dreamlike and timeless atmosphere, greatly enhanced by the technical choice of sepia inking, which gives the print the warmth and mystery of ancient logbooks and historical navigation maps.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe unshakable status of the Artist's Proof (P.A.)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe high documentary value of this piece lies in its dual nature. On the one hand, the handwritten inscription \u003ci data-path-to-node=\"11\" data-index-in-node=\"101\"\u003e\"P A\"\u003c\/i\u003e in pencil in the lower left corner certifies that this is an Artist's Proof, an exclusive and intimate example that the master engraver reserved for his personal archive, placing it outside the commercial edition. This assures the collector of possessing one of the sharpest, earliest, and purest prints from the copper matrix.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eThematic and Literary Richness:\u003c\/b\u003e The figure of the siren enchanting sailors is a powerful visual archetype that refers directly to Homer's \u003ci data-path-to-node=\"13,0,0\" data-index-in-node=\"146\"\u003eOdyssey\u003c\/i\u003e. It is a work of immense narrative weight, ideal for collectors fascinated by the sea, classical literature, and mythology.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eEditorial Rarity (Not for Commercial Sale):\u003c\/b\u003e Acquiring an Artist's Proof means entering the creator's inner circle. Its restricted nature makes it a priority object of desire for scholars looking to escape ordinary mass numbering.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e For the strict collector, preservation is as vital as the autograph signature. This work has reached us in museum condition, retaining its original protective veil. This ensures that the rich sepia ink and heavy-weight cotton paper maintain their vibrancy and purity intact, free from oxidation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The Mermaid and the Sailing Ship \/ Maritime mythology.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original etching (printed in sepia ink) on heavy-weight cotton paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Artist's Proof (\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"41\"\u003eP.A.\u003c\/b\u003e), indicated in pencil in the artist's own hand in the lower left margin. An example excluded from the standard commercial edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in pencil \u003ci data-path-to-node=\"15,4,0\" data-index-in-node=\"46\"\u003e\"J. Carbonell\"\u003c\/i\u003e in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Artist's archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Very Good \/ Gallery condition. Clean paper, no oxidation, retaining the exact contrast and warmth of the sepia.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eIn the art market, thematic content often defines the magnetism of a work. This print transcends simple anatomical study to tell us a profound story about the sea and its legends. The clarity with which the sepia ink defines the scales of the figure and the sails of the ship demonstrates the level of excellence of an authentic Artist's Proof. It is the perfect piece to provide intellectual and historical sophistication to high-end libraries, offices, or graphic cabinets.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53472688537933,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2026-03-04_125648211.png?v=1772625518"},{"product_id":"j-carbonell-la-pesca-costumbrismo-marinero-prueba-de-autor-p-a-aguafuerte-en-sepia","title":"J. CARBONELL | FISHING (SEAFARING GENRE SCENE) | ARTIST'S PROOF (A.P.) | ETCHING IN SEPIA","description":"\u003ch2 data-path-to-node=\"4\"\u003eJ. CARBONELL | FISHING (SEAFARING COSTUMBRISM) | ARTIST'S PROOF (A.P.) | SEPIA ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe rigor of collecting at its finest. An iconic Artist's Proof that captures the essence of the Mediterranean, printed in warm sepia ink and preserved in pristine condition with its original institutional portfolio.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe Dignity of the Craft and the Sepia Aesthetic\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis splendid graphic work by the artist J. Carbonell transports us to the purest essence of Mediterranean costumbrism. Titled \"La Pesca\" (Fishing), the composition pays homage to the labor of the sea through two barefoot female figures on the sand. One holds a large basket full of fish, while the other masterfully balances a long tray of catches on her head, with boats and the marine horizon as a backdrop. The great aesthetic success of this print is the choice of sepia ink, which imbues the dense intaglio framework with exceptional luminosity and visual warmth, evoking the nostalgia of classic photography and exalting the dignity of the scene.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe Rigor of Documentary Provenance\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eFor the strict graphic art collector, the value of a print multiplies exponentially when its editorial context remains intact. Not only are we looking at an Artist's Proof (A.P.) signed by hand in pencil—which guarantees one of the earliest, freshest, and sharpest impressions from the copper matrix—but the piece is presented exactly as it left the workshop for the historic corporate patronage of the defunct Banca Mas Sardà.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eEditorial Rarity (Not for Commercial Sale):\u003c\/b\u003e The handwritten inscription \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"53\"\u003e\"P A\"\u003c\/i\u003e in the lower left corner places this work outside the ordinary commercial edition (limited to 295 copies). It is an intimate copy, reserved by the creator, making it a priority object of desire for collectors seeking maximum exclusivity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eImpeccable Provenance and Pedigree:\u003c\/b\u003e The work includes its coveted original typographic outer folder from Banca Mas Sardà. This sleeve not only acts as an undeniable certificate of provenance but also provides undeniable historical rigor to the piece, turning it into a living document of 20th-century Catalan institutional collecting in its last third.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e Protected for decades by its original tissue paper and case, the print has reached us in museum condition. The heavy cotton paper and the sepia saturation have not suffered the slightest wear from light or oxidation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e La Pesca (Fishing scene with fisherwomen on the beach \/ Seafaring Costumbrism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching (printed in sepia ink) on heavy cotton paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Artist's Proof (\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"41\"\u003eA.P.\u003c\/b\u003e), indicated in pencil by the artist's hand in the lower left margin. Copy excluded from the commercial edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in pencil \u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"46\"\u003e\"J. Carbonell\"\u003c\/i\u003e in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm | Plate Mark: 25 x 20 cm (Attested in the original folder).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Original edition linked to the art collection of Banca Mas Sardà.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Immaculate gallery condition. Clean paper, no oxidation, preserving the contrast and depth of the intaglio mark intact. Includes institutional folder and original protective tissue paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eIn the contemporary art market, finding excellent graphic art is a challenge; finding it with all its historical \"packaging\" intact is a true discovery. This print transcends the purely decorative. By preserving the official folder of Banca Mas Sardà and the purity of its sepia inking, verified by the Artist's Proof, it stands as the definitive acquisition for bibliophiles and collectors who demand to possess the complete origin and documentary rigor of an edition.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical data sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53472734937421,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0156_4a157bb6-fdef-4e16-bafd-6be15ec68e5a.jpg?v=1772625739"},{"product_id":"j-carbonell-la-pesca-costumbrismo-mediterraneo-prueba-de-autor-p-a-aguafuerte-en-sepia","title":"J. CARBONELL | FISHING (MEDITERRANEAN COSTUMBRISMO) | ARTIST'S PROOF (A.P.) | SEPIA ETCHING","description":"\u003ch2 data-path-to-node=\"4\"\u003eJ. CARBONELL | FISHING (MEDITERRANEAN CUSTOMS) | ARTIST'S PROOF (P.A.) | SEPIA ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe nobility of the mariner's craft captured in an Artist's Proof of exceptional tonal richness. An immaculate chalcographic print that pays homage to the figurative tradition of the Mediterranean.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe Noucentista heritage and the dignity of labor\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis superb original chalcographic print takes us back to the essence of Catalan coastal customs through the unmistakable and elegant stroke of Jaume Carbonell. The composition focuses on the figure of two barefoot fisherwomen on the sand, carrying heavy baskets with the day's catch in front of a sketched maritime horizon. Carbonell resolves the scene with masterful economy of lines, directly linking with the aesthetic of \u003ci data-path-to-node=\"8\" data-index-in-node=\"454\"\u003eNoucentisme\u003c\/i\u003e: he does not seek drama, but rather the serene and monumental exaltation of the female figure and the dignity of traditional work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe warmth of sepia and the impression of the press\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eTechnically, the great success of this edition is the abandonment of black in favor of a monochrome inking in sepia tones. This chromatic choice bathes the scene in a warm and nostalgic light, maximizing the expressiveness of the volumes and highlighting the textures of the clothes and the scales of the fish with an impeccable and nuanced contrast.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist's Proof (P.A.) Status:\u003c\/b\u003e The handwritten \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"50\"\u003e\"P A\"\u003c\/i\u003e inscription in pencil places this work at the pinnacle of graphic collecting. It guarantees that this is one of the first impressions taken from the matrix, personally reserved by the artist and excluded from the mass commercial run. It is synonymous with absolute freshness and sharpness in the copper plate impression.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eSaturation and Tonal Richness:\u003c\/b\u003e As one of the first prints, the copper retained the ink optimally. The result is a deep, vibrant, and perfectly balanced sepia, without worn areas or unwanted veils.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e Printed on high-grammage cotton paper with noble natural deckled edges, the work is presented in pristine condition. Its structural purity makes it an unmissable acquisition for the rigorous graphic cabinet.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e \"La Pesca\" (The Fishing) \/ Scene of fisherwomen (Maritime customs).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching (printed in sepia ink) on high-grammage cotton paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Artist's Proof (\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"41\"\u003eP.A.\u003c\/b\u003e), handwritten in pencil by the artist in the lower left corner. Not for commercial sale.