{"product_id":"antoni-de-ferrater-paisaje-de-camprodon-1934-dibujo-original-noucentisme-catalan","title":"ANTONI DE FERRATER | LANDSCAPE OF CAMPRODON (1934) | ORIGINAL DRAWING | CATALAN NOUCENTISME","description":"\u003ch2 data-path-to-node=\"5\"\u003eANTONI DE FERRATER | CAMPRODON LANDSCAPE (1934) | ORIGINAL DRAWING | CATALAN NOUCENTISME\u003c\/h2\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe architect's constructive rigor and the light of the Pyrenees, united in a sketch from nature. A historical visual document, dated 1934, that captures the essence of the landscape and the summer vacations of the Catalan bourgeoisie.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"7\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"8\"\u003e\u003cb data-path-to-node=\"8\" data-index-in-node=\"0\"\u003eThe architect's gaze and the synthesis of the landscape\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eAntoni de Ferrater i Feliu (1891-1959) was a man of synthesis: an architect by profession and a draftsman by vocation. This analytical duality is key to deciphering this work. While a purely romantic painter would have gotten lost in the anecdote of the foliage, Ferrater instinctively seeks the underlying structure of the landscape.\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eIn this small-format original drawing, we see how the artist \"constructs\" nature. The farmhouses or summer houses are not mere scenic elements; they possess weight, volume, and a solid perspective that immediately reveals the expert hand of the architect. However, the stroke that defines the trees is loose, atmospheric, and enormously vibrant, demonstrating exceptional plastic fluidity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003e\u003cb data-path-to-node=\"11\" data-index-in-node=\"0\"\u003eCamprodon 1934: A Historical \u003ci data-path-to-node=\"11\" data-index-in-node=\"39\"\u003ePlein Air\u003c\/i\u003e Document\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe immense value of this print lies in its immediacy and its dating. It is a work of pure \u003ci data-path-to-node=\"12\" data-index-in-node=\"87\"\u003eplein air\u003c\/i\u003e painting (outdoor drawing), a sketch taken live during a stay in Camprodon, the legendary summer retreat of the Catalan upper bourgeoisie. The work does not show studio retouching; it is the raw and direct capture of a corner where rural architecture dialogues with the forest, reflecting the order, clarity, and balance characteristic of the \u003ci data-path-to-node=\"12\" data-index-in-node=\"463\"\u003eNoucentisme\u003c\/i\u003e sensibility.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eAutographed Dating and Location (1934):\u003c\/b\u003e The documentary value of the piece is enhanced by the handwritten inscription by the author in the lower right margin: \u003ci data-path-to-node=\"14,0,0\" data-index-in-node=\"178\"\u003e\"Camprodon 1934\"\u003c\/i\u003e. This detail anchors it in a key historical moment, just two years before the outbreak of the Spanish Civil War.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eThe Technical Duality:\u003c\/b\u003e The art market greatly values the sketchbooks and drawings of architects for their absolute mastery of proportion. Here we find the perfect balance between the geometry of technical drawing (in the facades and openings) and the expressive freedom of fine art.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003ch3 data-path-to-node=\"15\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\n\u003cul data-path-to-node=\"16\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,0,0\"\u003e\u003cb data-path-to-node=\"16,0,0\" data-index-in-node=\"0\"\u003eAuthor:\u003c\/b\u003e Antoni de Ferrater i Feliu (Barcelona, 1891 - 1959).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,1,0\"\u003e\u003cb data-path-to-node=\"16,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Subject:\u003c\/b\u003e Camprodon Landscape \/ Houses among the trees (Noucentista Landscape \u003ci data-path-to-node=\"16,1,0\" data-index-in-node=\"74\"\u003epainting\u003c\/i\u003e).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,2,0\"\u003e\u003cb data-path-to-node=\"16,2,0\" data-index-in-node=\"0\"\u003eYear of creation:\u003c\/b\u003e 1934.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,3,0\"\u003e\u003cb data-path-to-node=\"16,3,0\" data-index-in-node=\"0\"\u003eTechnique and Medium:\u003c\/b\u003e Original drawing in grease pencil \/ charcoal on drawing paper.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,4,0\"\u003e\u003cb data-path-to-node=\"16,4,0\" data-index-in-node=\"0\"\u003eDocumented Dimensions:\u003c\/b\u003e 12.5 x 16.5 cm (Cabinet format \/ Travel sketch).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,5,0\"\u003e\u003cb data-path-to-node=\"16,5,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Titled, dated, and hand-signed \u003ci data-path-to-node=\"16,5,0\" data-index-in-node=\"58\"\u003e\"Camprodon 1934 \/ Ferrater\"\u003c\/i\u003e in the lower right corner.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,6,0\"\u003e\u003cb data-path-to-node=\"16,6,0\" data-index-in-node=\"0\"\u003eStyle \/ Movement:\u003c\/b\u003e \u003ci data-path-to-node=\"16,6,0\" data-index-in-node=\"21\"\u003eNoucentisme\u003c\/i\u003e \/ Structural Realism.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,7,0\"\u003e\u003cb data-path-to-node=\"16,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Private collection \/ Gallery fund.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"16,8,0\"\u003e\u003cb data-path-to-node=\"16,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Excellent archival quality. The stroke remains firm and stable. The paper support retains its structural integrity, showing the beautiful and uniform warm tone (ivory\/toasted) characteristic of its age and natural aging.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3 data-path-to-node=\"17\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\n\u003cp data-path-to-node=\"18\"\u003eThis sketch transcends the purely aesthetic to become living history. To own this drawing by Ferrater is to hold in your hands an exact fragment of the summer of 1934 in the Catalan Pyrenees. A work small in dimensions but immense in intellectual rigor, essential for the collector specializing in the golden age of Catalan culture and architecture of the turn of the century.\u003c\/p\u003e\n\n\u003chr data-path-to-node=\"19\"\u003e\n\n\u003cp data-path-to-node=\"20\"\u003e\u003cb data-path-to-node=\"20\" data-index-in-node=\"0\"\u003eIncludes Collector's Dossier:\u003c\/b\u003e This work is delivered with a research study of the work, prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53485298221389,"sku":null,"price":145.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/imagen_2026-03-05_162022484.png?v=1772724028","url":"https:\/\/eltallerdelcoleccionista.com\/en\/products\/antoni-de-ferrater-paisaje-de-camprodon-1934-dibujo-original-noucentisme-catalan","provider":"El taller del coleccionista","version":"1.0","type":"link"}