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SPANISH SCHOOL (19TH-20TH CENTURIES) | THE READER (ACCORDING TO FRAGONARD) | ACADEMICISM | CHARCOAL DRAWING

SPANISH SCHOOL (19TH-20TH CENTURIES) | THE READER (ACCORDING TO FRAGONARD) | ACADEMICISM | CHARCOAL DRAWING

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SPANISH SCHOOL (19TH-20TH CENTURIES) | THE READER (ACCORDING TO FRAGONARD) | ACADEMICISM | CHARCOAL DRAWING

An exercise in academic virtuosity that translates into black and white the intimacy and silence of one of the masterpieces of the Rococo.

HISTORY AND CURATORIAL ANALYSIS

Dialogue with the Master This work is a direct homage to "La Liseuse" (The Young Girl Reading), painted by Jean-Honoré Fragonard around 1770. The artist, belonging to the Spanish school of the early 20th century, undertakes a classic exercise in emulation : studying the master to learn how to capture light. Unlike the original oil painting, where yellow is the dominant color, here the artist faces the challenge of conveying the entire atmosphere and texture of the dress using only the gray scale of charcoal.

Visual Analysis: The Light of Knowledge. The work stands out for its exquisite treatment of light, which falls on the young woman's face and the pages of the book, leaving the background in a velvety penumbra that enhances the intimacy of the scene. The use of charcoal is academic and meticulous: there is a soft modeling ( sfumato ) in the girl's skin and a remarkable volumetric work in the folds of the dress and the cushion, which contrast with the darkness of the chair's back.

The handwritten dedication in the lower right corner ("Remembering my dear sister on her Saint's Day...") reveals the intimate nature of the work: it was not an anonymous commercial commission, but a personal gift, probably made by a cultured artist trained in copying museum pieces.

WHY IS THIS PIECE AN OPPORTUNITY?

  • Universal Iconography: The image of a woman reading is an absolute classic in the history of art ("Bibliophilia"). It represents intimacy, intellect, and domestic peace, and is a theme that is always in high demand for decorative purposes.

  • Quality of Execution: It is not an amateur sketch; the hands and profile are drawn with anatomical precision that denotes a solid academic background.

  • Large Format: Measuring 62 x 46.5 cm, it is a substantial piece. Framed with a good mat and a classic frame, it has the necessary presence to grace a library or office.

  • Timeless Aesthetics: It allows you to have the classic essence of a Fragonard but with the elegant and modern sobriety of black and white.

TECHNICAL SPECIFICATIONS

  • Author: Spanish / Catalan School (Signature not identified).

  • Title / Theme: The Reader (Interpretation of Jean-Honoré Fragonard).

  • Year/Period: Circa 1900-1930.

  • Technique and Support: Charcoal and blending stump on paper.

  • Dimensions: 62 x 46.5 cm.

  • Inscriptions: Handwritten dedication on the lower right margin.

  • Condition: Good. The central drawing (the figure) remains perfectly legible and with excellent contrast. The paper shows the natural browning characteristic of the support due to age.

  • Inspection Guarantee: 14-day money-back guarantee to inspect the work in person.

THE WORKSHOP NOTE

What fascinates me about this piece is how it captures the total absorption of reading. The artist has managed to translate Fragonard's vibrant color into a silent, velvety grayscale, creating an atmosphere of absolute intimacy. But above all, it is the handwritten dedication that gives it soul: it transforms a technical study into a personal testament of familial affection. It is an ideal work for a bibliophile, a piece that not only decorates but also accompanies the silence of a good book.


Includes Collector's Dossier: This work is delivered accompanied by a technical sheet and historical context prepared and printed by El Taller del Coleccionista, certifying our research.

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