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in pencil \u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"46\"\u003e\"J. Carbonell\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm | Plate mark: Vertical format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Artist's archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Museum quality. Intact paper, free of oxidation stains (\u003ci data-path-to-node=\"14,7,0\" data-index-in-node=\"99\"\u003efoxing\u003c\/i\u003e) and with impeccable ink saturation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eAcquiring an Artist's Proof is, in essence, acquiring the print exactly as the creator envisioned it before the matrix suffered the slightest commercial wear. \"La Pesca\" is a work of impeccable technical execution. The timeless elegance of Carbonell's stroke and the enveloping warmth of the sepia inking make it a piece of absolute magnetism, designed for collectors who demand the highest quality standard a workshop can offer.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a comprehensive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53472784974157,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0154_7c4eadcd-daa0-4fd4-b7f9-e14a5a301dd4.jpg?v=1772626093"},{"product_id":"j-carbonell-la-pesca-costumbrismo-catalan-prueba-de-autor-p-a-aguafuerte-en-sepia","title":"J. CARBONELL | FISHING (CATALAN COSTUMBRISM) | ARTIST'S PROOF (A.P.) | SEPIA ETCHING","description":"\u003ch2 data-path-to-node=\"4\"\u003eJ. CARBONELL | THE FISHING (MEDITERRANEAN CUSTOMS) | ARTIST'S PROOF (A.P.) | SEPIA ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe nobility of the seafaring trade captured in an Artist's Proof of exceptional tonal richness. An immaculate chalcographic print that pays homage to the figurative tradition of the Mediterranean.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe Noucentista heritage and the dignity of labor\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis superb original chalcographic print takes us back to the essence of the Catalan coast's regional customs through the unmistakable and elegant line work of Jaume Carbonell. The composition focuses on two barefoot fisherwomen on the sand, carrying heavy baskets with the day's catch against a sketched maritime horizon. Carbonell resolves the scene with masterful economy of lines, directly linking to the aesthetic of \u003ci data-path-to-node=\"8\" data-index-in-node=\"454\"\u003eNoucentisme\u003c\/i\u003e: he does not seek drama, but the serene and monumental exaltation of the female figure and the dignity of traditional work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe warmth of sepia and the press's mark\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eTechnically, the great success of this edition is the abandonment of black in favor of a monochrome inking in sepia tones. This chromatic choice bathes the scene in a warm and nostalgic light, maximizing the expressiveness of the volumes and highlighting the textures of the clothes and fish scales with an impeccable contrast full of nuances.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist's Proof (A.P.) Status:\u003c\/b\u003e The handwritten inscription \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"50\"\u003e\"P A\"\u003c\/i\u003e in pencil places this work at the pinnacle of graphic collecting. It guarantees that we are looking at one of the first impressions taken from the matrix, personally reserved by the artist and excluded from the mass commercial run. It is synonymous with absolute freshness and sharpness in the copper plate's impression.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eSaturation and Tonal Richness:\u003c\/b\u003e As one of the first printings, the copper retained the ink optimally. The result is a deep, vibrant, and perfectly balanced sepia, without worn areas or unwanted veils.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e Printed on high-grammage cotton paper with noble natural deckled edges, the work is presented in pristine condition. Its structural purity makes it an unmissable acquisition for the rigorous graphic cabinet.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL DATA SHEET\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e \"The Fishing\" \/ Scene of fisherwomen (Seafaring customs).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching (printed in sepia ink) on high-grammage cotton paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Artist's Proof (\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"41\"\u003eA.P.\u003c\/b\u003e), handwritten in pencil by the artist in the lower left corner. Out-of-commerce copy.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in pencil \u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"46\"\u003e\"J. Carbonell\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm | Plate mark: Vertical format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Artist's archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Museum quality. Intact paper, free of oxidation spots (\u003ci data-path-to-node=\"14,7,0\" data-index-in-node=\"99\"\u003efoxing\u003c\/i\u003e) and with impeccable ink saturation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eAcquiring an Artist's Proof is, in essence, acquiring the print as the creator envisioned it before the matrix suffered the slightest commercial wear. \"The Fishing\" is a work of well-rounded technical execution. The timeless elegance of Carbonell's line work and the enveloping warmth of the sepia inking make it a piece of striking magnetism, designed for collectors who demand the highest quality standard a workshop can offer.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical data sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53473723482445,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0154_9004b236-b9ea-4882-86f2-3b38574f0f8f.jpg?v=1772634311"},{"product_id":"j-carbonell-mujer-en-mecedora-escena-intimista-prueba-de-estado-aguafuerte-en-sepia","title":"J. CARBONELL | WOMAN IN ROCKING CHAIR (INTIMATE SCENE) | PROOF OF STATE | SEPIA ETCHING","description":"\u003ch2 data-path-to-node=\"6\"\u003eJ. CARBONELL | WOMAN IN ROCKING CHAIR (INTIMATE SCENE) | STATE PROOF | SEPIA ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe stillness of Mediterranean costumbrismo captured in its most intimate and experimental phase. An exceptional workshop proof printed in warm sepia ink, revealing the purity of the original intaglio process.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"8\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eFigurative Intimacy and Sepia Aesthetics\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis delicate original print by Jaume Carbonell takes us away from the external hustle and bustle to delve into a scene of pure intimate stillness. The composition captures a female figure in a moment of absolute repose, reclining with her arms behind her neck on a classic curved wooden rocking chair, accompanied by the silent presence of a succulent plant in the foreground. The great visual success of the work is the choice of a monochrome inking in sepia tones, which bathes the room in a dense, nostalgic, and deeply welcoming atmosphere.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eThe Anatomy of a Workshop Proof\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eTechnically, Carbonell demonstrates his absolute mastery with the needle. It is fascinating to observe how the artist uses a loose, almost nervous stroke to build the textures of the background and the wicker of the rocking chair, in direct contrast to the linear cleanliness and anatomical precision of the central figure. As a \u003ci data-path-to-node=\"12\" data-index-in-node=\"338\"\u003eState Proof\u003c\/i\u003e or workshop proof, the print lacks a signature and commercial numbering, presenting itself as a raw and honest working document that allows the viewer to appreciate the unadulterated impression of the plate.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eDocumentary Value (State Proof):\u003c\/b\u003e For the erudite collector, prints outside the edition have a special magnetism. They are \"living documents\" that attest to the pressure and inking tests carried out by the artist in the intimacy of the studio before concluding the edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTonal Richness (Sepia Ink):\u003c\/b\u003e The saturation of the sepia color in this proof is superb. It retains the ink in the deepest grooves with a warmth that traditional black cannot match, providing an extraordinary visual relief to the composition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e Printed on heavy cotton paper with noble natural deckle edges, the work maintains museum-quality physical integrity. The depth of the intaglio impression is perfectly palpable, certifying its artisanal origin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Woman in rocking chair \/ Rest (Intimate Costumbrismo).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching (printed in sepia ink) on heavy cotton paper with natural deckle edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e State Proof \/ Workshop proof. Study copy, outside commercial edition (unsigned and unnumbered).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm | Plate Mark: Vertical format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Technical archive \/ Studio collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Intact paper, free of oxidation stains (\u003ci data-path-to-node=\"16,6,0\" data-index-in-node=\"81\"\u003efoxing\u003c\/i\u003e) and preserving a perfectly defined and textured intaglio impression.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTHE WORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eAcquiring a workshop proof is like peeking into the artist's \"kitchen.\" This print does not seek the standardized perfection of a numbered series; it offers something much more valuable: the truth of copper and ink under the pressure of the press. The serenity of the scene, combined with the spectacular warmth of sepia, makes it a piece of erudition, ideal for enriching graphic cabinets that value the history and technical anatomy of original engraving.\u003c\/p\u003e\n\u003chr data-path-to-node=\"19\"\u003e\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53473937785165,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0122_424b4ffd-2701-4c57-862b-721ecc52d58b.jpg?v=1772634976"},{"product_id":"j-carbonell-mujer-en-mecedora-la-siesta-prueba-de-autor-p-a-aguafuerte-en-sepia","title":"J. CARBONELL | WOMAN IN ROCKING CHAIR (THE NAP) | ARTIST'S PROOF (A.P.) | SEPIA ETCHING","description":"\u003ch2 data-path-to-node=\"5\"\u003eJ. CARBONELL | WOMAN IN ROCKING CHAIR (THE SIESTA) | ARTIST'S PROOF (A.P.) | SEPIA ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eMediterranean tranquility and local customs in an exquisite Artist's Proof of marked intimate character. A chalcographic print of maximum purity that captures the summer stillness in warm tones.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eFigurative Intimacy and the Summer Atmosphere\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis delicate original graphic work by Jaume Carbonell takes us away from the external bustle to immerse us in a scene of pure stillness. The composition captures a female figure in a moment of absolute rest, reclining with her hands behind her neck on a classic curved wooden rocking chair (Thonet style), accompanied by a succulent plant in the foreground. Printed in vibrant and warm sepia ink, the work exudes an atmosphere of a deeply Mediterranean summer siesta, where time seems to have stopped.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe Masterful Stroke and the Artist's Proof\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eIn this plate, Carbonell demonstrates his absolute mastery of the etching needle. He uses a loose, almost sketched and nervous line in the textures of the background wall and the wicker of the seat, contrasting sharply with the roundness, linear cleanliness, and anatomical weight of the main figure. The immense value of this example lies in its cataloging: the handwritten inscription \u003ci data-path-to-node=\"11\" data-index-in-node=\"379\"\u003e\"P. A.