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Lerke — Surrealist Landscape and Biomorphic Abstraction — Surrealist oil painting — 1978

Lerke — Surrealist Landscape and Biomorphic Abstraction — Surrealist oil painting — 1978

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A visual immersion into late 1970s surrealism. This large-format painting defies convention through a psychedelic aesthetic and extreme textures, establishing itself as a resounding piece of Art Brut and biomorphic abstraction.

Dated 1978, this work falls within the experimental drifts of surrealism and "outsider" art of the late twentieth century. The composition places the viewer before a metaphysical, arid landscape, structured by a geometric wall and a sky of dense blues. Strange creatures of avian and anthropomorphic morphology interact within this setting. The artist displays a very unique technical virtuosity: the figures are rendered through a dense impasto of concentric, sinuous lines. The use of pure, strongly saturated colors (yellows, greens, reds) generates an almost sculptural volume and a vibrant optical effect that deliberately contrasts with the flatness and chromatic sobriety of the earthy backgrounds.

Cataloging Note

The work is signed and dated "1978 Lerke" (or alternatively "Leske") in the lower left corner.

Technical Data

  • Artist: Signed "Lerke" or "Leske".

  • Subject: Surrealism / Biomorphic abstraction / Dreamlike landscape.

  • Period: 1978 (Late surrealism).

  • Technique: Oil on canvas with abundant impasto and linear texturing.

  • Dimensions: 92 x 73 cm.

  • Signature: Signed and dated "1978 Lerke" in the lower left corner.

  • Condition: Very good overall condition. Stable paint layer with vibrant colors and intact relief. As it is an unframed canvas, it shows slight rubbing on the edges due to storage, which will be hidden once framed. It presents a tiny loss of paint (chip) that is practically imperceptible, documented in the photographic report. It is recommended to review the images as a binding document.

Studio Note

The meticulous execution contrasts with the freedom of the biomorphic forms. The relationship between the landscape and the abstraction gives the image its surrealist character.

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