{"product_id":"carbonell-rull-noies-desnudo-reclinado-prueba-bon-a-tirer-b-a-t-aguafuerte-original","title":"CARBONELL | RULL (WOMEN) - RECLINING NUDE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING","description":"\u003ch2 data-path-to-node=\"4\"\u003eCARBONELL | RULL (GIRLS) - RECLINING NUDE | BON À TIRER (B.A.T.) PROOF | ORIGINAL ETCHING\u003c\/h2\u003e\n\u003cp data-path-to-node=\"5\"\u003eAn exceptional workshop proof with the coveted category of \u003ci data-path-to-node=\"5\" data-index-in-node=\"63\"\u003eBon à Tirer\u003c\/i\u003e (Ready to Print). A print with an intimate atmosphere and undeniable documentary rarity, emerged from the mythical presses of master Masafumi Yamamoto.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"6\"\u003eHISTORY AND CURATORIAL ANALYSIS\u003c\/h3\u003e\n\u003cp data-path-to-node=\"7\"\u003e\u003cb data-path-to-node=\"7\" data-index-in-node=\"0\"\u003eThe Lyricism of the Body and the Intimate Atmosphere\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis fascinating print corresponds to the first installment of the graphic series \"Rull (Noies)\", a project conceived in March 1985 as a creative dialogue between the artist Carbonell and the Catalan writer Pep Albanell. In this composition, the author introduces us to a scene of profound stillness and poetic voyeurism: a reclining female nude, in an attitude of placid rest, accompanied by the silent presence of a potted plant. The background, worked with an aquatint of overwhelming density, outlines the pale figure of the young woman, giving the work an almost theatrical chiaroscuro and an undeniable nocturnal magnetism.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003e\u003cb data-path-to-node=\"9\" data-index-in-node=\"0\"\u003eThe Workshop's Pedigree and Technical Purity\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eThe plate was entirely handcrafted in the legendary Barcelona workshop of master Masafumi Yamamoto, a mandatory stop for art icons such as Antoni Tàpies, Joan Brossa, and Jaume Plensa. The intaglio mark is deep and textured, showing the extremely high contrast between the velvety blacks of the background and the subtlety of the line in the female anatomy during these demanding first passes through the press.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"11\"\u003eWHY IS THIS PIECE AN OPPORTUNITY FOR YOUR COLLECTION?\u003c\/h3\u003e\n\u003cul data-path-to-node=\"12\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,0,0\"\u003e\u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"0\"\u003eAbsolute Rarity (The B.A.T. example):\u003c\/b\u003e In graphic art collecting, the \u003ci data-path-to-node=\"12,0,0\" data-index-in-node=\"78\"\u003eBon à Tirer\u003c\/i\u003e (B.A.T.) is the pinnacle of the artisanal process. It is the definitive, exact, and perfect proof that the artist approves and signs in their own hand to give the master printer the green light. \u003cb data-path-to-node=\"12,0,0\" data-index-in-node=\"266\"\u003eOnly one B.A.T. exists per edition\u003c\/b\u003e, which makes this piece a historical document of exclusivity unattainable for the ordinary commercial print run.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,1,0\"\u003e\u003cb data-path-to-node=\"12,1,0\" data-index-in-node=\"0\"\u003eThe Imprint of Time (Living Document):\u003c\/b\u003e For absolute transparency, the work shows a slight chromatic shift (warm tone or \u003ci data-path-to-node=\"12,1,0\" data-index-in-node=\"135\"\u003elight burn\u003c\/i\u003e) in the central area of the figure. Far from being a defect, it is the tactile confirmation of its nature as a workshop proof: B.A.T.s were often exposed or hung in the printing studio as a constant reference throughout the entire print run. This patina attests to its authenticity as a historical working document.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"12,2,0\"\u003e\u003cb data-path-to-node=\"12,2,0\" data-index-in-node=\"0\"\u003eNoble Support:\u003c\/b\u003e Printed on exceptional Vélin Arches 250-gram rag paper. Globally renowned for its immutability, the paper retains its coveted natural deckled edges, giving the piece an undeniable museum-quality weight.