\"\u003c\/i\u003e (A.P.) in pencil in the lower left margin certifies that we are looking at an Artist's Proof.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eArtist's Proof (A.P.) Status:\u003c\/b\u003e Intimately reserved by the artist and excluded from the standard commercial edition, this cataloging guarantees that we are looking at one of the very first impressions to touch the press. It is synonymous with absolute freshness and definition in the copper plate's impression.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eDefinitive Tonal Richness:\u003c\/b\u003e Unlike intermediate state proofs, this A.P. exhibits the exact inking balance that the artist sought. The sepia masterfully retains light, providing extraordinary visual relief to the textures of the composition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e The print is in impeccable condition. The heavy-weight cotton paper with natural deckled edges remains intact, free of oxidation stains, giving the piece an indisputable museum quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Woman in rocking chair \/ The Siesta (Intimate genre scene).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching (printed in sepia ink) on heavy-weight cotton paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Artist's Proof (\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"41\"\u003eA.P.\u003c\/b\u003e), handwritten in pencil by the artist in the lower left margin. Example excluded from the commercial edition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in pencil \u003ci data-path-to-node=\"15,4,0\" data-index-in-node=\"46\"\u003e\"J. Carbonell\"\u003c\/i\u003e in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm | Plate impression: Vertical format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Artist's archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Museum quality. Perfectly defined chalcographic impression and paper in magnificent condition, without oxidation stains.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eTo possess an Artist's Proof of a work is to safeguard the creator's own standard of perfection. This print transcends simple figurative representation; it is a master class in chalcographic contrasts bathed in the warmth of sepia. Ideal for the discerning collector who not only demands a beautiful and serene composition, but also seeks the historical rigor and technical exclusivity that only examples reserved by the artist can offer.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53474029404493,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0111_20f6542c-e426-485d-b831-bd75895fa87b.jpg?v=1772635354"},{"product_id":"j-carbonell-la-sirena-y-el-velero-mitologia-prueba-de-estado-aguafuerte-en-sepia","title":"J. CARBONELL | THE MERMAID AND THE SAILING SHIP (MYTHOLOGY) | STATE PROOF | SEPIA ETCHING","description":"\u003ch2 data-path-to-node=\"6\"\u003eJ. CARBONELL | THE MERMAID AND THE SAILING SHIP (MYTHOLOGY) | PROOF | SEPIA ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe magnetism of classical mythology in its purest state. An exceptional workshop proof printed in warm sepia ink, revealing the original chalcographic process of the matrix before its definitive edition.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"8\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eMythological Lyricism and the Sepia Atmosphere\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThis splendid original print by Jaume Carbonell immerses us in the evocative universe of maritime mythology. The composition revives the legend of mermaids, presenting a hypnotic female figure with a scaled tail who, emerging from the waves, plays a reed flute. Behind her, silhouetted against a sky traversed by a waning moon, sails an imposing three-masted sailing ship. Carbonell achieves a timeless atmosphere, masterfully enhanced by the choice of sepia inking, which gives the scene the historical patina of ancient navigation maps.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eThe Anatomy of a Workshop Proof\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe immense interest of this piece for graphic scholarship lies in its technical nature. As a \u003ci data-path-to-node=\"12\" data-index-in-node=\"111\"\u003eProof\u003c\/i\u003e or inking trial (a non-commercial copy, without autograph signature or numbering), we are looking at an internal studio working document. It is the raw and honest record of how the artist evaluated the bite of the acid on the copper and the retention of the sepia in the textures of the sea and the sails, allowing the viewer to peek into the creator's \"kitchen.\"\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eDocumentary Value (Proof):\u003c\/b\u003e For the strict collector, out-of-series prints possess a special magnetism. They are \"living documents\" that attest to the physical tests carried out in the intimacy of the workshop, offering a conceptual purity that mass commercial editions lose.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eThematic and Literary Richness:\u003c\/b\u003e The figure of the siren enchanting sailors is a powerful visual archetype with Homeric resonances. It is a work of enormous narrative weight, ideal for libraries or collections focused on the reinterpretation of classical myths.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eGallery Level Preservation:\u003c\/b\u003e Printed on high-grammage cotton paper, the work maintains museum-grade physical integrity. The depth of the chalcographic impression is perfectly palpable, certifying its entirely artisanal craftsmanship.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Jaume (J.) Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The Mermaid and the Sailing Ship (Maritime Mythology).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching (printed in sepia ink) on high-grammage cotton paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Proof \/ Workshop Trial. Studio copy, out of commercial edition (unsigned and unnumbered).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm | Plate impression: Vertical format.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Technical archive \/ Studio collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Intact paper, free of oxidation stains, retaining a perfectly defined and textured chalcographic impression.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTHE WORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eAcquiring a workshop proof is owning a print devoid of any commercial artifice. In this proof, the sepia ink speaks for itself, defining with astonishing warmth the scales of the figure and the tension of the sails. It is a work of art designed for the graphic cabinet that not only values the undeniable literary beauty of the scene but demands to understand the physical alchemy and effort hidden in the technique of original engraving.\u003c\/p\u003e\n\u003chr data-path-to-node=\"19\"\u003e\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53474089697613,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0099_bff56198-15cf-4574-8e3b-ba07d54dbebd.jpg?v=1772635581"},{"product_id":"j-carbonell-la-sirena-y-el-velero-mitologia-prueba-de-autor-p-a-edicion-banca-mas-sarda","title":"J. CARBONELL | THE MERMAID AND THE SAILING SHIP (MYTHOLOGY) | AUTHOR'S PROOF (A.P.) | BANCA MAS SARDÀ EDITION","description":"\u003ch2 data-path-to-node=\"5\"\u003eJ. CARBONELL | THE SIREN AND THE SAILING SHIP (MYTHOLOGY) | ARTIST'S PROOF (A.P.) | BANCA MAS SARDÀ EDITION\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe sensuality of classical mythology and the exclusivity of the workshop come together in an Artist's Proof with historical pedigree. An intaglio print in sepia ink that retains its institutional provenance intact.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eMaritime lyricism and the warmth of sepia\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis splendid graphic work by the artist J. Carbonell immerses us in the evocative universe of maritime mythology. The composition rescues the classic legend of the sirens, presenting us with a hypnotic female figure with a scaled tail who, cradled by the foam of the waves, plays a reed flute. Behind her, a majestic three-masted sailing ship sails under a waning moon. Carbonell resolves the anatomy and volumes with an elegance that refers to the best Mediterranean figurative tradition. The inking in warm sepia monochrome tones gives the print the atmosphere of old navigation maps, accentuating its texture and physical presence.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe status of the Artist's Proof and patronage\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eIn terms of collecting and cataloging, the value of this print is exceptional due to its dual nature. On the one hand, the handwritten \"P A\" inscription in pencil certifies that we are looking at an Artist's Proof. It is an intimate example, one of the very first prints taken from the matrix by the creator himself, guaranteeing a sharpness of impression far superior to the commercial edition of 295 copies. On the other hand, the piece is intrinsically linked to the historical corporate patronage of the defunct Banca Mas Sardà.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eImpeccable Provenance and Pedigree:\u003c\/b\u003e The work comes with its original typographical sleeve from Banca Mas Sardà (a key entity in Catalan patronage in the 80s). Preserving this institutional packaging not only acts as undeniable proof of origin but also turns the piece into an authentic time capsule of Spanish graphic collecting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eEditorial Rarity (Not for Commercial Sale):\u003c\/b\u003e As an Artist's Proof (A.P.), the print is excluded from the standard commercial run. This scarcity positions it as a priority asset for erudite collectors looking to escape mass numbering.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e Printed on high-grammage cotton paper with noble natural deckled edges, the work has been protected for decades by its case. It is presented in impeccable condition, free of oxidation and preserving the warm and deep contrast of the intaglio sepia.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e The Siren and the Sailing Ship (Maritime mythology \/ Classical nude).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original etching (printed in sepia ink) on high-grammage cotton paper with natural deckled edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Artist's Proof (\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"41\"\u003eA.P.\u003c\/b\u003e), handwritten in pencil in the lower left margin. Example excluded from the commercial run.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in pencil \u003ci data-path-to-node=\"15,4,0\" data-index-in-node=\"46\"\u003e\"J. Carbonell\"\u003c\/i\u003e in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Original edition commissioned by the art fund of Banca Mas Sardà. Includes the original institutional sleeve.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Impeccable. Museum quality. Deep intaglio impression and paper free of oxidation, preserving the perfect contrast from the first day of printing.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eIn the contemporary art market, technical excellence must be backed by an undeniable history. This print offers exactly that: the timeless beauty of mythology rendered by Carbonell's expert hand, combined with the purity of an Artist's Proof and the documentary rigor of Banca Mas Sardà. It is a piece of graphic erudition designed to preside over and bring indisputable sophistication to the most demanding libraries and collections.