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Joan Soler Gil — Birches by the river — Oil on canvas

Joan Soler Gil — Birches by the river — Oil on canvas

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Between the dampness of the ground and an almost veiled atmosphere stands a small group of birch trees. Their light trunks, streaked with greys and earth tones, form the core of a composition in which Joan Soler Gil deliberately reduces the landscape to a few elements: trees, water, vegetation, and depth.

The scene seems to correspond to a cold time of year. The bare branches extend toward the top of the canvas while, in the background, the forest progressively loses definition until it merges with a mist of brownish tones. There is no clear horizon or major geographical features: the depth is born from the overlapping of trunks and that progressive dissolution of the vegetation.

The water occupies the lower area and fragmentarily captures the colors of the surroundings. The horizontal brushstrokes of ochres, greys, and greens suggest reflections without describing them in detail, allowing the very matter of the oil paint to construct the sensation of movement.

Especially characteristic are the trunks of the birch trees. Soler Gil alternates whites, greys, browns, and small bluish accents to recreate the irregularity of their bark, concentrating here the thickest brushstrokes of the entire work. Opposite them, the branches are resolved through quick, light lines that traverse the sky.

The palette, deliberately contained, reinforces the silent character of the landscape. Muted greens and earth tones dominate almost the entire surface, while brief yellows in the foreground introduce the only note of intense light.

Joan Soler Gil — The landscape as a nearby territory

Joan Soler Gil (Sabadell, 1929–2014) developed an output focused fundamentally on landscape.

Within his known work appear views of the Vallès, Montserrat, Pedraforca, Cadaqués, Arenys de Mar, and other enclaves of Catalan geography. His painting maintains a direct figurative language, attentive to variations in light, vegetation, and atmosphere rather than a strictly topographical description of the place.

In this small grove, the artist abandons the spectacularity of the mountains or the coast to dwell on a much more intimate motif: trees by the water and the damp sensation of a forest in repose.

A landscape made of reflections and silences

The painting works especially well due to its verticality.

The trunks traverse almost the entire composition and force one to lift their gaze toward the network of upper branches. In opposition, the water and the strips of land construct a series of horizontals that stabilize the whole.

There is no single focal point. The gaze shifts slowly between the trees, their reflections, and the forest in the background. That absence of drama makes the scene an essentially contemplative painting.

Technical Sheet

Author: Joan Soler Gil (Sabadell, 1929–2014)
Title: Birch Trees by the River
Technique: Oil on canvas
Dimensions of the artwork: 32 × 23.5 cm
Dimensions with frame: 53 × 44 × 3 cm
Signature: Signed “Soler Gil” in the lower right corner
Subject: Landscape / grove / river
Style: Figurative landscape
Period: Second half of the 20th century
Support: Canvas
Presentation: Molded wooden frame with wide fabric mat, light inner profile, and identification plaque “Soler Gil”
Condition: Good general condition, with signs consistent with its age. The frame and mat show some marks and small stains from use. The photographs are part of the condition report.

Studio Note — The forest when it seems to stand still

What interests us most about this work is its simplicity.

It does not need a great mountain, recognizable architecture, or a sunset to construct the landscape. A few birch trees, a stream of water, and a forest that slowly disappears into grey tones are enough.

The brushwork is especially effective on the trunks and the reflections in the foreground, where Soler Gil allows the paint to remain visible and directly build the texture of the place.

It is a small, serene work that is very easy to integrate, with an antique presentation that also retains much of its original character.

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