{"product_id":"anita-sola-dimbert-composicion-estructural-en-rojo-y-negro-abstraccion-geometrica-tecnica-mixta","title":"ANITA SOLÀ D'IMBERT | STRUCTURAL COMPOSITION IN RED AND BLACK | GEOMETRIC ABSTRACTION | MIXED MEDIA","description":"\u003ch1 data-path-to-node=\"0\"\u003eANITA SOLÀ D'IMBERT | STRUCTURAL COMPOSITION IN RED AND BLACK | GEOMETRIC ABSTRACTION | MIXED MEDIA\u003c\/h1\u003e\n\u003cp data-path-to-node=\"1\"\u003e\u003ci data-path-to-node=\"1\" data-index-in-node=\"0\"\u003eAn exercise in formal tension that captures the essence of constructivism with a purely contemporary sensibility.\u003c\/i\u003e\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"2\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h2\u003e\n\u003ch3 data-path-to-node=\"3\"\u003eThe architecture of abstract thought\u003c\/h3\u003e\n\u003cp data-path-to-node=\"4\"\u003eWithin the evolution of contemporary Catalan avant-garde, there are creators who need to abandon the figurative to find pure order. In this work, Anita Solà d'Imbert dispenses with any organic reference to delve into structural precision. This is not a simple drawing, but the planimetry of an idea. The artist builds an infinite space on white paper, demonstrating that geometric abstraction is not a cold language, but a deeply intellectual way of ordering the chaos of the world.\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eWhen analyzing the composition, the eye is caught in a network of kinetic, agile, and sharp lines that seem to cut through the void at high speed. These lines act as the skeleton that supports a series of floating triangular planes. The visual triumph of the work lies in the strategic use of the color red: vibrant, saturated, and decisive. This red does not merely serve an aesthetic function; it acts as a visual anchor that gives weight, gravity, and rhythm to a structure that would otherwise seem to be in constant and chaotic expansion.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThe choice of mixed media is the perfect vehicle to express this duality. On one hand, we observe the blurred softness of grayish charcoal, which adds volume, shadow, and an almost atmospheric quality to the interior planes. On the other, the forceful nature of the dark, defined line emerges, marking the edges and directions of force with absolute assertiveness. It is a tactile conversation between the human gesture that smudges the graphite and the analytical mind that traces the vector.\u003c\/p\u003e\n\u003ch2 data-path-to-node=\"9\"\u003eWHY THIS PIECE IS AN OPPORTUNITY FOR YOUR COLLECTION\u003c\/h2\u003e\n\u003cul data-path-to-node=\"10\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,0,0\"\u003e\u003cb data-path-to-node=\"10,0,0\" data-index-in-node=\"0\"\u003eAssertiveness in Small Format:\u003c\/b\u003e Its dimensions (23.5 x 16 cm) demand intimate contemplation. It is a cabinet piece that does not shout for space but draws the viewer in, demonstrating that visual force does not depend on large formats, but on the purity of design.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,2,0\"\u003e\u003cb data-path-to-node=\"10,2,0\" data-index-in-node=\"0\"\u003eThe Value of the Series:\u003c\/b\u003e Belonging to a series of structural explorations, it has a strong narrative component. If accompanied by complementary pieces by the same author, its curatorial value multiplies, allowing the artist's evolutionary process to be displayed on the wall (the concept of a diptych or triptych).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"10,3,0\"\u003e\u003cb data-path-to-node=\"10,3,0\" data-index-in-node=\"0\"\u003eAvant-garde Purity:\u003c\/b\u003e It represents the assimilation of European constructivist currents filtered through Catalan graphic art. A cultivated work that adds intellectual depth to any private collection.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"11\"\u003eTECHNICAL SHEET\u003c\/h2\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Anita Solà d'Imbert.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Structural Composition in Red and Black.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003ePeriod:\u003c\/b\u003e Contemporary Art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,3,0\"\u003e\u003cb data-path-to-node=\"12,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Mixed media (charcoal, ink, and waxes\/red pigment) on original paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,4,0\"\u003e\u003cb data-path-to-node=\"12,4,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e 23.5 x 16 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,5,0\"\u003e\u003cb data-path-to-node=\"12,5,0\" data-index-in-node=\"0\"\u003eSignature:\u003c\/b\u003e Hand-signed \u003ci data-path-to-node=\"12,5,0\" data-index-in-node=\"31\"\u003e\"Anita Solà d'Imbert\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,6,0\"\u003e\u003cb data-path-to-node=\"12,6,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,7,0\"\u003e\u003cb data-path-to-node=\"12,7,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent. The support remains clean, and the pigments retain all their contrast, saturation, and vibrancy without signs of degradation or loss of fixation.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,8,0\"\u003e\u003cb data-path-to-node=\"12,8,0\" data-index-in-node=\"0\"\u003eInspection Guarantee:\u003c\/b\u003e 14-day guaranteed return to inspect the work in person and experience the vibrancy of its red firsthand.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-path-to-node=\"13\"\u003eTHE WORKSHOP'S NOTE\u003c\/h2\u003e\n\u003cp data-path-to-node=\"14\"\u003eWhen you face a figurative painting, you can hide behind the subject; but in works like this, the artist relies solely on balance, rhythm, and proportion. What I like most about this paper is that it is not made by a machine. Despite being pure geometry, when you get a few centimeters closer, you see the texture of the paper torn by the stroke, the slight imperfection of the manual blurring, the urgency of those intersecting black lines. It is an exercise in brutal restraint. An ideal piece for someone who wants their wall to convey order, but with soul and human pulse.\u003c\/p\u003e\n\u003chr data-path-to-node=\"15\"\u003e\n\u003cp data-path-to-node=\"16\"\u003e\u003cb data-path-to-node=\"16\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53457106895181,"sku":null,"price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0086_04.jpg?v=1772462885","url":"https:\/\/eltallerdelcoleccionista.com\/en\/products\/anita-sola-dimbert-composicion-estructural-en-rojo-y-negro-abstraccion-geometrica-tecnica-mixta","provider":"El taller del coleccionista","version":"1.0","type":"link"}