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53474196193613,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0099_f7150310-a893-45b6-847a-a8dc54c55e00.jpg?v=1772635969"},{"product_id":"j-carbonell-la-pesca-costumbrismo-marinero-prueba-de-autor-p-a-edicion-banca-mas-sarda","title":"J. CARBONELL | FISHING (MARITIME COSTUMBRISM) | AUTHOR'S PROOF (P.A.) | BANCA MAS SARDÀ EDITION","description":"\u003ch2 data-path-to-node=\"4\"\u003eJ. CARBONELL | LA PESCA (MARITIME CUSTOMS) | ARTIST'S PROOF (P.A.) | BANCA MAS SARDÀ EDITION\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe essence of the Mediterranean and the exclusivity of the workshop come together in an immaculate Artist's Proof. A copper engraving in warm sepia ink that combines figurative mastery with the historical pedigree of Banca Mas Sardà.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe Dignity of the Craft and Sepia Aesthetics\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\" id=\"p-rc_d69e334037ff4ef7-18\"\u003eThis magnificent graphic work offers a direct immersion into Catalan maritime customs through the expert needle of J. Carbonell. \u003cspan class=\"citation-15 citation-end-15\"\u003eTitled \"La Pesca\" (The Catch), the composition portrays two barefoot fisherwomen on the sand, carrying heavy baskets of catches on the shore.\u003csup class=\"superscript\" data-turn-source-index=\"1\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e \u003cspan class=\"citation-14 citation-end-14\"\u003eThe scene is rendered with clean, essential lines, deeply rooted in Noucentista heritage and Mediterranean figurative tradition, where the dignity of traditional work is extolled.\u003csup class=\"superscript\" data-turn-source-index=\"2\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e \u003cspan class=\"citation-13 citation-end-13\"\u003eThe great technical success of this edition is its monochrome printing in sepia tones, a chromatic choice that bathes the composition in nostalgic light and gives the scene exceptional warmth and timelessness.\u003csup class=\"superscript\" data-turn-source-index=\"3\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\n\u003c!----\u003e\u003cbutton class=\"button multiple-button ng-star-inserted\" aria-label=\"Consulta los detalles de la fuente de las citas de Todocolección y Todocolección. Abre el panel lateral.\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/button\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\n\u003c\/div\u003e\n\u003cp\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe Status of the Artist's Proof and Patronage\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe true historical weight of this piece lies in its cataloging and provenance. The inscription \u003ci data-path-to-node=\"10\" data-index-in-node=\"98\"\u003e\"P A\"\u003c\/i\u003e handwritten in pencil in the lower left margin certifies that this is an Artist's Proof. While the regular commercial edition (published as a prestigious institutional gift for the historic Banca Mas Sardà) consisted of 295 copies, Artist's Proofs are the very first impressions the artist makes on the press and reserves for their own archive. This guarantees one of the purest, clearest, and freshest impressions taken from the copper matrix.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eEditorial Rarity (Not for Sale):\u003c\/b\u003e As an Artist's Proof, the print is strictly excluded from the massive commercial run. This scarcity positions it as a priority asset for erudite collectors seeking pieces with a more intimate and direct link to the creator.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eImpeccable Provenance and Pedigree:\u003c\/b\u003e The work is intrinsically linked to the historical edition commissioned by Banca Mas Sardà (a key entity in Catalan patronage of the 80s and founded in 1844). It is an excellent and tangible testimony to Spanish corporate collecting in the last third of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e Printed on heavy cotton paper with noble natural deckled edges, the work has come down to us in impeccable condition. Its structural purity, free of oxidation (\u003ci data-path-to-node=\"12,2,0\" data-index-in-node=\"214\"\u003efoxing\u003c\/i\u003e), maintains the bold contrasts of the sepia ink intact.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\" id=\"p-rc_d69e334037ff4ef7-19\"\u003e\u003cspan class=\"citation-12\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-12\"\u003eTitle \/ Theme:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-12 citation-end-12\"\u003e La Pesca (Scene of fisherwomen on the beach \/ Maritime customs).\u003csup class=\"superscript\" data-turn-source-index=\"4\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\n\u003cbutton class=\"button ng-star-inserted\" aria-label=\"Consulta los detalles de la fuente de la cita de Todocolección. Abre el panel lateral.\" data-hveid=\"0\" data-ved=\"0CAAQvoAQahgKEwjVmLiBi4aTAxUAAAAAHQAAAAAQ_wU\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/button\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\n\u003c\/div\u003e\n\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\" id=\"p-rc_d69e334037ff4ef7-20\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e\u003cspan class=\"citation-11 citation-end-11\"\u003e Original etching (printed in sepia ink) on heavy cotton paper with natural deckled edges.\u003csup class=\"superscript\" data-turn-source-index=\"5\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\n\u003cbutton class=\"button ng-star-inserted\" aria-label=\"Consulta los detalles de la fuente de la cita de Todocolección. Abre el panel lateral.\" data-hveid=\"0\" data-ved=\"0CAAQvoAQahgKEwjVmLiBi4aTAxUAAAAAHQAAAAAQgAY\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/button\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\n\u003c\/div\u003e\n\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\" id=\"p-rc_d69e334037ff4ef7-21\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Artist's Proof (\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"41\"\u003eP.A.\u003c\/b\u003e), handwritten in pencil by the artist in the lower left margin. \u003cspan class=\"citation-10 citation-end-10\"\u003eCopy excluded from the commercial run of 295 copies.\u003csup class=\"superscript\" data-turn-source-index=\"6\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\n\u003cbutton class=\"button ng-star-inserted\" aria-label=\"Consulta los detalles de la fuente de la cita de Todocolección. Abre el panel lateral.\" data-hveid=\"0\" data-ved=\"0CAAQvoAQahgKEwjVmLiBi4aTAxUAAAAAHQAAAAAQgQY\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/button\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\n\u003c\/div\u003e\n\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\" id=\"p-rc_d69e334037ff4ef7-22\"\u003e\u003cspan class=\"citation-9\"\u003e\u003c\/span\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003e\u003cspan class=\"citation-9\"\u003eSignature and Inscriptions:\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"citation-9\"\u003e Hand-signed in pencil \u003c\/span\u003e\u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"46\"\u003e\u003cspan class=\"citation-9\"\u003e\"J. Carbonell\"\u003c\/span\u003e\u003c\/i\u003e\u003cspan class=\"citation-9 citation-end-9\"\u003e in the lower right margin.\u003csup class=\"superscript\" data-turn-source-index=\"7\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\n\u003cbutton class=\"button ng-star-inserted\" aria-label=\"Consulta los detalles de la fuente de la cita de Todocolección. Abre el panel lateral.\" data-hveid=\"0\" data-ved=\"0CAAQvoAQahgKEwjVmLiBi4aTAxUAAAAAHQAAAAAQggY\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/button\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\n\u003c\/div\u003e\n\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\" id=\"p-rc_d69e334037ff4ef7-23\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): Approx. \u003cspan class=\"citation-8 citation-end-8\"\u003e35 x 28.5 cm.\u003csup class=\"superscript\" data-turn-source-index=\"8\"\u003e\u003c!----\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"source-inline-chip-container ng-star-inserted\"\u003e\n\n\u003cbutton class=\"button ng-star-inserted\" aria-label=\"Consulta los detalles de la fuente de la cita de Todocolección. Abre el panel lateral.\" data-hveid=\"0\" data-ved=\"0CAAQvoAQahgKEwjVmLiBi4aTAxUAAAAAHQAAAAAQgwY\"\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/button\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\n\u003c\/div\u003e\n\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Original edition commissioned by the art collection of Banca Mas Sardà (Founded in 1844).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Impeccable. Museum quality. Very pronounced intaglio mark, perfect contrasts, and intact paper, free of oxidation stains.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eAcquiring this print is treasuring an untouched piece of contemporary engraving history. \"La Pesca\" not only dazzles with the unquestionable beauty and serenity of its composition but also with the authority bestowed by its institutional provenance and its status as an Artist's Proof. It is a work of art conceived for the graphic cabinet that demands technical excellence, visual warmth, and indisputable historical rigor all in one piece.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53474282176845,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0076_6b93834d-9321-4e06-bacc-e03e81d5d177.jpg?v=1772636196"},{"product_id":"j-carbonell-la-pesca-costumbrismo-marinero-prueba-de-autor-p-a-edicion-banca-mas-sarda-1","title":"J. CARBONELL | FISHING (SEAFARING COSTUMBRISMO) | AUTHOR'S PROOF (A.P.) | BANCA MAS SARDÀ EDITION","description":"\u003ch2 data-path-to-node=\"3\"\u003eJ. CARBONELL | FISHING (SEAFARING CUSTOMS) | ARTIST'S PROOF (A.P.) | BANCA MAS SARDÀ EDITION\u003c\/h2\u003e\n\u003cp data-path-to-node=\"4\"\u003eThe essence of the Mediterranean and the exclusivity of the workshop brought together in an immaculate Artist's Proof. A chalcographic print in warm sepia ink that combines figurative mastery with the historical pedigree of Banca Mas Sardà.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"5\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"6\"\u003e\u003cb data-path-to-node=\"6\" data-index-in-node=\"0\"\u003eThe dignity of the craft and sepia aesthetics\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eThis magnificent graphic work offers us a direct immersion into Catalan seafaring customs through the expert needle of J. Carbonell. Titled \"La Pesca\" (Fishing), the composition depicts two barefoot fisherwomen on the sand, carrying heavy baskets of catches on the shore. The scene is rendered with clean, essential lines, deeply rooted in the Noucentista heritage and the Mediterranean figurative tradition, where the dignity of traditional work is extolled. The great technical success of this edition is its monochrome printing in sepia tones, a chromatic choice that bathes the composition in a nostalgic light and gives the scene exceptional warmth and timelessness.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe status of the Artist's Proof and patronage\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThe true historical weight of this piece lies in its cataloging and provenance. The inscription \u003ci data-path-to-node=\"9\" data-index-in-node=\"98\"\u003e\"P A\"\u003c\/i\u003e handwritten in pencil in the lower left margin certifies that this is an Artist's Proof. While the regular commercial edition (published as a prestigious institutional gift for the historic Banca Mas Sardà) consisted of 295 copies, Artist's Proofs are the very first impressions the artist makes on the press and reserves for their own archive. This guarantees one of the purest, sharpest, and freshest impressions taken from the copper plate.