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul data-path-to-node=\"14\"\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,0,0\"\u003e\u003cb data-path-to-node=\"14,0,0\" data-index-in-node=\"0\"\u003eArtist:\u003c\/b\u003e Carbonell (Engraving from the \"Rull\" series, with texts by Pep Albanell).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,1,0\"\u003e\u003cb data-path-to-node=\"14,1,0\" data-index-in-node=\"0\"\u003eTitle \/ Theme:\u003c\/b\u003e Rull (Noies) - First print (Reclining nude).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,2,0\"\u003e\u003cb data-path-to-node=\"14,2,0\" data-index-in-node=\"0\"\u003eEra:\u003c\/b\u003e March 1985 (Contemporary Art \/ Poetic Figuration).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,3,0\"\u003e\u003cb data-path-to-node=\"14,3,0\" data-index-in-node=\"0\"\u003eTechnique and Support:\u003c\/b\u003e Original etching and aquatint hand-printed on Vélin Arches 250 grs paper (with intact deckled edges).\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,4,0\"\u003e\u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"0\"\u003eEdition \/ Print Run:\u003c\/b\u003e Unique \u003cb data-path-to-node=\"14,4,0\" data-index-in-node=\"33\"\u003eB.A.T. (\u003ci data-path-to-node=\"14,4,0\" data-index-in-node=\"41\"\u003eBon à Tirer\u003c\/i\u003e)\u003c\/b\u003e example. Workshop reference print, not for commercial sale.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,5,0\"\u003e\u003cb data-path-to-node=\"14,5,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e Support (Paper): 44 x 32 cm | Plate mark: 24.5 x 30 cm.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,6,0\"\u003e\u003cb data-path-to-node=\"14,6,0\" data-index-in-node=\"0\"\u003eSignature and Inscriptions:\u003c\/b\u003e Handwritten annotation \u003ci data-path-to-node=\"14,6,0\" data-index-in-node=\"44\"\u003e\"Bon a Tirer\"\u003c\/i\u003e in pencil in the lower left margin and hand-signed by Carbonell in the lower right margin.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,7,0\"\u003e\u003cb data-path-to-node=\"14,7,0\" data-index-in-node=\"0\"\u003eProvenance:\u003c\/b\u003e Master printer Masafumi Yamamoto's workshop (Barcelona) \/ Technical archive.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cp data-path-to-node=\"14,8,0\"\u003e\u003cb data-path-to-node=\"14,8,0\" data-index-in-node=\"0\"\u003eCondition:\u003c\/b\u003e Good structural condition, retaining its original deckled edges. Shows an aged patina (\u003ci data-path-to-node=\"14,8,0\" data-index-in-node=\"114\"\u003elight burn\u003c\/i\u003e or warm shift) in the plate mark area, typical of its exposure as a reference proof in the workshop, certifying its historicity.\u003c\/p\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTHE WORKSHOP'S NOTE\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe value of this work lies in that it does not hide its past, but proudly displays it. The light patina on the paper tells the story of the hours this print spent in Yamamoto's workshop guiding the master printer's hand. It is a visually powerful piece, with exquisite contrasts, designed for the erudite collector who seeks to own the intimate and human history behind the creation of a graphic edition.\u003c\/p\u003e\n\u003chr data-path-to-node=\"17\"\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eCollector's Dossier Included:\u003c\/b\u003e This work comes with an exhaustive research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista, certifying our research and known provenance.\u003c\/p\u003e","brand":"El taller del coleccionista","offers":[{"title":"Default Title","offer_id":53470936105293,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0904\/1841\/3901\/files\/DSC_0333_c9f63ff3-89c9-40e1-bcf9-4d07ae4b31db.jpg?v=1772584000","url":"https:\/\/eltallerdelcoleccionista.com\/en\/products\/carbonell-rull-noies-desnudo-reclinado-prueba-bon-a-tirer-b-a-t-aguafuerte-original","provider":"El taller del coleccionista","version":"1.0","type":"link"}