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Roca Freixas | Homage to Lascaux (Bison and Deer) | Original Materic Oil
Roca Freixas | Homage to Lascaux (Bison and Deer) | Original Materic Oil
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A fragment of the cave brought to the canvas. A visceral pictorial recreation where the extreme material load transforms the painting into pure visual archaeology.
History and Curatorial Analysis
The Archaeology of Matter
In this work, Roca Freixas completely moves away from complacent salon painting to delve into the most primordial human impulse: the origin of art. The piece is a heartfelt tribute to the cave panels of the Magdalenian period (such as the Hall of Bulls in Lascaux or Altamira). The artist does not seek to make a simple illustrative copy of the figures; his ambition is to capture the geological and spiritual experience of the cave. To achieve this, he abandons the flatness of the canvas and uses an extreme load of paint (impasto), building a deliberately uneven and rough surface. On this false calcareous wall, he applies pigments that imitate the prehistoric palette: earths, ochres, iron reds, and charcoal blacks.
The Narrative Frieze and Frozen Motion
Respecting the panoramic format typical of cave friezes, the composition is articulated through anatomical contrast. To the left, the dark and powerful mass of the bison erupts, modeled with thick strokes that give it a brutal weight. To the right, in clear counterpoint, appear the deer, rendered with a much more graceful and stylized line in their antlers. Freixas perfectly captures the "frozen motion" characteristic of parietal art: the animals float and run in a timeless space, lacking a ground line or geometric perspective, returning the viewer to the magic of the first sacred rites.
Why is this piece an opportunity for your collection?
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Thematic Rarity (Cabinet of Curiosities): It is exceptionally rare to find mid-20th-century oil paintings dedicated to archaeological recreation. This uniqueness sets it apart from the usual decorative norm, making it an intellectual "conversation piece," ideal for collectors fascinated by anthropology or ancient history.
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Sculptural Quality: The work demands to be touched with the gaze. The raking light on the oil painting's high reliefs creates a play of shadows that perfectly imitates the erosion of stone. It provides a tactile richness that no photograph or graphic reproduction could equal.
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Period Organic Mounting: The work is presented protected by a carefully crafted mounting that includes a wide mat of burlap or rustic fabric, finished with an outer gilded frame. This choice of materials enhances the earthy and primitive tone of the painting, giving it an excellent wall presence.
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Versatility of Format: Its horizontal dimensions (11.5 x 29.5 cm of painted area) make it an architectural jewel. It is the perfect format to crown a lintel, preside over a bookshelf of antique books, or integrate into a humanist-style office.
Technical Sheet
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Artist: Roca Freixas.
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Title / Theme: Paleolithic frieze with bison and deer (Material Primitivism / Homage to Lascaux).
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Period: Second half of the 20th century.
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Technique and Support: Original oil on canvas with extreme material load (impasto) imitating stone texture.
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Dimensions: 11.5 x 29.5 cm (artwork).
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Signature and Inscriptions: Signed "Roca Freixas" in the lower left corner, integrating the signature into the relief of the ground.
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Provenance: Secondary art market, private collection.
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Condition: Very good. The pictorial layer has an intentional rough texture, stable and firmly adhered to the support. The framing with a rustic fabric mat shows natural wear commensurate with its age, adding authenticity to the ensemble.
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Inspection Guarantee: 14 days guaranteed return to inspect the artwork in person and verify the striking three-dimensional relief of its technique.
The Workshop's Note
What truly distinguishes this little jewel is its power of suggestion. When observed closely, the optical illusion is complete: it seems as if Roca Freixas has torn a piece of wall from a millennia-old cave to frame it. The artist's genius lies in having created this texture in the studio with such rawness and urgency that the painting breathes archaeological authenticity. It is a dense, dark, and fascinating painting, intended for a collector who seeks more than aesthetic beauty; a work that connects modern oil painting with the first time humans decided to paint an animal in the dark.
Includes Collector's Dossier: This work is delivered with a research study, technical sheet, and curatorial context prepared and printed by El Taller del Coleccionista.