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"10\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"11\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,0,0\"\u003e\u003cb data-path-to-node=\"11,0,0\" data-index-in-node=\"0\"\u003eEditorial Rarity (Not for Sale):\u003c\/b\u003e As an Artist's Proof, the print is strictly excluded from mass commercial circulation. This scarcity positions it as a priority asset for erudite collectors seeking pieces with a more intimate and direct link to the creator.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,1,0\"\u003e\u003cb data-path-to-node=\"11,1,0\" data-index-in-node=\"0\"\u003eImpeccable Provenance and Pedigree:\u003c\/b\u003e The work is intrinsically linked to the historic edition commissioned by Banca Mas Sardà (a key entity in Catalan patronage in the 1980s and founded in 1844). It is an excellent and tangible testament to Spanish corporate collecting in the last third of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"11,2,0\"\u003e\u003cb data-path-to-node=\"11,2,0\" data-index-in-node=\"0\"\u003eGallery-Level Preservation:\u003c\/b\u003e Printed on heavy cotton paper with noble natural deckle edges, the work has come down to us in impeccable condition. Its structural purity, free of foxing, maintains the striking contrasts of the sepia ink intact.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eTECHNICAL SHEET\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e J. Carbonell.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e La Pesca (Fishing) (Scene of fisherwomen on the beach \/ Seafaring customs).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching (printed in sepia ink) on heavy cotton paper with natural deckle edges.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,3,0\"\u003e\u003cb data-path-to-node=\"13,3,0\" data-index-in-node=\"0\"\u003eEdition \/ Cataloging:\u003c\/b\u003e Artist's Proof (\u003cb data-path-to-node=\"13,3,0\" data-index-in-node=\"41\"\u003eA.P.\u003c\/b\u003e), handwritten in pencil by the artist in the lower left margin. This copy is excluded from the commercial edition of 295 copies.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,4,0\"\u003e\u003cb data-path-to-node=\"13,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed in pencil \u003ci data-path-to-node=\"13,4,0\" data-index-in-node=\"46\"\u003e\"J. Carbonell\"\u003c\/i\u003e in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,5,0\"\u003e\u003cb data-path-to-node=\"13,5,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Support (Paper): Approx. 35 x 28.5 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,6,0\"\u003e\u003cb data-path-to-node=\"13,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Original edition commissioned by the art collection of Banca Mas Sardà (Founded in 1844).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,7,0\"\u003e\u003cb data-path-to-node=\"13,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Impeccable. Museum quality. Very clear intaglio impression, perfect contrasts, and intact paper, free of oxidation stains.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"15\"\u003eAcquiring this print is to treasure an intact piece of contemporary engraving history. \"La Pesca\" not only dazzles with the unquestionable beauty and serenity of its composition but also with the authority granted by its institutional provenance and its status as an Artist's Proof. It is a work of art conceived for the graphic cabinet that demands combining technical excellence, visual warmth, and indisputable historical rigor on a single sheet of paper.\u003c\/p\u003e\n\u003chr data-path-to-node=\"16\"\u003e\n\u003cp data-path-to-node=\"17\"\u003e\u003cb data-path-to-node=\"17\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53474511454541,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0067_6fb48c4e-415b-4c9c-a11e-17948c7df556.jpg?v=1772636499"},{"product_id":"andres-nicolau-escena-taurina-nimes-2012-tecnica-mixta-tridimensional-arte-contemporaneo","title":"ANDRÉS NICOLAU | BULLFIGHTING SCENE (NIMES, 2012) | THREE-DIMENSIONAL MIXED MEDIA | CONTEMPORARY ART","description":"\u003ch2 data-path-to-node=\"5\"\u003eANDRÉS NICOLAU | BULLFIGHTING SCENE (NIMES, 2012) | THREE-DIMENSIONAL MIXED MEDIA | CONTEMPORARY ART\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe three-dimensionality of the bullring captured in a bold material intervention. An avant-garde work by master Andrés Nicolau that breaks the two-dimensional plane to merge photography and pictorial hyperrealism.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eCURATORIAL HISTORY AND ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe Sands of Nîmes and the Tension of the Bullfight\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eThis work represents a very interesting twist in the production of Andrés Nicolau, a well-established name in contemporary bullfighting art. The composition places us at a moment of maximum concentration: the bullfighter, reflective and with his gaze lowered, prepares for the moment of truth in front of the imposing bull. The inclusion of the inscription \u003ci data-path-to-node=\"9\" data-index-in-node=\"370\"\u003e\"Nimes 2012\"\u003c\/i\u003e in the lower-left corner masterfully places the scene in the historic French arena, one of the most revered venues by bullfighting fans.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003e\u003cb data-path-to-node=\"10\" data-index-in-node=\"0\"\u003eThe Visual Trompe L'oeil: Painting on Glass\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eFar from the traditional canvas, the artist presents us here with a fascinating spatial game. Starting from a photographic base, Nicolau has made a bold pictorial intervention directly on the protective outer glass. Through thick and expressive impasto paint—especially visible in the golden flashes of the matador's suit, the texture of the bullring, and the striking red signature—the paint literally floats above the background image. This technique creates an optical effect of chiaroscuro and an unprecedented depth of field, casting real shadows that give the scene an extraordinary tactile relief.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"13\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,0,0\"\u003e\u003cb data-path-to-node=\"13,0,0\" data-index-in-node=\"0\"\u003eTechnical Innovation (Mixed Media):\u003c\/b\u003e In bullfighting collecting, often dominated by classicism, finding experimental pieces of this nature is a rarity. The fusion of photographic support and material application on glass demonstrates that the mastery of hyperrealism is not at odds with the avant-garde.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,1,0\"\u003e\u003cb data-path-to-node=\"13,1,0\" data-index-in-node=\"0\"\u003eLocation and Historicity:\u003c\/b\u003e The explicit location of the work in \"Nîmes\" (2012) gives it a geographical and historical context that multiplies its interest for purists of international bullfighting.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"13,2,0\"\u003e\u003cb data-path-to-node=\"13,2,0\" data-index-in-node=\"0\"\u003eVisual Power and Format:\u003c\/b\u003e With its notable dimensions (60 x 45 cm), the work possesses a sculptural presence. It is a piece designed to captivate the eye and generate visual debate, ideal for offices or private galleries that demand figurative art with a radically modern approach.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"14\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"15\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,0,0\"\u003e\u003cb data-path-to-node=\"15,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Andrés Nicolau (b. 1964).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,1,0\"\u003e\u003cb data-path-to-node=\"15,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Bullfighting scene in Nîmes (The Bullfighter and the Bull).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,2,0\"\u003e\u003cb data-path-to-node=\"15,2,0\" data-index-in-node=\"0\"\u003ePeriod \/ Dating:\u003c\/b\u003e 2012.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,3,0\"\u003e\u003cb data-path-to-node=\"15,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Experimental mixed media. Photographic background with pictorial intervention (material loads \/ oil or acrylic impasto) applied directly onto the outer glass.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,4,0\"\u003e\u003cb data-path-to-node=\"15,4,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed with thick red impasto \u003ci data-path-to-node=\"15,4,0\" data-index-in-node=\"62\"\u003e\"Andrés Nicolau\"\u003c\/i\u003e in the lower right corner. Located and dated \u003ci data-path-to-node=\"15,4,0\" data-index-in-node=\"131\"\u003e\"Nimes 2012\"\u003c\/i\u003e in the lower left corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,5,0\"\u003e\u003cb data-path-to-node=\"15,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 60 x 45 cm (Vertical format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,6,0\"\u003e\u003cb data-path-to-node=\"15,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"15,7,0\"\u003e\u003cb data-path-to-node=\"15,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Framed work. The pictorial intervention adhered to the front glass remains intact, preserving all its volume and original color.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe magnetism of this work by Andrés Nicolau lies in its ability to trick the eye. By physically separating the brushstroke (on the glass) from the background of the scene, the artist forces us to view the work from different angles to understand its anatomy. It is a striking piece, conceived exclusively for the collector who seeks to go a step further in the contemporary representation of bullfighting.\u003c\/p\u003e\n\u003chr data-path-to-node=\"18\"\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53475323543885,"sku":null,"price":390.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0420.jpg?v=1772638044"},{"product_id":"andres-nicolau-lance-de-capote-escena-taurina-fotografia-intervenida-arte-contemporaneo","title":"ANDRÉS NICOLAU | CAPE PASS (BULLFIGHTING SCENE) | INTERVENED PHOTOGRAPHY | CONTEMPORARY ART","description":"\u003ch2 data-path-to-node=\"4\"\u003eANDRÉS NICOLAU | CAPOTE PASS (BULLFIGHTING SCENE) | INTERVENED PHOTOGRAPHY | CONTEMPORARY ART\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe dramatic tension and the light of the bullring captured in an exceptional hyperrealistic piece, validated by the masterful hand intervention of one of the great contemporary masters of bullfighting.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe Chiaroscuro of the Bullring: Sun and Shadow\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis graphic work immerses us in the epicenter of the bullfight through the eyes of Andrés Nicolau, one of the most respected artists in contemporary Spanish bullfighting posters and painting. The composition captures the exact moment of a capote pass: the bullfighter, enveloped in the intense fuchsia of the cape, lures the imposing black bull onto the sand scorched by the light. The true aesthetic triumph of this image is its masterful use of chiaroscuro. The intense contrast between the illuminated arena, the deep shadows cast by the figures, and the burgundy barrier in the background, evokes with an almost palpable precision the dense and hot atmosphere of an afternoon at the bullring.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eMixed Media and the Artist's Validation\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eTechnically, Nicolau starts with a high-resolution photographic base that allows him to achieve a level of hyperrealistic detail unattainable with traditional brushes (visible in the embroidery of the bullfighter's suit or the bull's musculature). However, the work transcends mere photographic reproduction thanks to the artist's direct intervention. In the lower right corner, Nicolau seals and validates the composition by applying his handwritten signature with a dense, textured black gouache \u003ci data-path-to-node=\"10\" data-index-in-node=\"494\"\u003e\"Andrés Nicolau\"\u003c\/i\u003e. This tactile and manual intervention breaks the flatness of the medium and imbues the piece with the \"aura\" and undeniable authenticity of the creator's hand.