El taller del coleccionista
Francisco Ribera — Portrait of Ramón N. García-Nieto Paris (1980) — Oil on canvas
Francisco Ribera — Portrait of Ramón N. García-Nieto Paris (1980) — Oil on canvas
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A portrait of Ramón N. García-Nieto Paris, dated 1980.
The Taller Note
The gaze behind the glasses and the slight smile give the portrait an approachable tone. The blue suit stands out against a dark green background, while the shirt and papers provide the lightest areas. Below, the hand and its reflection on the table connect the figure to the objects around him. The plaque on the frame identifies the sitter and records his birth and death dates.
Composition and technique
The figure is seated with his face turned and papers held over a table. The modelling of the face and hand is combined with more visible brushwork in the jacket and background. Folds in the suit, the pattern of the tie and reflections on the table introduce different textures within a composition centred on the sitter.
Palette and light
The blues and greys of the suit contrast with the warm tones of the face and hand. The shirt and papers stand out in off-white against the dark background. Light focuses attention on the features and leaves part of the figure in shadow, giving volume to the portrait.
Identification and date
The plaque identifies Don Ramón N. García-Nieto Paris and records the dates “21 MAYO 1931 - 16 JUNIO 1978”. The painting is signed “FRANCISCO RIBERA” and dated “MCMLXXX” (1980), placing it after the date of death indicated on the plaque.
Technical details
- Artist: Francisco Ribera Gómez (Madrid, 1907 – Barcelona, 1996)
- Title: Portrait of Don Ramón N. García-Nieto Paris
- Year: 1980 (MCMLXXX)
- Technique: Oil on canvas
- Support: Canvas
- Dimensions: Large format (exact measurements available on request)
- Signature: Signed “FRANCISCO RIBERA” and dated “MCMLXXX” in the lower right corner.
- Sitter identification: Metal plaque on the frame inscribed: “DON RAMON N. GARCIA-NIETO PARIS / BARCELONA / 21 MAYO 1931 - 16 JUNIO 1978”.
- Condition: Good. The canvas and paint layer are in good overall condition. A small surface scuff near the signature does not affect the work’s integrity and is visible in the photographs. The frame from the period shows age-related wear.