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eExpressive Force and Hyperrealism:\u003c\/b\u003e The choice of mixed media allows Nicolau to freeze movement with absolute fidelity, offering the collector a hyperrealistic window into the most striking and daring moment of the bullfight.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eThe Master's Imprint:\u003c\/b\u003e The imposing gouache signature is not merely a legal formality; it is a pictorial intervention in itself. It acts as a direct and tangible certificate of authorship that elevates the piece above conventional serialized photography.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003ePreservation and Classic Packaging:\u003c\/b\u003e The work is presented with a high-quality mounting. Protected under glass, it rests on a sober dark passe-partout that enhances the luminosity of the sand, finished with an imposing classic carved frame in gold and bronze tones. A set designed to provide a striking presentation for any collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Andrés Nicolau (b. 1964).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Capote Pass \/ Bullfighting Scene (Spanish Costumbrism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Mixed media. High-definition photographic base intervened and directly validated by the artist.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Hand-signed with thick black gouache impasto \u003ci data-path-to-node=\"14,3,0\" data-index-in-node=\"74\"\u003e\"Andrés Nicolau\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Photograph: Approx. 42.5 x 53 cm (Overall dimensions with frame to be confirmed).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. Intact work, free from light damage, preserved under glass and framed with a high-quality classic molding.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eCollecting bullfighting art demands rigor, force, and truth. This work by Andrés Nicolau fulfills all three premises. It not only captures the ephemeral plasticity of the cape but also documents the relentless light of the bullring with impeccable hyperrealistic execution. The material intervention of his signature is the definitive endorsement of a contemporary master. A solid acquisition for the graphic cabinet seeking the purity of the national fiesta seen through a modern lens.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is accompanied by an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53475432661325,"sku":null,"price":290.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0403_3ef7e40d-d022-4c6e-8049-069815d98ed6.jpg?v=1772638483"},{"product_id":"mercedes-docon-oleo-original-torturado-s-xxi-impasto-materico","title":"Mercedes d'Ocon | Tortured, 21st Century | Original Oil with Impasto","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe silenced scream through matter. An original oil painting where the violence of sculptural technique is placed at the absolute service of contemporary social protest.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe anatomy of censorship and chromatic contrast\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eMercedes d'Ocon del Cid is not content with illustrating psychological pain; she materializes it. In \"Tortured, 21st Century,\" the visual narrative is constructed from a brutal contrast. Against an abyssal, dark background devoid of spatial references, a subjugated human profile emerges. The work's attention is not focused on the subject's gaze — which the artist chooses to fragment and conceal — but on the strident green gag. This chromatic choice is not accidental: the artificial green acts as a visual tourniquet that cuts off the work's breath, suffocating the organic and earthy tones of the skin and generating unbearable tension in the center of the canvas.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe triumph of materism\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe truly desolate and masterful aspect of this piece is its tactile execution. D'Ocon does not paint the skull and face; she sculpts them by accumulating thick layers of oil. This extreme material load (\u003ci data-path-to-node=\"6\" data-index-in-node=\"192\"\u003eimpasto\u003c\/i\u003e), cracked, rough, and full of craters, resembles a battered geological terrain or an open wound. It is a technical resource inherited from the rawness of Spanish Informalism and the existential anguish of post-war figuration, used here forcefully to transfer physical violence and psychological wear directly to the viewer.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy this piece is an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003ePsychological Force (Statement Art):\u003c\/b\u003e In a market often dominated by pleasing aesthetics, this work stands as an act of artistic bravery. It is a powerful piece, designed for collections seeking committed and visceral art, capable of shaking the gaze and structuring the character of a room.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eTactile Three-dimensionality:\u003c\/b\u003e The aggression of the technique is palpable. The sculptural relief of the head literally protrudes from the canvas, giving the work a physical presence that mutates and casts dramatic shadows depending on the directional light it receives in the room.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eComposition and Packaging:\u003c\/b\u003e Despite its crude theme, the work possesses impeccable visual balance. The background gives all its weight to the face, while the signature in bright red (\"M. d'Ocon\") acts as a visual anchor in the lower area. It is presented with a sober minimalist black frame that frames the tension without detracting from the canvas.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Mercedes d'Ocon del Cid.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Tortured, 21st Century (Psychological portrait \/ Social protest).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Spanish Art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original oil on canvas with extreme material load (\u003ci data-path-to-node=\"10,3,0\" data-index-in-node=\"74\"\u003eimpasto\u003c\/i\u003e).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 70 x 60 cm (artwork).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"M. d'Ocon\" in red brushstroke in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The paint layer is stable and the thick impasto reliefs maintain a firm adhesion to the support, preserving the deep color saturation. Includes period frame.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and experience the impact of its three-dimensional relief.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003eIn the history of painting, quality does not always reside in decorative harmony; often it resides in the undeniable truth of the work. What convinced me to include this canvas in the catalog is its absolute coherence: d'Ocon not only illustrates the violence of censorship, but she exerts it on the painting itself. The head seems literally about to burst under the graphic pressure of that green fabric. This is not a painting to go unnoticed in a hallway; it is a statement of intent. A tough, learned, and magnetic painting conceived for a collector who understands that good art must, above all, challenge us.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53476652745037,"sku":null,"price":395.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0001_4a463c46-376d-4d18-8759-b47f39795286.jpg?v=1772641555"},{"product_id":"jordi-maragall-mira-oleo-original-retrato-femenino-colorista","title":"Jordi Maragall Mira | Female Portrait | Original Colorist Oil Painting","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eThe legacy of colorism in Catalan painting. An original oil painting that abandons academic realism to sculpt physiognomy with pure brushstrokes and energetic lines.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eSculpting light through pure color\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eTraditional figurative portraiture often pursues anatomical accuracy through subtle blending of tones. Jordi Maragall Mira (1936-2023) takes the opposite path. Drawing directly from the \u003ci data-path-to-node=\"4\" data-index-in-node=\"205\"\u003eFauvist\u003c\/i\u003e heritage and French modernity, the artist decides that color should not describe reality, but construct it. Instead of blurring, he applies bold, pure color brushstrokes. Observing the resolution of shadows and volumes, we see the deliberate use of emerald greens, vibrant pinks, oranges, and lead whites applied directly and materially. This technical decision, far from blurring the face, endows it with exceptional psychological structure and thermal vibration.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eThe visual skeleton and the atmospheric background\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe second major decision of the work is the use of line. Maragall frames the features and contour with a dark, vigorous line—a technique inherited from \u003ci data-path-to-node=\"6\" data-index-in-node=\"158\"\u003eCloisonnism\u003c\/i\u003e. These lines do not act as a rigid boundary, but as a visual skeleton that supports the chromatic explosion within and prevents the composition from losing strength. To maximize this contrast effect, the artist places the figure on a textured background in golden and mustard tones; being a flat but luminous surface, it pushes the face towards the viewer, giving this medium-sized canvas a resounding and direct presence.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eSignature Expressionism:\u003c\/b\u003e Jordi Maragall Mira belongs to one of Barcelona's most relevant cultural lineages. His work represents a fundamental bridge between the historical Catalan avant-garde and contemporary figuration, bringing historical rigor to any collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eDecorative Audacity:\u003c\/b\u003e In a market full of classical portraits, this piece stands out for its boldness. The acidic and vibrant palette makes it an immediate focal point, capable of injecting a very contemporary and sophisticated character into neutral, minimalist, or eclectic interiors.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003ePhysical Presence:\u003c\/b\u003e As an original oil painting with a strong \u003ci data-path-to-node=\"8,2,0\" data-index-in-node=\"64\"\u003eimpasto\u003c\/i\u003e, the work is not only visually readable but also possesses real texture. The gestural brushwork and frontality ensure that the painting authoritatively dominates the exhibition space.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Jordi Maragall Mira (Barcelona, 1936 – 2023).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Female Portrait (Figurative Expressionism \/ Colorism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Spanish Contemporary Art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original oil on canvas, worked with notable material load and gestural strokes.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 41 x 33 cm (Cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The pictorial layer is stable, preserving the saturation, light, and relief of the original brushwork intact.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and verify its chromatic and textural strength.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003ePainting a face using thick green, pink, and orange strokes, and achieving a final result that conveys such credible human serenity, demands undeniable technical mastery. That is exactly what makes this canvas by Maragall Mira special. It is not a complacent portrait; it is a declaration of pictorial intentions. It is the kind of painting that reveals an audacious collector, someone who understands that good art is not only made to decorate but to challenge the gaze and visually structure a room.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study, technical sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53476795547981,"sku":null,"price":410.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0278_02.jpg?v=1772845552"},{"product_id":"benet-fallareda-oleo-original-tabla-ballet-danza-1959","title":"Benet Fallareda | Ballet Couple (1959) | Original Oil on Board","description":"\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eA collector's small painting, dated 1959. An original oil on wood panel capturing a classical dance scene with strong chiaroscuro and the impasto texture characteristic of Catalan Post-Impressionism.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eThe Scenic Focus and Impressionist Heritage\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eThis cabinet piece, attributable to the Catalan painter Benet Fallareda, falls within the figurative tradition exploring the performing arts. The composition draws directly from the French Impressionist fascination with dance—recalling the framing of Edgar Degas—but is executed under the technical and chromatic parameters of the mid-20th century Catalan school. The narrow vertical format accentuates the stylization of the dancers, concentrating all the action in the center of the panel.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003e\u003cb data-path-to-node=\"5\" data-index-in-node=\"0\"\u003eGestural Technique and Theatrical Chiaroscuro\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe greatest achievement of the piece is its handling of light. A diagonal beam traverses the composition, isolating the figures from the neutral background and projecting their volumes into the foreground. The artist employs a rapid and direct technique: he foregoes academic closed drawing to model the anatomy and tutus using impasto. Notable is the use of sgraffito—incisions made on still-wet paint—to agilely define the outline of the legs and pointe shoes, adding texture and dynamism to the surface.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"7\"\u003eWhy this piece is an opportunity for your collection?\u003c\/h2\u003e\n\u003cul data-path-to-node=\"8\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,0,0\"\u003e\u003cb data-path-to-node=\"8,0,0\" data-index-in-node=\"0\"\u003eDating and Autograph Signature (1959):\u003c\/b\u003e The presence of the clear signature along with the exact date of execution on the front adds undeniable historiographical value, anchoring the work in a very specific moment of post-war Spanish figuration.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,1,0\"\u003e\u003cb data-path-to-node=\"8,1,0\" data-index-in-node=\"0\"\u003eCabinet Format (Tableautin):\u003c\/b\u003e Its small dimensions (21 x 11 cm) are designed for intimate, close observation. It is an extremely versatile piece, ideal for integrating into wall compositions (gallery walls), small shelves, or as a focal point on a desk.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"8,2,0\"\u003e\u003cb data-path-to-node=\"8,2,0\" data-index-in-node=\"0\"\u003eThematic Demand:\u003c\/b\u003e The representation of classical dance maintains a very consolidated collecting interest. It is an elegant theme that adds a classic and sophisticated counterpoint to any interior design project.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eTechnical Data Sheet\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Benet Fallareda (Catalan School, mid-20th century).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,1,0\"\u003e\u003cb data-path-to-node=\"10,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Ballet Couple \/ \u003ci data-path-to-node=\"10,1,0\" data-index-in-node=\"34\"\u003ePas de deux\u003c\/i\u003e (Classical Dance).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e 1959 (Signed and dated).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Oil on rigid panel, with impasto and sgraffito.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,4,0\"\u003e\u003cb data-path-to-node=\"10,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 21 x 11 cm (Tableautin format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,5,0\"\u003e\u003cb data-path-to-node=\"10,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed \"Fallareda\" and dated \"1959\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,6,0\"\u003e\u003cb data-path-to-node=\"10,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Secondary art market, private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,7,0\"\u003e\u003cb data-path-to-node=\"10,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good overall condition. The paint layer maintains excellent adhesion and color vibrancy. As it is an unframed panel, the support shows logical perimeter wear and slight scuffing on the edges. These historical details will be completely invisible when mounted with a classic molding or a floater frame.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,8,0\"\u003e\u003cb data-path-to-node=\"10,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return period to inspect the artwork in person and verify its condition.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp data-path-to-node=\"12\"\u003ePainting dance requires the technical ability to capture movement before it stops. Fallareda achieves this in this small panel through rapid execution and the striking success of the overhead light that bathes the figures. There is no indulgence in unnecessary details; it is pure, direct painting. It is a very well-structured cabinet piece, over six decades old, perfect for collectors seeking period small-format painting with a strong theatrical presence.\u003c\/p\u003e\n\u003chr data-path-to-node=\"13\"\u003e\n\u003cp data-path-to-node=\"14\"\u003e\u003cb data-path-to-node=\"14\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This artwork is delivered with a research study, technical data sheet, and curatorial context prepared and printed by \u003ci data-path-to-node=\"14\" data-index-in-node=\"159\"\u003eEl Taller del Coleccionista\u003c\/i\u003e.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53484096061773,"sku":null,"price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0110_03.jpg?v=1772716943"},{"product_id":"josep-maria-subirachs-eva-serpiente-tinta","title":"Attributed to Josep Maria Subirachs | Eve and the Serpent (The Original Sin) | Ink Drawing","description":"\u003cp\u003eThe purity of line and classical symbolism in an intimate work linked to the circle of the great master of contemporary Catalan sculpture. A masterful lesson in anatomy and visual synthesis.\u003c\/p\u003e\n\u003ch2\u003eHistory and Curatorial Analysis\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eThe Versatility of Genius: From Geometry to Sensuality\u003c\/b\u003e When the general public thinks of Josep Maria Subirachs (1927-2014), the monumental geometric and dramatic Sagrada Familia Passion Façade immediately comes to mind. However, this exceptional piece reveals an indispensable facet to understanding the true magnitude of his production and legacy: the absolute mastery of classical drawing and the curved line.\u003c\/p\u003e\n\u003cp\u003eThis ink drawing addresses one of the great archetypes of art history: the myth of Eve and Original Sin. Far from the heaviness of stone, a continuous, firm line of modulated thickness is used to delineate the sensual anatomy of the lower half of a nude female figure.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSymbolism and Economy of Means\u003c\/b\u003e The composition is a triumph of minimalism and iconography. The figure stands gracefully on a fragment of a sphere (symbol of the world or perfection), while at her feet, drawn with the same millimeter-perfect precision, a serpent with open jaws slithers menacingly. No backgrounds, shadows, or dramatic washes are needed; the masterful use of negative space (the white of the paper) and the precision of the line are enough to give the figure sculptural volume and a magnetic presence.\u003c\/p\u003e\n\u003ch2\u003eWhy is this piece an opportunity for your collection?\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eStylistic Rarity (Pure Line):\u003c\/b\u003e In the art market, it is relatively common to find prints or drawings from his angular expressionist period. Owning an ink work that demonstrates such virtuosity with the continuous and classical line is a first-rate curatorial find that adds enormous richness to any collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eIconographic Power:\u003c\/b\u003e The theme of Eve and the serpent is directly linked to universal symbolism. It is a work of deep narrative content resolved with extraordinary visual elegance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTransparency and Investment Value:\u003c\/b\u003e The work features the characteristic block letter inscription, \"SUBIRACHS,\" located in the lower right corner. As the certificate issued by the artist's heirs or foundation is not currently available, the work is cataloged with complete rigor and transparency as \"attributed.\" This allows the collector to acquire a piece of the highest aesthetic quality and evident technical connection to the master at a highly competitive market value.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eTechnical Sheet\u003c\/h2\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eArtist:\u003c\/b\u003e Attributed to Josep Maria Subirachs (Barcelona, 1927 - 2014).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTitle \/ Theme:\u003c\/b\u003e Eve and the Serpent \/ Original Sin (Female Nude \/ Symbolism).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eEstimated Period:\u003c\/b\u003e Second half of the 20th century.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eTechnique and Support:\u003c\/b\u003e Monochrome ink drawing on warm-toned drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 24 x 16.5 cm (Vertical format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eSignature and Inscriptions:\u003c\/b\u003e Features the inscription \"SUBIRACHS\" in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eStyle \/ Movement:\u003c\/b\u003e Neo-figuration \/ Classical Synthesis.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp\u003e\u003cb\u003eCondition:\u003c\/b\u003e Excellent archival quality.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2\u003eThe Workshop's Note\u003c\/h2\u003e\n\u003cp\u003eA sculptor draws differently from a painter; their mind always seeks three-dimensional volume. In this print, a simple ink line is made to \"weigh\" and occupy a place in space. A silent, profoundly elegant piece of undeniable academic erudition, reserved for the collector who seeks genius without artifice.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study prepared and printed by El Taller del Coleccionista, certifying our cataloging work, the stylistic argumentation of the attribution (in the absence of an external certificate), and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53487198863693,"sku":null,"price":1130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0073_82ea625a-07fa-436c-be8d-c5cec52ec418.jpg?v=1772732897"},{"product_id":"jordi-arenas-el-sonido-de-la-luz-joven-musico-tinta-original-y-pigmento-expresionismo-catalan","title":"JORDI ARENAS | THE SOUND OF LIGHT (YOUNG MUSICIAN) | ORIGINAL INK AND PIGMENT | CATALAN EXPRESSIONISM","description":"\u003ch2 data-path-to-node=\"5\"\u003eJORDI ARENAS | THE SOUND OF LIGHT (YOUNG MUSICIAN) | ORIGINAL INK AND PIGMENT | CATALAN EXPRESSIONISM\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eAn original drawing of extraordinary dynamism where Jordi Arenas manages to capture the intangibility of music through a resounding burst of golden light.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eCURATORIAL HISTORY AND ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eVisual synesthesia and frenetic strokes\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eAt the heart of Jordi Arenas i Clavell's (1920-1998) artistic production lies a constant search to capture pure emotion and movement. This drawing, fully dated 1969, is an exceptional piece from his creative maturity. Depicting a young man engrossed in playing a traditional wind instrument (possibly a \u003ci data-path-to-node=\"9\" data-index-in-node=\"355\"\u003egralla\u003c\/i\u003e or flute), Arenas uses an overwhelmingly dynamic, almost frenetic black ink stroke, based on crisscrossing lines that seem to physically vibrate on the paper.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe boy's face, concentrated, serene and with melancholic features, masterfully contrasts with the explosiveness of the streaked atmosphere that surrounds him, creating a visual tension inherited from the best figurative expressionism.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eThe materialization of sound: the metallic gleam\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe aesthetic discovery and differentiating element of this print is the striking application of brilliant pigment (probably \u003ci data-path-to-node=\"12\" data-index-in-node=\"127\"\u003egouache\u003c\/i\u003e or metallic bronze\/gold ink) in the left margin. This star-shaped form is not a decorative resource; it is pure \"synesthesia.\" It is the plastic representation of sound, a musical note emanating from the instrument and tearing through space. Arenas's technique here is audacious: he allows the black ink to narrate the anatomy, while the metallic gleam narrates the acoustic magic of the moment.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eMuseum Signature:\u003c\/b\u003e Jordi Arenas is an undisputed figure of 20th-century Catalan art, whose legacy is preserved by the Mataró Museum. Owning an original by him means incorporating an institutional signature into a private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eAutographed Dating (1969):\u003c\/b\u003e The work features the bold capital signature \u003ci data-path-to-node=\"14,1,0\" data-index-in-node=\"77\"\u003e\"JORDI ARENAS\"\u003c\/i\u003e and the exact date \u003ci data-path-to-node=\"14,1,0\" data-index-in-node=\"110\"\u003e\"1969\"\u003c\/i\u003e handwritten in the lower right corner, ensuring its authenticity and placing it in a decade of great graphic experimentation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eConceptual Erudition:\u003c\/b\u003e The representation of sound through abstract metallic stain elevates this genre sketch to the category of an intellectual essay on the limits of drawing.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SHEET\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Jordi Arenas i Clavell (Mataró, 1920 - 1998).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Young Musician \/ The Sound of Light (Genre scene \/ Synesthesia).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eYear of creation:\u003c\/b\u003e 1969.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original black ink drawing (crossed gestural stroke) with bronze\/gold metallic pigment intervention on paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Approx. 21.5 x 15 cm (Vertical cabinet format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and hand-dated \u003ci data-path-to-node=\"16,5,0\" data-index-in-node=\"48\"\u003e\"JORDI ARENAS \/ 1969\"\u003c\/i\u003e in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Figurative Expressionism \/ Catalan School.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,7,0\"\u003e\u003cb data-path-to-node=\"16,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery stock.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,8,0\"\u003e\u003cb data-path-to-node=\"16,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent period condition. The ink retains all its graphic strength and the metallic pigment maintains its reflective quality. The cellulosic support shows a beautiful and uniform toasted tone (patina of time) that attests to its historical authenticity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eWORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eDrawing silence is difficult, but drawing sound is a challenge reserved only for great masters. Jordi Arenas orchestrates a concert of urgent lines and golden lights on this paper, demonstrating that academic rigor can and should coexist with the most absolute expressive freedom. A graphic jewel for the collector who seeks vibration and vital pulse in art on paper.\u003c\/p\u003e\n\u003chr data-path-to-node=\"19\"\u003e\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eCollector's Dossier Included:\u003c\/b\u003e This work is delivered with a research study of the work, prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53487222849869,"sku":null,"price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0333_04.jpg?v=1772734066"},{"product_id":"pere-oliver-la-satira-del-vencedor-1939-tecnica-mixta-documento-historico","title":"PERE OLIVER | THE SATIRE OF THE VICTOR (1939) | MIXED MEDIA | HISTORICAL DOCUMENT","description":"\u003ch2 data-path-to-node=\"6\"\u003ePERE OLIVER | THE SATIRE OF THE VICTOR (1939) | MIXED MEDIA | HISTORICAL DOCUMENT\u003c\/h2\u003e\n\u003cp data-path-to-node=\"7\"\u003eThe end of an era and the beginning of the new order captured with biting irony. An exceptional historical document where illustration becomes a veiled satire on opulence and scarcity in post-war Spain.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"8\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe \"Third Triumphal Year\" and caricatural opulence\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eApril 1939. The echo of the final moments of the Civil War still resonates, and Pere Oliver captures in this masterful piece the atmosphere of that precise historical moment. The print is temporally and politically anchored by the emphatic handwritten inscription in its lower right corner: \u003ci data-path-to-node=\"10\" data-index-in-node=\"290\"\u003e\"1939 third triumphal year\"\u003c\/i\u003e, the official propagandistic dating imposed by the victorious side.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eHowever, the work is far from a complacent pamphlet; it is a tremendously audacious satirical staging. To the left, the artist groups a compact block representing the dominant classes or the \"powers that be.\" These six characters are depicted with an almost grotesque and theatrical opulence: wrapped in fur coats so dense they resemble armor, and adorned with an eclectic variety of historical and bourgeois hats. Their faces oscillate between complacency, mockery, and haughtiness, celebrating the restored order.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003e\u003cb data-path-to-node=\"12\" data-index-in-node=\"0\"\u003eThe narrative tension: the scrutiny of power\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"13\"\u003eOliver's narrative genius explodes in contrast with the figure on the right. Breaking the group's effervescence, a young woman dressed in a simple primary-colored dress stands before them. The poignant detail that takes the viewer's breath away is her vulnerability: she is completely barefoot.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThe young woman does not stare into space; she firmly holds the gaze of the man in the opulent red coat and yellow collar, who extends his hand to lift her chin in a gesture of superiority and scrutiny. Is it an allegory of defeated Spain evaluated by the victors? Is it the personification of real scarcity in the face of excessive luxury? This tension, crowned by the ironic and subtle pencil drawing of a smiling sun in the left sky, elevates the print to the category of a veiled sociopolitical chronicle.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eWHY THIS PIECE IS AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eFirst-Order Documentary Value:\u003c\/b\u003e The explicit inclusion of the motto \u003ci data-path-to-node=\"16,0,0\" data-index-in-node=\"66\"\u003e\"1939 third triumphal year\"\u003c\/i\u003e transforms this sketch into a priority object of desire for historians, foundations, and collectors specializing in the Spanish Civil War and the early stages of Francoism.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eMastery of Color and Texture:\u003c\/b\u003e Oliver displays superb graphic technique. The use of watercolor pigments to saturate the electric blues and carmine reds of the coats demonstrates a mastery of the palette characteristic of great interwar poster art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eDouble Reading (Political Satire):\u003c\/b\u003e Works that manage to circumvent censorship or the triumphalism of the era through visual irony (such as that mix of theatrical attire versus barefoot misery) possess a higher intellectual weight than mere genre illustration.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"18\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,0,0\"\u003e\u003cb data-path-to-node=\"18,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Pere Oliver.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,1,0\"\u003e\u003cb data-path-to-node=\"18,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Satire of the Victor \/ The Evaluation (Political Satire \/ Spanish Civil War).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,2,0\"\u003e\u003cb data-path-to-node=\"18,2,0\" data-index-in-node=\"0\"\u003eYear of Creation:\u003c\/b\u003e 1939.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,3,0\"\u003e\u003cb data-path-to-node=\"18,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original mixed media (ink, graphite, and watercolor\/gouache) on drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,4,0\"\u003e\u003cb data-path-to-node=\"18,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e Approx. 22 x 26.5 cm (Landscape format).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,5,0\"\u003e\u003cb data-path-to-node=\"18,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Signed and hand-titled \u003ci data-path-to-node=\"18,5,0\" data-index-in-node=\"49\"\u003e\"P. Oliver \/ 1939 tercer año triunfal\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,6,0\"\u003e\u003cb data-path-to-node=\"18,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e Satirical illustration \/ Expressive figuration.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,7,0\"\u003e\u003cb data-path-to-node=\"18,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"18,8,0\"\u003e\u003cb data-path-to-node=\"18,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent historical archival quality. \u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"19\"\u003eTHE WORKSHOP NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"20\"\u003eSome drawings decorate, and some document; this work indisputably belongs to the latter category. Pere Oliver bequeathed us on this paper a visual essay on inequality and power in one of the most turbulent years of our history. A treasure of graphic bibliophilia indispensable for those who can read between the lines of contemporary Spanish history.\u003c\/p\u003e\n\u003chr data-path-to-node=\"21\"\u003e\n\u003cp data-path-to-node=\"22\"\u003e\u003cb data-path-to-node=\"22\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with a research study of the piece, prepared and printed by El Taller del Coleccionista, certifying our research and the known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53488421798221,"sku":null,"price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0184_02.jpg?v=1772756734"}],"url":"https:\/\/eltallerdelcoleccionista.com\/en\/collections\/retratos-y-figura-humana.oembed?page=5","provider":"El taller del coleccionista","version":"1.0","type":"link"}